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Original International Fine Art www.artoftheprint.com |
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Twilight Reveries by Emily Burling Waite | Art of The Print - Art Catalogue (Wa) | Historic Christ Chruch at Middleton by Lynd Ward |
Featured Artist | Featured Artist |
Art of The Print - Art Catalogue (Wa): This catalogue page contains a full description of the original works of art that are available for viewing and for sale in our www.artoftheprint.com gallery. The artworks are listed in alphabetical order by the artist's last name, letters (Wa). Our Gallery, Art of the Print / www.artoftheprint.com offers a wide selection of international fine art. We sell original paintings, watercolors, drawings etchings, lithographs, engravings and other mediums of original graphic. The artworks date from the Renaissance period to the contemporary art period. We guarantee the authenticity of every work of art 100%. Full documentation and certification is provided.
Our collection features works by artists from many countries such as the eighteenth century German artist, Joseph Wagner, the seventeenth century artist Anthonie Waterloo, the American artists, Eugene Waldo, Bernhardt Wall, Joseph H. Walter, Bernhardt Wall and Lynd Ward, British art by Charles Wagstaff, Jessica Walker Stephens, Anne Walker, Sir Leslie Ward (Spy) and others. These are only a few of the artists featured on this page.
Featured Publishers: A few of the publishers included in this page are Vanity Fair and George Barrie. They have published some of the finest original graphic works of art from the early nineteenth century to the late nineteenth century. If you wish to view the entire list and access this information, please go to the www.artoftheprint.com (Featured Publisher's History) page . You will find a brief history for most of the publishers listed.
George Barrie: From 1893 to 1895, the Philadelphia publisher, George Barrie, was at work upon a large and lavish series of original lithographs and etchings detailing exhibits of all the fine arts from participating countries of the World's Columbian Exposition. These prints mainly dealt with the paintings and sculpture that were exhibited there.
Vanity Fair: The first issue of 'Vanity Fair' was published in London on November 7, 1868. Founded by Thomas Gibson Bowles, the purpose of this weekly publication was to display current vanities and those responsible for them. Each issue contained a full page, original chromolithographic portrait of a popular sovereign, statesman or man of the day, caricatured in a smooth, good-natured manner, which became famous as the 'Vanity Fair Style'. The last issue of 'Vanity Fair' was published in 1914. Through its forty-five years of history, it produced some of the most memorable caricatures of the Victorian and Edwardian eras.
Note: The catalogue is set up in alphabetical order by artist's last name. This catalogue also contains links to the images corresponding to the original etchings, lithographs, watercolors, paintings, drawings or other mediums of original graphic art that are listed here if the image is available. the measurement for all works of art listed are in inches and are approximate, height precedes width of plate-mark or the image image. All prices are in US Dollars.
Don't forget to click on the (View Image) links on the left bar to obtain the full biography, and or history, as well as the images pertaining to each original work of art listed on this page. Please, scroll down to view the catalogue listing on this page.
| A | B | C | D | E | F| | G | H | I | J | K | L | M | N | O | P | Q | R | S | Ta | U | V | W | Y | Z | | |
Sanzo Wada |
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Title: | A Story-Teller ('Kamishibai') |
Artist: | Wada, Sanzo (Tokyo & Nishinomiya, c. 1885 - 1960) |
Date: | c. 1954 - 1956 |
Medium: | Original Woodcut |
Publisher: | Kyoto Hanga-In |
Source: | Continuing Sketches of Showa Era Occupations |
Size: | 9 X 13 5/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon mid twentieth century Japanese mulberry (rice) paper and with full margins as published by Kyoto Hanga-In between 1954 and 1956. Signed by both the artist and publisher within the block. Containing slight foxing within the image and matt burning on the extreme outer margins, else a fine impression with strong, unfaded colors. Altogether, A Story-Teller (Kamishibai) represents a prime, original example of the historical art of Sanzo Wada. |
Joseph Wagner |
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Title: | Maria mit dem kinde und dem anbetenden Johannes, Medallion mit Einfassung (Mary the Infant Christ...) |
Engraver: | Wagner, Joseph (Thalendorf, 1706 - Munich, 1780) |
Designer: | Solimena |
Date: | c. 1740 |
Medium: | Original Engraving |
Raisonne: | G. K. Nagler, Neues allgemeines Kunstler-Lexicon, Schwarzenberg & Schumann, Leipzig (3rd. edition), p. 438. |
Catalogue # 24. | |
Note: | This engraving is listed by Nagler as, "Maria mit dem kinde und dem anbetenden Johannes, Medallion mit Einfassung." |
Size: | 7 1/2 6 5/8 |
Framed | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon eighteenth century hand-made, laid paper and with wide, full margins as published in Venice around 1740. It is a superb, early impression with full tonal contrasts and in excellent condition throughout. 'Maria mit dem kinde und dem anbetenden Johannes, Medallion mit Einfassung (Mary the Infant Christ...)' stands as a beautiful, original example of the engraved art of Joseph Wagner. |
Joseph Wagner |
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Title: | Sanctus Osvaldus Rex, & Martyr (Saint Oswald, King & Martyr) |
Artist: | Wagner, Joseph (Thalendorf, 1706 - Munich, 1780) |
Date: | c. 1750 |
Medium: | Original Engraving |
Raisonne: | G. K. Nagler, "Neues allgemeines Kunstler-Lexicon", Schwarzenberg & Schumann, Leipzig (3rd. edition), Vol. 23, pp. 436 - 440. |
Size: | 8 3/4 X 6 1/4 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon eighteenth century hand-made, laid paper and with margins extending slightly past the plate-mark on all sides as published in Venice around 1750. A fine, early impression with full tonal contrasts and in good condition throughout. "Sanctus Osvaldus Rex, & Martyr" (Saint Oswald, King & Martyr) stands as a prime, original example of the engraved art of Joseph Wagner. |
Charles Edward Wagstaff |
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Title: | A Parochial Authority |
Engraver: | Wagstaff, Charles Edward (London, 1808 - 1850) |
Designer: | Buffs, R. W. |
Date: | 1836 |
Medium: | Original Engraving & Mezzotint |
Publisher: | Arthur Graves, Charing Cross |
Size: | 14 1/4 X 11 1/2 |
Matted | |
Buy Now | Price: $225.00 US |
Condition: | Printed upon early nineteenth century wove paper and with full margins as published in London in 1836. Containing some scuffing, marginal tears and creasing near the edges. Else it is a fine, early impression bearing all the strong lines and tonal contrasts of a proof impression. A Parochial Authority represents a prime, original example of the famous engraved art of Charles Wagstaff. |
Emily Burling Waite |
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Title: | Twilight ('Reveries') |
Artist: | Waite, Emily Burling (Worcester, Massachusetts, 1887 - 1980) |
Date: | 1934 |
Medium: | Original Etching and Drypoint |
Edition: | Limited edition of twenty five impressions. |
Size: | 7 3/4 X 5 3/4 |
Framed | |
Buy Now | Price: $595.00 US |
Condition: | Printed upon fine, hand-made, laid paper and with full margins as printed in the small, limited edition of twenty-five impressions in 1934. Signed in pencil, "Emily Burling Waite S.A.E. (Society of American Etchers) and bearing the above mentioned annotations by her on the verso. Containing pin pricks on the extreme edges of the paper (well removed from the actual etching) for the purpose of mounting, else a magnificent proof impression and in excellent condition throughout. Twilight represents a superb, original example of the etched art of Emily Burling Waite. |
Eugene Waldo |
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Title: | Monastery Tower, Tepositlan, Mexico |
Artist: | Waldo, Eugene (Colorado, 1870 - ?) |
Date: | c. 1920 - 1930 |
Medium: | Original Lithograph |
Edition: | Limited Edition of one hundred impressions, Numbered 3/100.. |
Size: | 12 X 9 1/2 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon hand-made, laid paper and with full margins as created by the artist around the above date. Signed with the artist's monogram within the stone to the lower left and pencil signed, titled and numbered, '3/100', by Waldo along the lower margin. Containing very faint light toning, else a strongly printed impression and in very good condition throughout. "Monastery Tower, Tepositlan, Mexico represents a superb, original example of the art of Eugene Loren Waldo. |
Subject: Mexican art, Tepositlan, Mexican Colonial Architecture, American artists in Mexico | |
George Canning Wales |
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Title: | Good Bye - Fare Ye Well |
Artist: | Wales, George Canning (Boston, 1868 - 1940) |
Date: | 1926 |
Medium: | Original Etching |
Size: | 7 7/8 X 11 3/8 |
Matted | |
Price: | Sold |
Condition: | Printed on hand-made, laid paper and with full margins as published in Boston in 1923. Titled, dated and signed by the artist in the plate to the lower left and signed in pencil along the lower margin. Containing one very faint rust mark in the sky to the upper left, else a finely printed impression and in very good condition throughout. Good Bye-Fare Ye Well represents a prime, original example of the marine art of George Canning Wales. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Wa) Part 2 |
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George Canning Wales |
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Title: | Outbound |
Artist: | Wales, George Canning (Boston, 1868 - 1940) |
Date: | 1923 |
Medium: | Original Etching |
Publisher: | The Print Connoisseur, New York |
Reference: | * C. Howard Walker, "Etchings of Ships by George C. Wales", The Print Connoisseur, W. P. Truesdell, ed., Champlain, New York, Vol. III, No. 1, January, 1923, pp. 1 - 22. |
Edition: | Limited edition of one hundred impressions. |
Size: | 4 X 5 3/4 |
Framed | |
Buy Now | Price: $295.00 US |
Condition: | Printed on wove paper and with full margins as published in the limited edition of 100 signed impressions by The Print Connoisseur in January of 1923. Titled, dated and signed by the artist in the plate to the lower right and signed in pencil along the lower margin. Containing very faint traces of light staining within the lower left margin, else a finely printed impression and in very good condition throughout. Outbound represents a prime, original example of the marine art of George Canning Wales. |
James Allen Walker |
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Title: | Composition # 83 |
Artist: | Walker, James Allen (Chicago, 1909 - Richland, MI, 1976) |
Date: | 1963 |
Medium: | Original Silk-Screen Printed in Colour |
Edition: | Limited edition of ten impressions. |
Size: | 21 1/4 X 28 1/2 |
UnMatted | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon thick wove paper and with full margins as published by Walker in 1963 in an edition of ten. Signed and titled by the artist in pencil along the lower margin. It is in excellent condition throughout. |
Anne Walker |
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Title: | Apple Tree |
Artist: | Walker, Anne (Boston, 1933 - Resides, Paris) |
Date: | c. 1980 |
Publisher: | John Szoke Graphics, New York |
Medium: | Color Aquatint Engraving |
Edition: | Limited edition of seventy-five impressions, numbered 70/75, 'John Szoke Graphics' Blind Stamp on the lower right Corner. |
Size: | 13 3/4 X 17 1/2 |
Matted | |
Buy Now | Price: $465.00 US |
Condition: | Printed upon fine hand-made paper bearing the 'Arches France' watermark and with full deckled margins as published by John Szoke Graphics in New York in the sole, limited edition of seventy-five impressions. Signed, titled and numbered, '70/75' by the artist along the lower margin. A beautiful, full colour impression and in excellent condition throughout. This original aquatint engraving entitled Apple Tree, stands as a prime example of the modern art of Anne Walker. |
Jessica Walker |
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Title: | Coming Ashore |
Artist: | Walker Stephens, Jessica 'Jessica Walker' (Arizona, 1882 - Liverpool, England, 1947) |
Date: | c. 1910 |
Medium: | Original Watercolour |
Note: | Her full name was Jessica Walker Stephens. |
Size: | 14 1/4 X 10 1/4 |
Framed | |
Buy Now | Price: $650.00 US |
Condition: | Painted upon thick, laid watercolour paper and with full margins. Very faint traces of water staining appear on the lower margins, else in fine condition throughout with strong, unfaded colours. Also, unlike many watercolours from this period, Coming Ashore is fortunately not backed on board. Signed, "J. Walker", by the artist to the lower right. This original watercolour stands as a prime example of the great illustrative art of Jessica Walker Stephens. |
William Walker |
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Title: | Snowdon in Carnarvonshire (Caernarvonshire) |
Engraver: | Walker, William (Yorkshire, 1729- London, 1793) |
Designer: | Sandby, Paul (Nottingham, 1730 - London, 1809) |
Date: | 1779 |
Medium: | Original Etching & Engraving |
Source: | Views of England, Wales, Scotland, Italy and Greece |
Size: | 6 1/4 X 7 3/4 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon fine, hand-made, laid paper and with full margins as published in London in 1779. A delicately printed, early impression and in very good condition throughout. Snowdon in Carnarvonshire (Caernarvonshire) represents a fine, original example of the famous landscape art of Paul Sandby. |
Bernhardt Wall |
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Title: | 71st Regt. Armory, New York City (World War One) |
Artist: | Wall, Bernhardt (Buffalo, New York, 1872 - Sierra Madre, California, 1955) |
Date: | 1917 |
Medium: | Original Etching |
Note: | 71st Regt. Armory, New York City is a delightful World War One etching, showing the complete armory and the long line of men formed outside it to enlist. Various onlookers, load signs and a fruit stand seller with his produce complete this large and interesting etching. This historic armory was located on the block between 34th and 33rd streets in Manhattan. |
Size: | 13 3/4 X 10 |
Matted | |
Price: | Sold |
Condition: | Printed upon fine, hand-made, laid paper and with full margins as published in 1917. Signed and titled, "71st Regt. Armory, April, 1917" in the plate and also signed in pencil under the plate-mark. It is a finely printed impression in sepia tones and in excellent condition throughout. This important First World War etching stands as a prime, original example of the American art of Bernhardt Wall. |
Frank Waller |
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Title: | Testing the Toledo |
Artist: | Waller, Frank (New York City, 1842 - Morristown, NJ, 1923) |
Date: | 1884 |
Medium: | Original Etching |
Publisher: | White, Stokes & Allen, New York |
Source: | Some Modern Etchings |
Size: | 9 3/4 X 6 5/8 |
Matted | |
Buy Now | Price: $245.00 US |
Condition Information: | Printed upon hand-made, laid paper and with wide, full margins as published in New York in 1884 by White, Stokes & Allen. Signed and dated in the plate to the lower left. Containing slight foxing in the outer margins and to the upper left, else a deeply printed impression with full plate tone and in good condition. Testing the Toledo represents a fine, original example of the 19th century art of Frank Waller. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Wa) - Part 3 |
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Joseph H. Walter |
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Title: | Full Length Portrait Study |
Artist: | Walter, Joseph H. (Galtuer, Austria, 1865 - Dubuque, Iowa, After 1933) |
Date: | 1893 |
Medium: | Original Drawing |
Size: | 15 X 9 |
Framed | |
Buy Now | Price: $485.00 US |
Condition: | Drawn upon nineteenth century wove paper and with full margins. Signed, "Joseph H. Walter. March 9, 1893" to the lower left. In excellent condition throughout without a trace of staining or smudging. Full Length Portrait Study represents a prime, original example of the art of Joseph Walter. |
Charles Albert Waltner |
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Title: | The Pickwick Club |
Engraver: | Waltner, Charles Albert (Paris, 1846 - 1925) |
Designer: | Green, C. |
Date: | 1893 |
Medium: | Original Etching |
Publisher: | George Barrie, Philadelphia |
Printer: | George Barrie, Philadelphia |
Edition: | Limited edition of two hundred impressions. |
Source: | The Art and Architecture of the World's Colombian Exposition |
Size: | 11 X 14 7/8 |
Matted | |
Price: | Sold |
Condition: | Printed on fine China paper which has been pressed onto a large sheet of white, wove paper and with full, wide margins as published in the limited edition of two hundred by George Barrie in 1983. Bearing the official blindstamp of the Colombian Exposition in the lower left corner. It is an outstanding example of late nineteenth century etching and in excellent condition throughout. |
Charles Albert Waltner |
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Title: | The Widow's Mite |
Engraver: | Waltner, Charles Albert (Paris, 1846 - 1925) |
Designer: | Millais, John Everett (Southampton, 1829 - London, 1896) |
Date: | 1880 |
Medium: | Original Etching |
Publisher: | Thomas Agnew & Sons, London |
Edition: | This impression of The Widow's Mite is a proof before title; meaning it is one of the first impressions taken from the plate before the version with the title appearing along the lower margin was published. Only such an early impression as this would contain such deep and rich etched lines as one sees here. |
Size: | 18 1/2 X 9 1/2 |
UnMatted | |
Buy Now | Price: $795.00 US |
Condition: | Printed upon fine, laid paper and with full margins as published in London in 1880. Signed in the plate along the lower margin by both Waltner and Millais. A finely printed, proof impression and in excellent condition throughout. This original etching is a strong example of the famous art of Charles Albert Waltner. |
Lynd Kendall Ward |
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Title: | African Drummer, from “Madman’s Drum” |
Artist: | Ward, Lynd Kendall 'Lynd Ward' (Chicago, 1905 - 1985) |
Date: | 1930 |
Medium: | Original Wood Engraving |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of one hundred impressions. |
Size: | 5 1/2 X 3 1/2 |
Framed | |
Buy Now | Price: $450.00 US |
Condition: | Printed upon smooth, thick wove paper and with full margins as published by The Print Connoisseur in October of 1930. Bearing the dedication to the initial publisher, "From Madman's Drum, Courtesy of Jonathan Cape & Harrison Smith," along the lower margin. A fine, deeply printed impression and in very good condition throughout. African Drummer, from "Madman's Drum" represents a prime, original example of the famous wood engraved art of Lynd Kendall Ward. |
Lynd Kendall Ward |
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Title: | Historic Christ Church at Middletown |
Artist: | Ward, Lynd Kendall 'Lynd Ward' (Chicago, 1905 - 1985) |
Date: | C. 1960 |
Medium: | Original Wood Engraving |
Edition: | Limited edition of two hundred and fifty signed impressions, numbered 236/250. |
Size: | 9 X 14 7/8 |
Framed | |
Buy Now | Price: $985.00 US |
Condition: | Printed upon very thin Chine applique paper and with full margins as published around 1960 in the limited edition of 250. Signed, titled and numbered, '236/250', in pencil by Lynd Ward along the lower margin. A brilliant impression and in excellent condition throughout. This original wood engraving represents a prime example of the famous art of Lynd Ward. |
Lynd Kendall Ward |
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Title: | Frontispiece to "Hot Countries" |
Artist: | Ward, Lynd Kendall 'Lynd Ward' (Chicago, 1905 - 1985) |
Date: | 1930 |
Medium: | Original Wood Engraving |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of two hundred impressions. |
Size: | 5 1/2 X 4 |
Framed | |
Price: | Sold |
Condition: | Printed upon smooth wove paper and with full margins as published by The Print Connoisseur in October of 1930. A fine, deeply printed impression and in very good condition throughout. Frontispiece to Hot Countries represents a prime, original example of the famous wood engraved art of Lynd Kendall Ward. |
Lynd Kendall Ward |
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Title: | Man at Labor, from "Midsummer Night" |
Artist: | Ward, Lynd Kendall 'Lynd Ward' (Chicago, 1905 - 1985) |
Date: | 1930 |
Medium: | Original Wood Engraving |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of two hundred impressions. |
Size: | 5 3/8 X 4 |
Framed | |
Buy Now | Price: $325.00 US |
Condition: | Printed upon thick white wove paper and with full margins as published by The Print Connoisseur in October of 1930. A fine, deeply printed impression and in very good condition throughout. Man at Labor, from "Midsummer Night represents a prime, original example of the famous wood engraved art of Lynd Kendall Ward. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Wa) - Part 4 |
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Lynd Kendall Ward |
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Title: | Night Walk, from "Midsummer Night" |
Artist: | Ward, Lynd Kendall 'Lynd Ward' (Chicago, 1905 - 1985) |
Date: | 1930 |
Medium: | Original Wood Engraving |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of two hundred impressions. |
Size: | 5 3/8 X 4 |
Framed | |
Buy Now | Price: $325.00 US |
Condition: | Printed upon thick white wove paper and with full margins as published by The Print Connoisseur in October of 1930. A fine, deeply printed impression and in very good condition throughout. Night Walk, from "Midsummer Night represents a prime, original example of the famous wood engraved art of Lynd Kendall Ward. |
Lynd Kendall Ward |
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Title: | Slave Traders, from "Madman's Drum" |
Artist: | Ward, Lynd Kendall 'Lynd Ward' (Chicago, 1905 - 1985) |
Date: | 1930 |
Medium: | Original Wood Engraving |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of two hundred impressions. |
Size: | 4 7/8 X 3 |
Matted | |
Price: | Sold |
Condition: | Printed upon smooth, thick wove paper and with full margins as published by "The Print Connoisseur" in October of 1930. A fine, deeply printed impression and in very good condition throughout. "Slave Traders, from 'Madman's Drum'" represents a prime, original example of the famous wood engraved art of Lynd Kendall Ward. |
Lynd Kendall Ward |
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Title: | The Auction of the Masterpiece, from “God’s Man” |
Artist: | Ward, Lynd Kendall 'Lynd Ward' (Chicago, 1905 - 1985) |
Date: | 1930 |
Medium: | Original Wood Engraving |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of one hundred impressions. |
Size: | 5 X 4 |
Matted | |
Price: | Sold |
Condition: | Printed upon smooth, wove paper and with full margins as published by The Print Connoisseur in October of 1930. A fine, deeply printed impression and in very good condition throughout. The Auction of the Masterpiece, from "God's Man" represents a prime, original example of the famous wood engraved art of Lynd Kendall Ward. |
Sir Leslie Ward "SPY" |
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Title: | H. A. C. (The Earl of Denbigh) |
Artist: | Ward, Sir Leslie "SPY" (London, 1851 - 1922) |
Date: | August 23, 1894 |
Medium: | Original Lithograph |
Printer: | Vincent Brooks Day & Son, Lith. |
Raisonne: | Jerold J. Savory, The Vanity Fair Gallelry, A.S. Barnes & Co., New York, 1979. |
Catalogue # 843 | |
Source: | Vanity Fair, London |
Size: | 13 3/4 X 7 1/2 |
Matted | |
Buy Now | Price: $185.00 US |
Condition: | Printed on thick wove paper and its full margins as published by Vanity Fair at the above date. This Original Chromolithograph is a strong, bright impression and it is in excellent condition throughout. These prints originally appeared with a textual biography. A copy of this biography is enclosed. Note: The Earl of Denbigh is here portrayed in his full regimental uniform. |
Sir Leslie Ward "SPY" |
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Title: | The Admiral (Sir James Dairymple Horn Elphinstone, M. P.) |
Artist: | Ward, Sir Leslie "SPY" (London, 1851 - 1922) |
Date: | July 06, 1878 |
Medium: | Original Lithograph |
Printer: | Vincent Brooks Day & Son, Lith. |
Raisonne: | Jerold J. Savory, The Vanity Fair Gallelry, A.S. Barnes & Co., New York, 1979. |
Catalogue # 1575, p. 14. | |
Source: | Vanity Fair, London |
Size: | 13 X 7 1/2 |
Matted | |
Buy Now | Price: $185.00 US |
Condition: | Printed on thick wove paper and its full margins as published by Vanity Fair at the above date. This Original Chromolithograph is a strong, bright impression and it is in excellent condition throughout. Note: This is a kindly portrayal of retired Admiral, Sir James Dairymple Horn, Elphinstone, M. P. |
Sir Leslie Ward "SPY" |
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Title: | Turf Devotee - The Right Honourable Lord Hothfield |
Artist: | Ward, Sir Leslie "SPY" (London, 1851 - 1922) |
Date: | January 12, 1889 |
Medium: | Original Lithograph |
Printer: | Vincent Brooks Day & Son, Lith. |
Raisonne: | Jerold J. Savory, The Vanity Fair Gallelry, A.S. Barnes & Co., New York, 1979. |
Catalogue # 1665, p. 176 | |
Source: | Vanity Fair, London |
Size: | 15 X 7 1/2 |
Matted | |
Buy Now | Price: $185.00 US |
Condition Information: | Printed on thick wove paper and its full margins as published by Vanity Fair at the above date. This Original Chromolithograph is a strong, bright impression and it is in excellent condition throughout. Note: Lord Hothfield was one of England's wealthiest horse owners and breeders. He is here depicted in one of his 'turf' outfits. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Wa) - Part 5 |
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Frederick Warne |
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Title: | The Cow (The Little People's Favourite Album) |
Artist: | Warne, Frederick (London, 1825 - 1901) |
Date: | 1884 |
Medium: | Original Chromolithograph |
Publisher: | Frederick Warne & Company, New York |
Source: | The Little People's Favourite Album (Animal Pictures) |
Size: | 11 1/2 X 8 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed upon nineteenth century wove paper and with full margins as published in London in 1884. This beautifully printed, Original Chromolithograph is in excellent condition throughout and represents a prime example of Victorian era art. |
Frederick Warne |
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Title: | The Sheep (The Little People's Favourite Album) |
Artist: | Warne, Frederick (London, 1825 - 1901) |
Date: | 1884 |
Medium: | Original Chromolithograph |
Publisher: | Frederick Warne & Company, New York |
Source: | The Little People's Favourite Album (Animal Pictures) |
Size: | 11 1/2 X 8 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed upon nineteenth century wove paper and with full margins as published in London in 1884. This beautifully printed, Original Chromolithograph is in excellent condition throughout and represents a prime example of Victorian art. |
William Warner |
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Title: | Colonel John Swift |
Engraver: | Warner, William (Philadelphia, 1813 - 1848) |
Designer: | Sully, Thomas, Junior 'Thomas Wilcocks Sully' (1811-1847) |
Date: | c. 1840 |
Medium: | Original Mezzotint Engraving |
Note: | Colonel John Swift: A prominent Philadelphia lawyer and politician, Colonel John Swift (1790-1873) was admitted to the bar in 1810. He rose to become the leader of the Philadelphia Whig party and served as Mayor of that city on three separate occasions (1832-1838, 1839-1841 and 1845-1849). In 1840 John Swift became the first Philadelphia mayor to be elected by popular election. |
Size: | 11 1/4 X 8 1/4 |
Matted | |
Buy Now | Price: $225.00 US |
Condition: | Printed upon early nineteenth century wove paper and with margins trimmed to within a 1/4 inch of the image. Containing glue staining on the verso corners and slight scraping to the actual engraving, else a strongly printed, early impression and in good condition throughout. "Colonel John Swift" represents both a scarce and important original example of the portrait art of William Warner. |
Junsuke Watarai |
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Title: | Horned Owl House |
Artist: | Watarai, Junsuke (Japan, Born, 1936) |
Date: | 1977 |
Medium: | Original Color Etching and Aquatint |
Edition: | Limited edition of one fifty impressions, numbered 8/50. |
Size: | 9 3/8 X 9 1/4 |
Matted | |
Price: | Sold |
Condition: | Printed on pure rag paper and with large, full margins as published in the limited edition of fifty impressions in 1977. Signed (in both Japanese and English), dated, titled and numbered, '8/50', by the artist in pencil along the lower margin. Horned Owl House represents a delightful, original example of the etched art of Junsuke Watarai. |
Anthonie Waterloo |
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Title: | Landscape With Venus and Adonis |
Artist: | Waterloo, Anthonie (Lille, c. 1610 - Utrecht, c. 1690) |
Date: | c. 1655 - 1660 (Second Edition, as published by Danckerts, c. 1690) |
Medium: | Original Etching |
Publisher: | Danckerts |
Raisonne: | Peter Morse, The Illustrated Bartsch: Antoni Waterloo, New York, Abaris Books, 1992. |
Catalogue #129, Second Edition, Third State of Four a Published by Danckerts. | |
Morse notes that the first state consists of only one known trial proof in the collection of the British Museum which lacks the 'A. W. in. et f.' in the upper left as well as the number '5'. The second through the fourth states contain these letters and the number. | |
Size: | 11 1/4 X 9 1/2 |
Framed | |
Price: | Sold |
Condition: | Printed upon late seventeenth century hand-made, laid paper and with thread margins as usual. Signed in the plate to the upper left with the artist's usual "A.W." monogramme. Containing very faint foxing in the upper margins, else a finely printed impression of the third state of four and in very good condition throughout. Landscape with Venus and Adonis represents a prime, original example of the famous 17th century landscape art of Anthonie Waterloo. |
An as yet unidentified early collector's mark appears on the verso of this etching. It has been photographed and enlarged to accompany the documentation. | |
Anthonie Waterloo |
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Title: | Traveler Near a Wood |
Artist: | Waterloo, Anthonie (Lille, c. 1610 - Utrecht, c. 1690) |
Date: | c. 1645 (Final Edition, as Published in 1868) |
Medium: | Original Etching |
Publisher: | Macmillan and Co., London |
Source: | Etching and Etchers by Philip Gilbert Hamerton (1868) |
Raisonne: | Peter Morse, The Illustrated Bartsch: Antoni Waterloo, New York, Abaris Books, 1992. |
Catalogue # B53, THIRD AND FINAL STATE, as published in Philip Gilbert Hamerton's, Etching and Etchers, London, 1868. Morse notes that for this third state shading has been added on the trunk of the tree to the centre, as well as cross-hatching in the dark area at the lower left. | |
Size: | 4 1/4 X 5 5/8 |
Framed | |
Price: | Sold |
Condition: | Printed upon 19th century hand-made, laid paper and with full margins as published by Macmillan and Co., London for Etching and Etchers by Philip Gilbert Hamerton in 1868. Signed in the plate to the lower right with the artist's usual "A.W.F" monogramme (Anthonie Waterloo Fecit). A finely printed impression and in excellent condition throughout. This original impression of Traveler Near a Wood represents a prime example of the art of Anthonie Waterloo. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Wa) - Part 6 |
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Caroline Watson |
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Title: | The Tempest. Act V, Scene I. (Ferdinand & Miranda playing at Chess) |
Engraver: | Watson, Caroline (London, 1760 - Pimlico, 1814) |
Designer: | Wheatley, Francis (London, 1747 - 1801) |
Date: | 1795 |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, London |
Edition: | First Edition Impression |
Source: | Shakspeare Gallery |
Size: | 22 1/2 X 16 1/4 |
UnMatted | |
Buy Now | Price: $1,200.00 US |
Condition: | Printed upon eighteenth century wove paper and with full margins as published by Boydell in London in 1795. Containing foxing in the outer margins and some horizontal creasing within the image, else a vibrant impression bearing all the fine lines and tonal values of an early first edition impression. The Tempest. Act V, Scene I. (Ferdinand & Miranda playing at Chess) represents a superb, original example of the engraved art of Caroline Watson and of Boydell's Shakespeare Gallery. |
John Dawson Watson |
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Title: | The Ballad |
Artist: | Watson, John Dawson (Sedbergh, Yorkshire, 1832 - Conway, North Wales, 1892) |
Date: | c. 1865 - 1875 |
Medium: | Original Etching |
Size: | 5 X 5 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed on hand-made, laid paper and with irregular margins measuring from one to four inches from the plate-mark on all sides. This impression is finely printed throughout. Altogether The Ballad represents a strong, original example of the famous Victorian era art of John Dawson Watson. |
J. Watts |
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Title: | Broad-Leaved Crinum (Floral Study for Sydenham Edwards The Botanical Register) |
Engraver: | Watts, J. (British, 19th c.) |
Designer: | Hart, M. (British, 19th c.) |
Date: | 1830 |
Medium: | Original Hand-Coloured Etching |
Publisher: | J. Ridgway, London |
Editer: | Sydenham Edwards, London |
Source: | The Botanical Register |
Size: | 10 X 8 |
Framed | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon nineteenth century wove paper and with full margins as published in London on the above date. Containing the horizontal fold marks, as usual, else a strong impression with fine hand-colouring and in excellent condition throughout. This original engraving from The Botanical Register represents a prime example of early nineteenth century floral art. |
J. Watts |
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Title: | Hibiscus Moscheutos or Rose Mallow (Floral Study for Sydenham Edwards's Botanical Register) |
Engraver: | Watts, J. (British, 19th c.) |
Designer: | Hart, M. (British, 19th c.) |
Date: | 1832 |
Medium: | Original Hand-Coloured Etching |
Publisher: | J. Ridgway, London |
Editer: | Sydenham Edwards, London |
Source: | The Botanical Register |
Size: | 10 X 8 |
Framed | |
Buy Now | Price: $495.00 US |
Condition: | Printed on white, wove paper and with full margins as published in London in 1832. Horizontal crease marks as usual, else a strong impression with brilliant, original hand colouring and in excellent condition throughout. This original engraving from The Botanical Register represents a prime example of early nineteenth century floral art. |
J. Watts |
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Title: | Lobelia Cavanillesii, Mexican cardinalflower or the Sierra Madre lobelia (Lobelia Laxiflora) published by Benjamin Maund for 'The Botanist' |
Engraver: | Watts, J. (British, 19th c.) |
Designer: | Mills. (British, 19th c.) |
Date: | Between 1836 and 1842 |
Medium: | Original Hand - Coloured Etching |
Publisher: | Benjamin Maund, London |
Source: | The Botanist |
Size: | 10 X 8 |
Framed | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon early nineteenth century wove paper and with full margins as published between 1836 and 1842. This is a finely printed impression with strong, period coloration and it is in excellent condition throughout. "Lobelia Cavanillesii (Lobelia Laxiflora)" stands as a fine, original example of the botanical art published by Benjamin Maund. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Wa) - Part 7 |
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J. Watts |
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Title: | Plumeria, Lambertiana, 'Frangipani, Plumeria Rubra' (Floral Study for Sydenham Edwards's Botanical Register) |
Engraver: | Watts, J. (British, 19th c.) |
Designer: | Hart, M. (British, 19th c.) |
Date: | 1831 |
Medium: | Original Hand-Coloured Etching |
Publisher: | J. Ridgway, London |
Editer: | Sydenham Edwards, London |
Source: | The Botanical Register |
Size: | 10 X 8 |
Framed | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon nineteenth century wove paper and with full margins as published in London on the above date. Containing the horizontal fold marks, as usual, else a strong impression with fine hand-colouring and in excellent condition throughout. This original engraving from The Botanical Register represents a prime example of early nineteenth century floral art. |
J. Watts |
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Title: | Senecio Lilacinus, (Senecio Glastifolius) from the Asteraceae (Aster or Michaelmas Daisy) Family (Floral Study for Sydenham Edwards's Botanical Register) |
Engraver: | Watts, J. (British, 19th c.) |
Designer: | Hart, M. (British, 19th c.) |
Date: | 1830 |
Medium: | Original Hand-Coloured Etching |
Publisher: | J. Ridgway, London |
Printer: | Sydenham Edwards, London |
Source: | The Botanical Register |
Note: | Botanical |
Size: | 9 5/8 X 7 3/4 |
Framed | |
Price: | Sold |
Condition: | Printed on white, wove paper and with full margins as published in London in 1830. Horizontal crease marks as usual, else a strong impression with brilliant, original hand colouring and in excellent condition throughout. This original engraving from The Botanical Register represents a prime example of early nineteenth century floral art. |
Thomas Robert Way 'Thomas R. Way' |
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Title: | Cremorne Gardens |
Lithographer: | Way, Thomas Robert (London, 1861 - 1913) |
Designer: | Whistler, James Abbott McNeill (Lowell, MA, 1834 - London, 1903) |
Date: | 1912 |
Medium: | Original Lithograph |
Printer: | T. R. Way |
Source: | Thomas R. Way's, Memories of James McNeill Whistler |
Size: | 4 1/4 X 8 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon grey wove paper and tipped onto a larger sheet of white wove paper as published in Memories of James McNeill Whistler in 1912. No further impressions or restrikes were issued. A finely printed impression and in very good condition throughout. Cremorne Gardens represents a superb, original example of the lithographic art of Thomas Robert Way. |
Thomas Robert Way 'Thomas R. Way' |
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Title: | Sketch of Whistler whilst He was Retouching a Stone |
Artist: | Way, Thomas Robert (London, 1861 - 1913) |
Date: | 1912 |
Medium: | Original Lithograph |
Printer: | T. R. Way |
Source: | Thomas R. Way's, Memories of James McNeill Whistler |
Size: | 5 5/8 X 5 1/2 |
Framed | |
Price: | Sold |
Condition: | Printed upon smooth wove paper and with full margins as published in "Memories of James McNeill Whistler" in 1912. No further impressions or restrikes were issued. Signed in the stone with Thomas R. Way's 'T.R.W.' monogramme. A finely printed impression and in very good condition throughout. "Sketch of Whistler whilst He was Retouching a Stone" represents a superb, original example of the lithographic art of Thomas Robert Way. |
Thomas Robert Way 'Thomas R. Way' |
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Title: | The Room in Ayr Street (Whistler at his Printing Press) |
Lithographer: | Way, Thomas Robert (London, 1861 - 1913) |
Designer: | Way, Thomas Robert (London, 1861 - 1913) |
Date: | 1912 |
Medium: | Original Lithograph |
Printer: | T. R. Way |
Source: | Thomas R. Way's, Memories of James McNeill Whistler |
Image Size: | 4 X 5 |
Matted | |
Price: | Sold |
Condition: | Printed upon smooth wove paper and with full margins as published in Memories of James McNeill Whistler in 1912. No further impressions or restrikes were issued. A finely printed impression and in very good condition throughout. The Room in Ayr Street (Whistler at his Printing Press) represents a superb, original example of the lithographic art of Thomas Robert Way. |
Note: | The original tissue guard with the title is included with this purchase. |
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