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Art Catalogue (Hf-Hol)

	Original International Fine Art www.artoftheprint.com
From The Beginning by Werner Hoeflich	Art of The Print - Art Catalogue (Hf-Hol)	Fuji in a Window by Hokusai
Featured Artist		Featured Artist

Art of The Print - Art Catalogue (Hf-Hol): This catalogue page contains a full description of the original works of art that are available for viewing and for sale in our www.artoftheprint.com gallery. The artworks are listed in alphabetical order by the artist's last name, letters ( Hf to Hol ). Our Gallery, Art of the Print / www.artoftheprint.com offers a wide selection of international fine art. We sell original paintings, watercolors, drawings etchings, lithographs, engravings and other mediums of original graphic. The artworks date from the Renaissance period to the contemporary art period. We guarantee the authenticity of every work of art 100%. Full documentation and certification is provided.

Our collection features works by artists from many countries such as the American artists, Edward Hill, John Hogan, Werner Hoeflich, Irwin D. Hoffmann and Samuel Hollyer, the great masters of the Japanese woodcut, Hokusai and Hiroshige, the British satirical artist, William Hogarth, the 19th century artist, Carl Heinrich Hoff, the Younger, and others. These are only a few of the artists featured on this page.

Featured Publishers: A few of the publishers included in this page are the Associated American Artists, which published some of the finest original graphic works of art. Also mention must be made of Philip Gilbert Hamerton, London, William Heath, Thomas Mclean, Harper's, Tohekido, and Hanabusaya,The American Art Review, Boston . If you wish to view the entire list, please go to the www.artoftheprint.com (Featured Publisher's History) page to access this information. You will find a brief history for most of the publishers listed.

Associated American Artists: the Associated American Artists of New York was founded in the mid 1930's. The Associated American Artists commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the 1960's as contributing artists included Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Irwin D. Hoffman and Sidney Chafetz.

Vervielfaltigende Kunst: A Viennese art publisher, "Vervielfaltigende Kunst" issued its first original graphic work in 1871. During the following sixty years, it published masterworks by Austrian, German, Swiss, French, Czech and English artists. More internationally focused and less conservative than most print publishers of the time, it took a leading role in the revival of original graphic art. Vervielfaltigende Kunst is now regarded as one of the most vital art publishers of its day and individual prints from this publication are highly coveted by collectors.

Note: The catalogue is set up in alphabetical order by artist's last name. This catalogue also contains links to the images corresponding to the original etchings, lithographs, watercolors, paintings, drawings or other mediums of original graphic art that are listed here if the image is available. the measurement for all works of art listed are in inches and are approximate, height precedes width of plate-mark or the image image. All prices are in US Dollars.

Don't forget to click on the (View Image) links on the left bar to obtain the full biography, and or history, as well as the images pertaining to each original work of art listed on this page. Please, scroll down to view the catalogue listing on this page.

Art of the Print / www.artoftheprint.com - Art Catalogue (Hf-Hol) - Part 1
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Eugene Higgins
View Image:
Title:	Evening and Horseman
Artist:	Higgins, Eugene (Kansas City, 1874 - New York City, 1958)
Date:	c. 1920
Medium:	Original Drypoint Engraving and Etching
Size:	6 1/4 X 7 1/4
	Matted
Price:	Sold
Condition:	Printed upon vellum-like wove paper and with large, full margins. Signed by Eugene Higgins in pencil under the plate-mark and titled by him to the extreme lower left edge of the paper (under the matte). Containing very faint traces of light toning in the margins, else a finely printed impression and in excellent condition throughout. Evening and Horseman represents a superb, original example of the famous art of Eugene Higgins.

Edward Hill
View Image:
Title:	Cat's Cradle
Artist:	Hill, Edward (Springfield, MA., Born, 1935)
Date:	c. 1965 - 1970
Medium:	Original Etching and Aquatint
Edition:	Artist Proof
Note:	Provenance: Cat's Cradle was formerly in the collection of the Associated American Artists of New York. Since its creation in the mid 1930's the Associated American Artists commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the 1960's and 1970's as contributing artists included Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Leonard Lehrer and Sidney Chafetz, as well as a number of fine, international artists. It is possible to assume that Cat's Cradle was commissioned by this publisher.
Size:	10 7/8 X 17 1/2
	UnMatted
Buy Now	Price: $425.00 US
Condition:	Printed upon fine laid paper and with full, deckled margins as published around 1965 - 1970. Signed, titled and annotated 'artist's proof' by the artist in pencil under the lower plate-mark. A finely printed, tonal impression and in excellent condition throughout. This original etching represents a striking example of the art of Edward Hill.

Edward Hill
View Image:
Title:	Domination of Black
Artist:	Hill, Edward (Springfield, MA., Born, 1935)
Date:	c. 1965 - 1970
Medium:	Original Etching and Engraving
Edition:	Limited edition of twenty five impressions, 16/25.
Note:	Provenance: This impression of Domination of Black was formerly in the collection of the Associated American Artists of New York. Since its creation in the mid 1930's the Associated American Artists commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the 1960's and 1970's as contributing artists included Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Leonard Lehrer and Sidney Chafetz, as well as a number of fine, international artists. It is possible that Domination of Black was commissioned by this publisher.
Size:	14 1/2 x 17 1/4
	UnMatted
Buy Now	Price: $385.00 US
Condition:	Printed upon thick laid paper and with full, deckled margins as published around 1965 - 1970. Signed, titled and numbered '16/25' by the artist in pencil under the lower plate-mark. A finely printed, tonal impression in deep blacks and in excellent condition throughout. Domination of Black represents a striking, original example of the graphic art of Edward Hill.

Edward Hill
View Image:
Title:	Mirror
Artist:	Hill, Edward (Springfield, MA., Born, 1935)
Date:	c. 1965 - 1970
Medium:	Original Soft Ground Etching
Edition:	Artist Proof
Note:	Provenance: Mirror was formerly in the collection of the Associated American Artists of New York. Since its creation in the mid 1930's the Associated American Artists commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the 1960's and 1970's as contributing artists included Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Leonard Lehrer and Sidney Chafetz, as well as a number of fine, international artists. It is possible that Mirror was thus commissioned by this publisher.
Size:	20 X 16 1/2
	UnMatted
Buy Now	Price: $425.00 US
Condition:	Printed upon fine laid paper bearing the 'Arches' watermark and with full, deckled margins as published around 1965 - 1970. Signed, titled and annotated 'artist's proof' by the artist in pencil under the lower plate-mark. A finely printed, tonal impression and in excellent condition throughout. This original etching represents a striking example of the art of Edward Hill.

Edward Hill
View Image:
Title:	Woods Near Velden
Artist:	Hill, Edward (Springfield, MA., Born, 1935)
Date:	c. 1970
Medium:	Original Etching & Aquatint
Edition:	Limited edition of twenty impressions, 15/20 II.
Note:	Provenance: This impression of Woods near Velden was formerly in the collection of the Associated American Artists of New York. Since its creation in the mid 1930's the Associated American Artists commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the 1960's and 1970's as contributing artists included Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Leonard Lehrer and Sidney Chafetz, as well as a number of fine, international artists. It is probable to assume that Woods near Velden was commissioned by this publisher.
Size:	17 3/8 X 23 5/8
	UnMatted
Buy Now	Price: $395.00 US
Condition:	Printed upon thick, hand-made, laid paper and with full margins as published around 1970. Signed, titled and numbered '15/20' by the artist in pencil under the lower plate-mark. A finely printed impression with deeply bitten lines and in excellent condition throughout. Woods near Velden represents a large and impressive example of the art of Edward Hill.

John Henry Hill
View Image:
Title:	Moonlight on the Androscoggin
Artist:	Hill, John Henry (West Nyack, New York, 1839 - 1922)
Date:	1880
Medium:	Original Etching and Aquatint
Publisher:	Dana Estes and Charles E. Lauriat, Boston
Source:	The American Art Review
Size:	6 X 8
	Matted
Price:	Sold
Condition:	Printed upon fine hand made, laid paper and with full margins as published by Dana Estes and Charles E. Lauriat, Boston for The American Art Review in 1880. Signed in the plate by the artist to the lower left. A finely printed impression and in good condition throughout. Moonlight on the Androscoggin stands as a prime, original example of the nineteenth century landscape art of John Henry Hill.

Sir John Hill
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Title:	The Family Herbal: Water Arrowhead (Sagittaria sagittifolia)
Artist:	Hill, Sir John (Peterborough, c. 1716 - London, 1775)
Date:	1812
Medium:	Original Hand-Coloured Engraving & Etching
Source:	The Family Herbal
Size:	6 5/8 X 4 5/8
	Framed
Buy Now	Price: $285.00 US
Condition:	Printed upon early nineteenth century wove paper and with full margins as published in 1812. This is a finely printed impression with beautiful, period coloration and it is in excellent condition throughout. "Water Arrowhead" represents a superb, original example of the botanical work of ‘Sir’ John Hill.

Utagawa Hirokage
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Title:	Tatekawa in Honjo 'Honjo Tatekawa tori kei' (# 37: Accident at the Lumber Yard with a view of the Tatekawa River at Honjo)
Artist:	Hirokage, Utagawa (Edo, Active, 1855 - 1865)
Date:	1859
Medium:	Original Japanese Woodcut
Publisher:	Tsujiokaya Bunsuke (Kinshodo)
Signature:	Hirokage ga
Series:	Edo meisho doke zukushi (Comical Views of Famous Places in Edo)
Image Size:	13 1/8 X 8 3/4
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon 19th Japanese mulberry (rice) paper and with full margins as published around 1875 to 1880. Containing several minute holes and slight rubbing along the lower margin, else a fine, deep printing with unfaded coloration and in very good condition throughout. Tatekawa in Honjo (Tatekawa tori kei) represents a prime, original example of art of Utagawa Hirokage.

Hiroshige
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Title:	Woman Fulling Cloth
Artist:	Hiroshige (1797-1858)
Date:	c. 1820 - 1825
Medium:	Original Japanese Woodcut
Size:	9 1/2 X 4 1/2
	Framed
Price:	Sold
Condition:	Printed upon early nineteenth century Japanese mulberry (rice) paper and with margins cropped to the image on all sides. Bearing the artist's red 'Ichiryusai' seal under his signature along the right margin. A strongly printed, beautiful impression and in very good condition throughout. Woman Fulling Cloth represents a fine, original example of the famous woodcut art of Hiroshige.

Hiroshige & Kunisada
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Title:	Biwa-Hoshi On The Tokaido Road Near Maisaka
Artist:	Hiroshige I, Utagawa (Japan, 1797 - 1858)
Artist:	Kunisada I, Utagawa 'Toyokuni III' (Japan, 1786 - 1864)
Date:	1854 - 1857
Medium:	Original Woodcut Printed in Colour
Publisher:	Maruya Kishuro
Raisonne:	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925), pp. 156-157.
	Catalogue # 31 of the series and deals with the station of Maisaka.
Source:	Sohitsu gojusan tsugi (The Fifty-Three Stations of the Tokaido by two Brushes)
Size:	Oban
	Framed
Price:	Sold
Condition:	Printed upon mid nineteenth century Japanese mulberry (rice) paper and with full margins as published between 1854 and 1857. Slight soiling and thinning to the paper is apparent, particularly in the margins. The right-hand margin also contains a small tear, which does not intrude into the actual image. Else this is a very good impression bearing all the vibrant colours and fine lines of an early printing. Biwa-Hoshi on the Tokaido Road Near Maisaka is simply a spectacular, original example of the art of Kunisada and the famous landscape art of Hiroshige.

Hiroshige III (Shigemasa)

Title:	An Accident at a Construction Site
Artist:	Hiroshige III 'Shigemasa' (1842 - 1894)
Date:	c. 1875 - 1880
Medium:	Original Japanese Woodcut
Size:	13 1/8 X 8 3/4
	Matted
Price:	Sold
Condition:	Printed upon 19th Japanese mulberry (rice) paper and with full margins as published around 1875 to 1880. Containing several minute holes and slight rubbing along the lower margin, else a fine, deep printing with unfaded coloration and in very good condition throughout. An Accident at a Construction Site represents a prime, original example of the important Meiji era art of Hiroshige III.

Hiroshige III (Shigemasa)

Title:	Harbor Scene
Artist:	Hiroshige III (Shigemasa)
Date:	c. 1890
Medium:	Original Japanese Woodcut
Size:	13 1/2 X 9
	Matted
Price:	Sold
Condition:	Printed upon 19th Japanese mulberry (rice) paper and with full margins as published around 1890. Signed, 'Hiroshige ga' in the block to the lower right. A strongly printed impression with full, unfaded colors and in excellent condition throughout. Harbor Scene represents a prime, original example of the important Meiji era art of Hiroshige III.

Werner Hoeflich
View Image:
Title:	From the Beginning
Artist:	Hoelfich, Werner (Iowa City, born, 1957)
Date:	1991
Medium:	Original Lithograph Printed in Colour
Edition:	Limited edition of ninety impressions, numbered 6/90.
Size:	29 3/4 X 21 3/4
	UnMatted
Buy Now	Price: $750.00 US
Condition:	Printed upon smooth, hand-made, laid paper with the 'B F K Rives, France' watermark and with full, deckled margins as published in New York in 1991. It is signed, dated and numbered '6/90' in pencil along the lower margin by the artist. This is a beautifully printed impression and in excellent condition throughout. From the Beginning represents a prime, original example of the work of Werner Hoeflich and a masterpiece of contemporary American art.

Carl Heinrich Hoff, the Younger
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Title:	Sorrowful Recollections
Artist:	Hoff, Carl Heinrich, the Younger (Dusseldorf, Germany, 1866 - 1904)
Date:	1887
Medium:	Original Etching on India Paper
Publisher:	Estes and Lauriat, Boston
Edition:	Limited edition of forty impressions
Source:	The Dusseldorf Gallery
Size:	9 1/4 X 7
	Matted
Buy Now	Price: $195.00 US
Condition:	Printed upon fine India paper and impressed onto a larger sheet of wove paper as published in Boston by "Estes and Lauriat" in 1887. Containing some creasing and foxing in the outer margins else a strongly printed impression and in good condition throughout. "Sorrowful Recollections" represents a prime, original example of the etched art of Carl Heinrich Hoff.

Arnold Hoffmann Jr.
View Image:
Title:	Full Sun
Artist:	Hoffmann, Arnold Jr. (New York, 1915 - Springs, Long Island, 1991)
Date:	c. 1960 - 1970
Medium:	Original Silkscreen (Serigraph)
Edition:	Artist Proof Impression
Size:	24 1/2 X 30 1/2
	UnMatted
Price:	Sold
Condition:	Printed upon pure rag paper and with full, deckled margins as printed by the artist around the above date. Signed and annotated "H. C." (Hors Commerce) by the artist along the lower margin and titled by him in pencil on the verso. Containing faint mat burning in the outer margins else a finely printed impression and in good condition throughout. "Full Sun" represents a prime, original example of the silkscreen art of Arnold Hoffmann Jr.

Leopold Hofmann
View Image:
Title:	The Oxen Team
Artist:	Hofmann, Leopold (Austria, 1901 - ?)
Date:	c. 1920
Medium:	Original Soft Ground Etching
Edition:	Limited edition of fifteen impressions.
Size:	7 X 11 1/4
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon thick wove paper and with full margins as printed by Leopold Hofmann around 1930. Signed and annotated by the artist in pencil along the lower margin. Containing slight foxing within the outer margins, else a finely printed impression and in good condition throughout. The Oxen Team represents both a fine and scarce original example of the Austrian art of Leopold Hofmann.

Irwin Hoffman
View Image:
Title:	Puerto Rican Folk Song
Artist:	Hoffman, Irwin D. 'Irwin Hoffman' (Boston, 1901 - 1989)
Date:	1938
Medium:	Original Etching
Publisher:	Associated American Artists, New York
Edition:	Limited edition of two hundred and fifty impressions.
Note:	The original presentation sticker from the Associated American Artists is included with the etching.
Size:	10 5/8 X 13 5/8
	Matted
Buy Now	Price: $535.00 US
Condition:	Printed upon fine, laid paper and with full margins as published by the Associated American Artists in New York in 1938 in the sole, limited edition of 250. Signed and titled by the artist along the lower margin. It is a finely printed impression and in excellent condition throughout. Puerto Rican Folk Song stands as a superb original example of the art of Irwin Hoffman.

Ludwig von Hofmann
View Image:
Title:	Life
Artist:	Hofmann, Ludwig Von (Darmstadt, 1861 - Pillnitz, 1945)
Date:	c. 1910
Medium:	Original Lithograph
Edition:	Life is a powerful example of Hofmann's famous neo-classical art. Hofmann rarely numbered his original lithographs and etchings (particularly during his Weimar years) but it is known that most were published in editions ranging from fifty to one hundred impressions
Size:	12 1/2 X 9 3/4
	Framed
Buy Now	Price: $650.00 US
Condition:	Printed upon thick mulberry (rice) paper and with full margins as published in Germany around 1910. Signed by the artist in pencil along the lower right corner. A superbly printed impression and in excellent condition throughout. This original represents a prime example of the famous art of Ludwig von Hofmann.

John Hogan
View Image:
Title:	Council of The Moon
Artist:	Hogan, John (Contemporary American, Resides, Santa Fe)
Date:	1972
Medium:	Original Colour Woodcut
Edition:	Limited edition of fifty impressions, numbered 38/50.
Size:	17 X 22
	UnMatted
Buy Now	Price: $395.00 US
Condition:	Printed upon fine mulberry (rice) paper and with wide, full margins. Signed, dated, titled and numbered '38/50' in pencil by the artist along the lower margin. A fine impression created by using at least six colour printings and in excellent condition throughout. "Council of the Moon" stands as a most impressive, original example of the South Western American art of John Hogan.

John Hogan
View Image:
Title:	Sundance Rides Again
Artist:	Hogan, John (Contemporary American, Resides, Santa Fe)
Date:	1972
Medium:	Original Colour Woodcut
Edition:	Limited Edition of Fifty Impressions, Numbered, '38/50'.
Size:	16 1/4 X 21 3/4
	UnMatted
Price:	Sold
Condition Information:	Printed upon fine mulberry (rice) paper and with wide, full margins and created by using multiple color printings. Signed, dated, titled and numbered '38/50' in pencil by the artist along the lower margin. Containing minor wear with a vertical crease along the left side (top to bottom) of the image, else a fine impression and in good condition throughout. "Sundance Rides Again" stands as a most impressive, original example of the South Western American art of John Hogan.

Art of the Print / www.artoftheprint.com - Art Catalogue (Hf-Hol) - Part 2
William Hogarth
View Image:
Title:	Boys Peeping at Nature
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1730 (Heath Edition 1822)
Medium:	Original Engraving and Etching
Publisher:	Heath Edition, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Ronald Paulson,Catalogue # 120, Fourth and Final State.
Reference:	* Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973. Reproduced on plate 17.
Source:	Heath Edition, London
Size:	6 X 4 3/4
	Matted
Buy Now	Price: $265.00 US
Condition:	Printed upon early nineteenth century wove paper as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	This original impression bears margins extending at least one inch from the plate mark on all sides. A finely printed impression and in very good condition throughout. Altogether, "Boys Peeping at Nature" represents a prime, original example of the engraved art of William Hogarth.

William Hogarth
View Image:
Title:	Characters Caricaturas
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1743 (Heath Edition 1822)
Medium:	Original Engraving and Etching
Publisher:	Heath Edition, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Ronald Paulson, Catalogue # 162, Second and Final State.
Reference:	* Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973.
Source:	Heath Edition, London
Size:	7/9/16 X 8 1/8
	Matted
Price:	Sold
Condition:	Printed upon early nineteenth century wove paper as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	This original impression bears large margins on three sides and small margins along the lower edge, else a finely printed impression and in very good condition throughout. Altogether, Characters Caricaturas represents a prime, original example of the engraved art of William Hogarth.

William Hogarth

Title:	Four Prints of an Election (Complete Set of Four)
An Election Plate 1	Four Prints of an Election (An Election Entertainment)
An Election Plate 2	Four Prints of an Election (Canvassing for Votes)
An Election Plate 3	Four Prints of an Election (The Polling)
An Election Plate 4	Four Prints of an Election (Chairing the Members)
Artist:	Hogarth, William (London, 1697 - 1764)
Engraver:	Charles Grignion (1717 - 1810)
Engraver:	Le Cave
Engraver:	Aviline
Date:	1755 (Heath Edition 1822)
Medium:	Original Engraving
Publisher:	Heath Edition, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Catalogue: Plate 1; Paulson #198, Eighth and Final State.
Source:	Heath Edition, London (Four Prints of an Election)
Size:	17 X 22
	Matted
Price:	Sold
Condition:	Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	These original impressions from the complete set of Four Prints of an Election contain very faint foxing in the outer margins. There is no foxing within the actual platemarks. Water staining is also apparent in the lower left corners of the margins, well away from the actual engravings. Else, each of these large and important Hogarth engravings is in good condition throughout.

William Hogarth
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Title:	Illustrations for Samuel Butler's 'Hudibras' (A Complete Set of Twelve Original Engravings On Seven large Sheets of Paper)
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1725 (Heath Edition 1822)
Medium:	Original Engraving
Publisher:	William Heath, London
Hudibras Plate 1	Plate 1, "Frontispiece & His Explanation", The frontispiece depicts an imaginative monument to the author, Samuel Butler.
Hudibras Plate 2	Plate 2, "Sr. Hudibras, his passing Worth, The manner how he sally'd forth", The scene depicts Hudibras and his squire, Ralph, embarking upon the Holy crusade.
Hudibras Plate 3	Plate 3, "Hudibras's First Adventure", Hudibras confronts "this Warlike Rabble", led by the formidable peg-legged fiddler, Talgo.
Hudibras Plate 4	Plate 4, "Hudibras Triumphant", Hudibras pulls his bound prisoner to the 'Bastile'.
Hudibras Plate 5	Plate 5, "Hudibras Vanquish'd by Trulla", Hudibras's triumph has now turned to utmost defeat and humiliation.
Hudibras Plate 6	Plate 6, "Hudibras in Tribulation", Hudibras and his Squire now find themselves locked in stocks.
Hudibras Plate 7	Plate 7, "Hudibras Encounters the Skimmington" Hudibras, to the right, misinterprets the festivities as an unholy, anti-Christian ceremony.
Hudibras Plate 8	Plate 8, "Hudibras Beats Sidrophel and his Man Whacum", Desiring to win the heart of the Widow who visited him in the stocks.
Hudibras Plate 9	Plate 9, "Hudibras Catechiz'd", At the threat of a thorough beating by masked assailants, Hudibras confesses why he wants to romance and wed the Widow.
Hudibras Plate 10	Plate 10, "The Committee", 'Burning of the Rumps'.
Hudibras Plate 11	Plate 11, "Burning Ye Rumps at Temple Bar" The streets are now bustling with celebration.
Hudibras Plate 12	Plate 12, "Hudibras and the Lawyer" The final plate depicts Hudibras pleading his misfortunes to an affluent lawyer.
	Matted
Buy Now	$1,800.00 US (Complete Set of Twelve Original Engravings On Seven large Sheets of Paper)
Condition:	Published upon early nineteenth century wove paper and with large, full margins as printed by William Heath in 1822. One should take note that Heath was the last printer to print directly from William Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	These original impressions from the complete set of 'Hudibras' contain very faint foxing in the outer margins. There is no foxing within the actual images. Else, each of these large and important Hogarth engravings is in very good condition throughout.

William Hogarth
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Title:	Industry and Idleness (Complete set of 12 Plates)
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1747 (Heath Edition 1822)
Medium:	Original Etching & Line Engraving
Publisher:	Heath Edition, London
Industry & Idleness Plate 1	The Fellow Prentices at their Looms (Industry and Idleness, Plate 1): William Hogarth portrays the two apprentices as they begin their journey on an entirely equal footing. Both begin at the same shop and under identical circumstances. Francis Goodchild, the Industrious apprentice, sits to the right. He is diligently at work upon his loom and beside him rests a well preserved copy of 'The Prentices Loom" . To the left (and fast asleep) is the Idle apprentice, Thomas Idle. A cat plays with his working equipment. Symbols of his dissolute life already surround him -- a mug of ale from 'Spittle Fields', a pipe at rest on the motionless loom and a page from Moll Flanders tacked on the post above his head. This, of course, refers to Defoe's famous novel concerning a promiscuous serving girl.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 1; Paulson #168, Second and Final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 2	The Industrious Prentice Performing the Duty of a Christian (Industry and Idleness, Plate 2): The second and third scenes outline the apprentices' attitudes towards religion. In Plate Two, Goodchild performs his religious duties in the same dedicated manner as his work. Besides him is the daughter of his master. To the left a pew opener sits with her back towards the ceremony. For the most part the congregation is attentive and well behaved. Only the snoring figure behind the industrious apprentice reminds us of Hogarth's more biting studies of church life such as, The Sleepy Congregation and Credulity, Superstition and Fanaticism.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 2; Paulson #169, Second and Final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 3	The Idle Prentice at Play in the Church Yard, During Divine Service (Industry and Idleness, Plate 3): In William Hogarth's third engraving, Tom Idle has neglected participation at the service in favour of gambling in the graveyard beside the church. The game actually takes place upon a grave and under Tom's reclining form the words, 'Here', 'Body' and 'Of', are visible. Thus the Idle Apprentice may very well be sitting upon his own grave. He attempts to cover his money with his hat, dangerously inviting the wrath of the three disgusting players to the right. Behind him a beadle unsuccessfully attempts to beat some sense into him. In the background decent human beings enter the church.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 3; Paulson #170, Second and Final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 4	The Industrious Prentice a Favourite, and Entrusted by his Master (Industry and Idleness, Plate 4): Goodchild's ways are paying dividends. His clothes and wig illustrate his growing wealth. He has been promoted and befriended by his master, Mr. West, as symbolized by their joined gloves on the desk. To the left a porter from the city of London delivers cloth. Idle is nowhere to be seen and in his place a row of women work upon their looms. Prosperity is clearly in evidence.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 4; Paulson #171, Second and Final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 5	The Idle Prentice Turn'd Away, and Sent to Sea (Industry and Idleness, Plate 5): Dismissed from his career as a weaver (the indenture is floating in the water), Idle turns to the unsavory occupation of sailor. One companion taunts him with a lash while the other points both towards their ship and to the gallows on the shore. The other occupant of the boat is Idle's widowed mother, who pleads with him to mend his ways. He responds by making a cuckold sign with his fingers.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 5; Paulson #172, Third and Final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 6	The Industrious Prentice out of Time, and Married to his Master's Daughter (Industry and Idleness, Plate 6): Increased wealth and happiness continues to follow Goodchild. He has married his master's daughter and the couple appear in the window of their well to do house. The sign above them --'West and Goodchild -- indicates that the Industrious Apprentice is now a full partner. Goodchild, however, knows his duty to those less fortunate. He rewards the drummer and his fellow musicians for their efforts and his footman gives the leftovers of the feast to a needy mother and child. To the left the lame and crippled seek similar aid.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 6; Paulson #173, Fourth and Final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 7	The Idle Prentice Returned from the Sea, and in a Garret with a Common Prostitute (Industry and Idleness, Plate 7): This scene stands as a direct comparison to William Hogarth's preceding engraving. Idle too has found 'love', but in the mercenary arms of a prostitute. The set of pistols on the floor indicates that he has again changed professions and has become a highwayman. The door to the shabby room is thoroughly locked and barricaded, indicating perhaps that he is on 'the run'. Idle is suddenly awakened by a cat chasing a rat down the chimney; his hair is on end and his face is ridden with fear. Oblivious, his companion admires the spoils of her night's work.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 7; Paulson #174, Second and Final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 8	The Industrious Prentice grown Rich, And Sheriff of London (Industry and Idleness, Plate 8): Goodchild now assumes a major political post. He is seen in the background, with his wife, presiding over the lavish banquet. In the foreground officials gorge on their food and drink. Hogarth never missed an opportunity to describe the sin of gluttony in full detail.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 8; Paulson #175, Second and Final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 9	The Idle Prentice Betray'd by his Whore, and Taken in a Night Cellar with his Accomplice (Industry and Idleness, Plate 9): In this scene, William Hogarth makes it clear that Tom Idle has now 'graduated' from a thief to a murderer. Dividing the spoils of the crime, an accomplice stuffs the victim's body down a chute. Behind Idle, his prostitute betrays him to the magistrate for the price of a single piece of silver. In the riotous background of the thieves' den (actually based an edifice called, 'Blood Bowl House'), a maid whose nose has been lost to syphilis brings the ale.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 9; Paulson #176, Fourth and Final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 10	The Industrious Prentice Alderman of London, The Idle One Brought before him and Impeached by his Accomplice (Industry and Idleness, Plate 10): This scene sets in motion the same left and right side contrasts in evidence in Plate One. Goodchild, now Alderman of London, is despairing the wasted life of his former colleague as he sentences him to the 'Turnkey of Newgate.' Tom Idle pleas in vain, the instruments of murder hoisted above his head. His faithful mother again attempts unsuccessfully to stem the course of events.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 10; Paulson #177, Second and final State.
Size:	10 1/2 X 13 3/4
Industry & Idleness Plate 11	The Idle Prentice Executed at Tyburn (Industry and Idleness, Plate 11): In the final two scenes William Hogarth increases the length of his plates to deliver large views of crowds. Here the Idle Apprentice nears his execution. In the cart with him is his coffin and a Methodist preacher. In desperation he reads the Bible. Perhaps he has been converted at the last minute. In the background a pigeon is released to signal the approach of the prisoner. The hangman is relaxing on the gallows, smoking his pipe. Several carts are lined up to the right. The central wagon contains some prostitutes, enjoying the festivities and drinking. In the next cart Idle's mother is again seen weeping.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 11; Paulson #178, Third and Final State.
Size:	10 3/4 X 16
Industry & Idleness Plate 12	The Industrious Apprentice Lord Mayor of London (Industry and Idleness, Plate 12): The newly elected Lord Mayor sits in his coach and leads a procession of guilds displaying various banners. Spectators watch and cheer. Others, however, occupy themselves in activities such as drinking or love making. To the right a comic group of city militia mill about. One stupidly discharges his gun. Besides them a boy holds a broadsheet entitled, "A full and true Account of ye Ghost of Tho. Idle" . The gala occasion is observed the Prince of Wales and his peers, who occupy the upper balcony.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
Edition:	Plate 12; Paulson #179, Third and Final State.
Size:	10 3/4 X 16
Source:	Heath Edition, London (Industry and Idleness, Set of Twelve)
	Matted
Price:	Sold
Condition:	Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	This original impression from the complete set of Industry and Idleness contains very faint foxing in the outer margins. There is no foxing within the actual image. Water staining is also apparent in the outer margins, but well away from the actual engravings. Else, This large and important Hogarth engraving is in good condition throughout.

William Hogarth
View Image:
Title:	John Wilkes Esquire
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1763 (Heath Edition 1822)
Medium:	Original Etching
Publisher:	Heath Edition, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Paulson #214, Second and Final State.
Source:	Heath Edition, London
Size:	14 1/4 X 9 1/8
	Matted
Price:	Sold
Condition:	Printed upon early nineteenth century wove paper with full margins as published by "William Heath" in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	Containing faint foxing in the outer margins else a finely printed impression and in very good condition throughout. Altogether, "John Wiles, Esquire" represents a prime, original example of the engraved art of William Hogarth.

William Hogarth
View Image:
Title:	Martin Folkes Esqr.
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1742 (Heath Edition: 1822)
Medium:	Original Etching and Engraving
Publisher:	William Heath, London
Raisonne:	Ronald Paulson, "Hogarth’s Graphic Works", London, Yale University Press, 1965.
	Catalogue #160, Fourth and Final State.
Size:	13 X 9 1/2
	Matted
Buy Now	Price: $395.00 US
Condition:	Published upon early nineteenth century wove paper and with large, full margins as printed by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth’s original engraved plates. All ‘Hogarth’ prints appearing after this date are merely copies of these original graphic works of art.
	A fine, evenly printed impression, restored tear upper right corner of the margin, (well removed from the actual image or plate-mark), else in very good condition throughout. Altogether, "Martin Folkes Esqr." represents a prime, original example of the engraved portrait art of William Hogarth.

William Hogarth
View Image:
Title:	Moses Brought to Pharaoh's Daughter
Engraver:	Hogarth, William (London, 1697 - 1764)
Engraver:	Luke Sullivan (Louth, Ireland, c. 1730 - London)
Date:	1752 (Heath Edition 1822)
Medium:	Original Engraving & Etching
Publisher:	Heath Edition, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press,1965.
Edition:	Catalogue #193, Fourth and Final State.
Source:	Heath Edition, London
Size:	16 1/8 X 20 3/4
	UnMatted
Buy Now	$395.00 US
Condition:	Printed upon early nineteenth century wove paper and with full margins as printed for the Heath edition in 1822. This original impression of "Moses Brought to Pharaoh's Daughter" contains some faint foxing in the outer margins, well away from the actual engraving. Else, it is a strongly printed impression and in excellent condition throughout.

William Hogarth
View Image:
Title:	Pit Ticket: The Cockpit
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1759 (Heath Edition 1822)
Medium:	Original Engraving & Etching
Publisher:	William Heath, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Catalogue # 206 First and Only State.
Source:	Heath Edition, London
Size:	11 11/16 X 14 5/8
	Matted
Buy Now	$565.00 US
Condition:	Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last publisher to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art. This original impression contains some slight foxing in the margins. Else, it is a finely printed impression and in excellent condition throughout.

William Hogarth
View Image:
Title:	Simon Lord Lovat
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	(Heath Edition 1822)
Medium:	Original Etching
Publisher:	William Heath, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Paulson #166, Third and Final State
Source:	Heath Edition, London
Size:	13 3/16 X 8 7/8
	Matted
Price:	Sold
Condition:	Printed upon early nineteenth century wove paper and with full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.

William Hogarth
View Image:
Title:	The Invasion: England (Plate Two)
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1756 (Heath Edition 1822)
Medium:	Original Engraving and Etching
Publisher:	Heath Edition, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Ronald Paulson,Catalogue # 203, Third and Final State.
Reference:	* Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973. Reproduced on plate 91.
Source:	Heath Edition, London (The Invasion, Set of two)
Size:	12 1/2 X 15 1/4 X 14 5/8
	Matted
Price:	Sold
Condition:	Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	Slight staining appears in the outer margins, particularly to the right margin of England, else these are finely printed impressions and in good condition throughout. The Invasion, France and England represents a valuable, original example of the famous satirical art of William Hogarth.

William Hogarth
View Image:
Title:	The Invasion: France (Plate One)
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1756 (Heath Edition 1822)
Medium:	Original Engraving and Etching
Publisher:	Heath Edition, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Ronald Paulson,Catalogue # 202, Third and Final State.
Reference:	* Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973. Reproduced on plate 90.
Source:	Heath Edition, London (The Invasion, Set of two)
Size:	12 1/2 X 15 1/2
	Matted
Price:	Sold
Condition:	Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	Slight staining appears in the outer margins, particularly to the right margin of England, else these are finely printed impressions and in good condition throughout. The Invasion, France and England represents a valuable, original example of the famous satirical art of William Hogarth.

William Hogarth
View Image:
Title:	The Laughing Audience
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1733 (Heath Edition 1822)
Medium:	Original Engraving and Etching
Publisher:	Heath Edition, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Paulson Catalogue #130, Fourth and Final State.
Size:	7 1/2 x 7
	Matted
Price:	Sold
Condition:	Printed upon early nineteenth century wove paper and with margins about 1 to 1 1/2" past the plate-mark on all sides as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	Containing very faint foxing and smudging along the outer margins (well away from the actual engraving), else a finely printed impression and in very good condition throughout. The Laughing Audience represents a superb, original example of the famous engraved art of William Hogarth.

William Hogarth
View Image:
Title:	The Sleepy Congregation
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1736 (Heath Edition 1822)
Medium:	Original Line Engraving and Etching
Publisher:	Heath Edition, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Catalogue #140, Fourth and Final State.
Source:	Heath Edition, London
Size:	10 3/4 X 8 1/4
	Matted
Price:	Sold
Condition:	Printed upon early nineteenth century wove paper and with large margins as published by William Heath in 1822. One should take note that Heath was the last publisher to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	This original impression of The Sleepy Congregation contains some faint foxing and water staining in the outer margins, well away from the actual engraving. Else, a finely printed impression and in excellent condition throughout. Quite simply, this engraving represents one of William Hogarth's most famous works of original art.

William Hogarth
View Image:
Title:	The Times (Plates One and Two)
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1762 (Heath Edition 1822)
Medium:	Two Original Engravings (Printed on One large Sheet of Paper)
Publisher:	William Heath, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Plate 1; Paulson #211, Third and Final State.
	Plate 2; Paulson #212, Fourth and Final State.
	Note: For this 1822 edition the two engravings were printed upon one large sheet of wove paper.
Reference:	Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973, plates 96 & 97.
Source:	Heath Edition, London (The Times)
Size:	9 3/4 X 12 Plate I
Size:	10 1/8 X 12 Plate II
	Matted
Price:	Sold
Condition:	Published upon early nineteenth century wove paper and with large, full margins as printed by William Heath in 1822. One should take note that Heath was the last printer to print directly from William Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	These original impressions of "The Times", Plate I and The Times, Plate II contain slight water staining in the lower right margin (well removed from the actual engravings) else each is a well printed impression and in good condition throughout. Altogether, "The Times", Plates One and Two represents a prime, original example of the engraved art of William Hogarth.

William Hogarth
View Image:
Title:	William Hogarth Painting The Comic Muse
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1721 (Heath Edition 1822)
Medium:	Original Engraving
Publisher:	William Heath, London
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Catalogue # 204, Seventh State of Seven.
Source:	Heath Edition, London
Size:	16 X 13 15/16
	Matted
Price:	Sold
Condition Information:	Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last publisher to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art. This original impression contains some slight foxing in the margins. Else, it is a finely printed impression and in excellent condition throughout.

Art of the Print / www.artoftheprint.com - Art Catalogue (Hf-Hol) - Part 3
Katsushika Hokusai
View Image:
Title:	A Hero with a Prisoner
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1829
Medium:	Original Woodcut
Publisher:	Hanabusaya Heikichi
Printer:	Hanabusaya Heikichi
Raisonne:	Richard Lane, Images from the Floating World: The Japanese Print, Dorset Press, New York, 1982, p. 275.
	Catalogue # 219.
Source:	Chugi Suikoden Ehon "Portraits of The Suikoden Heroes"
Size:	7 1/8 X 5
	Framed
Buy Now	Price: $585.00 US
Condition:	Printed on early nineteenth century Japanese mulberry (rice) paper and with full margins as published by Heikichi in 1829 in Chugi Suikoden Ehon. A fine, early impression and in excellent condition throughout. This original woodcut is a prime example of the superb art of Hokusai, one of Japan's greatest masters.

Katsushika Hokusai
View Image:
Title:	Gekka no Fuji (Fuji under the Moon)
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1834 & 1835 (Tohekido Edition: 1852)
Medium:	Original Japanese Woodcut (Diptych)
Publisher:	Tohekido
Raisonne:	* Henry Smith, Hokusai: One Hundred Views of Mt. Fuji,Braziller, New York, 1988. (Quotation on p. 210.)
Edition:	Catalogue #55. Fourth Edition as Issued by Tohikedo in 1852.
Source:	Fugaku hyakkei (One Hundred Views of Mount Fuji)
Size:	7 1/8 X 5 X 2 Diptych (Two Panels)
	Matted
Buy Now	Price: $950.00 US
Condition:	Printed on two sheets of nineteenth century Japanese mulberry (rice) paper and with full margins as published by Tohekido in 1852. Containing a slight crease or flaw in the paper in the center of the left panel, else a fine, richly printed impression and in excellent condition throughout. "Gekka no Fuji" (Fuji under the Moon) represents a brilliant, original example of the famous landscape art of Katsushika Hokusai.

Katsushika Hokusai
View Image:
Title:	Haichu No Fuji (Fuji in a Wine Cup)
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1834 & 1835 (Tohekido Edition: 1852)
Medium:	Original Japanese Woodcut
Publisher:	Tohekido
Raisonne:	Henry Smith, Hokusai: One Hundred Views of Mt. Fuji,Braziller, New York, 1988.
Edition:	Catalogue #39. Fourth Edition as Issued by Tohikedo in 1852.
Source:	Fugaku hyakkei (One Hundred Views of Mount Fuji)
Size:	7 X 5
	Framed
Buy Now	Price: $950.00 US
Condition:	Printed on nineteenth century Japanese mulberry (rice) paper and with full margins as published by Tohekido Iin 1852. A superb, richly printed impression and in excellent condition throughout. Haichu No Fuji ("Fuji in a Wine Cup") represents a brilliant, original example of the famous landscape art of Katsushika Hokusai.

Katsushika Hokusai
View Image:
Title:	Konya'cho no Fuji (Fuji of the Dyers' Quarter)
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1834 & 1835 (Tohekido Edition: 1852)
Medium:	Original Japanese Woodcut
Publisher:	Tohekido
Raisonne:	Henry Smith, Hokusai: One Hundred Views of Mt. Fuji,Braziller, New York, 1988.
Edition:	Catalogue #38. Fourth Edition as Issued by Tohikedo in 1852.
Source:	Fugaku hyakkei (One Hundred Views of Mount Fuji)
Size:	7 1/4 X 5 Small Chuban
	Matted
Buy Now	Price: $550.00 US
Condition:	Printed on nineteenth century Japanese mulberry (rice) paper and with full margins as published by Tohekido in 1852. A fine, richly printed impression and in excellent condition throughout. Konya'cho no Fuji (Fuji of the Dyers' Quarter) represents a brilliant, original example of the famous landscape art of Katsushika Hokusai.

Katsushika Hokusai
View Image:
Title:	Shashin no Fuji (Drawing Fuji from Life)
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1834 & 1835 (Tohekido Edition: 1852)
Medium:	Original Japanese Woodcut (Diptych)
Publisher:	Tohekido
Raisonne:	Henry Smith, Hokusai: One Hundred Views of Mt. Fuji,Braziller, New York, 1988.
Edition:	Catalogue #47. Fourth Edition as Issued by Tohikedo in 1852.
Source:	Fugaku hyakkei (One Hundred Views of Mount Fuji)
Size:	7 1/4 x 4 3/4 (x 2)
	Framed
Price:	Sold
Condition:	Printed on two sheets of nineteenth century Japanese mulberry (rice) paper and with full margins as published by Tohekido in 1852. A superb, richly printed impression and in excellent condition throughout. Shashin no Fuji (Drawing Fuji from Life) represents a brilliant, original example of the famous landscape art of Katsushika Hokusai.

Katsushika Hokusai
View Image:
Title:	Sochu No Fuji (Fuji in a Window)
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1834 & 1835 (Tohekido Edition: 1852)
Medium:	Original Japanese Woodcut
Publisher:	Tohekido
Raisonne:	Henry Smith, Hokusai: One Hundred Views of Mt. Fuji,Second Edition.
Edition:	Catalogue # 60. Fourth Edition as Issued by Tohikedo in 1852.
Source:	Fugaku hyakkei (One Hundred Views of Mount Fuji)
Size:	7 X 5
	Framed
Buy Now	Price: $950.00 US
Condition:	Printed on nineteenth century Japanese mulberry (rice) paper and with full margins as published by Tohekido Iin 1852. A superb, richly printed impression and in excellent condition throughout. Sochu No Fuji ("Fuji in a Window") represents a brilliant, original example of the famous landscape art of Katsushika Hokusai.

Katsushika Hokusai
View Image:
Title:	Surprise Attack
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1829
Medium:	Original Woodcut
Publisher:	Hanabusaya Heikichi
Printer:	Hanabusaya Heikichi
Source:	Chugi Suikoden Ehon "Portraits of The Suikoden Heroes"
Size:	Diptych Small Chuban 2 X (8 X 6)
	Framed
Buy Now	Price: $685.00 US
Condition:	Printed on early nineteenth century Japanese mulberry (rice) paper and with full margins as published by Heikichi in 1829 in Chugi Suikoden Ehon. A fine, early impression and in excellent condition throughout. This original diptych woodcut is a prime example of the superb art of Hokusai, one of Japan's greatest masters.

Katsushika Hokusai
View Image:
Title:	Uneri Fuji (Fuji on the Swell)
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1834 & 1835 (Tohekido Edition: 1852)
Medium:	Original Japanese Woodcut (Diptych)
Publisher:	Tohekido
Raisonne:	* Henry Smith, Hokusai: One Hundred Views of Mt. Fuji,Braziller, New York, 1988. (Quotation on page 205.)
Edition:	Catalogue #37. Fourth Edition as Issued by Tohikedo in 1852.
Source:	Fugaku hyakkei (One Hundred Views of Mount Fuji)
Size:	7 1/4 x 4 3/4 (x 2)
	Framed
Buy Now	Price: $1,100.00 US
Condition:	Printed on two sheets of nineteenth century Japanese mulberry (rice) paper and with full margins as published by Tohekido in 1852. A superb, richly printed impression and in excellent condition throughout. Uneri Fuji (Fuji on the Swell) represents a brilliant, original example of the famous landscape art of Katsushika Hokusai.

Katsushika Hokusai
View Image:
Title:	Yuki no ashita no Fuji (Fuji the Day after Snow)
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1834 & 1835 (Tohekido Edition: 1852)
Medium:	Original Japanese Woodcut (Diptych)
Publisher:	Tohekido
Raisonne:	Henry Smith, Hokusai: One Hundred Views of Mt. Fuji,Braziller, New York, 1988. Catalogue #56. Fourth Edition as Issued by Tohikedo in 1852.
Source:	Fugaku hyakkei (One Hundred Views of Mount Fuji)
Size:	7 1/4 X 5 (X 2 'Two Panels' Diptych) Small Chuban
	Matted
Buy Now	Price: $950.00 US
Condition:	Printed on two sheets of nineteenth century Japanese mulberry (rice) paper and with full margins as published by Tohekido in 1852. A superb, richly printed impression and in excellent condition throughout. Yuki no ashita no Fuji (Fuji the Day after Snow) represents a brilliant, original example of the famous landscape art of Katsushika Hokusai.

Peter Holbrook
View Image:
Title:	Surf Point
Artist:	Holbrook, Peter (New York City, 1940 - Resides, Redway, California)
Date:	1982
Medium:	Original Silkscreen (Serigraph)
Edition:	Limited edition of one hundred and fifty impressions, numbered '118/150'.
Size:	29 X 38 3/4
	UnMatted
Buy Now	Price: $595.00 US
Condition:	Printed upon thick archival paper and with full margins as published in 1982. Signed, dated, titled and numbered, '118/150', by the artist in pencil along the lower margin. Containing one small fold mark in the lower left corner of the margins (well removed from the actual image) else a finely printed impression and in very good condition throughout. "Surf Point" represents a beautiful, original example of the fine landscape art of Peter Holbrook.

William Brassey Hole
View Image:
Title:	Leith Docks
Artist:	Hole, William Brassey (Salisbury, 1846 - Edinburgh, 1917)
Date:	1880
Medium:	Original Etching
Publisher:	Macmillan and Co., London
Source:	Etching and Etchers by Philip Gilbert Hamerton, 1880
Size:	7 7/8 X 4 7/8
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon hand made, laid paper and with full, deckled margins as published by Macmillan and Co., London for Philip Gilbert Hamerton's Etching and Etchers in 1880. Signed and dated in the plate along the lower margin. A rich, deeply printed impression and in excellent condition throughout. Leith Docks represents a prime, original example of the etched art of William Brassey Hole.

William Brassey Hole
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Title:	The New Arrival
Etcher:	Hole, William Brassey (Salisbury, 1846 - Edinburgh, 1917)
Artist:	Cameron, Hugh (Edinburgh, 1835 - 1918)
Date:	1902
Medium:	Original Etching
Publisher:	The Art Journal, London
Size:	11 1/4 X 7 7/8
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon thick wove paper and with full, large margins as published in London by "The Art Journal" in 1902. A finely printed impression and in very good condition throughout. Altogether, "The New Arrival" represents a prime, original example of the Scottish art of William Brassey Hole and Hugh Cameron.

Wenzel Hollar 'Wenceslaus Hollar'
View Image:
Title:	The Habit of a Bishop
Artist:	Hollar, Wenceslaus 'Wenzel Hollar' (Prague, 1607 - London, 1677)
Date:	c. 1650 (Bowles Edition, c. 1732)
Medium:	Original Etching
Raisonne:	Richard Pennington, "A Descriptive Catalogue of The Etched Work of Wenceslaus Hollar, 1607 - 1677", Cambridge University Press, Cambridge, 1982.
	Catalogue # 1994, Second State of Two, with the addition of the number '8' by Bowles in 1732.
Size:	4 1/2 X 2 7/8
	Matted
Price:	Sold
Condition:	Printed upon eighteenth century paper and with margins trimmed to the plate-mark by a previous owner. A previous collector has also affixed the etching on the verso upper and lower margins to a slightly larger sheet of paper. Else this is a finely printed impression and in good condition throughout. "The Habit of a Bishop" represents a charming example of the famous etched art of Wenzel Hollar.

Alvin Carl Hollingsworth
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Title:	You're Part of Art
Artist:	Hollingsworth, Alvin Carl 'Alvin Hollingsworth' (New York, NY, 1928 - 2000)
Date:	c. 1970
Medium:	Original Oil Painting on Canvas Board
	Framed
Size:	16 X 12
Buy Now	Price: $3950.00 US
Condition:	Painted upon Grumbacher canvas board measuring 12" x 16". Signed by Alvin Hollingsworth within the image to the lower left. This original oil painting is in excellent condition throughout without a trace of staining or fading. Altogether "You're Part of Art" represents both an important and an intriguing, original example of the African-American art of Alvin Carl Hollingsworth.

George Hollis
View Image:
Title:	South West View of Theale Church near Reading in Berkshire
Artist:	Hollis, George (Oxford, 1792 - Walworth, 1842)
Artist:	Buckler, John Chessel (Calbourne (Isle of Wight), 1770 - London, 1851)
Date:	1839
Medium:	Original Engraving
Publisher:	Martin Joseph Routh
Size:	12 1/4 X 14 7/8
	Matted
Buy Now	Price: $265.00 US
Condition:	Printed on early nineteenth century wove paper and with margins cropped near the plate mark on all sides. Containing slight scuffing and a small tear in the outer margins (well removed from the actual engraving), else a finely printed, early impression and in good condition throughout. "South West View of Theale Church near Reading in Berkshire" (Holy Trinity Church) represents a fine, original example of the architectural art of both George Hollis and John Buckler.

Charles Edward Holloway
View Image:
Title:	Canal Scene, Venice
Artist:	Holloway, Charles Edward 'Charles Holloway' (Christchurch, Hampshire, 1838 - London, 1897)
Date:	1895
Medium:	Original Lithograph
Publisher:	The Studio, London
Source:	This original lithograph was published by The Studio, in London. During the late nineteenth and early twentieth centuries this journal was the leading British arts publication. Issues often contained original graphic art by such great etchers and lithographers as Whistler, Brangwyn, Pennell and many others. Charles Edward Holloway was commissioned to create at least three original lithographs for The Studio.
Size:	9 3/4 X 6 1/8
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon wove paper and with full margins as published by The Studio on the above date. Signed in the stone by the artist and bearing the blindstamp of the publisher along the lower margin. This original lithograph is in excellent condition throughout and represents a superb example of the landscape art of Charles Edward Holloway.

Charles Edward Holloway
View Image:
Title:	Thames River, London
Artist:	Holloway, Charles Edward 'Charles Holloway' (Christchurch, Hampshire, 1838 - London, 1897)
Date:	1894
Medium:	Original Lithograph
Publisher:	The Studio, London
Source:	This original lithograph was published by The Studio, in London. During the late nineteenth and early twentieth centuries this journal was the leading British arts publication. Issues often contained original graphic art by such great etchers and lithographers as Whistler, Brangwyn, Pennell and many others. Charles Edward Holloway was commissioned to create at least three original lithographs for The Studio.
Size:	7 X 10 1/8
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon wove paper and with full margins as published by The Studio on the above date. Signed in the stone by the artist and bearing the blindstamp of the publisher along the lower margin. This original lithograph is in excellent condition throughout and represents a superb example of the landscape art of Charles Edward Holloway.

Sir Charles Holroyd
View Image:
Title:	Giorgione at Asolo
Artist:	Holroyd, Sir Charles (Leeds, 1861 - London, 1917)
Date:	1902
Medium:	Original Etching
Publisher:	The Art Journal, London
Size:	9 1/2 X 9
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed on wove paper and with full margins as published in 1902 by The Art Journal in London. This finely printed impression, entitled Giorgione at Asolo is in excellent condition throughout.

Samuel Hollyer
View Image:
Title:	Franconi's Hippodrome, Madison Square, Broadway, 1853
Artist:	Hollyer, Samuel (London, 1826 - New York, 1919)
Date:	1912
Medium:	Original Engraving
Source:	Hollyer's Old New York
Size:	4 3/4 X 6 3/8
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon fine china paper and impressed onto a sheet of white, wove paper. Signed and dated in the plate by Samuel Hollyer and signed in pencil by him under the engraving. Bearing the inscribed title (probably in Hollyer's hand) along the extreme lower margin. Containing very faint scuffing and foxing in the outer margins -- well removed from the actual engraving -- else a finely printed impression and in very good condition throughout. Franconi's Hippodrome, Madison Square, Broadway, 1853 represents a scarce and important example of the historical art of Samuel Hollyer.

Samuel Hollyer
View Image:
Title:	A Collection of Historical New York Views
Artist:	Hollyer, Samuel (London, 1826 - New York, 1919)
Date:	1905 to 1912
Medium:	Original Engravings
Source:	Hollyer's Old New York
Size:	Various Sizes
	Matted
Price:	Various Prices
Note:	A Collection of Historical New York Views:"Bowling Green ", "Corner of 34th Street", "Ferry House, Corner of Broad & Garden Streets", "First Brick Presbyterian Church", "First Garden Street Church", Government House", "New Amsterdam", "Number 7 State Street", "Old Revenue Office", and "Rotunda".
Condition:	Printed upon fine china paper and impressed onto a sheet of white, wove paper. Signed and dated in the plate by Samuel Hollyer and signed in pencil by him under the engraving. finely printed impressions and in very good condition throughout. Hollyer's Old New York engravings represent scarce and important examples of the historical art of Samuel Hollyer.

Samuel Hollyer
View Image:
Title:	New York Harbor and Yacht Fancy, 1717
Artist:	Hollyer, Samuel (London, 1826 - New York, 1919)
Date:	1905
Medium:	Original Engraving
Source:	Hollyer's Old New York
Size:	4 3/4 X 6 5/8
	Matted
Price:	Sold
Condition:	Printed upon fine china paper and impressed onto a sheet of white, wove paper. Signed and dated in the plate by Samuel Hollyer and signed in pencil by him under the engraving. Bearing the inscribed title (probably in Hollyer's hand) along the extreme lower margin. Containing very faint scuffing and foxing in the outer margins -- well removed from the actual engraving -- else a finely printed impression and in very good condition throughout. New York Harbor and Yacht Fancy represents a scarce and important example of the historical art of Samuel Hollyer.

Samuel Hollyer
View Image:
Title:	Union Square and Broadway, 1849
Artist:	Hollyer, Samuel (London, 1826 - New York, 1919)
Date:	1905
Medium:	Original Engraving
Source:	Hollyer's Old New York
Size:	4 3/4 X 6 7/8
	Matted
Price:	Sold
Condition:	Printed upon fine china paper and impressed onto a sheet of white, wove paper. Signed and dated in the plate by Samuel Hollyer and signed in pencil by him under the engraving. Bearing the inscribed title (probably in Hollyer's hand) along the extreme lower margin. Containing very faint scuffing and foxing in the outer margins -- well removed from the actual engraving -- else a finely printed impression and in very good condition throughout. Union Square and Broadway represents a scarce and important example of the historical art of Samuel Hollyer.

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