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Original International Fine Art www.artoftheprint.com |
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Metropolis by John Ross | Art of The Print - Art Catalogue (Rom-Rz) | Her Most Gracious Majesty Queen Charlotte by Thomas Ryder and son Thomas Ryder Junior |
Featured Artist | Featured Artist |
Art of The Print - Art Catalogue (Rom-Rz): This catalogue page contains a full description of the original works of art that are available for viewing and for sale in our www.artoftheprint.com gallery. The artworks are listed in alphabetical order by the artist's last name, letters (Rom to Rz). Our Gallery, Art of the Print / www.artoftheprint.com offers a wide selection of international fine art. We sell original paintings, watercolors, drawings etchings, lithographs, engravings and other mediums of original graphic. The artworks date from the Renaissance period to the contemporary art period. We guarantee the authenticity of every work of art 100%. Full documentation and certification is provided.
Our collection features works by artists from many countries such as the French artists, Albert Robida and Ferdinand Roybet or the more modern American artists such as Louis Conrad Rosenberg, Boardman Robinson, Louis H. Ruyl, (Louis Ruyl), Marion Richardson, Charlotte Ross, and John Ross, the German artist, Karl Rossing, the great Satirical British artist, Thomas Rowlandson and others. These are only a few of the artists featured on this page.
Featured Publishers: A few of the publishers included in this page are Rudolph Ackermann, who published some of the finest British satirical prints. Also mention must be made of Henri Beraldi, the Gazette des Beaux-Arts, Societe des Aqua-Fortistes, and the etchings by French artists that were published by these companies.We must not forget to include the German publisher, Vervielfaltigende Kunst. They have all published some of the finest original graphic works of art. If you wish to view the entire list and access this information, please go to the www.artoftheprint.com (Featured Publisher's History) page . You will find a brief history for most of the publishers listed.
Cadart: During the 1850's and 1860's Cadart was the leading French publisher of original etchings. Delatre printed the majority of etchings. Delatre was perhaps one of the greatest printer of all times. Meryon, Whistler, Laurens and Jacquemart are just a few of the artists of the period that had Delatre print their original etchings.
The 'Societe des Aqua-Fortistes' was founded by Cadart in 1862. Until its demise in 1867, it was responsible for publishing some of the greatest French art of this important era.
Gazette des Beaux-Arts: The Gazette des Beaux-Arts began publishing in 1859. From the beginning of its publication the Gazette regularly commissioned the greatest etchers of the day to supply original graphic works of art. Nineteenth century editions included original etchings by Daubigny, Appian, Goya, Meryon, Whistler, Seymour Haden, Liebermann, Maclaughlan, Besnard and others and from the beginning of our century to the last publication in 1930 such great artists as Friant, Beurdeley, Louis Jou, Gobo and the American, John Sloan and others from this period responded with original etchings. It is easy to see why original works published by the Gazette Des Beaux-Arts have long been collected.
Vervielfaltigende Kunst: A Viennese art publisher, "Vervielfaltigende Kunst" issued its first original graphic work in 1871. During the following sixty years, it published masterworks by Austrian, German, Swiss, French, Czech and English artists. More internationally focused and less conservative than most print publishers of the time, it took a leading role in the revival of original graphic art. Vervielfaltigende Kunst is now regarded as one of the most vital art publishers of its day and individual prints from this publication are highly coveted by collectors.
Note: The catalogue is set up in alphabetical order by artist's last name. This catalogue also contains links to the images corresponding to the original etchings, lithographs, watercolors, paintings, drawings or other mediums of original graphic art that are listed here if the image is available. the measurement for all works of art listed are in inches and are approximate, height precedes width of plate-mark or the image image. All prices are in US Dollars.
Don't forget to click on the (View Image) links on the left bar to obtain the full biography, and or history, as well as the images pertaining to each original work of art listed on this page. Please, scroll down to view the catalogue listing on this page.
| A | B | C | D | E | F| | G | H | I | J | K | L | M | N | O | P | Q | R | S | Ta | U | V | W | Y | Z | | |
Lica Roman |
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Title: | La Famille (The Family) |
Artist: | Roman, Lica (Ramnicul-Sarat, Romania, 1912 - Paris, 1975) |
Date: | 1976 |
Medium: | Original Aquatint with Embossing |
Publisher: | Associated American Artists, New York |
Edition: | Limited Edition of One Hundred Impressions, numbered '99/100'. |
Size: | 9 1/4 X 7 3/4 |
Matted | |
Buy Now | Price: $365.00 US |
Condition: | This impression is printed on pure rag paper and with full, deckled margins. It is signed in pencil to the lower right and numbered, '99/100'. This unique impressions is in excellent condition throughout and represents captivating, original examples of the art of Lica Roman. |
John Romney |
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Title: | Allied Commanders of the Napoleonic War - Bernadotte, Crown Prince of Sweden (1763-1844) |
Artist: | Romney, John (Chester, 1786-1863) |
Date: | 1815 & 1816 |
Medium: | Original Hand-Coloured Etchings |
Publisher: | Richard Evans, Whites Row, Spitalfields |
Size: | 12 X 9 |
Matted | |
Price: | Sold (price includes the complete set of eight) |
Condition: | Each of these original hand-coloured engravings is printed on early nineteenth century wove paper and with large margins extending beyond the plate-mark on all sides. A former owner has backed them upon board. Apart from slight smudging and foxing to several etchings, this set is in excellent condition throughout, retaining all its fine lines and rich, early hand colouring. All eight etchings bear Richard Evans's address and publication dates from May of 1815 through 1816. Clearly these early equestrian etchings of allied commanders form a most unique and important example of military history from the Napoleonic Wars. |
Felicien Joseph Victor Rops 'Felicien Rops' |
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Title: | Le Flirt: A mon vieux Jean de Tinan ('The Flirt: To my Old Friend, Jean de Tinan') |
Artist: | Rops, Felicien Joseph Victor 'Felicien Rops' (Namur, Belgium, 1833 - Essonnes, France, 1898) |
Date: | 1894 |
Medium: | Original Soft Ground Etching |
Raisonne: | Maurice Exsteens, "L'Oeuvre Grave et Lithographie de Felicien Rops", Paris, Pellet, 1928. Catalogue #E 525. Second State of Two. The plate cut down and altered as described in the introductory paragraph. |
Size: | 2 1/4 X 5 1/8 |
Framed | |
Price: | Sold |
Condition: | Printed upon 19th century wove paper and with large margins as published in 1894. Signed by Felicien Rops in the plate to the lower right margin. Included with this etching is the original presentation sheet in which these words are printed, “Le Flirt, Vernis-mou (soft ground etching), par Felicien Rops”. A finely printed impression and in excellent condition throughout. Le Flirt represents a superb, original example of the famous etched art of Felicien Rops. |
Louis Conrad Rosenberg 'Louis Rosenberg' |
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Title: | Porticus of Octavia, Rome |
Artist: | Rosenberg, Louis Conrad 'Louis Rosenberg' (Portland, Oregon, 1890 - 1983) |
Date: | 1928 |
Medium: | Original Etching and Drypoint Engraving |
Publisher: | Brooklyn Society of Etchers |
Edition: | Limited Edition of Three Hundred and Seventy Five Impressions. |
Size: | 6 5/8 X 5 |
UnMatted | |
Buy Now | Price: $395.00 US |
Condition: | Printed upon hand made, laid paper and with full margins as published by the Brooklyn Society of Etchers in 1928. Containing faint overall light toning within the image, else a strongly printed, atmospheric impression and in very good condition throughout. Signed with Rosenberg’s ‘L. C. R.’ monogramme and dated within the plate to the lower left and signed by him in pencil under the plate-mark. Porticus of Octavia, Rome represents a fine, original example of the great architectural art of Louis Conrad Rosenberg. Note: The Mead Art Museum at Amherst College includes an impression of Porticus of Octavia, Rome in its permanent collection. |
Louis Conrad Rosenberg 'Louis Rosenberg' |
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Title: | Ponte Fabricio, Rome |
Artist: | Rosenberg, Louis Conrad 'Louis Rosenberg' (Portland, Oregon, 1890 - 1983) |
Date: | 1927 |
Medium: | Original Etching and Drypoint |
Note: | Ponte Fabricio, Rome was etched by Rosenberg in 1927. Most of his etchings and drypoints from this period were published in New York by A. C. & H. W. Dickens in signed, limited editions of seventy-five impressions. |
Size: | 9 X 6 7/8 |
Framed | |
Price: | Sold |
Condition: | Printed upon hand made, laid paper with the 'S Lay' watermark and with margins extending about 1" from the plate-mark on all sides. Containing some matte burning in the outer margins and also faint light toning within the image, else a strongly printed, atmospheric impression and in good condition throughout. Signed with Rosenberg's 'L. C. R.' monogramme and dated in Roman numerals within the plate to the lower right and signed by him in pencil under the plate-mark. Ponte Fabricio, Rome represents a fine, original example of the great architectural art of Louis Rosenberg. |
Louis Conrad Rosenberg 'Louis Rosenberg' |
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Title: | Porta Pinciana, Rome |
Artist: | Rosenberg, Louis Conrad 'Louis Rosenberg' (Portland, Oregon, 1890 - 1983) |
Date: | 1947 |
Medium: | Original Drypoint Engraving |
Publisher: | Miniature Print Society, Alexandria, Virginia |
Edition: | Limited edition of two hundred impressions. |
Size: | 3 7/8 X 3 |
Framed | |
Price: | Sold |
Condition: | Printed upon hand made, laid paper and with full margins as published in the limited edition of 200 signed impressions in 1947. A finely printed impression and in excellent condition throughout. Signed by the artist in pencil under the plate-mark. Porta Pinciana, Rome represents a prime, original example of the great miniature architectural art of Louis Rosenberg. |
Note: | The artist biography and information pertaining to this work of art has been provided for the benefit of our viewers. Check our site periodically for new additions. There are new biographies and works of art for sale posted every month. |
Amedee Rosier |
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Title: | Cottage with a Thatched Roof |
Artist: | Rosier, Amedee (Meaux, 'Seine-et-Marne', 1831 - 1898) |
Date: | c. 1870 |
Medium: | Original Graphite Drawing |
Size: | 5 1/4 X 8 1/4 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Drawn upon grey paper and with full margins. Bearing the artist's estate stamp (cache de vente) to the lower right. Containing a slight, horizontal crease in the upper margin as well as faint mat burning in the outer left margin, else, this original Amedee Rosier drawing is in good condition throughout. |
Charlotte Ross |
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Title: | Sonata |
Artist: | Ross, Charlotte (United States, Active, c. 1950 - 1980) |
Date: | c. 1960 |
Medium: | Original Color Etching & Aquatint |
Publisher: | Ferdinand Roten Galleries, Baltimore |
Edition: | Limited edition of sixty impressions, numbered, '59/60'. |
Size: | 15 1/2 X 19 |
UnMatted | |
Buy Now | Price: $395.00 US |
Condition: | Printed upon smooth archival paper and with full margins as published by Roten Galleries around 1960. Bearing the publisher's 'FR' blindstamp in the lower left margin. Signed, titled and numbered, '59/60', by the artist in pencil under the plate-mark. A finely printed, full color impression and in excellent condition throughout. Sonata represents a prime, original example of the art of Charlotte Ross. |
John Ross |
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Title: | Canyon |
Artist: | Ross, John (New York City, Born, 1921) |
Date: | c. 1980 |
Medium: | Original Deep Etching & Aquatint |
Edition: | Artist Proof Impression |
Size: | 35 1/4 20 1/2 |
UnMatted | |
Buy Now | Price: $525.00 US |
Condition: | Printed upon fine, laid paper and with full margins. Signed, titled and annotated, 'Artist's Proof', by the artist in pencil along the lower margin. Containing a marginal (restored) tear in the upper left margin which terminates at the plate-mark, else in good condition throughout. "Canyon" represents a prime, original example of the contemporary art of John Ross. |
John Ross |
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Title: | Metropolis |
Artist: | Ross, John (New York City, Born, 1921) |
Date: | C. 1980 |
Medium: | Original Colour Aquatint Engraving |
Edition: | Limited Edition of one hundred impressions, numbered 90/100. |
Size: | 23 1/2 X 16 |
UnMatted | |
Buy Now | $495.00 US |
Condition: | Printed upon fine. laid paper and with full margins as published in New York in the signed limited edition of 100 impressions. Signed, titled and numbered, '50/100', by the artist in pencil along the lower margin. A finely printed colour impression and in excellent condition throughout. Metropolis is a prime example of the contemporary New York art of John Ross. |
Karl Rossing |
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Title: | Einwandfreie Prozessfuhrung ('Proceedings and Conduct Free from Objection', or, 'Faultless Litigation') |
Artist: | Rossing, Karl (Gmunden, Austria, 1897 - Wels, Austria, 1987) |
Date: | 1928 |
Medium: | Original Wood Engraving |
Publisher: | Vervielfaltigende Kunst, Vienna |
Size: | 7 1/4 X 5 1/2 |
Matted | |
Buy Now | Price: $565.00 US |
Condition: | Printed on wove paper and with full margins as commissioned and published by "Vervielfaltigende Kunst" in 1928. Containing the printer’s address and the words, “Karl Rossing, Einwandfreie Prozessfuhrung, Original Holzschnitt (Woodcut)” along the lower margin. Bearing Rossing’s monogram and date within the block to the middle left. A strongly printed impression and in very good condition throughout. Altogether, "Einwandfreie Prozessfuhrung" represents a most important, original example of the art of Karl Rossing. |
Luigi
Rossini |
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Title: | Veduta Dell 'Avanzo Dell' Anfiteatro Castrense |
Artist: | Rossini, Luigi (Ravenna, 1790 - Rome, 1857) |
Date: | 1822 |
Medium: | Original Engraving & Etching |
Size: | 13 1/8 X 18 |
Matted | |
Buy Now | $495.00 US |
Condition: | Printed on early 19th century thick wove paper and with thread margins beyond the plate-mark on all sides. Signed and dated by Rossini in the plate along the lower margin. Containing slight creasing and spotting in the upper margin as well as a small repaired tear along the centre left margin, else a strongly printed, early impression and in good condition throughout. This original etching represents a prime example of the architectural art of Luigi Rossini. |
Charles Rossiter |
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Title: | St. Valentine's Day |
Artist: | Rossiter, Charles (London, 1827 - 1897) |
Date: | 1861-62 |
Medium: | Original Etching |
Publisher: | Day & Son, London |
Edition: | Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862 |
Size: | 6 3/4 X 4 3/4 |
Matted | |
Buy Now | Price: $285.00 US |
Condition: | Printed upon wove paper and with full margins as published in Passages from Modern English Poets in 1862. The etching is signed with the artist’s ‘CR’ monogramme within the image to the lower left. It also bears the artist's name name "C. Rossiter" and the publisher's date and name, "London, Published December 1st, 1861 by Day & Sons, Lith. to the Queen" along the lower margin of the plate. It also bears the plate's number "37" to the upper right corner of the margin above the image. This impression is in excellent condition throughout without a trace of staining, foxing or fading. St. Valentine’s Day represents a fine, original example of the nineteenth century genre art of Charles Rossiter. |
David Roth |
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Title: | Untitled Composition (Op Art) |
Artist: | Roth, David (New York City, Born, 1942) |
Date: | 1980 |
Medium: | Original Silkscreen (Serigraph) |
Edition: | Limited edition of one hundred and fifty impressions, numbered 44/150. |
Size: | 23 3/4 X 22 3/4 |
Matted | |
Buy Now | $345.00 US |
Condition: | Printed upon thick, pure rag paper and with large, full margins as published in New York in 1980. Signed, dated and numbered, '44/150' by the artist in pencil along the lower margin. Containing a very faint crease to the lower left corner of the margin, else a brilliant, full color impression and in very good condition throughout. Untitled Compositionrepresents a prime, original example of the important op art of David Roth. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Rom - Rz) - Part 2 |
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Benjamin Roubaud |
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Title: | Surprise |
Artist: | Roubaud, Benjamin (Roquevaire, 1811 - Algiers, 1847) |
Date: | c. 1835 |
Medium: | Original Lithograph |
Publisher: | Revue des Peintres, Paris |
Printer: | Aubert, Paris |
Source: | Revue des Peintres |
Size: | 6 1/4 X 7 3/4 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon early nineteenth century wove paper and with lower margin as slightly cropped through the title. Containing slight foxing in the outer margins, else a finely printed impression and in very good condition throughout. Surprise represents a prime, original example of the French satirical art of Benjamin Roubaud. |
Emile Roustan |
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Title: | Fleurs (Still-Life) |
Artist: | Roustan, Emile (Cambodia, 1877 - Paris, 1959) |
Date: | 1924 |
Medium: | Original Lithograph Printed in Colour |
Publisher: | Gazette des Beaux-Arts, Paris |
Source: | Gazette des Beaux-Arts, Paris |
Size: | 6 3/4 X 5 1/2 |
Matted | |
Buy Now | $225.00 US |
Condition: | Printed on wove paper and with full margins as published by the Gazette des Beaux-Arts in Paris in 1924. It is a beautiful, full colour impression and in excellent condition throughout. |
Oswald Roux |
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Title: | Pferde (Cart Horses) |
Artist: | Roux, Oswald (Vienna, 1880 - 1961) |
Date: | c. 1920 |
Medium: | Original Etching and Drypoint Engraving |
Publisher: | Vervielfaltegende Kunst, Vienna |
Size: | 6 3/8 X 7 3/8 |
Matted | |
Buy Now | $265.00 US |
Condition: | Printed upon sturdy wove paper and with large, full margins as commissioned and published by Vervielfaltigende Kunst around 1920. Bearing the publisher's title and credits along the lower margin. A superbly printed impression with full plate tone and in excellent condition throughout. Pferde (Cart Horses) represents a prime example of the Secessionist art of Oswald Roux. |
Thomas Rowlandson |
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Title: | Admiration |
Engraver: | Rowlandson, Thomas (London, 1756 - 1827) |
Designer: | Woodward, George Moutard (Derbyshire, 1760 - London, 1809) |
Date: | 1800 |
Medium: | Original Soft Ground Etching |
Publisher: | Rudolph Ackermann, London |
Printer: | Rudolph Ackermann, London |
Size: | 11 X 7 |
Matted | |
Buy Now | $295.00 US |
Condition: | Printed on early nineteenth century wove paper and with margins of over one inch from the image on all sides. Bearing the full text and Ackermann's address along the lower margin. A fine, early impression and in good condition throughout. This original etching of Admiration represents a prime example of the satirical art of both Thomas Rowlandson and George Moutard Woodward. |
Thomas Rowlandson |
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Title: | Deadly Lively |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | 1815 |
Medium: | Original Hand-Coloured Etching |
Publisher: | Thomas Tegg, London |
Size: | 12 1/2 X 9 |
Framed | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with margins cropped to within 1 inch of the image. Also glue staining is apparent on the verso of the etching in the outer corners. Else a finely printed, early impression with strong, original hand-colouring and in good condition throughout. This original impression of Deadly Lively represents a very important example of the famous etched art of Thomas Rowlandson, one of England's greatest satirical masters. |
Thomas Rowlandson |
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Title: | Doctor Syntax, Copying the Wit of the Window |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | Date: September 1, 1809 |
Medium: | Original Hand-Colored Etching & Aquatint |
Publisher: | The Poetical Magazine at Rudolph Ackermann's Repository of Arts, 101 Strand, London |
Edition: | First Edition |
Size: | 4 1/4 x 7 1/2 |
Framed | |
Buy Now | Price: $395.00 US |
Condition: | Printed on early nineteenth century wove paper and with full margins as published in the Poetical Magazine in 1809. Bearing the date and publisher's address "No. 5 of the Poetical Magazine, Pub. Sepr. 1st, 1809, at Rudolph Ackermann's Repository of Arts, 101 Strand, London" and the plate number "10" in the upper margin, as well as the title, "Doctor Syntax, Copying the Wit of the Window" in the lower margin. This is a strongly printed, early impression with original hand-coloring and is in excellent condition throughout. This original impression of Doctor Syntax Copying the Wit of the Window represents a prime example of the famous etched art of Thomas Rowlandson, one of England’s most accomplished satirical masters. |
Thomas Rowlandson |
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Title: | Preaching to Some Purpose |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Designer: | Woodward, George Moutard (Derbyshire, 1760 - London, 1809) |
Date: | 1801 |
Medium: | Original Etching |
Publisher: | Rudolph Ackermann, The Strand, London |
Size: | 11 X 13 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with margins cropped close to the plate-mark, as published in London in 1801. Containing remnants of glue marks on the verso else a finely printed, early impression in good condition throughout. This original impression of "Preaching to Some Purpose" represents a prime, original example of the satirical art of Thomas Rowlandson and George Moutard Woodward. |
Thomas Rowlandson |
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Title: | The Consultation or Last Hope |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | 1808 |
Medium: | Original Etching |
Publisher: | Rudolph Ackermann, London |
Size: | 10 X 14 |
Matted | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with margins cropped to within one inch of the plate-mark. Containing a tear in the lower right margin which ends slightly within the image at the publisher's name. Else a finely printed, early impression in good condition throughout. This original impression of "The Consultation or Last Hope" represents a prime example of the famous etched art of Thomas Rowlandson, one of England's greatest satirical masters. |
Thomas Rowlandson |
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Title: | The Corporal in Good Quarters |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | 1808 (Second Edition: 1812) |
Medium: | Original Hand-Coloured Etching |
Publisher: | S. Howitt, London |
Size: | 10 1/2 X 8 1/4 |
Framed | |
Buy Now | $650.00 US |
Condition: | Printed on early nineteenth century wove paper and with margins cropped to within 1/2 an inch of the image. Also glue staining is apparent on the verso of the etching in the outer corners. Else a finely printed impression with strong, original hand-colouring and in good condition throughout. This original impression of The Corporal in Good Quarters represents a delightful example of the famous etched art of Thomas Rowlandson, one of England's greatest satirical masters. |
Thomas Rowlandson |
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Title: | The Death Blow |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | 1815 |
Medium: | Original Aquatint & Etching Printed in Colour |
Publisher: | Rudolph Ackermann, London |
Printer: | Rudolph Ackermann, London |
Source: | The English Dance of Death |
Size: | 4 1/4 X 8 7/8 |
Framed | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with full margins as published in London by Rudolph Ackermann in 1815. It is in excellent condition throughout. |
Thomas Rowlandson |
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Title: | The Gaming Table |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | 1815 |
Medium: | Original Aquatint & Etching Printed in Colour |
Publisher: | Rudolph Ackermann, London |
Printer: | Rudolph Ackermann, London |
Source: | The English Dance of Death |
Size: | 4 1/4 X 8 7/8 |
Framed | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with full margins as published in London by Rudolph Ackermann in 1815. It is in excellent condition throughout. |
Thomas Rowlandson |
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Title: | The Manager's Lask Kick, or a New Way to Pay Old Debts |
Engraver: | Anonymous |
Designer: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | c. 1815 |
Medium: | Original Hand-Coloured Etching |
Size: | 9 3/4 X 13 3/4 |
Matted | |
Price: | Sold |
Condition Information: | Printed on early nineteenth century wove paper with the 'J. Whatman' watermark and with margins extending past the plate mark on all sides. Several very small tears in the outer margins exist, else a finely printed impression with original, unfaded hand colouring and in excellent condition throughout. This original etching represents a fine example of the famous satirical art of Thomas Rowlandson. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Rom - Rz) - Part 3 |
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Thomas Rowlandson |
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Title: | The Quaker, and the Commissioners of Excise |
Engraver: | Rowlandson, Thomas (London, 1756 - 1827) |
Designer: | Woodward, George Moutard (Derbyshire, 1760 - London, 1809) |
Date: | 1807 |
Medium: | Original Hand-Coloured Etching |
Publisher: | George Moutard Woodward |
Size: | 9 X 12 5/8 |
Matted | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with margins cropped to the image on all sides and glued onto a larger sheet of early wove paper. Because of the cropping Rowlandson's name (on the lower right margin) and Woodward's name (on the lower left margin) have been eliminated. Also some glue staining from the verso is evident as well as minor creasing. Else a well printed impression with fine, original hand-colouring. This original etching represents a prime example of the satirical art of both Thomas Rowlandson and George Moutard Woodward. |
Thomas Rowlandson |
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Title: | The Tooth-Ache, or, Torment & Torture |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | 1823 |
Medium: | Original Hand-Coloured Etching |
Publisher: | John Fairburn, Ludgate Hill. |
Size: | 10 1/4 X 8 3/8 |
Framed | |
Price: | Sold |
Condition: | Printed on early nineteenth century hand-made, laid paper and with margins cropped to within one inch of the image. Matt burning is apparent on the outer margins as is some foxing within the actual etching. Else a finely printed, early impression with strong, original hand-colouring and in good condition throughout. This original impression of The Tooth-Ache, or, Torment & Torture represents a prime example of the famous etched art of Thomas Rowlandson, one of England's greatest satirical masters. |
Thomas Rowlandson |
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Title: | The Wedding |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | 1815 |
Medium: | Original Aquatint & Etching Printed in Colour |
Publisher: | Rudolph Ackermann, London |
Printer: | Rudolph Ackermann, London |
Source: | The English Dance of Death |
Size: | 4 1/4 X 8 7/8 |
Framed | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with full margins as published in London by Rudolph Ackermann in 1815. It is in excellent condition throughout. |
Thomas Rowlandson |
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Title: | Wapping |
Artist: | Rowlandson, Thomas (London, 1756 - 1827) |
Date: | 1807 |
Medium: | Original Etching |
Publisher: | Rudolph Ackermann, Repository of Arts, London |
Size: | 10 X 14 |
Matted | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with margins cropped to within one inch of the plate-mark. Containing remnants of glue marks on the verso else a finely printed, early impression in good condition throughout. This original impression of "Wapping" represents a prime example of the famous etched art of Thomas Rowlandson, one of England's greatest satirical masters. |
Ferdinand Roybet |
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Title: | En Retard Pour La Fete (Late for the Fair) |
Artist: | Roybet, Ferdinand (Uzes, 1840 - Paris, 1920) |
Date: | 1865 |
Medium: | Original Etching |
Publisher: | A. Cadart & Luquet, Paris |
Printer: | Auguste Delatre, Paris |
Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
Raisonne: | Henri Beraldi, Les Graveurs du XIX Siecle, Librairie L. Conquet, Paris, 1891, Vol. 2, p. 274. Catalogue # 3, First and Only State as published by Cadart. |
Size: | 9 1/4 X 12 5/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon 'Aqua-Fortistes' watermarked hand-made paper and with full, large margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1865. This is an early Proof impression before the addition of the title along the lower margin. Signed in the plate by the artist. A brilliant, tonal printing and in superb condition throughout. This original etching, entitled, En Retard Pour La Fete (Late for the Fair) represents a beautiful example of the influential art of Ferdinand Roybet. |
Ferdinand Roybet |
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Title: | Le Repos, 'Fanueses au Repos' (Rest, 'Haymakers Resting') |
Artist: | Roybet, Ferdinand (Uzes, 1840 - Paris, 1920) |
Date: | 1866 |
Medium: | Original Etching |
Publisher: | A. Cadart & Luquet, Paris |
Printer: | Auguste Delatre, Paris |
Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
Size: | 9 1/4 X 12 5/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon 'Aqua-Fortistes' watermarked hand-made paper and with full, large margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1866. This is an early Proof impression before the addition of the title along the lower margin. Signed in the plate by the artist. A brilliant, tonal printing and in superb condition throughout. This original etching, entitled, "Le Repos", 'Fanueses au Repos' (Rest,'Haymakers Resting') represents a beautiful example of the influential art of Ferdinand Roybet. |
Andree Ruellan |
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Title: | Masques |
Artist: | Ruellan, Andree (New York City, 1905 - Kingston, New York, 2006) |
Date: | 1951 |
Medium: | Original Aquatint Engraving |
Edition: | Limited edition of one hundred and twenty-five impressions, numbered 80/125. |
Size: | 9 3/4 X 7 1/2 |
Matted | |
Buy Now | $395.00 US |
Condition: | During the following years Andree Ruellan received such major honors as the Guggenheim Fellowship (1950), the Sally Jacobs-Phoebe Towbin Award (1981) and the Yasuo Kuniyoshi Award (1994). Her art was the subject of a large retrospective exhibition at the Woodstock Artists Association in 2000. Today the art of Andree Ruellan is included in the permanent collections of the Metropolitan Museum of Art, New York, the Springfield Museum of Art, and many other public institutions. |
Therese Ruffie de Longueval |
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Title: | Sarabande |
Artist: | Ruffie de Longueval, Therese (Carcassonne, France, b. 1923) |
Date: | c. 1965 - 1975 |
Medium: | Original Aquatint |
Edition: | Limited Edition of One Hundred and Twenty five Impressions. |
Size: | 10 3/4 X 14 3/8 |
Matted | |
Buy Now | Price: $285.00 US |
Condition: | Printed on thick archival paper and with full margins as published around the above dates. Pencil signed, "Th Ruffie" titled and numbered, '80/125', along the lower margin. Containing faint overall light toning, else in good condition throughout. Sarabande represents a fine, original example of the 20th century French art of Therese Ruffie de Longueval. |
Eduard Ruga |
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Title: | Crucifixion Scene |
Artist: | Ruga, Eduard (Estonia, 1903 - New Jersey, 1997) |
Date: | 1956 |
Medium: | Original Painting on Paper |
Matted | |
Size: | 16 X 13 |
Price: | Sold |
Condition: | Painted upon textured wove paper and with large, full margins. Containing marginal, restored tears within the paper -- none affecting the actual painting -- else in good condition throughout. Signed and dated in pen by the artist to the lower right and titled (in Estonian) to the lower left. "Crucifixion Scene" represents a fine, original example of the Estonian/American art of Eduard Ruga. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Rom - Rz) - Part 4 |
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Thomas Ryder |
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Title: | First Part of King Henry the Fourth. Act V, Scene IV. Plain Near Shrewsbury. Prince Henry, Hotspur and Falstaff |
Engraver: | Ryder, Thomas (London, 1746 -1810) |
Designer: | Rigaud, John Francis (Turin, 1742 - London, 1810) |
Date: | 1796 |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, Pall Mall |
Source: | Shakspeare Gallery |
Edition: | Original 'First Edition Impression' |
Size: | 22 1/8 X 16 1/4 |
UnMatted | |
Buy Now | Price: $1,200.00 US |
Condition: | Printed upon late eighteenth century wove paper bearing the watermark date of '1794' and with full margins as published by Boydell in London on the above date. Containing very faint foxing in the outer margins, else a strongly printed, first edition impression with full tonal values and in excellent condition throughout. First Part of King Henry the Fourth, Act V, Scene IV represents a superb, original example of the great engraved art of the Shakespeare Gallery. |
Thomas Ryder |
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Title: | Love's Labour's Lost. Act IV, Scene I. (Princess, Forester, Boyet, Attendants, etc.) |
Engraver: | Ryder, Thomas (London, 1746 -1810) |
Designer: | Hamilton, William (Chelsea, 1751 - London, 1801) |
Date: | 1793 |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, London |
Edition: | Open Letter Proof Impression |
Source: | Shakspeare Gallery |
Size: | 19 1/2 X 24 1/2 |
UnMatted | |
Buy Now | Price: $925.00 US |
Condition: | Printed upon eighteenth century hand-made, laid paper and cropped to the margins by either the printer or initial owner. Remounted onto a large sheet of eighteenth century laid paper. Containing slight foxing in the outer margins and minor vertical creasing within the image, else a vibrant impression bearing all the fine lines and tonal values of an open letter proof impression. Love's Labour's Lost. Act IV, Scene I. (Princess, Forester, Boyet, Attendants, etc.) represents a superb, original example of the famous art of Boydell's Shakespeare Gallery. |
Thomas Ryder Senior & Thomas Ryder Junior |
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Title: | Her Most Gracious Majesty, Queen Charlotte |
Engraver: | Ryder, Thomas (London, 1746 -1810) |
Engraver: | Ryder Junior, Thomas (British, born 1789 - died ?) |
Designer: | Beechey, Sir William (Burford, Oxfordshire, 1753 - Hampstead, 1839) |
Date: | 1804 (First Edition Impression) |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, Pall Mall |
Source: | Shakspeare Gallery |
Size: | 23 1/2 x 16 1/2 |
UnMatted | |
Buy Now | Price: $985.00 US |
Condition: | Printed on early nineteenth century wove paper and with full margins as printed and published in London in 1804. Containing a horizontal crease running through the centre of the engraving and some foxing, particularly in the outer margins; else a strong, finely printed first edition impression. "Her Most Gracious Majesty, Queen Charlotte" represents a prime, original example of the engraved art of Thomas Ryder and of the Boydell Shakespeare Gallery. |
Thomas Ryder & Charles Gauthier Playter |
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Title: | Measure for Measure. Act II, Scene I. Angelo's House. Escalus, a Justice, Elbow, Froth, Clown, Officers, etc. |
Engraver: | Ryder, Thomas (London, 1746 -1810) |
Engraver: | Playter, Charles Gauthier (Died, Lewisham, 1809) |
Designer: | Smirke, Robert (Wigton, 1752 - London, 1845) |
Date: | 1794 |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, Pall Mall |
Source: | Shakspeare Gallery |
Edition: | Original 'Artist Proof Impression' |
Size: | 19 3/4 X 24 3/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon late eighteenth century wove paper bearing the 'Whatman 1794' watermark and with full margins as published by Boydell in London on the above date. Containing a previously restored tear in the lower right corner (well removed from the actual image) as well as well as foxing in the upper margins, entering the image to the upper left; else bearing all the fine lines and tones of a very early artist proof impression. Measure for Measure. Act II, Scene I. (Angelo's House. Escalus, A Justice, Elbow, Froth, Clown, Officers, etc.) represents a superb, original example of the engraved art of Boydell's Shakespeare Gallery. |
Thomas Ryder |
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Title: | Merry Wives of Windsor. Act IV, Scene II. A room in Ford's House. Falstaff in women's clothes led by Mrs. Page |
Engraver: | Ryder, Thomas (London, 1746 -1810) |
Designer: | Durno, James (London, 1752 - Italy, 1795) |
Date: | 1801 |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, London |
Edition: | First Edition Impression |
Source: | Shakspeare Gallery |
Size: | 19 1/2 X 24 7/8 |
UnMatted | |
Buy Now | Price: $1,200.00 US |
Condition: | Printed upon eighteenth century wove paper with the 'Whatman 1794' watermark and date and with full margins as published by Boydell for the first edition. Containing slight staining in the outer margins else a strongly printed impression bearing all the fine lines and tonal values of a first edition impression. Merry Wives of Windsor. Act IV, Scene II. (A room in Ford's House. Falstaff in women's clothes led by Mrs. Page.) represents a superb, original example of the famous art of Boydell's Shakespeare Gallery. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Rom - Rz) - Part 5 |
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Thomas Ryder |
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Title: | Othello, Act II, Scene I, A Platform. Desdemona, Othello, Iago, Cassio, Rodrigo, Emilia, etc. |
Engraver: | Ryder, Thomas (London, 1746 -1810) |
Designer: | Stothard, Thomas (London, 1755 - 1834) |
Date: | 1799 |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, London |
Edition: | Artist Proof Impression |
Source: | Shakspeare Gallery |
Size: | 19 1/2 X 24 3/4 |
UnMatted | |
Buy Now | Price: $1,345.00 US |
Condition: | Printed upon eighteenth century wove paper bearing the 'J. Whatman 1794' watermark and with full margins as published by Boydell in London around 1795. Containing slight foxing in the outer margins else a vibrant impression bearing all the fine lines and tonal values of an initial artist proof impression. Othello. Act II, Scene I. (A Platform. Desdemona, Othello, Iago, Cassio, Rodrigo, Emilia, etc.) represents a superb, original example of the famous art of Boydell's Shakespeare Gallery. |
Charles Gauthier Playter |
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Title: | Third Part of King Henry the Sixth. Act I, Scene III. A field of Battle betwixt Sandal Castle and Wakefield. Rutland and his Tutor, Clifford and Soldiers |
Engraver: | Playter, Charles Gauthier (Died, Lewisham, 1809) |
Engraver: | Ryder, Thomas (London, 1746 -1810) |
Designer: | Northcote, James (Plymouth, 1746 - London, 1831) |
Date: | 1796 (Shearjashub Spooner Edition, 1852) |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, London |
Source: | Shakspeare Gallery |
Size: | 22 3/4 X 16 |
UnMatted | |
Buy Now | Price: $625.00 US |
Condition: | Printed upon mid nineteenth century wove paper and with full margins as published by Spooner in New York in 1852. A finely printed, deep impression and in excellent condition throughout. Third Part of King Henry the Sixth. Act I, Scene III. (Rutland and his Tutor, Clifford and Soldiers) represents a prime example of the art of James Northcote and of Boydell's famous Shakespeare Gallery. |
Thomas Ryder |
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Title: | Twelfth Night, Act III, Scene IV. Olivia's - house. Olivia, Maria. & Malvolio |
Engraver: | Ryder, Thomas (London, 1746 -1810) |
Designer: | Ramberg, Johann Heinrich Ramberg (Hanover, 1763 - 1840) |
Date: | 1794 |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, London |
Edition: | Open Letter Proof Impression |
Source: | Shakspeare Gallery |
Size: | 19 1/2 X 25 |
UnMatted | |
Buy Now | Price: $925.00 US |
Condition: | Printed upon eighteenth century hand-made, laid paper and cropped to the margins by either the printer or initial owner. Remounted onto a large sheet of eighteenth century laid paper. Containing slight foxing in the outer margins and slight scrape within the image to the right, else a vibrant impression bearing all the fine lines and tonal values of an open letter proof impression. Twelfth Night. Act III, Scene IV. (Olivia's - house. Olivia, Maria. & Malvolio) represents a superb, original example of the famous art of Boydell's Shakespeare Gallery. |
Jeanine Coupe Ryding |
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Title: | Silent Affliction |
Artist: | Ryding, Jeanine Coupe (Contemporary American Artist Resides, Chicago) |
Date: | 1978 |
Medium: | Original Color Woodcut |
Edition: | Limited edition of five impressions, numbered 5/5. |
Size: | 22 X 17 3/4 |
UnMatted | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon mulberry (rice) paper and with large, full margins as published in 1978 in the small edition of only five impressions. Containing slight creasing in the outer margins as well as one masking tape stain for each side of the paper (well removed from the actual woodcut), else a finely printed impression and in very good condition throughout. Signed, dated, titled and numbered, '5/5', by the artist in pencil along the lower margin. Silent Affliction represents a prime, original example of the woodcut art of Jeanine Coupe Ryding. |
William Wynne Ryland |
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Title: | Sir John Ligonier (Field Marshal John Ligonier, 1st Earl Ligonier) |
Artist | Ryland, William Wynne (London, 1732 - 1783) |
Date: | c. 1760 - 1770 |
Medium: | Original Engraving |
Size: | 4 3/4 X 4 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon eighteenth century hand-made, laid paper and with margins extending just past the plate-mark on all sides. A finely printed, early impression and in excellent condition throughout. Sir John Ligonier stands as a fine, original example of the engraved art of William Wynne Ryland. |
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