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Original International Fine Art www.artoftheprint.com |
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Madonna of the Cherries by Lucas Vorsterman the Younger |
Art of The Print - Art Catalogue ( V ) | Ex Libris Stasys Pilka ( We Are Such Stuff as Dreams Are) by Vytautas Osvaldas Virkau |
Featured Artist | Featured Artist |
Art of The Print - Art Catalogue( V ): This catalogue page contains a full description of the original works of art that are available for viewing and for sale in our www.artoftheprint.com gallery. The artworks are listed in alphabetical order by the artist's last name, letter (V). Our Gallery, Art of the Print / www.artoftheprint.com offers a wide selection of international fine art. We sell original paintings, watercolors, drawings etchings, lithographs, engravings and other mediums of original graphic. The artworks date from the Renaissance period to the contemporary art period. We guarantee the authenticity of every work of art 100%. Full documentation and certification is provided.
Our collection features works by artists from many countries such as the Dutch and Flemish artists, Pietre Van Schuppen, Robert Van Voerst, Jacob Gerard Veldheer, Claes (Nicolas) Visscher, Claes Jansz Visscher and Lucas Vorsterman, or the American artists such as Marcel Vertes and Jose Varona, the French artists, Theodore Valerio, Pierre Eugene Vibert, Jaques Villon, Edward Vuillard, early portrait artists Hubert von Herkomer, Simon Van de Passe and others. These are only a few of the artists featured on this page.
Featured Publishers: A few of the publishers included in this page are Cadart, The Gazette des Beaux-Arts, Vanity Fair, Estes and Lauriat, Vervielfaltigende Kunst and The Studio. They have published some of the finest original graphic works of art from the mid-nineteenth century to the early twentieth century. If you wish to view the entire list and access this information, please go to the www.artoftheprint.com (Featured Publisher's History) page . You will find a brief history for most of the publishers listed.
Cadart: During the 1850's and 1860's Cadart was the leading French publisher of original etchings. Delatre printed the majority of etchings. Delatre was perhaps one of the greatest printer of all times. Meryon, Whistler, Laurens and Jacquemart are just a few of the artists of the period that had Delatre print their original etchings.
The 'Societe des Aqua-Fortistes' was founded by Cadart in 1862. Until its demise in 1867, it was responsible for publishing some of the greatest French art of this important era.
Estes and Lauriat: A Boston publisher during the second half of the nineteenth century, Estes and Lauriat were responsible for the creation of the American Art Review, which promoted original etchings by Thomas Moran, Mary Nimmo Moran, Otto Bacher, Charles Henry Platt and many other fine artists from 1880 through 1882. Although short lived The American Art Review proved a major influence on the revival of American etching. Estes and Lauriat also published a number of portfolios of etchings by European artists such as, the 1887 "Dusseldorf Gallery". which included such etchers as Carl Jutz, Kroener, Volkhart and others.
Gazette des Beaux-Arts: The Gazette des Beaux-Arts began publishing in 1859. From the beginning of its publication the Gazette regularly commissioned the greatest etchers of the day to supply original graphic works of art. Nineteenth century editions included original etchings by Daubigny, Appian, Goya, Meryon, Whistler, Seymour Haden, Liebermann, Maclaughlan, Besnard and others and from the beginning of our century to the last publication in 1930 such great artists as Friant, Beurdeley, Louis Jou, Gobo and the American, John Sloan and others from this period responded with original etchings. It is easy to see why original works published by the Gazette Des Beaux-Arts have long been collected.
Vanity Fair: The first issue of 'Vanity Fair' was published in London on November 7, 1868. Founded by Thomas Gibson Bowles, the purpose of this weekly publication was to display current vanities and those responsible for them. Each issue contained a full page, original chromolithographic portrait of a popular sovereign, statesman or man of the day, caricatured in a smooth, good-natured manner, which became famous as the 'Vanity Fair Style'. The last issue of 'Vanity Fair' was published in 1914. Through its forty-five years of history, it produced some of the most memorable caricatures of the Victorian and Edwardian eras.
Vervielfaltigende Kunst: A Viennese art publisher, "Vervielfaltigende Kunst" issued its first original graphic work in 1871. During the following sixty years, it published masterworks by Austrian, German, Swiss, French, Czech and English artists. More internationally focused and less conservative than most print publishers of the time, it took a leading role in the revival of original graphic art. Vervielfaltigende Kunst is now regarded as one of the most vital art publishers of its day and individual prints from this publication are highly coveted by collectors.
Note: The catalogue is set up in alphabetical order by artist's last name. This catalogue also contains links to the images corresponding to the original etchings, lithographs, watercolors, paintings, drawings or other mediums of original graphic art that are listed here if the image is available. the measurement for all works of art listed are in inches and are approximate, height precedes width of plate-mark or the image image. All prices are in US Dollars.
Don't forget to click on the (View Image) links on the left bar to obtain the full biography, and or history, as well as the images pertaining to each original work of art listed on this page. Please, scroll down to view the catalogue listing on this page.
| A | B | C | D | E | F| | G | H | I | J | K | L | M | N | O | P | Q | R | S | Ta | U | V | W | Y | Z | | |
Lord Valentia (George Anesley Valentia) |
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Title: | An Original Letter from Lord Valentia to Prince Frederick, Commander-in-Chief of his Majesty's Land Forces, Congratulating him upon Wellington's Victory at the Battle of Assaye |
Author: | Valentia, Lord George Anesley (British, 1770 - 1844) |
Date: | October 19, 1803 |
Medium: | Original Hand Written Correspondence: This original letter was written by Lord George Anesley Valentia to Prince Frederick, Commander-in-Chief of his Majesty's Land Forces, congratulating him upon Wellington's victory at the battle of Assaye in 1803. |
The original stipple engraving entitled, "The Rt. Honourable, Lord George Anesley Valentia" was painted by Halls, engraved by Freeman and published by Verner, Hood & Sharpe, 1810. | |
The three original wood engravings entitled, "The Duke of Wellington", "Advance of the British Line at Assaye" and "March of the British Army in India" were engraved for the book entitled, "Life of the Duke of Wellington" Published c. 1860. | |
Note: | Provenance: From the Paul F. Franco collection, New York. Franco was a major collector of Napoleonica in the early twentieth century. Bearing Franco's red stamp on the verso of the letter as well as his hand-written date of acquisition -- "February, 1932." |
Note: | Letter Size (7 1/2 X 7 1/2) |
Size: | 12 X 3/4 X 17 |
Framed | |
Buy Now | Price: $925.00 US |
Condition: | Written upon early nineteenth century wove paper and with full margins. Apart from slight time staining and the usual folding crease for posting this original letter is in very good condition throughout. The stipple engraved portrait of Lord Valentia and the three accompanying wood engravings contain minor foxing in the outer margins, else all are in good condition. This original correspondence from the statesman, explorer and author, Lord Valentia, is clearly of great importance, both as a document of early British India and of the famous career of Lord Wellington. |
Henry Augustin Valentin |
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Title: | Un Ouvrier de Sevres ('A Worker from Sevres') |
Artist: | Valentin, Henry Augustin 'Henry Valentin' (Yvetot 'Seine-Inferieure', 1822 - c. 1883) |
Date: | October, 1863 |
Medium: | Original Etching with Plate-Tone |
Publisher: | Societe des Aqua-Fortistes, Paris |
Printer: | Auguste Delatre, Paris |
Size: | 12 1/2 X 9 3/8 |
Matted | |
Buy Now | Price: $385.00 US |
Condition: | Printed upon wove paper with large, deckled margins as published by Cadart in 1863. Signed, "H. Valentin", in the plate to the lower right. Containing some foxing in the outer margins (under the mat) else a strongly printed impression and in good condition throughout. Un Ouvrier de Sevres ('A Worker from Sevres') represents a prime, original example of the etched art of Henry Valentin. |
Theodore Valerio |
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Title: | Enfants Tsiganes (Tziganes) ('Gypsy Children') |
Artist: | Valerio, Theodore (Herserange, 1819 - Vichy, 1879) |
Date: | 1853 |
Medium: | Original Etching |
Printer: | Pierron & Delatre, France |
Size: | 7 5/8 X 10 3/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon a fine sheet of china paper and impressed onto a large sheet of white, wove paper as published in Paris on the above date. Signed and dated in the plate by Valerio, to the lower right, and bearing his red seal stamp (as described) along the lower margin. A strong, beautifully printed impression and in excellent condition throughout. Enfants Tsiganes (Tziganes) ('Gypsy Children, Hungary') represents a prime, original example of the famous art of Theodore Valerio. |
Theodore Valerio |
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Title: | Femme et Enfants Slovaques ('Slovak Woman and Children') |
Artist: | Valerio, Theodore (Herserange, 1819 - Vichy, 1879) |
Date: | 1855 |
Medium: | Original Etching |
Printer: | Pierron & Delatre, France |
Size: | 11 3/8 X 8 1/4 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed on thick, white, wove paper and with full margins as published on the above date. It should be noted that the dimensions of the paper are almost as large as the matte, probably indicating that these extra wide margins were used for an early and special printing. The etching itself is printed on a fine sheet of china paper, which has been pressed into the wove paper and runs almost to the plate-mark. Signed and dated in the plate by Valerio and bearing his red 'cache de vente' seal. This original etching is in excellent condition. |
Theodore Valerio |
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Title: | Femme Tsigane (Tzigane) d'Uy-Szasz (Gypsy Woman of Uy-Szasz) |
Artist: | Valerio, Theodore (Herserange, 1819 - Vichy, 1879) |
Date: | 1854 |
Medium: | Original Etching |
Printer: | Auguste Delatre, Paris |
Size: | 11 1/4 X 8 1/8 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon a fine sheet of china paper and impressed onto a large sheet of white, wove paper as published in Paris on the above date. Signed and dated in the plate by Valerio, to the lower left, and bearing his red seal stamp (as described) along the lower margin. A strong, beautifully printed impression and in excellent condition throughout. Femme Tsigane (Tzigane) d'Uy-Szasz (Gypsy Woman of Uy-Szasz) represents a prime, original example of the famous art of Theodore Valerio. |
Theodore Valerio |
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Title: | Femme Valaque du Village de Tunar (Valaque Woman from the Village of Tunari) |
Artist: | Valerio, Theodore (Herserange, 1819 - Vichy, 1879) |
Date: | 1855 |
Medium: | Original Etching |
Printer: | Auguste Delatre, Paris |
Size: | 11 1/4 X 7 1/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon a fine sheet of china paper and impressed onto a large sheet of white, wove paper as published in Paris on the above date. Signed and dated in the plate by Valerio, to the lower right, and bearing his red seal stamp (as described) along the lower margin. A strong, beautifully printed impression and in excellent condition throughout. Femme Valaque du Village de Tunar (Tunari) (Valaque Woman from the Village of Tunari) represents a prime, original example of the famous art of Theodore Valerio. |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 2 |
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Theodore Valerio |
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Title: | Kerulet des Environs d'Erdo-Kovesd, Hungary (Kerulet Near d'Erdo-Kovesd, Hungary) |
Artist: | Valerio, Theodore (Herserange, 1819 - Vichy, 1879) |
Date: | 1855 |
Medium: | Original Etching |
Printer: | Auguste Delatre, Paris |
Size: | 11 1/4 X 7 3/8 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon a fine sheet of china paper and impressed onto a large sheet of white, wove paper as published in Paris in 1855. Signed and dated in the plate by Theodore Valerio, to the lower right, and bearing his red seal stamp (as described) along the lower margin. A strong, beautifully printed impression and in excellent condition throughout. "Kerulet des Environs d'Erdo-Kovesd" represents a prime, original example of the famous art of Theodore Valerio. |
Theodore Valerio |
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Title: | Pecheurs des Bords de la Theiss (Fishermen from the Banks of the River Theiss, Hungary) |
Artist: | Valerio, Theodore (Herserange, 1819 - Vichy, 1879) |
Date: | 1855 |
Medium: | Original Etching |
Printer: | Auguste Delatre, Paris |
Size: | 11 1/2 X 8 |
Matted | |
Price: | Sold |
Condition: | Printed upon a fine sheet of china paper and impressed onto a large sheet of white, wove paper as published in Paris on the above date. Signed and dated in the plate by Valerio, to the lower left, and bearing his red seal stamp along the lower margin. A strong, beautifully printed impression and in excellent condition throughout. Pecheurs des Bords de la Theiss ('Fishermen from the Banks of the River Theiss, Hungary') represents a prime, original example of the famous art of Theodore Valerio. |
Theodore Valerio |
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Title: | Souvenir de Hollande (Remembrance of Holland) |
Artist: | Valerio, Theodore (Herserange, 1819 - Vichy, 1879) |
Date: | 1853 |
Medium: | Original Etching |
Publisher: | L'Artiste, Paris |
Printer: | Auguste Bry, Paris |
Source: | L'Artiste, 4o Serie, Tome I |
Size: | 11 1/2 X 8 |
Framed | |
Buy Now | Price: $365.00 US |
Condition: | Printed upon wove paper and with full margins as published in Paris in 1844 by L'Artiste. Signed and dated in the stone by Theodore Valerio to the lower right. Bearing the publisher's name, "L'Artiste", the title “Souvenir de Holland”, the artist's name, "Valerio pinx. et lith.", & the printer's details, "Imprime par Auguste Bry a Paris" along the lower margin. Containing overall toning to the image and the margins due to a former acidic matting, else a good impression and in fair condition throughout. Souvenir de Holland ('Remembrance of Holland') represents a fine, original example of the striking art of Theodore Valerio. |
Theodore Valerio |
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Title: | Tsikos des bords de la Koros (Tsikos from the Shores of the Koros, Hungary) |
Artist: | Valerio, Theodore (Herserange, 1819 - Vichy, 1879) |
Date: | 1855 |
Medium: | Original Etching |
Printer: | Auguste Delatre, Paris |
Size: | 8 1/4 X 11 1/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon a fine sheet of china paper and impressed onto a large sheet of white, wove paper as published in Paris in 1855. Signed and dated in the plate by Valerio, to the lower right, and bearing his red seal stamp (as described) along the lower margin. A strong, beautifully printed impression and in excellent condition throughout. "Tsikos des bords de la Koros" ('Tsikos from the Shores of the Koros, Hungary') represents a prime, original example of the famous art of Theodore Valerio. |
John Vallance |
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Title: | Battering Ram, Bern Machine and Blocks |
Artist: | Vallance, John (Scotland, 1770 - Philadelphia, 1823) |
Artist: | Thackara, James (Philadelphia, 1767 - 1848) |
Date: | 1794 |
Medium: | Original Engraving |
Publisher: | Dobson, Philadelphia |
Source: | Encyclopaedia; or A Dictionary of Arts, Sciences, and Miscellaneous Literature;... |
Size: | 9 1/4 X 7 1/4 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon fine, hand-made laid paper and with full margins as published in Philadelphia in 1794. A strong impression and in very good condition throughout. Altogether, this is a very important, early American engraving. |
Felix Vallotton |
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Title: | Portrait of Puvis de Chavannes |
Artist: | Vallotton, Felix (Lausanne, Switzerland, 1865 - Paris, 1925) |
Date: | 1899 |
Medium: | Original Woodcut |
Publisher: | The Studio, London |
Raisonne: | Maxime Valloton and C. Goerg, Felix Vallotton: Catalogue raisonne de l'oeuvre grave et lithographie, Geneva, Les Editions de Bonvet S. A., 1972. |
Catalogue # V. & G. 200 (b), as published by The Studio, London, 1899. | |
Size: | 7 1/8 X 5 1/4 |
Framed | |
Buy Now | Price: $525.00 US |
Condition Information: | Printed upon wove paper and with full margins as published by The Studio on the above date. Signed in the block with Vallotton's 'F. V.' monogram to the lower right and bearing the red blindstamp of the publisher along the lower margin. A vibrant, strong impression and in excellent condition throughout. Portrait of Puvis de Chavannes represents a superb, original example of the great woodcut art of Felix Vallotton. |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 3 |
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Simon Van de Passe |
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Title: | Philip Herbert, First Earl of Montgomery |
Artist: | Van de Passe, Simon (Utrecht, 1595 - Copenhagen, 1647) |
Date: | c. 1620 |
Medium: | Original Engraving |
Publisher: | Sudbury and Humble, London |
Raisonne: | K. G. Boon, ed., F. W. H. Holstein, Dutch and Flemish Etchings, Engravings and Woodcuts: 1450-1700, Amsterdam, Van Gendt, 1974, Vol 16. |
Catalogue # 99, First State of Two. | |
Size: | 7 1/4 X 4 3/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon hand made, laid paper and with margins extending about half an inch from the plate mark on all sides. Backed by a former owner onto a large sheet of stiff, wove paper. Signed by van de Passe and bearing the publisher's address within the plate. A strong, early first state impression of this famous contemporary portrait and in excellent condition throughout. This original engraving of Philip Herbert, First Earl of Montgomery represents both a scarce and important example of early seventeenth century British portrait art. |
Simon Van de Passe |
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Title: | Lodovick Stuart, Ist Duke of Richmond, and 2nd Duke of Lennox |
Artist: | Van de Passe, Simon (Utrecht, 1595 - Copenhagen, 1647) |
Date: | 1616 |
Medium: | Original Engraving |
Publisher: | Compton Holland, London |
Note: | The National Portrait Gallery, London, includes an impression of this engraving in its permanent collection. |
Size: | 7 X 4 5/8 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon hand made, laid paper and with margins trimmed close to the image on all sides. Containing a water stain in the lower centre margin and a very small, restored tear to the upper left margin. Else a well printed, early impression and bearing the full inscription under the portrait. Lodovick Stuart, Ist Duke of Richmond and 2nd Duke of Lenox represents a prime, original example of early seventeenth century British portrait engraving. |
Simon Van de Passe |
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Title: | Robert Carr, Earl of Somerset |
Artist: | Van de Passe, Simon (Utrecht, 1595 - Copenhagen, 1647) |
Date: | c. 1615 |
Medium: | Original Engraving |
Publisher: | Compton Holland, London |
Note: | The National Portrait Gallery, London, includes an example of "Robert Carr, Earl of Somerset" in its permanent collection (Inventory #: NPG D25789). |
Raisonne: | K. G. Boon, ed., F. W. H. Holstein, "Dutch and Flemish Etchings, Engravings and Woodcuts: 1450-1700", Amsterdam, Van Gendt, 1974, Vol 16. |
Catalogue #116, First State | |
Size: | 7 1/8 X 4 3/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon hand made, laid paper and trimmed to the plate-mark on all sides. Signed by van de Passe and bearing the publisher’s address within the plate. A strong, early first state impression of this famous contemporary portrait and in excellent condition throughout. "Robert Carr, Earl of Somerset" represents both a scarce and important example of early seventeenth century British portrait art. |
Willem Van de Passe or Magdalena Van de Passe |
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Title: | George Clifford, 3rd Earl of Cumberland |
Artist: | Van de Passe, Willem (Utrecht, c. 1590 - London, c. 1637) |
Artist: | Van de Passe, Magdalena (Utrecht, 1583 - c. 1638) |
Date: | 1620 |
Medium: | Original Engraving |
Publisher: | Crispijn (Crispin) van de Passe, Holland |
Source: | Compton Holland’s, Heroologia Anglica |
Museum Collections 1) National Portrait Gallery, London, George Clifford. 3rd Earl of Cumberland, #NPG D25165. 2) National Library of Australia, Cumberland, George Clifford, Rex Nan Kivell Collection, #NK6393. |
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Raisonne: | K. G. Boon, ed., F. W. H. Holstein, "Dutch and Flemish Etchings, Engravings and Woodcuts: 1450-1700", Amsterdam, Van Gendt, 1974, Vol 16. Catalogue #177, First and only state. |
(Note: "George Clifford, 3rd Earl of Cumberland" is listed under Crispijn de Passe de Oude (Crispin van de Passe, the Elder.) | |
Size: | 6 1/8 X 4 5/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon hand made, laid paper and with thread margins on all sides. Backed by a former owner onto a large sheet of stiff, wove paper. A strong, early impression and in very good condition throughout. "George Clifford, 3rd Earl of Cumberland" represents both a scarce and important example of early seventeenth century British portrait art and of the influential engraved art of the van de Passe family. |
Jan van Den Aveelen |
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Title: | Scara |
Artist: | Van den Aveelen, Jan (Leyden, 1650 - Stockholm, 1727) |
Date: | 1703 |
Medium: | Original Etching |
Raisonne: | K. G. Boon, ed., Hollstein's Catalogue of Dutch and Flemish Etchings, Engravings and Woodcuts, Vol. 29, 1984, p. 155. |
Source: | Suecia Antigua et Hodierna |
Size: | 9 X 13 1/2 |
Matted | |
Buy Now | Price: $395.00 US |
Condition: | Printed on early eighteenth century hand-made, laid paper. Trimmed to the image (which is common with etchings and engravings from this period) but expertly re-bordered with laid paper around the edges by a previous owner. Signed, dated, and annotated "Holmie" (Stockholm) by the artist in the plate to the lower right. A finely printed impression and in very good condition throughout. Scara stands as a prime, original example of the etched art of Jan van den Aveelen. |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 4 |
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Michael Van der Gucht |
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Title: | James Stanley, Earl of Derby |
Engraver: | Van der Gucht, Michael (Antwerp, 1660 - London, 1725) |
Artist: | Van Dyck (Van Dyke), Anthony (Antwerp, Flanders, 1599 - 1641) |
Date: | c. 1690 - 1700 |
Medium: | Original Engraving |
Museum Listing: National Portrait Gallery, London, "James Stanley, Earl of Derby", NPG D28771. | |
Size: | 4 X 8 17/8 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon hand made, laid paper and with margins extending about one quarter of an inch from the image on all sides. Backed by a former owner onto a large sheet of stiff, wove paper. Signed and titled within the plate. A strong, early impression and in very good condition throughout. "James Stanley, Earl of Derby" represents a fine, example of late seventeenth century British portrait art. |
Paul van Hoeydonck |
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Title: | Oscar The Robot |
Artist: | Van Hoeydonck, Paul (Antwerp, Belgium, Born, 1925) |
Date: | 1971 |
Medium: | Original Silkscreen |
Publisher: | Licht Editions |
Edition: | Limited edition of one hundred and fifty impressions. |
Size: | 12 3/4 X 13 |
UnMatted | |
Buy Now | Price: $345.00 US |
Condition: | Printed upon a thick, smooth paper and with full margins as published by Licht Editions in the limited edition of 150 impressions in 1971. A finely printed impression and in excellent condition throughout. Signed and dated by the artist in pencil along the lower margin. Oscar the Robot is a prime, original example of the art of Paul Van Hoeydonck. |
Evert van Muyden |
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Title: | Lion "1er Croquis Eau Forte" ('First Study for the Etching') |
Artist: | Van Muyden, Evert (Albano, Laziale, 1853 - Orsay (near Paris), 1922) |
Date: | 1887 |
Medium: | Original Graphite and Pen and Ink Drawing |
Size: | 11 1/4 X 7 1/2 |
Framed | |
Price: | Sold |
Condition: | Drawn upon nineteenth century wove paper and with full margins. Signed in pencil to the lower left. Also van Muyden has dated and annotated the composition to the lower right -- “!er Croquis Eau Forte” (1st study for an Etching). Containing several indecipherable words and faded numeration to the upper left, else in excellent condition throughout. Lion represents a superb, original example of the famous animal art of Evert van Muyden. |
Lloyd Van Pitterson |
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Title: | View from the Balcony (Untitled Composition) |
Artist: | Pitterson, Lloyd Van (Jamaica, 1926 - Elizabeth, New Jersey, 1997) |
Date: | c. 1975 - 1980 |
Medium: | Original Lithograph |
Edition: | Limited edition of three hundred impressions, numbered, 119/300 |
Size: | 28 X 21 7/8 |
UnMatted | |
Buy Now | Price: $385.00 US |
Condition: | Printed on smooth, archival paper and with full margins as published around 1975-1980. Signed in pencil to the lower left and numbered, 119/300, to the lower right. This original lithograph is finely printed and in excellent condition throughout. View from the Balcony (Untitled Composition) represents a large and striking example of the twentieth century art of Lloyd Van Pitterson. |
Pieter van Schuppen |
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Title: | Petrus Mercier Generalis Totius Ordinis |
Engraver: | Van Schuppen, Pieter (Antwerp, 1623 - Paris, 1702) |
Designer: | Le Maire, Francois |
Date: | 1677 |
Medium: | Original Line Engraving |
Raisonne: | G. K. Nagler, Neues allgemeines Kunstler-Lexicon, Schwarzenberg & Schumann, Leipzig (3rd. edition), Vol. 18, pp. 62-67. |
Catalogue # 32, First and Only State. | |
D. De Hoop Scheffer, Hollstein's Dutch and Fleish Etchings, Engravings and Woodcuts, Circa 1450 to 1700, Van Gendt & Co., Amsterdam, 1982, Vol. XXVI, pp. 67 - 110. | |
Hollstein Catalogue # 101. Second State of Two, with the name of Le Maire. Impressions of this engraving are in the collection of the Bibliotheque Nationale, Paris and the Bibliotheque Royale, Brussels. | |
Size: | 13 3/4 X 10 3/4 |
Matted | |
Buy Now | Price: $465.00 US |
Condition: | Printed on fine, laid 17th century paper and with margins extending past the plate-mark on all sides. Contains slight rubbing on the extreme, upper left corner, else in superb condition throughout. A strong, silvery printing, which is indicative of a very early printing. Altogether, Petrus Mercier is a spectacular and original example from the Golden Age of the engraved portrait. |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 5 |
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Robert van Voerst |
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Title: | Kennelmus Digbi, Eques (Sir Kenelm Digby) |
Engraver: | Van Voerst, Robert (Arnheim, 1597 - London, 1636) |
Designer: | Van Dyck (Van Dyke), Anthony (Antwerp, Flanders, 1599 - 1641) |
Date: | 1645 First published edition by Gillis Hendricx, Antwerp |
Medium: | Original Engraving |
Publisher: | Gillis Hendricx, Antwerp |
Raisonne: | F. Wibiral, L'Iconographie d' Antonie Van Dyck, Leipzig, 1877. |
Catalogue #71. Third State, as published in the 1645 Hendricx edition. | |
Reference: | (For watermark identification) Rembrandt: Experimental Etcher, Boston, Museum of Fine Arts, 1969, pp. 181 - 183. (Catalogue #15, illustrated on p. 182.) |
G. C. Williamson, Bryan's Dictionary of Painters and Engravers, London, Bell & Sons, 1930, Vol. 5, pp. 317 & 318. | |
Arthur M. Hind, Van Dyck and Portrait Engraving and Etching in the Seventeenth Century, New York, Frederick A. Stokes, 1911. | |
J. V. Elewyck, ed., Antwerp's Golden Age, Washington, the Smithsonian Institution, 1973, p. 104. | |
Source: | Icones Principum Vivorum Doctorum Pictorum Chalographorum Statuariorum Nec Non Amatorum Pictoriae Artis Numero Centum AB Antonio Van Dyck Pictore AD Vivum Expressae Eivsque Suptibus Aeri Incisae (The Iconography) |
Size: | 10 1/8 X 7 1/2 |
Framed | |
Price: | Sold |
Condition: | Printed upon fine 17th century, hand-made, laid paper and with wide, full margins as published in Antwerp in 1645 by Gillis Hendricx. Containing the period foolscap watermark (as described) along the upper margin. Containing one small, circular stain within the lower left margin (about 1" below the plate mark), else a brilliant, early impression and in excellent condition throughout. Kennelmus Digbi, Eques represents a superb, original example of portrait engraving from the famous Iconography of Anthony Van Dyck. |
Vanity Fair, London |
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Title: | Madam Sarah Bernhardt |
Designer: | Monogram: K |
Date: | 1912 |
Medium: | Original Lithograph Printed in Colour |
Printer: | Vincent Brooks, Day & Son Lith. |
Raisonne: | Jerold J. Savory, The Vanity Fair Gallelry, A.S. Barnes & Co., New York, 1979. |
Catalogue # 0525, illustrated on p.109 | |
Provenance: | This original lithograph is from the former collection of the Vanity Fair Ltd., of Cincinnati, Ohio. |
Source: | Vanity Fair, London |
Size: | 14 1/4 X 8 |
Matted | |
Price: | Sold |
Condition: | Madam Sarah Bernhardt is printed on thick wove paper and its full margins as published by Vanity Fair at the above date. This original lithograph contains staining along the outer margins of the paper from a previous matting job, a small chip is missing on the bottom center margin and there is slight creasing to the bottom right margin of the paper. Otherwise, it is a strong, bright impression and the image itself is in excellent condition throughout. Altogether a good example of one of the most famous Vanity Fair prints published. These prints originally appeared with a textual biography. A copy of this biography is enclosed. Also included is the Certificate of Authenticity from the former collection of the Vanity Fair Ltd., of Cincinnati, Ohio. |
Vanity Fair, London |
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Title: | The Lord Chief Baron (The Right Honourable Sir Fitz Roy Edward Kelly) |
Publisher: | Vanity Fair |
Date: | November 04, 1871 |
Medium: | Original Lithograph Printed in Colour |
Printer: | Vincent Brooks, Day & Son Lith. |
Raisonne: | Jerold J. Savory, The Vanity Fair Gallelry, A.S. Barnes & Co., New York, 1979. |
Figure # 35, Listed on p. 54 and illustrated on p. 49 | |
Provenance: | This original lithograph is from the former collection of the Vanity Fair Ltd., of Cincinnati, Ohio. |
Source: | Vanity Fair (The Red Robes) |
Size: | 13 1/2 X 8 1/2 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed on thick wove paper and its full margins as published by Vanity Fair at the above date. This original chromolithograph is a strong, bright impression and it is in excellent condition throughout. These prints originally appeared with a textual biography. A copy of this biography is enclosed. Also included is the Certificate of Authenticity from the former collection of the Vanity Fair Ltd., of Cincinnati, Ohio. Note: The Lord Chief Baron is one of the earliest Red Robed Judges. |
Vanity Fair (Spy, Ape, Lib, Nimo, Tissot,Guth, etc.) |
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Title: | Vanity Fair (Spy, Ape, Lib, Nimo, Tissot,Guth, etc.) Original Lithographs dating from 1875 to 1902 Priced at under 100.00 US dollars |
Artist: | British Artists (Spy, Ape, Lib, Nimo, Tissot,Guth, etc.) |
Date: | 1875 to 1902 |
Medium: | Original Lithographs |
Publisher: | Vanity Fair, London |
Size: | 13 X 7 1/2 |
Not Matted | |
Price: | All Works listed on this page are under $100.00 US dollars |
Condition Information: | Various Condition Reports |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 6 |
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Enrico Vannuccini |
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Title: | Ex Libris Dr. Luigi Airoldi |
Artist: | Vannuccini, Enrico (Barullo di Cortona, 1900 - Griante, Italy, 1990) |
Date: | 1948 |
Medium: | Original Etching |
Source: | Dr. Luigi Airoldi |
Edition: | Limited edition of one hundred impressions. |
Size: | 5 X 3 3/4 |
Framed | |
Buy Now | Price: $395.00 US |
Condition: | Printed on thick wove paper and with full margins as published in the limited edition of one hundred impressions in Milan in 1948. Signed and dated by the artist in pencil in the lower right margin. Also it is signed in the plate to the upper right. A finely printed impression and in very good condition throughout. "Ex Libris Dr. Luigi Airoldi" represents a superb, original example of the ex-libris art of Enrico Vannuccini. |
Jose Varona |
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Title: | Ballet |
Artist: | Varona, Jose (Argentina, 1930 - Resides, United States) |
Date: | 1967 |
Medium: | Original Watercolor, Gouache and Crayon |
Size: | 12 1/2 X 10 |
Framed | |
Buy Now | Price: $985.00 US |
Condition: | Drawn upon thick, wove paper and with full margins. Signed, dated and titled by the artist in green crayon along the lower margin. In excellent condition throughout without a trace of fading or staining. 'Ballet' represents a superb, original example of the art of Jose Varona. |
Jacob Gerard Veldheer |
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Title: | Hollandische Stadt (Dutch Town) |
Artist: | Veldheer, Jacob Gerard 'Jacob Veldheer' (Haarlem, Holland, 1866 - 1954) |
Date: | 1902 |
Medium: | Original Woodcut |
Publisher: | Vervielfaltigende Kunst, Vienna |
Size: | 10 1/2 X 6 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed on thick hand-made, laid paper and with large, full margins as commissioned and published by Vervielfaltigende Kunst in 1902. Bearing the publisher's address, title and the printed words, "Original Holzschnitt (Woodcut) von J. G. Veldheer" along the lower plate mark. A finely printed impression in dark green ink and in very good condition throughout. Altogether, Hollandische Stadt represents a fine, original example of the art of J. G. Veldheer, one of Holland's great Art Nouveau masters. |
Jacob Gerard Veldheer |
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Title: | Tree and Steeple |
Artist: | Veldheer, Jacob Gerard 'Jacob Veldheer' (Haarlem, Holland, 1866 - 1954) |
Date: | 1902 |
Medium: | Original Etching on China Paper |
Publisher: | Vervielfaltigende Kunst, Vienna |
Size: | 11 3/4 X 7 7/8 |
Matted | |
Buy Now | Price: $285.00 US |
Condition: | Printed on fine China paper and impressed onto a larger sheet of white, wove paper and with large, full margins as commissioned and published by Vervielfaltigende Kunst in 1902. Bearing the publisher's address and the printed words, "Original Radierung (Etching) von J. G. Veldheer" along the lower plate mark. A delicately printed impression and in very good condition throughout. Altogether, Tree and Steeple represents a fine, original example of the art of J. G. Veldheer, one of Holland's great Art Nouveau masters. |
Emile Louis Vernier 'Emile Vernier' |
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Title: | Rue Saint-Nicolas, Blois |
Artist: | Vernier, Emile Louis 'Emile Vernier' (Lons-le-Saulnier, (Jura) 1829 - Paris, 1887) |
Date: | 1863 |
Medium: | Original Etching |
Publisher: | Cadart & F. Chevalier, Paris / A. Cadart & Luquet, Paris |
Printer: | Auguste Delatre, Paris |
Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
Size: | 12 1/2 X 9 1/4 |
Matted | |
Buy Now | Price: $325.00 US |
Condition: | Printed on fine, thick, laid paper with the 'Aqua-Fortistes' watermark and also bears Cadart's official blindstamp "A. Cadart & Luquet, Editeurs, 79. R. Richelieu", the title, "Rue Saint-Nicolas, Blois" the publisher's name and address, "Paris, publie par A. Cadart & F. Chevalier, Editeurs, Rue Richelieu, 66", the artist's name "Vernier Pinx & sculpt", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris", in the lower margin above the plate-mark. With full, very wide margins extending almost to the perimeters of the matte as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings) in 1863. Altogether, a fine Delatre printing from this important, early Cadart publishing and the art of Emile Louis Vernier. Very good condition throughout. |
Marcel Vertes |
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Title: | Rope Dancer |
Artist: | Vertes, Marcel (Budapest, 1895 - New York, 1961) |
Date: | c. 1925 |
Medium: | Original Lithograph Printed in Colours |
Edition: | Limited edition of two hundred and fifty impressions. |
Provenance: | This original lithograph was formerly in the Herbert Tannenbaum Gallery, New York, and bearing their original sticker of sale. (The sticker is now attached to the verso of this frame). |
Size: | 19 1/4 X 15 3/4 |
Framed | |
Buy Now | Price: $1,500.00 US |
Condition: | Printed upon watermarked, laid paper and with full margins as published in Paris around 1925. It is signed by Vertes in pencil and in a specified Edition of 250. It is a fine, full-colour impression and in good condition throughout. One will not find a better original example of the famous art of Marcel Vertes than "Rope Dancer". |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 7 |
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Jules Jacques Veyrassat |
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Title: | Deux Chevaux de Halage S'Eloignant (Boat Horses) |
Artist: | Veyrassat, Jules Jacques 'Jules Veyrassat' (Paris, 1828 - 1893) |
Date: | c. 1870 |
Medium: | Original Etching |
Size: | 3 1/2 X 4 1/4 |
Matted | |
Buy Now | Price: $225.00 US |
Condition: | Printed upon fine, hand-made, laid paper and with full margins as published around 1870. Signed in the plate by Veyrassat to the lower left. A finely printed impression and in excellent condition throughout. This original etching of Boat Horses stands as a superb example of the nineteenth century art of Jules Jacques Veyrassat, one of France's greatest artists of the horse. |
Jules Jacques Veyrassat |
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Title: | Carriage Horses |
Artist: | Veyrassat, Jules Jacques 'Jules Veyrassat' (Paris, 1828 - 1893) |
Date: | 1874 |
Medium: | Original Etching |
Publisher: | Seeley, Jackson & Halliday, London |
Source: | P. G. Hamerton's, Chapters on Animals |
Reference: | * Frederick Wedmore, Etchings, London, Methuen & co., 1911, pp. 68 & 69. |
Size: | 4 1/8 X 5 3/4 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon fine, hand-made, laid paper and with full margins as published by Seeley, Jackson & Halliday, London for P. G. Hamerton's, Chapters on Animals in 1874 Signed in the plate by Veyrassat with his 'J. V.' monogram to the lower left. A finely printed impression and in excellent condition throughout. Carriage Horses stands as a superb, original example of the nineteenth century art of Jules Jacques Veyrassat, one of France’s greatest artists of the horse. |
Jules Jacques Veyrassat |
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Title: | Crossing the River |
Artist: | Veyrassat, Jules Jacques 'Jules Veyrassat' (Paris, 1828 - 1893) |
Date: | 1870 |
Medium: | Original Etching |
Size: | 5 X 9 1/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon fine, hand-made, laid paper and with margins cropped by a previous owner to approximately one half of an inch from the etching on all sides. Signed in the plate by Veyrassat along the lower center margin. A finely printed, early impression and in good condition throughout. Crossing the River represents a prime, original example of the beautiful nineteenth century landscape art of Jules Jacques Veyrassat. |
Jules Jacques Veyrassat |
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Title: | Horses by a Stream |
Artist: | Veyrassat, Jules Jacques 'Jules Veyrassat' (Paris, 1828 - 1893) |
Date: | 1874 |
Medium: | Original Etching |
Publisher: | Seeley, Jackson & Halliday, London |
Source: | P. G. Hamerton's, Chapters on Animals |
Reference: | * Frederick Wedmore, Etchings, London, Methuen & co., 1911, pp. 68 & 69. |
Size: | 3 3/4 X 5 1/2 |
Matted | |
Sold | |
Condition: | Printed upon fine, hand-made, laid paper and with full margins as published by Seeley, Jackson & Halliday, London for P. G. Hamerton's, Chapters on Animals in 1874 Signed in the plate with Veyrassat's 'J. V.' monogram to the lower left. A finely printed impression and in excellent condition throughout. Horses by a Stream stands as a superb, original example of the nineteenth century art of Jules Jacques Veyrassat, one of France’s greatest artists of the horse. |
Jules Jacques Veyrassat |
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Title: | Drinking Horses |
Artist: | Veyrassat, Jules Jacques 'Jules Veyrassat' (Paris, 1828 - 1893) |
Date: | 1874 |
Medium: | Original Etching |
Publisher: | Seeley, Jackson & Halliday, London |
Source: | P. G. Hamerton's, Chapters on Animals |
Size: | 3 3/4 X 5 1/2 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon fine, hand-made, laid paper and with full margins as published by Seeley, Jackson & Halliday, London for P. G. Hamerton's, Chapters on Animals in 1874 Signed in the plate by Jules Veyrassat, 'J. Veyrassat' to the lower right. A finely printed impression and in excellent condition throughout. Drinking Horses stands as a superb, original example of the nineteenth century art of Jules Jacques Veyrassat, one of France’s greatest artists of the horse. |
Jules Jacques Veyrassat |
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Title: | Interior d'Ecurie a Samois (Stable Interior at Samois) |
Artist: | Veyrassat, Jules Jacques 'Jules Veyrassat' (Paris, 1828 - 1893) |
Date: | 1876 (P. G. Hamerton's, Etching and Etchers, 1880) |
Medium: | Original Etching |
Publisher: | Macmillan and Co., London |
Source: | Etching and Etchers by Philip Gilbert Hamerton |
Size: | 6 1/4 X 8 3/4 |
Matted | |
Buy Now | Price: $235.00 US |
Condition: | Printed upon fine, hand-made, laid paper and with full, deckled margins as published by Macmillan and Co., London for Philip Gilbert Hamerton's Etching and Etchers in 1880. Bearing Cadart's initial address along the lower right margin and his number (16) in the upper right margin. Signed in the plate by Veyrassat and dated '76'. A finely printed impression and in excellent condition throughout. This original etching entitled Interieur d'Ecurie a Samoisstands as a superb example of the nineteenth century art of Jules Jacques Veyrassat, one of France's greatest artists of the horse. |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 8 |
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Frede Vidar |
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Title: | Sleeping Woman |
Artist: | Vidar, Frede (Denmark, 1911 - Ann Arbor, Michigan, 1967) |
Date: | C. 1950 |
Medium: | Original Lithograph |
Publisher: | Associated American Artists, New York |
Edition: | Sleeping Woman was commissioned by the Associated American Artists of New York and published by them in a sole, limited edition of 250 impressions. |
Associated American Artists: Since its inauguration in the mid 1930's the Associated American Artists commissioned original lithographs, etchings and woodcuts from such great masters as Grant Wood, Thomas Hart Benton and Reginald Marsh. It published graphic art of no less stature in more recent times as contributing American artists included Jack Levine, Sidney Chafetz, Chaim Koppelman, Frede Vidar and Joseph Margulies | |
Size: | 9 X 11 7/8 |
Framed | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon wove paper and with full margins as published in New York in the limited edition of 250 impressions. Signed by the artist in pencil along the lower right margin. A fine impression and in excellent condition throughout. This original lithograph represents a prime example of the American art of Frede Vidar. |
Leon Villevieille |
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Title: | En Picardie (In Picardy) |
Artist: | Villevieille , Leon (Paris, 1826 - 1863) |
Date: | 1850 (Cadart Edition: 1864) |
Medium: | Original Etching |
Publisher: | A. Cadart & Luquet, Paris |
Printer: | Auguste Delatre, Paris |
Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
Size: | 5 7/8 X 8 |
Matted | |
Price: | Sold |
Condition: | Printed upon hand-made, laid paper as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), in 1864. Signed and dated in the plate by the artist to the upper left, and bearing the title, "En Picardie", the artist's name "L. Villevieille sculp", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris" in the lower margin. A superbly printed impression with full plate-tone and in excellent condition throughout. En Picardie (In Picardy) represents a brilliant, original example of the etched landscape art of Leon Villevieille . |
Louis Villeneuve |
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Title: | View of the Castle Keep, Halaincourt (Vue du donjon d'Halaincourt) |
Artist: | Villeneuve, Louis Jules Frederic 'Louis Villeneuve' (Paris, 1796 - 1842) |
Date: | 1819 |
Medium: | Original Lithograph |
Printer: | Delpech, Paris |
Size: | 9 3/4 X 7 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed upon early nineteenth century wove paper and with margins extending about one inch from the image on all sides. Very faint scuffing exists within the outer margins else a strongly printed, early impression and in good condition throughout. View of the Castle Keep, Halaincourt (Vue du donjon d'Halaincourt) represents a prime, original example of the art of Louis Jules Frederic Villeneuve and of early French lithography. |
Jacque Villon |
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Title: | Garde Municipale au Moulin Rouge |
Artist: | Villon, Jacques (Damville, 1875 - 1963) |
Date: | 1910 |
Medium: | Original Etching |
Raisonne: | C. Ginestet & C. Pouillon, Jacques Villon: Les Estampes et les Illustrations, Paris, 1979. |
Catalogue # 249. Third and Final State. For this the final state, Villon actually cut the plate along the right margin, thus concentrating more upon the foreground figure of the guard and less upon background details. | |
Size: | 8 3/4 X 3 5/8 |
Matted | |
Buy Now | Price: $385.00 US |
Condition: | Printed upon thick, wove paper and with full margins as published in Paris. A fine, strong impression and in excellent condition throughout. Garde Municipale au Moulin Rouge stands as a superb, early example of the famous art of Jacque Villon. |
Francesco Vinea
(F. Vinia) |
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Title: | The Fortune Teller |
Designer: | Vinea, Francesco 'F. Vinia' (Florence, 1845 - 1902) |
Date: | 1890 |
Medium: | Original Chromolithograph |
Size: | 12 3/4 X 16 1/2 |
Matted | |
Buy Now | Price: $285.00 US |
Condition: | Printed on nineteenth century wove paper and with full margins as published around 1890. Some chipping has occurred to the outside edges of the margins, however, no damage exists in or near the image. This is a strong, bright printing and in excellent condition. |
John Alfred Vinter 'John Vinter' |
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Title: | Portion of a Shield in Silver by Vechte, for Hunt and Roskell of London |
Artist: | Vinter, John Alfred (London, 1828 - 1905) |
Date: | 1852 |
Medium: | Original Lithograph Printed in Colour |
Publisher: | Day & Son, London |
Source: | Industrial Arts of the Nineteenth Century at the Great Exhibition |
This original lithograph was printed and published in 1852 as part of a series entitled, "Industrial Arts of the Nineteenth Century at the Great Exhibition". This was the famous 'Crystal Palace' Exhibition where artistic and industrial accomplishments were showcased as never before. The Day & Son set concentrated on many of these innovations publishing 158 full color lithographs on areas such as sculpture, altars, stained glass and interior design. | |
Image size: | 9 1/2 X 16 3/8 |
Matted | |
Buy Now | Price: $295.00 US |
Condition Information: | Printed on mid nineteenth century wove paper and with full margins as printed and published in London in 1852. A strong, early impression with full tonal values and in very good condition throughout. Altogether, "Portion of a Shield in Silver by Vechte, for Hunt and Roskell of London" represents a large, fine example of the early English color lithograph. |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 9 |
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Vytautas Osvaldas Virkau |
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Title: | Ex Libris Stasys Pilka (We Are Such Stuff as Dreams Are) |
Artist: | Virkau, Vytautas Osvaldas (Siauliai, Lithuania, Born, 1930) |
Date: | 1975 |
Medium: | Original Engraving |
Source: | Ex-Libris-Bookplate |
Size: | 4 3/4 X 3 1/4 |
Framed | |
Buy Now | Price: $285.00 US |
Condition: | Printed upon archival white paper and with full margins as created by the artist in 1975. Signed and dated by Vytautas Osvaldas Virkau in pencil to the lower right. This is a finely printed impression and in excellent condition throughout. Ex Libris Stasys Pilka represents a fine, original example of the Lithuanian / American art of Vytautas Osvaldas Virkau. |
Nicolaes Visscher II (Nicholas Visscher II) |
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Title: | Comitatus Hannoniae Tabula (Province of Hainaut) |
Artist: | Visscher, Nicolaes II 'Nicholas' (Amsterdam, 1649 - c. 1702 - 1709) |
Date: | c. 1704 - 1705 |
Medium: | Original Engraving |
Publisher: | Nicolaes Visscher II, Amsterdam |
Source: | Atlas minor, sive geographia compendiosa qua orbis terrarum |
Size: | 18 1/4 X 23 3/4 |
UnMatted | |
Buy Now | Price: $795.00 US |
Condition: | Printed upon early eighteenth-century, hand-made, laid paper and with full margins as published in Amsterdam around 1704. This is a strongly printed impression with full colors and in excellent condition throughout. Containing the double-page vertical fold, as always. Altogether "Comitatus Hannoniae Tabula" (Province of Hainaut) represents a prime, original example of the 17th and early 18th century map making skills of the Visscher family. |
Thomas Vivares |
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Title: | Michelangelo's (A Man's Head in Profile) |
Engraver: | Vivares, Thomas (London, 1735 - 1821) |
Designer: | Michelangelo |
Date: | 1818 |
Medium: | Original Soft Ground Etching |
Publisher: | William Young Ottley, London |
Source: | The Italian School of Design |
Size: | 14 X 10 1/4 |
UnMatted | |
Buy Now | Price: $325.00 US |
Condition: | Printed upon 'Whatman' watermarked paper and with wide, full margins as published in London on the above date. It is a brilliant sepia impression bearing all the fine lines and tonal values of a very early impression and in excellent condition throughout. This original engraving represents a prime example of the art the Italian School of Design. |
Thomas Vivares |
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Title: | Ludovico Carracci's (The Madonna and Child) |
Engraver: | Vivares, Thomas (London, 1735 - 1821) |
Designer: | Lodovico Caracci |
Date: | 1818 |
Medium: | Original Soft Ground Etching |
Publisher: | William Young Ottley, London |
Source: | The Italian School of Design |
Size: | 13 1/8 X 15 1/4 |
UnMatted | |
Buy Now | Price: $365.00 US |
Condition: | Printed upon 'Whatman' watermarked paper and with wide, full margins as published in London in 1818. In very good condition and bearing all the fine lines and tonal values of a very early impression. The Madonna and Child stands as a premier, original example of Ottley's, Italian School of Design, and of the etched art of Thomas Vivares. |
Thomas Vivares |
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Title: | California Coast |
Artist: | Volpe, Richard (Pennsylvania, Born, 1926) |
Date: | c. 1975 |
Medium: | Original Lucite Etching |
Publisher: | Ferdinand Roten Galleries, Baltimore |
Edition: | Limited Edition of Seventy Five Impressions, Numbered '69/75'. |
UnMatted | |
Size: | 19 X 19 3/4 |
Buy Now | Price: $395.00 US |
Condition: | Printed upon fine, archival paper and with full margins as published by Ferdinand Roten in the limited edition of seventy-five signed impressions. Containing the publisher's 'FR' blindstamp in the lower left margin. Signed, titled and numbered, '69/75', by the artist in pencil along the lower margin. Containing slight light toning in the outer margins, else a finely printed, full color impression and in very good condition throughout. "California Coast" represents a striking, original example of the art of Richard Volpe. |
Rudolf von Alt |
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Title: | Der Doppel-Erker der Alten Burg in Klosterneuburg (The Double Bay, Old Monestary in Klosterneuburg) |
Artist: | Von Alt, Rudolf (Vienna, 1812 - 1905) |
Date: | 1876 |
Medium: | Original Etching |
Publisher: | Vervielfaltigende Kunst, Vienna |
Size: | 6 X 9 1/4 |
Framed | |
Buy Now | Price: $395.00 US |
Condition: | Printed upon wove paper and with full margins as published in Vienna in 1876. Dated and signed in the plate with the artist's monogramme to the lower right. A finely printed, delicate impression and in excellent condition throughout. This original etching represents a prime example of the famous nineteenth century architectural art of Rudolf von Alt. |
August Von Heyden |
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Title: | Juifs Polonais, paysans et mineurs se la Haute-Silesie a l'embarcadere d'une mine (Polish Jews, peasants and miners from Haute-Silesie at the mine pier) |
Artist: | Von Heyden, August Jacob Theodor (Breslau, 1827 - Berlin, 1897) |
Date: | 1863 |
Medium: | Original Etching |
Publisher: | Cadart & F. Chevalier, Paris / A. Cadart & Luquet, Paris |
Printer: | Auguste Delatre, Paris |
Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
Size: | 9 1/2 X 12 /12 |
Matted | |
Price: | Sold |
Condition: | Printed upon wove paper and with full, large margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), in 1863. Bearing the full title, "Juifs Polonais (paysans et mineurs se la Haute-Silesie a l'embarcadere d'une mine)" the publisher's name and address, "Paris, publie par A. Cadart & F. Chevalier, Editeurs, Rue Richelieu, 66", the artist's name "A. von Heyden sculpt", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris", in the lower margin above the plate-mark. Apart from some foxing in the outer margins this is a brilliant printing with full plate-tone and in excellent condition throughout. Juifs Polonais, paysans et mineurs se la Haute-Silesie a l'embarcadere d'une mine (Polish Jews, peasants and miners from Haute-Silesie at the mine pier) represents a prime example of the art of August Von Heyden. |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 10 |
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Urd Von Hentig |
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Title: | Olivenernte (Harvesting Olives) |
Artist: | Von Hentig, Urd (Germany, born, 1933) |
Date: | 1964 |
Medium: | Original Drypoint Engraving |
Edition: | Limited Edition of One Hundred impressions, Numbered 95/100. |
Size: | 11 X 16 |
Matted | |
Buy Now | Price: $350.00 US |
Condition: | Printed upon thick wove paper and with full margins as published in 1964. Signed, titled and numbered '95/100' by the artist in pencil. A finely printed impression with full plate tone and in excellent condition throughout. Olivenernte is an outstanding example of the art of Urd Von Hentig, one of Germany's greatest modern masters. |
Sir Hubert von Herkomer |
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Title: | John the Smith and his Daughter, from, 'An Idyl' |
Artist: | Von Herkomer, Sir Hubert (Bavaria, 1849 - Hertfordshire, 1914) |
Date: | 1889 |
Medium: | Original Etching |
Edition: | Herkomer has hand signed John the Smith and his Daughter in pencil under the lower right plate mark. The artist rarely hand signed his etchings and thus this impression may be a proof, or gifted to a close friend. |
Source: | Portfolio:Tribute to Robert Lawson, London. |
Reference: | Hubert von Herkomer, My School and My Gospel, Musson Book Company, Toronto, 1907. (The prepatory drawing for this etching is reproduced opposite p. 160.) |
Size: | 7 5/8 X 8 1/2 |
Matted | |
Buy Now | Price: $425.00 US |
Condition: | Printed upon vellum-like paper and with wide, full margins as published in 1889. Signed by the artist in the plate (with his 'HH' monogramme) and dated '89. A strongly printed impression and in very good condition throughout. This original etching entitled John the Smith and his Daughter represents a prime example of the famous nineteenth century art of Sir Hubert von Herkomer. |
Sir Hubert Von Herkomer |
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Title: | Orphans |
Artist: | Von Herkomer, Sir Hubert (Bavaria, 1849 - Hertfordshire, 1914) |
Date: | 1878 |
Medium: | Original Drypoint Engraving |
Publisher: | Macmillan and Co., London |
Source: | Etching and Etchers by Philip Gilbert Hamerton, 1880 |
Size: | 8 X 5 |
Matted | |
Price: | Sold |
Condition: | Printed upon hand-made, laid paper and with wide, deckled margins as published by Macmillan and Co., London for Philip Gilbert Hamerton's Etching and Etchers in 1880. Titled, dated and signed by the artist in the plate (with his 'HH' monogramme). A finely printed impression with full plate tone and in excellent condition throughout. Orphans represents a prime example of the famous nineteenth century art of Sir Hubert von Herkomer. |
Sir Hubert von Herkomer |
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Title: | Portrait of Cecil Lawson |
Artist: | Von Herkomer, Sir Hubert (Bavaria, 1849 - Hertfordshire, 1914) |
Date: | 1883 |
Medium: | Original Drypoint Engraving |
Edition: | Limited Edition of Two Hundred impressions. |
Source: | Portfolio:Tribute to Robert Lawson, London. |
Size: | 16 X 11 |
Matted | |
Buy Now | Price: $285.00 US |
Condition: | Printed upon Japon paper and with wide, full margins as published in the limited edition of two hundred impressions in London in 1883. Signed by the artist in the plate (with his 'HH' monogramme). Bearing a library blinstamp to the upper left corner -- well away from the actual engraving -- else a strongly printed impression and in excellent condition throughout. This original etching entitled Portrait of Cecil Lawson represents a prime example of the famous nineteenth century portrait art of Sir Hubert von Herkomer. |
Sir Hubert von Herkomer |
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Title: | The Babes in the Wood |
Artist: | Von Herkomer, Sir Hubert (Bavaria, 1849 - Hertfordshire, 1914) |
Date: | 1881 |
Medium: | Original Etching and Drypoint Engraving |
Publisher | The Art Journal, London |
Size: | 14 X 10 3/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon thick wove paper and with full, large margins containing the publisher’s address along the lower margin as published in London in 1881. Signed by the artist in the plate with his characteristic 'H H' monogramme (lower center). A deep, finely printed impression and in very good condition throughout. Altogether, "Babes in the Wood" represents a prime, original example of the famous British art of Hubert von Herkomer. |
Sir Hubert von Herkomer |
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Title: | The Hop Gardens of England |
Artist: | Von Herkomer, Sir Hubert (Bavaria, 1849 - Hertfordshire, 1914) |
Date: | 1883 |
Medium: | Original Hard & Soft Ground Etching |
Edition: | Limited edition of two hundred impressions. |
Source: | Portfolio:Tribute to Robert Lawson, London. |
Size: | 9 3/4 X 14 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed on fine quality Japon paper and with full margins as published in the limited edition of two hundred in London in 1883. It is a superb, tonal printing and in excellent condition throughout. In this original etching, Herkomer combines drypoint with hard and soft grounds of etching to create a very complex yet delicate work of art. |
Art of the Print / www.artoftheprint.com - Art Catalogue (V) Part 11 |
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Sir Hubert von Herkomer |
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Title: | The Smith's Workmen from, 'An Idyl' |
Artist: | Von Herkomer, Sir Hubert (Bavaria, 1849 - Hertfordshire, 1914) |
Date: | 1889 |
Medium: | Original Etching |
Source: | Portfolio:Tribute to Robert Lawson, London. |
Size: | 6 1/4 x 6 1/2 |
Matted | |
Buy Now | Price: $245.00 US |
Condition: | Printed upon vellum-like paper and with wide, full margins as published in 1889. Signed by the artist in the plate (with his 'HH' monogramme) and dated '89. Apart from slight creasing this is a strongly printed impression and in very good condition throughout. This original etching represents a prime example of the famous nineteenth century art of Sir Hubert von Herkomer. |
Leopold Graf von Kalckreuth |
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Title: | Fasanenjagd (Pheasant-Shooting) |
Artist: | Von Kalckreuth, Leopold Graf (Dusseldorf, 1855 - Eddelsen (Hanover), 1928) |
Date: | 1911 |
Medium: | Original Etching and drypoint |
Publisher: | Kunst und Kunstler |
Size: | 7 5/8 X 5 1/2 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon thick wove paper and with full margins as published by Kunst und Kunstler in 1911. Bearing the artist's monogram in the plate to the lower left. A brilliantly printed impression with full burr and in excellent condition throughout. Fasanenjagd (Pheasant-Shooting) represents a superb, original example of the influential art of Leopold Graf von Kalckreuth. |
Lucas Vorsterman The Elder |
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Title: | Cornelius De Vos, Pictor Iconum Antwerpiae (Cornelis De Vos) |
Engraver: | Vorsterman, Lucas (Zaltbommel, 1595 - Antwerp, 1675) |
Designer: | Van Dyck (Van Dyke), Anthony (Antwerp, Flanders, 1599 - 1641) |
Date: | 1645 (First Published Edition by Gillis Hendricx, Antwerp) |
Medium: | Original Engraving |
Raisonne: | F. Wibiral, L'Iconographie d' Antonie Van Dyck, Leipzig, 1877. |
Third and final state, as published in the 1645 Hendricx edition. | |
Source: | Icones Principum Virorum Doctorum Chalcographorum Statuariorum Nec Non Amatorum Pictoriae Attis Numero Centum Ab Antonio van Dyck Pictore Ad Vivum Expressae Eivsque Sumptibus Aeri Incisae (The Iconography) |
Size: | 9 3/4 X 6 1/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon fine 17th century, hand-made, laid paper as published in Antwerp in 1645 by Gillis Hendricx. Containing the period foolscap watermark, as described. Cropped to the image by a previous owner, else a fine, early impression and in good condition throughout. Cornelis De Vos represents a strong, original example of portrait engraving of Lucas Vorsterman and of the famous Iconography of Anthony Van Dyck. |
Lucas Vorsterman The Elder |
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Title: | William Cavendish |
Artist: | Vorsterman, Lucas (Zaltbommel, 1595 - Antwerp, 1675) |
Date: | c. 1630 |
Medium: | Original Engraving |
Raisonne: | G. K. Nagler, Neues allgemeines Kunstler-Lexicon, Schwarzenberg & Schumann, Leipzig (3rd. edition), Vol. 23, p. 327. |
Catalogue # 35, First and Only State. | |
Size: | 6 1/2 X 4 3/4 |
Framed | |
Buy Now | Price: $535.00 US |
Condition: | Printed upon early 17th century laid paper and with margins trimmed to the plate-mark, as usual. Signed in the plate by Vorsterman (lower left corner) and with his distinctive monogramme (lower right corner). One very faint crease mark exists in the image, else a finely printed, early impression and in excellent condition throughout. This striking, original portrait engraving represents a prime example of the famous art of Lucas Vorsterman. |
Lucas Vorsterman The Younger |
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Title: | Adrianus de Bie |
Engraver: | Vorsterman, Lucas, the Younger (Antwerp, c. 1605 - 1667) |
Designer: | Meert, Petrus (Brussels, 1619 - 1669) |
Date: | 1649 |
Medium: | Original Engraving |
Publisher: | Joannes Meyssens, Antwerp |
Source: | Images de Diverses Hommes D'Esprit |
Size: | 8 1/4 X 5 3/4 |
Matted | |
Buy Now | Price: $365.00 US |
Condition: | Printed upon thick, hand-made, laid paper as published in Antwerp in 1649. A fine, strongly printed impression and in excellent condition throughout. This original engraving represents a great example of the golden age of 17th century portrait engraving. |
Lucas Vorsterman The Younger |
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Title: | Madonna of the Cherries |
Engraver: | Lucas Vorsterman, the Younger (Antwerp, c. 1605 - 1667) |
Designer: | Titian 'Tiziano Vecellio' (Pieve di Cadore, c. 1487 - Venice, 1576) |
Designer: | David Teniers, the Younger (Antwerp, 1610 – Brussels, 1690) |
Date: | 1656 - 1660 |
Medium: | Original Etching |
Source: | Theatrum Pictorium (Theatre of Paintings) |
Size: | 8 1/4 X 5 3/4 |
Matted | |
Buy Now | Price: $385.00 US |
Condition: | Printed upon seventeenth century laid paper and with margins trimmed to about one inch from the plate-mark on all sides. The paper contains several browning spots, particularly within the outer margins. Else this impression is in good condition throughout. "Madonna of the Cherries" represents a fine, original example of the art of Lucas Vorsterman, the Younger, and of David Teniers’s "Theatrum Pictorium". |
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