Art of the Print - American Art of the Depression Era 1930 to 1945 Page 1 Artist Index A to E

American Art of the Depression Era dating from 1930 to 1945 (Art of the Print / www.artoftheprint.com - Artist Index: A to E): The following four pages contain a listing of over two hundred American etchings, lithographs woodcuts, serigraphs, watercolors, drawings, linocuts and wood engravings from the Depression decade of the 1930’s and into the early 1940’s. Despite the dire economic times publishers of original prints continued to survive. There were many art publishers, associations, clubs, groups and societies situated in major cities throughout the United States. These organizations provided an opportunity for American artists to work and create original art during the Great Depression. A few of the artist groups from this period that are mentioned in the Art of The Print 'American Art of the Depression Era directory' include the American Artists Group, the Associated American Artists, New York, the Buffalo Print Club, the Chicago Society of Etchers, the Lone Star Printmakers, the Prairie Print Makers, the Print Club of Cleveland, the Print Club of Philadelphia, the Print Club of Rochester, the Society of American Etchers, the Indiana Society of Printmakers, the Society of Washington D.C. Artists, the Syracuse Print Club, the Woodstock Artists Assosiation, as well as many other important associations. A brief description of some of these is provided below.

Associated American Artists (A.A.A.): One of the longest running and most successful American print publishers of any era even began its operations in this decade. The Associated American Artists of New York issued its first catalogue of etchings for sale in January of 1935, for the standard price of $5.00 each. Since its creation in the mid 1930's the Associated American Artists commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the 1960's and 1970's as contributing artists included Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Gregory Masurovsky, Jack Coughlin and Sidney Chafetz. George Elmer Browne’s The Fishing Fleet (1936), John Wesley Carroll's Ribbons (1939), and Adolf Dehn’s Threshing Near Kilkenny (1939), are early examples of A.A.A. prints from this decade, and are offered below.

Buffalo Print Club: Established in 1931, the Buffalo Print Club was devoted to the study, creation and promotion of fine prints until its demise in 1962. From 1931 to 1962, the organization held most of its annual exhibitions at the Albright Art Gallery, Buffalo, NY in order to promote the art of both its members and national printmakers. Its members included such artists, as Kevin B. O'Callahan (founder), James Koenig, Niels Yde Andersen, Lewis W. Rubenstein, William J. Schwanekamp, and others.

Chicago Society of Etchers: Established in 1910, the Chicago Society of Etchers was devoted to promoting the fine art of etching until its demise in 1972. The Society held traveling exhibitions throughout the United States and also held an annual exhibitions at the Art Institute of Chicago. The associated members (only), were issued an original etching created by one of its members each year. The members included such artists as, Clifford Addams, Stanley Anderson, John Taylor Arms, George A. Bradshaw, George Burr, Antonio Carbonati, A. Hugh Fisher, Thomas Handforth, Bertha E. Jacques (Founding Member), Martin Lewis, Arthur Millier, Louis Rosenberg, Ernest D. Roth, Will Simmons, J. W. Winkler, Emily Burling Waite, Alonzo C. Webb, Franklin T. Wood and many other American and International artists.

Cleveland Print Makers: Founded in 1932 by Kalman Kubinyi, the Cleveland Print Makers established the 'Print-a-Month' series, in which subscribers would receive an etching, lithograph or woodcut each month for a year. Artists received a $50. salary for each commission and every print was published in a limited, signed edition of 250 impressions. Contributing national artists included Adolph Dehn, Emil Ganso, Yasuo Kuniyoshi and Rockwell Kent. Among the leading Cleveland area artists were George Adomeit, Paul Travis, William Sommer, Frank Wilcox, Kalman Kubinyi, Elsa Vick Shaw, Teresa Schmotzer and Honore Guilbeau. This series was the first of its kind and successfully raised revenue for the artists as well as making original art affordable during the Great Depression years. The 'Print-a-month' series continued until 1937. In 1932, William Phelps Cunningham contributed an original linocut entitled, Fruit Shop Villefranche to the Print-A-Month project, which is included in the illustrations below.

Indiana Society of Printmakers: Founded in 1934, by Evelynne Mess, George Jo Mess, Frederick Polley and Louis Oscar Griffith, the Indiana Society of Printmakers is a prominent organization devoted to the promotion and creation of fine prints by Indiana printmakers. Their early members included Jacob Howard Euston, Chester Leich, Constance Forsyth, John Lehman, Herbert Waters, Charles Surendorf, and others. From the beginning, the Indiana Society of Printmakers held annual exhibitions to promote the art of its members. In 1952, they held the 'First Biennial Exhibition of 50 Indiana prints' at the John Heron Art Museum. It was a juried exhibition that included members of the Indiana Society of Printmakers and other leading Indiana artists. Evelynne and George Jo Mess also founded and taught at the Circle Art Academy (1927-1932).

Lone Star Printmakers: Organized in 1938 by a group of leading Dallas artists, the 'Lone Star Printmakers' created and published original prints with special interest in Texan landscapes and themes. They held annual exhibitions from 1939 to 1943 and their first traveling exhibition was held in twenty-three locations throughout Texas, Colorado, Oklahoma and Louisiana. Members and artists who participated in these exhibitions included such artists as Jerry Bywater, William Lewis Lester, H. O. Robertson, Merritt Mausey, Alexander Hogue, Otis M. Dozier, Harry P. Carnohan, Everett Spruce, and others. The Dallas Museum of Fine Arts held an Exhibiton of the Lone Star Printmakers in 1943, the same year the group ceased its operations.

Prairie Print Makers: Formed in 1930 by a group of prominent Kansas artists, the Prairie Print Makers was an organization devoted to the promotion and creation of fine American prints at an affordable price that would appeal to all collectors. They annually commissioned one of their members to create an original print in the medium of lithography, etching, drypoint, aquatint, or wood engraving to be given to all of the members of the club. The prints were usually issued in an edition of 200 impressions. In order to sell their prints, they held traveling exhibitions. The club's early members included, such artists as, Coy Avon Seward, Birger Sandzen, Herchel Logan, Norma Bassett Hall, Arthur Hall, Charles Capps, Stow Wengenroth, Leo Courtney, LLoyd Foltz, Leo Meisnner, James Swan, Margaret Ann Gaug, Clarence Hotvedt, Edmund Kopietz, Maynard Dixon, and other important American artists of the period. A selection of the famous Gift Prints issued by the Prairie Print Makers include, Birger Sandzen's A Kansas Creek (1931), Levon West's The Prairie Rider (1933), C. A. Seward's, Adobe Village, New Mexico (1936) Stow Wengenroth's New England Village (1940), Clair Leighton's, Corn Pulling (1952), James Swan's Willow (1953) Leo Meisnner's Tidal Surge (1961) and their last print was by Charles M. Capps Idyl of New Mexico, (1965). In total, there were thirty one original Gift Prints issued frrom 1930 until its demise in 1965.

Society of Washington D.C. Artists: Established in 1891, the Society of Washington D.C. Artists was formed in order to promote and exhibit the art of its members. Most of the exhibitions were held at the Corcoran Gallery of Art, one of the oldest privately supported institutions in Washington D.C. Its early members and exhibitors included American artists such as, Emma Cheves Wilkins, Caroline Van Hook Bean, Felicie Waldo Howell, Lloyd Embry, Paul Arlt, Dorothea Schwarcz Greenbaum, Sullivan Goss, Kenneth Stubs, Samuel Bookatz, John Chapman Lewis, Eleanor Parke Custis, Charles Courtney Curran and other fine artists.

Syracuse Print Club: The group was originally organized as an art class around 1932 by Hibberd Van Buren Kline, illustrator, etcher painter and also professor of art at the Syracuse Universtity. The classes were taught at the Syracuse Fine Arts Museum. However the 'Syracuse Print Club' was not officially created until 1936. It was decided that the club membership was to be by invitation only and they would hold annual shows to promote the artist's works. The Syracuse Print Club changed its name in 1940 to the 'Syracuse Printmakers' and continued to hold annual juried exhibitions. In 1946, they also held traveling exhibitions in various museums such as the Arnot Museum in Elmira and the Munson-Williams-Proctor Institute in Utica. The Club's early members included, Harry G. Aitken, Wilford Addison, Edith Noble, Edith Roddy, Edith Horle, Edith Hough, Edith Wilcox, Aleyne Webber, Prudence Burg and others. In 1992, a retrospective exhibition, 'Proof of the Print: Syracuse Printmakers' was held in Syracuse, New York at the Onondaga Historical Association Museum.

The Brooklyn Society of Etchers: Founded in 1915, The Brooklyn Society of Etchers held their annual exhibitions at the Brooklyn Museum of Art from 1916 until 1930. Its founding members included Ernest Roth (President), Troy Kinney, Eugene Higgins, Fred Reynolds, Paul Roche, and Susan A. Hutchinson. From (1915-1930), their members included such great American artists as, John Taylor Arms, Frank Benson, Edward Hopper, Will Simmons, John W. Winkler, Mary Cassatt, and other important American artists from this period. In 1931, due to the increased membership by artists from other states, such as, Harold Kerr Eby, Louis Conrad Rosenberg, Arthur William Heintzelman, Carl J. Nordell, George Elbert Burr, Earl Horter and many other American artists, it was decided to change the name of the Brooklyn Society of Etchers to the Society of American Etchers, Inc. Included in the images below are George Elbert Burr's Evening, Arizona ( 1930), Harold Kerr Eby's, Cornwall (1927), and Louis Conrad Rosenberg's Porticus of Octavia, Rome by which were all commissioned by The Brooklyn Society of Etchers.

The Colophon: Founded in 1929, The Colophon, A Book Collectors' Quarterly is well known to collectors of both original printmaking and the book arts. During the 1930's and 1940's it published quarterly issues pertaining to these subjects. Most issues contained an original woodcut, lithograph, linocut or etching commissioned by the publishers. Such well known American printmakers of the time as Stow Wengenroth, Paul Landacre, Emile Ganso, Victoria Hutson Huntley, Earl Horter, Kenneth Ballantyne, Thomas Nason and David Milne contributed original works of graphic art. The Colophon published its prints in editions ranging from 1,750 to 2,500. Kenneth Ballantyne's original linocut, Wood Nymphs appeared in The Colophon in New York in 1931, and is illustrated below.

The Print Connoisseur: The first issue of The Print Connoisseur appeared in 1920. It published illustrated articles on contemporary etchers and engravers on a quarterly basis until December 1931. A minimum of one original print was commissioned for each issue and the more expensive, limited editions of 100 each usually contained a signed impression in pencil by the artist. During its decade of publishing such major artists as George Elbert Burr, Frank Benson, Lynd Kendall Ward, John Winkler, Vojtech Preissig, Alan Lewis and J. J. Lankes contributed original etchings and woodcuts. This New York based publication was thus responsible for commissioning some of the finest original art of early twentieth century America. Alexander Couard contributed an original linocut entitled, Steel in July of 1930 and that same year, George Elbert Burr also created Little Canyon, Arizona and Morraine Park for The Print Connoisseur. These fine prints are illustrated below.

Works Progress Administration (W.P.A): During the era of the Great Depression, President Roosevelt's administration sponsored a relief program, the Works Progress Administration (1935 to 1943). Original printmaking was a major element of the W.P.A. and sixteen subsidized graphic workshops were created throughout the nation during the Depression era. The most productive programs emerged in New York, Philadelphia, Chicago and Cleveland. The original lithographs, woodcuts and etchings created through this program provide a unique and fascinating record of the times. Without its aid the many great works of art created in this decade would not have been made. The W.P.A. operated chapters for artists in almost every major city until it was suspended at the end of 1943.

Woodstock Artists Association (WAA): Founded around 1919, the Woodstock Artists Association, a colony for the arts in Woodstock, New York, became one of the leading arts centers in America. From the beginning, it was responsible for running exhibition spaces and setting artistic policies for its members. Known for its diversity of expression, it was committed to grant equal opportunities for both realist and abstract artists within the community and to create and exhibit art of different types of genres, styles and medias. The organization opened its summer season each year with a membership show. Early members of the association included such artists as, John Carlson, Frank Swift Chase, Andrew Dasburg, Carl Eric Lindin and Henry Lee Mcfee, George Bellows, Rosella Hartman, Paul Fiene, Marion Greenwood, Harry Gottlieb, Yasuo Kuniyshi, Emile Ganso, Rockwell Kent, Arnold Grant, John Carroll and others.

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Evening Arizona by George Elbert Burr	Art of The Print - American Art of the Depression Era - Page 1 (Artist Index A to E)	Tom Tom by Elmer Brown
American Art of the Depression Era	\| A \| B \| C \| D \| E \| F \| G \| H \| I \| J \| K \| L \| M \| N \| O \| P \|Q\| R \| S \| T \| U \| V \| W \| X \| Y \| Z \|	American Art of the Depression Era

American Art of the Depression Era dating from 1930 to 1945 (Art of The Print / www.artoftheprint.com - Artist Index: A)
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Image	Last Name	Title & Artist	Artist Info	Medium	Date	Info	-
	Abbe	Coastal Scene by William Abbe	William Abbe (Pomfret, CT, 1916 - Cape Cod, 1983)	Original Silk-Screen (Serigraph)	1940-1945	Signed in pencil and numbered 28/30 by William Abbe along the lower margin.	Sold
	Abramofsky	At Low Tide by Israel Abramofsky	Israel Abramofsky (Kiev, Russia, 1888 - Toledo, Ohio, 1959)	Original Monoprint	c. 1930	Signed in full by Israel Abramofsky and also signed with his 'I. A.' monogramme	Sold
	Abramofsky	Flower Seller, Place de la Concorde Paris by Israel Abramofsky	Israel Abramofsky (Kiev, Russia, 1888 - Toledo, Ohio, 1959)	Original Monoprint	c. 1930	Signed in full by Israel Abramofsky and also signed with his 'I. A.' monogramme.	Sold
	Abramofsky	Figure Studies by Israel Abramofsky	Israel Abramofsky (Kiev, Russia, 1888 - Toledo, Ohio, 1959)	Original Watercolor	1943	Signed and dated in full by Israel Abramofsky in the lower right corner.	Sold
	Abramofsky	On The Beach by Israel Abramofsky	Israel Abramofsky (Kiev, Russia, 1888 - Toledo, Ohio, 1959)	Original Watercolor	1943	Signed and dated in full by Israel Abramofsky along the lower right corner.	Sold
	Allen	Caribou (Two Caribou in a Snowy Mountain Landscape) by James Edward Allen	James Edward Allen (Louisiana, Missouri, 1894 - New York, 1964)	Original Lithograph	1944	Signed in pencil by James Edward Allen to the lower right.
	American School	At the Window by an Anonymous American artist, for The American Red Cross	American School (Active 20th Century)	Original Watercolour	c. 1945 - 1950	Painted upon 'Whatman Drawing Board' and bearing the stamp on the verso.	Sold
	Andersen	Moorland Tempest by Norman Anderson	Norman Andersen (Chicago, 1894 - 1968)	Original Etching and Drypoint with Plate Tone	c. 1936 - 1940	Signed, titled and numbered in pencil by Norman Anderson, edition size of 75 impressions.	Sold
	Arms	Bury St. Edmunds by John Taylor Arms	John Taylor Arms (Washington, DC, 1887 - Fairfield, Connecticut, 1953)	Original Etching	1940	Signed, dated and inscribed by John Taylor Arms in pencil along the lower margin.	Sold
	Arms	Stanwick Church by John Taylor Arms	John Taylor Arms (Washington, DC, 1887 - Fairfield, Connecticut, 1953)	Original Etching	1939	Signed and dated in pencil by John Taylor Arms along the lower margin.
	Arnold	Distant Hills by Grant Arnold	Grant Arnold (Brooklyn, NY, 1904 - Oswego, NY, 1988)	Original Lithograph	1941	Signed, dated and titled in pencil by Grant Arnold and also dedicated "To Weller (?) with regards, Grant Arnold" by him to the lower left.

American Art of the Depression Era dating from 1930 to 1945 (Art of The Print / www.artoftheprint.com - Artist Index: B)
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Image	Last Name	Title & Artist	Artist Info	Medium	Date	Info	-
	Ballantyne	Wood Nymphs by Kenneth Ballantyne	Kenneth Ballantyne (Gisborne, New Zealand, 1886 - Long Island, NY, ?)	Original Linocut	1931	This impression is unsigned as published by The Colophon, New York	Sold
	Berdanier	A Village in the Winter by Paul F. Berdanier	Paul F. Berdanier (Frackville, Pennsylvania, 1879 - Long Island, 1947)	Original Hand-Colored Etching	c. 1935 - 1940	Signed in the plate by Paul Berdanier.	Sold
	Berdanier	Old Court Yard New Orleans by Paul F. Berdanier	Paul F. Berdanier (Frackville, Pennsylvania, 1879 - Long Island, 1947)	Original Etching	c. 1935	Signed in pencil by Paul Berdanier.	Sold
	Berdanier	Sterling Memorial Building, Yale by Paul F. Berdanier	Paul F. Berdanier (Frackville, Pennsylvania, 1879 - Long Island, 1947)	Original Etching	c. 1935 - 1940	Signed and titled in the plate by Paul Berdanier.
	Bloch	War by Julius Bloch	Julius Thiengen Bloch, 'Julius Bloch' (Germany, 1888 - Philadelphia, 1966)	Original Lithograph	1939	Signed, dated, titled and annotated 'ed. 50' by Julius Thiengen Bloch in pencil along the lower margin.	Sold
	Blum	Curiosity Shop by Alexander A. Blum	Alexander A. Blum (Cincinnati, 1888 - Philadelphia, 1969)	Original Etching	c. 1935	Signed "A. A. Blum" and titled by Alex Blum in pencil.
	Blum	The Fishbowl by Alexander A. Blum	Alexander A. Blum (Cincinnati, 1888 - Philadelphia, 1969)	Original Etching	c. 1920 - 1930	Signed "A. A. Blum" and titled by Alex Blum in pencil.
	Blum	Tim The Blacksmith by Alexander A. Blum	Alexander A. Blum (Cincinnati, 1888 - Philadelphia, 1969)	Original Etching	c. 1935	Signed "A. A. Blum" and titled by Alex Blum in pencil.	Sold
	Bonanno	Church of Santa Maria by Carmen Bonanno	Carmen Bonanno (New York, Born, 1901)	Original Drypoint Engraving	c. 1945	Signed in pencil by Carmen Bonanno, Associated American Artists Edition.
	Bonanno	Lago di Gardo, Italy by Carmen Bonanno	Carmen Bonanno (New York, Born, 1901)	Original Drypoint Engraving	c. 1945	Signed in pencil by Carmen Bonanno, Associated American Artists Edition.
	Bonanno	Road to Colesano by Carmen Bonanno	Carmen Bonanno (New York, Born, 1901)	Original Drypoint Engraving	c. 1945-1950	Signed in pencil by Carmen Bonanno, Associated American Artists Edition.
	Bonanno	Shorebirds by Carmen Bonanno	Carmen Bonanno (New York, Born, 1901)	Original Etching	c. 1945-1950	Signed in pencil by Carmen Bonanno, Associated American Artists Edition.
	Bonanno	The Mates by Carmen Bonanno	Carmen Bonanno (New York, Born, 1901)	Original Etching	c. 1945-1950	Signed in pencil by Carmen Bonanno, Associated American Artists Edition.
	Bradshaw	Ali Baba by George Bradshaw	George A. Bradshaw (Trenton, New Jersey, 1880 - 1968)	Original Etching	c. 1935	Signed and titled in pencil by George Bradshaw.
	Bradshaw	Gull Hill by George Bradshaw	George A. Bradshaw (Trenton, New Jersey, 1880 - 1968)	Original Drypoint Engraving & Etching	1937	Signed, titled dated and annotated in pencil by George Bradshaw.
	Brown	Tom Tom by Elmer Brown	Elmer William Brown, 'Elmer Brown' (Pittsburgh, 1909 - Cleveland, 1971)	Original Linocut (Linoleum Cut)	c. 1939	Signed and titled on the original matt (under the image) by Elmer Brown in pencil.
	Browne	The Fishing Fleet by George Elmer Browne	George Elmer Browne (Gloucester, Massachusetts, 1871 - 1947)	Original Etching & Drypoint Engraving	1936	Signed in the plate to the lower left and signed in pencil by George Elmer Browne, "Geo. Elmer Browne, N. A." along the lower right margin.
	Bry	Palin by Edith Bry	Edith Bry (Born, St. Louis, 1898 - Manhattan, 1991)	Original Lithograph	1941	Signed and titled in pencil by Edith Bry along the lower border of the image.	Sold
	Bunnell	Fantasy Landscape in the Japanese Style by Charles Ragland Bunnell	Charles Ragland Bunnell (Kansas City, 1897 - Colorado Springs, 1968)	Original Watercolor	c. 1940 - 1950	Signed by Charles Ragland Bunnell to the lower left.	Sold
	Burr	Evening, Arizona by George Elbert Burr	George Elbert Burr (Monroe Falls, Ohio, 1859 - Phoenix, Arizona, 1939)	Original Etching	1930	Signed in pencil by George Elbert Burr in the lower margin and also signed with the artist's 'GB' monogram, in the plate. , limited edition of 400 impressions.
	Burr	The Little Canyon, Arizona by George Elbert Burr	George Elbert Burr (Monroe Falls, Ohio, 1859 - Phoenix, Arizona, 1939)	Original Etching & Drypoint Engraving	1930	Signed in pencil by George Elbert Burr. 'First and Only State', limited edition of 100 impressions.
	Burton	Aqueduct and Distant Castle, Toledo Spain by Samuel Chatwood Burton	Samuel Chatwood Burton (England, 1881 - Minneapolis, 1947)	Original Etching	c. 1930	Signed by Samuel Chatwood Burton in pencil along the lower margin.

American Art of the Depression Era dating from 1930 to 1945 (Art of The Print / www.artoftheprint.com - Artist Index: C)
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Image	Last Name	Title & Artist	Artist Info	Medium	Date	Info	-
	Carroll	Ribbons by John Wesley Carroll	John Wesley Carroll (Wichita, Kansas, 1892 - Woodstock, New York, 1959)	Original Lithograph	1939	Signed in pencil by John Carroll along the lower margin a signed with his monogramme in the stone.	Sold
	Chamberlin	The Knights by Price Albert Chamberlin 'Price Chamberlin'	Price Albert Chamberlin 'Price Chamberlin' (Cincinnati, 1905 - Cleveland, 1967)	Original Hand-Colored Linocut	1933	Signed, dated and titled by Price Chamberlin in pencil.
	Chanase	Girls and Pigeons by by Dane Chanase	Richard Dane Chanase (Italy, 1894 - New York City, 1964)	Original Linocut	c. 1940 - 1950	Signed in pencil to the lower yb Richard Dane Chanase in the lower right margin.
	Chapin	The Merry Clown by James Ormsbee Chapin 'James Chapin'	James Ormsbee Chapin 'James Chapin' (West Orange, New Jersey, 1887 - 1975)	Original Lithograph	1941	Signed by James Ormsbee Chapin along the lower margin, edition o 250 impression.
	Colman	Gateway by Charles C. Colman	Charles C. Colman (Cleveland, Ohio, 1890 - ?)	Original Etching	1932	Signed, dated and numbered, '3/60', by Charles Colman in pencil along the lower margin.
	Corbino	Escaped Bull by Jon Corbino	Jon Corbino (Vittoria, Sicily, 1905 - Sarasota, Fla., 1964)	Original Lithograph	1937	Annotated, "Printer's Proof from the George Miller estate", on the verso.
	Couard	Steel by Alexander Couard	Alexander P. Couard (New York City, 1891 - ?)	Original Color Linocut	1930	Signed in the block with Alexander P. Couard's 'A.C.' monogram to the lower right.	Sold
	Creekmore	Circus Elephants by Raymond Creekmore	Raymond Creekmore (Detroit, 1905 - New York, 1984)	Original Lithograph	c. 1940 - 1950	Signed in pencil by Raymond Creekmore along the lower right margin.
	Csosz	Oriental Dancer by John Csosz	John Csosz (Hungary, 1897 - Cleveland, Ohio, ?)	Original Gouache Painting	c. 1940	Signed by John Csosz within the image.
	Csosz	Steeplechase by John Csosz	John Csosz (Hungary, 1897 - Cleveland, Ohio, ?)	Original Gouache Painting	c. 1930 - 1940	Signed by John Csosz within the image.
	Csosz	Sunlight and Shadows, Venice, Italy by John Csosz	John Csosz (Hungary, 1897 - Cleveland, Ohio, ?)	Original Drypoint Engraving	c. 1930	Signed and annotated, "Artists Proof" by John Csosz in pencil.
	Cunningham	Fruit Shop Villefranche by William Phelps Cunningham	William Phelps Cunningham (Humboldt, Kansas, 1903 - Cleveland, 1980)	Original Linocut	1932	Signed in pencil by William Phelps Cunningham along the lower margin. Edition of 200 Impressions.	Sold

American Art of the Depression Era dating from 1930 to 1945 (Art of The Print / www.artoftheprint.com - Artist Index: D)
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Image	Last Name	Title & Artist	Artist Info	Medium	Date	Info	-
	Davis	Pier 50, North River by Hubert Davis	Hubert Davis (New York, 1902 - 1977)	Original Lithograph	1938	Signed, titled and numbered, 'ed.10' in pencil by Hubert Davis along the lower margin.	Sold
	De Pauw	Three Figures by Victor De Pauw	Victor De Pauw (Belgium, 1902 - New York, 1971)	Original Lithograph	1934	Signed, dated, numbered and titled by Victor De Pauw along the lower margin.
	De Wilde	De Werkvrouw (The Work Woman) by Victor De Wilde	Victor De Wilde (Temse, Belgium, 1903 - Sonoma County, California, 1977)	Original Engraving	1936	Signed, dated and titled by Victor De Wilde in pencil along the lower plate mark.
	Dehn	Threshing Near Kilkenny by Adolf Dehn	Adolf Dehn (Waterville, Minnesota, 1895 - New York, 1968)	Original Lithograph	1939	Signed in pencil by Adolf Dehn. First and Only State limited edition of 250 impressions.
	Delappe	Coney Island by Pele Delappe	Pele Delappe (San Francisco, California, 1916 - )	Original Lithograph	1933	Signed 'PD' in the stone and signed, titled and dedicated by Pele Delappe "For Raphael Soyer '33", in pencil along the lower margin.	Sold
	Dolice	La Ballerina by Leon Dolice	Leon Louis Dolice 'Leon Dolice' (Vienna, 1892 - New York City, 1960)	Original Etching and Drypoint Engraving	c. 1930	Signed in pencil by Leon Louis Dolice along the lower margin.
	Doskow	A Biblical Scene by Israel Doskow	Israel Doskow (Russia, 1881 - Died, Teaneck New Jersey)	Original Etching	c. 1940	Signed in pencil and numbered, '6/50' by Israel Doskow in pencil.
	Doskow	Self Portrait by Israel Doskow	Israel Doskow (Russia, 1881 - Died, Teaneck New Jersey)	Original Pastel Drawing	c. 1940 - 1945	Signed in the lower right corner and dedicated, "To my good friend, Lillian Barrish" by Israel Doskow.
	Doskow	Self-Portrait Study by Israel Doskow	Israel Doskow (Russia, 1881 - Died, Teaneck New Jersey)	Original Pastel Drawing	c. 1940-1945	Signed by Israel Doskow to the lower right.

American Art of the Depression Era (1930 - 1945) - Page 1 (Artist Index: A to E)