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Battle between Saigo Takamori's Samurai Rebels and Meiji Government Troops at Kagoshima by Yoshu Chikanobu | Art of The Print - Art Catalogue (Chf-Cz) | En Tiempos Pasados (n Times Gone) by Alfonso Corpus |
Featured Artist | Featured Artist |
Art of The Print - Art Catalogue (Chf-Cz): This catalogue page contains a full description of the original works of art that are available for viewing and for sale in our www.artoftheprint.com gallery. The artworks are listed in alphabetical order by the artist's last name, letters (Chf to Cz). Our Gallery, Art of the Print / www.artoftheprint.com offers a wide selection of international fine art. We sell original paintings, watercolors, drawings etchings, lithographs, engravings and other mediums of original graphic. The artworks date from the Renaissance period to the contemporary art period. We guarantee the authenticity of every work of art 100%. Full documentation and certification is provided.
Our collection features works by artists from many countries such as the French artists, Jean Ferdinand Chaigneau and Pierre Cottin or the American artists, Frederick Stuart Church, Jon Corbino, James Ormsbee Chapin and Federico Castellon, the Japanese artist, Chikanobu, the Satirical British artist, George Cruikshank and others. These are only a few of the artists featured on this page.
Featured Publishers: A few of the publishers included in this page are the Associated American Artists, which published some of the finest original graphic works of art. Also mention must be made of Fernand Mourlot, The Societe des Aqua-Fortistes, Andre Sauret, Auguste Delatre and the etchings by French artists that were published by them. They have published some of the finest original graphic works of art. If you wish to view the entire list, please go to the www.artoftheprint.com (Featured Publisher's History) page to access this information. You will find a brief history for most of the publishers listed.
Currier & Ives: The Currier and Ives legend began in 1836 when a young Nathaniel Currier (1813 - 1888) opened his 152 Nassau Street office in New York. During the following decade the lithographic business grew, with Currier and his artists issuing prints to cover a vast range of scenes to interest America. The images were all created for the rapidly growing and increasingly prosperous American public. In 1852, a young bookkeeper, James Meritt Ives (1824 - 1895) was hired by Currier. Five years later the legendary partnership of Currier and Ives was born.
Day & Haghe: The most famous early Victorian firm of lithographic printing was by created William Day (1797 - 1845) and Louis Haghe (1806 - 1895) in London in 1829. Throughout their initial years, Day and Haghe printed lithographs dealing with a wide range of subjects, such as hunting scenes, topographical views and genre depictions. Their lithographs were so meticulously conceived and technically advanced that in 1838, Day and Haghe were appointed 'Lithographers to the Queen'. After William's death in 1845, the firm became known as 'Day & Son' and in the mid-Victorian era it led the way as a pioneer of the recently developed medium of the lithograph printed in colours.
Societe des Aqua-Fortistes: The 'Societe des Aqua-Fortistes' was founded by Cadart in 1862. Until its demise in 1867, it was responsible for publishing some of the greatest French art of this important era.
Note: The catalogue is set up in alphabetical order by artist's last name. This catalogue also contains links to the images corresponding to the original etchings, lithographs, watercolors, paintings, drawings or other mediums of original graphic art that are listed here if the image is available. the measurement for all works of art listed are in inches and are approximate, height precedes width of plate-mark or the image image. All prices are in US Dollars.
Don't forget to click on the (View Image) links on the left bar to obtain the full biography, and or history, as well as the images pertaining to each original work of art listed on this page. Please, scroll down to view the catalogue listing on this page.
| A | B | C | D | E | F| | G | H | I | J | K | L | M | N | O | P | Q | R | S | Ta | U | V | W | Y | Z | | |
Yoshu Chikanobu |
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Title: | Battle between Saigo Takamori's Samurai Rebels and Meiji Government Troops at Kagoshima |
Artist: | Chikanobu, Yoshu (Japan, 1838 - 1912) |
Date: | 1877 |
Medium: | Original Japanese Woodcut (Dipych) |
Size: | 13 3/4 X 19 |
UnMatted | |
Buy Now | Price: $525.00 US |
Condition: | Printed upon nineteenth century mulberry (rice paper) and with full margins as published in 1877. Containing silk worm holes along the top margins and both panels have been glued together by a former owner, else a strong impression bearing all the fine lines and vibrant colours of a very early printing. Altogether, this woodcut of Battle between Saigo Takamori's Samurai Rebels and Meiji Government Troops at Kagoshima represents a prime example of the original art of Chikanobu. |
Yoshu Chikanobu |
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Title: | A Young Girl Learning A Song of Enlightenment |
Artist: | Chikanobu, Yoshu (Japan, 1838 - 1912) |
Date: | November 05, 1883 |
Medium: | Original Japanese Woodcut |
Publisher: | Zaida |
Note: | Artist's signature (Yoshu Chikanobu Hitsu) |
Size: | OBAN |
Framed | |
Price: | Sold |
Condition: | Printed on nineteenth century Japanese mulberry (rice) paper and with full margins as published in 1883. Apart from several, minute silk wormholes, this original Japanese woodcut entitled, A Young Girl Learning A Song of Enlightenment is in excellent condition throughout with finely printed lines and unfaded colours. |
Yoshu Chikanobu |
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Title: | A Lady in Waiting Hands The Noh Mask to an Actor in The Chiyoda Palace Before The Performance of, 'Chikuboshima - The God of The Island of Chikubu'... |
Artist: | Chikanobu, Yoshu (Japan, 1838 - 1912) |
Date: | October 1895 |
Medium: | Original Japanese Woodcut |
Publisher: | Fukuda Hatsujiro |
Size: | Oban (Triptych) |
Matted | |
Price: | Sold |
Condition: | Throughout the late nineteenth and early twentieth centuries Chikanobu was creating a splendid series of triptychs devoted to the elegant pastimes of the Japanese court, such as this example of A Lady-In-Waiting Hands the Noh Mask to An Actor in The Chiyoda Palace Before The Performance of, 'Chikuboshima - The God of The Island of Chikubu'... These triptychs have become famous not only for their striking artistic qualities (note, for instance, the radical manner in which Chikanobu employs spatial concepts in this work) but for their technical complexities of printing. |
Yoshu Chikanobu |
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Title: | Three Characters in a Kabuki Drama |
Artist: | Chikanobu, Yoshu (Japan, 1838 - 1912) |
Date: | c. 1895 |
Medium: | Original Japanese Woodcut (Triptych) |
Size: | 13 3/4 X 27 1/2 |
UnMatted | |
Buy Now | Price: $675.00 US |
Condition: | Printed upon nineteenth century mulberry (rice paper) and with full margins as published in 1894. Containing very minor silk worm holes and (as usual) all three panels have been glued together by a former owner, else a strong impression bearing all the fine lines and vibrant colours of a very early printing. Altogether, this original woodcut triptych of Three Characters in a Kabuki Drama represents a prime example of the art of Chikanobu. |
Note: | The artist biography and information pertaining to this work of art has been provided for the benefit of our viewers. Check our site periodically for new additions. There are new biographies and works of art for sale posted every month. |
Yoshu Chikanobu |
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Title: | Shimousa. Iwahashi no yuki. Kiuchi Sogoro (Snow at Iwahashi in Shimousa Province. Kiuchi Sogoro departing for Edo) |
Artist: | Chikanobu, Yoshu (Japan, 1838 - 1912) |
Date: | 1884 |
Medium: | Original Japanese Woodcut |
Publisher: | Kobayashi Tetsujiro |
Size: | 13 1/2 X 8 1/2 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon nineteenth century mulberry (rice paper) and with full margins as published by Tetsujiro in 1884. Containing slight paper loss to the lower right margin, faint water staining and a uniform age toning throughout, else this original Japanese woodcut entitled, Shimousa. Iwahashi no yuki. Kiuchi Sogoro (Snow at Iwahashi in Shimousa Province. Kiuchi Sogoro departing for Edo) is a strong impression bearing all the fine lines and vibrant colours of a very early printing. Altogether, this original woodcut represents a prime example of the art of Chikanobu. |
Enomoto Chikatoshi |
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Title: | Young Woman Holding a Persimmon |
Artist: | Chikatoshi, Enomoto (Tokyo, 1898 - 1973) |
Date: | c. 1925 - 1930 |
Medium: | Original Woodcut |
Publisher: | Fujin Graphics, Tokyo |
Size: | 7 3/4 X 6 7/8 |
Matted | |
Buy Now | Price: $345.00 US |
Condition: | Printed upon Japanese mulberry (rice) paper and with full margins as published in Tokyo by Fujin Graphics between 1925 and 1930. Containing some staining on the verso of the paper (particularly in the greens), caused either by the pigmentation of the ink or by the previously mentioned metallic substances embedded in the paper. Else a beautiful, full color impression and in good condition throughout. "Young Woman Holding a Persimmon" represents a prime, original example of the art of Enomoto Chikatoshi. |
Frederick Stuart Church |
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Title: | A Dissertation upon Roast Pig |
Artist: | Church, Frederick Stuart (Grand Rapids, Michigan, 1842 - New York, 1924) |
Date: | 1883 (Published, 1884) |
Medium: | Original Etching in Sepia |
Publisher: | G. P. Putnam's Sons, New York |
Size: | 4 1/4 X 6 1/4 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon fine hand-made, laid paper and with full margins as commissioned in New York in 1884. Signed and dated by Church in the plate to the lower left. A finely printed impression with full sepia plate tone and in excellent condition throughout. "A Dissertation upon Roast Pig" represents a prime, original example of the influential nineteenth century fantasy art of Frederick Stuart Church. |
Harry Cimino |
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Title: | Christmas 1927 |
Artist: | Cimino, Harry (Marion, Indiana, 1898 - New York, 1969) |
Date: | 1928 |
Medium: | Original Wood Engraving in Two Colors |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of one hundred impressions. |
Size: | 4 1/8 X 3 |
Framed | |
Buy Now | Price: $195.00 US |
Condition: | Printed upon hand-made, laid paper and with full margins as published by The Print Connoisseur in January of 1928. Signed in the block with the artist's 'H.C.' monogram within the lower right margin for the limited edition of one hundred impressions. A fine, deeply printed impression and in very good condition throughout. Christmas 1927 represents a most important and beautiful example of the original wood engraved art of Harry Cimino. |
Harry Cimino |
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Title: | General Sutter |
Artist: | Cimino, Harry (Marion, Indiana, 1898 - New York, 1969) |
Date: | 1928 |
Medium: | Original Wood Engraving in Three Colors |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of one hundred impressions. |
Size: | 5 1/2 X 3 1/2 |
Matted | |
Buy Now | Price: $285.00 US |
Condition: | Printed upon hand-made, laid paper and with full margins as published by "The Print Connoisseur" in January of 1928. Signed in pencil by Cimino along the lower margin for the limited edition of one hundred impressions. A fine, deeply printed impression and in excellent condition throughout. "General Sutter" represents a most important, original example of the wood engraved art of Harry Cimino. |
Harry Cimino |
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Title: | The Gallion |
Artist: | Cimino, Harry (Marion, Indiana, 1898 - New York, 1969) |
Date: | 1928 |
Medium: | Original Wood Engraving in Three Colors |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of one hundred impressions. |
Size: | 5 X 3 7/8 |
Framed | |
Buy Now | Price: $195.00 US |
Condition: | Printed upon blue, hand-made, laid paper and with full margins as published by The Print Connoisseur in January of 1928. Signed in the block with the artist's 'H.C.' monogram along the right margin for the limited edition of one hundred impressions. A fine, deeply printed impression and in very good condition throughout. The Gallion represents a most important, original example of the wood engraved art of Harry Cimino. |
Harry Cimino |
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Title: | Who Wants Gold??? |
Artist: | Cimino, Harry (Marion, Indiana, 1898 - New York, 1969) |
Date: | 1928 |
Medium: | Original Wood Engraving in Four Colors |
Publisher: | The Print Connoisseur, New York |
Edition: | Limited edition of one hundred impressions. |
Size: | 5 1/2 X 3 1/2 |
Framed | |
Buy Now | Price: $325.00 US |
Condition: | Printed upon hand-made, laid paper and with full margins as published by The Print Connoisseur in January of 1928. Signed in pencil by Cimino along the lower margin for the limited edition of one hundred impressions. A fine, deeply printed impression and in excellent condition throughout. Who Wants Gold??? represents a most important, original example of the wood engraved art of Harry Cimino. |
Giovanni Battista Cipriani |
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Title: | Portrait of John Milton as a Child |
Artist: | Cipriani, Giovanni Battista (Florence, Italy, 1727 - London (Hammersmith), 1785) |
Date: | c. 1760 |
Medium: | Original Etching |
Publisher: | Thomas Hollis, London |
Size: | 10 1/2 x 7 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon eighteenth century hand-made, laid paper and with full margins as published around 1760. Containing some foxing else a strong, early impression and in very good condition throughout. "Portrait of John Milton as a Child" represents a superb, original example of the famous eighteenth century art of Giovanni Battista Cipriani. |
Giovanni Battista Cipriani |
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Title: | Portrait of John Milton as a Young Man |
Artist: | Cipriani, Giovanni Battista (Florence, Italy, 1727 - London (Hammersmith), 1785) |
Date: | c. 1760 |
Medium: | Original Etching |
Publisher: | Thomas Hollis, London |
Size: | 10 5/8 x 7 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon eighteenth century hand-made, laid paper and with full margins as published around 1760. Containing slight foxing, mainly in the outer margins, else a strong, early impression and in very good condition throughout. "Portrait of John Milton as a Young Man" represents a superb, original example of the famous eighteenth century art of Giovanni Battista Cipriani. |
Giovanni Battista Cipriani |
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Title: | Portrait of John Milton in Old Age |
Etcher: | Cipriani, Giovanni Battista (Florence, Italy, 1727 - London (Hammersmith), 1785) |
Date: | c. 1760 |
Medium: | Original Etching |
Publisher: | Thomas Hollis, London |
Size: | 10 3/4 X 7 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon eighteenth century hand-made, laid paper and with full margins as published around 1760. Containing slight foxing, mainly in the outer margins, else a strong, early impression and in very good condition throughout. "Portrait of John Milton in Old Age" represents a superb, original example of the famous eighteenth century art of Giovanni Battista Cipriani. |
Giulio Cisari |
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Title: | Ex-Libris Giorgio Balbi (Sognare -- 'Dream') |
Artist: | Cisari, Giulio (Como, 1892 - Milan, 1979) |
Date: | c. 1935 - 1940 |
Medium: | Original Wood Engraving |
Source: | Ex-Libris Giorgio Balbi |
Size: | 3 1/2 X 2 3/4 |
Framed | |
Buy Now | Price: $225.00 US |
Condition: | Printed upon smooth wove paper and with full margins as created by the artist around1930. Signed in the block to the lower right. A deep, finely printed impression and in excellent condition throughout. Ex-Libris Giorgio Balbi (Sognare -- 'Dream') stands as a prime, original example of the fine Italian art of Giulio Cisari. |
Susan Cirigliano |
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Title: | Dirty Ben |
Artist: | Cirigliano, Susan (New York City - Contemporary) |
Date: | c. 1975 - 1980 |
Medium: | Original Etching with Plate Tone |
Edition: | (Artist's Proof Impression) |
Size: | 6 3/8 X 9 7/8 |
Matted | |
Buy Now | Price: $285.00 US |
Condition: | Printed upon fine archival paper and with full, deckled margins as created by the artist around the above date. A strongly printed impression and in excellent condition throughout. Signed, titled and annotated, 'A/P' (Artist Proof) by the artist in pencil along the lower margin. Dirty Ben represents a prime, original example of the etched art of Susan Cirigliano. |
Joseph Clark |
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Title: | Hagar and Ishmael |
Artist: | Clark, Joseph (Cerne Abbas (Dorset), 1834 - Ramsgate, 1926) |
Date: | 1861-62 |
Medium: | Original Etching |
Publisher: | Day & Son in London |
Edition: | Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862. |
Size: | 3 7/8 X 5 7/8 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon wove paper and with full margins as published in Passages from Modern English Poets in 1862. Bearing the artist's name, "'J. Clark" and the publisher's date and name, "London, Published December 1st, 1861 by Day & Sons, Lith. to the Queen" along the lower margin of the plate. It also bears the plate's number "9" to the upper right corner of the margin above the image. This impression is in excellent condition throughout without a trace of staining, foxing or fading. Hagar and Ishmael represents a prime, original example of the nineteenth century art of Joseph Clark. |
Silvia Clarke |
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Title: | Queen's Avenue, London, Ontario |
Artist: | Clarke, Silvia (Cavendish, Suffolk, 1911 - London, Ontario, 1994) |
Date: | c. 1970 |
Medium: | Original Oil Painting on Canvas Board |
Size: | 14 X 18 |
Framed | |
Price: | Sold |
Condition: | Painted on Grumbacher canvas board and signed by the artist to the lower right. Titled on the verso. Queen's Avenue, London, Ontario represents a fine, original example of the Canadian art of Silvia Clarke. |
William Clutz |
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Title: | Figure Crossing the Street |
Artist: | Clutz, William (Born, Gettysburg, Pennsylvania, 1933) |
Date: | 1972 |
Medium: | Original Lithograph |
Edition: | Limited Edition of twenty-five impressions, Numbered 3/25. |
Size: | 21 X 27 |
UnMatted | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon hand-made, laid paper with the 'BFK RIVES - FRANCE' watermark and with full, deckled margins as published in New York in 1972. Signed, dated and numbered, '3 / 25' by the artist in pencil along the lower margin. A superb impression in excellent condition throughout. Figure Crossing the Street stands as a prime, original example of the famous New York City art of William Clutz. |
William Clutz |
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Title: | Four Figures Passing |
Artist: | Clutz, William (Born, Gettysburg, Pennsylvania, 1933) |
Date: | 1972 |
Medium: | Original Lithograph |
Edition: | Limited Edition of Twenty impressions, Numbered 4/20. |
Size: | 21 X 27 |
UnMatted | |
Buy Now | Price: $495.00 US |
Condition Information: | Printed upon hand-made, laid paper with the 'BFK RIVES - FRANCE' watermark and with full, deckled margins as published in New York in 1972. Signed, dated and numbered, '4 / 20' by the artist in pencil along the lower margin. A superb impression in excellent condition throughout. Four Figures Passing stands as a prime, original example of the famous New York City art of William Clutz. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Chf-Cz) - Part 2 |
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Richard Cobbold |
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Title: | The Maiden's Dream |
Artist: | Cobbold, Richard (Ipswich, 1797 - Wortham, Suffolk, 1877) |
Date: | 1827 |
Medium: | Original Lithograph |
Size: | 4 1/4 X 6 1/2 |
Matted | |
Buy Now | Price: $165.00 US |
Condition: | Printed upon early nineteenth century wove paper and with full margins. Signed by the artist in the stone to the lower left. Containing a faint crease mark within the upper margin else a well printed impression and in good condition throughout. The Maiden's Dream represents a prime, original example of the art of the Reverend Richard Cobbold. |
Richard Cobbold |
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Title: | The Spider's Web |
Artist: | Cobbold, Richard (Ipswich, 1797 - Wortham, Suffolk, 1877) |
Date: | 1827 |
Medium: | Original Lithograph |
Size: | 6 3/8 X 4 1/4 |
Framed | |
Buy Now | Price: $275.00 US |
Condition: | Printed upon early nineteenth century wove paper and with full margins. Signed by the artist in the stone to the lower left. Containing slight foxing within the image else a well printed impression and in good condition throughout. The Spider's Web represents a prime, original example of the art of the Reverend Richard Cobbold. |
Richard Cobbold |
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Title: | Taking an Ostrich |
Artist: | Cobbold, Richard (Ipswich, 1797 - Wortham, Suffolk, 1877) |
Date: | 1827 |
Medium: | Original Lithograph |
Size: | 4 1/4 X 6 1/2 |
Matted | |
Buy Now | Price: $165.00 US |
Condition: | Printed upon early nineteenth century wove paper and with full margins. Signed by the artist in the stone to the lower left. Containing slight creasing in the outer margins, else a well printed impression and in good condition throughout. Taking an Ostrich represents a prime, original example of the art of the Reverend Richard Cobbold. |
Richard Cobbold |
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Title: | Two Spaniels |
Artist: | Cobbold, Richard (Ipswich, 1797 - Wortham, Suffolk, 1877) |
Date: | 1827 |
Medium: | Original Lithograph |
Size: | 4 1/4 X 6 1/2 |
Matted | |
Buy Now | Price: $165.00 US |
Condition: | Printed upon early nineteenth century wove paper and with full margins. Signed by the artist in the stone to the lower left. Containing a faint crease mark within the upper margin else a well printed impression and in good condition throughout. Two Spaniels represents a prime, original example of the art of the Reverend Richard Cobbold. |
Harold Cohn |
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Title: | Le Forgeron (The Blacksmith) from Arthur Rimbaud: Oeuvres Completes |
Artist: | Cochet, Gustavo (Rosario, 1894 - Funes, Santa Fe, Argentina, 1979) |
Date: | 1943 |
Medium: | Original Woodcut |
Publisher: | Viau, Buenos Aires |
Size: | 7 X 4 3/4 X 2 |
Framed | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon laid paper and with full margins as published in Buenos Aires in 1943 in an edition of 1530 impressions. Signed with Cochet's monogram in the block to the lower left. The opening lines to Arthur Rimbaud's poem appear to the left. Le Forgeron (The Blacksmith), is in excellent condition throughout and represents a prime example of the influential art of Gustavo Cochet. |
Gustavo Cochet |
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Title: | Une Saison en Enfer (A Season in Hell) from Arthur Rimbaud: Oeuvres Completes |
Artist: | Cochet, Gustavo (Rosario, 1894 - Funes, Santa Fe, Argentina, 1979) |
Date: | 1943 |
Medium: | Original Woodcut |
Publisher: | Viau, Buenos Aires |
Size: | 7 X 4 3/4 X 2 |
Framed | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon laid paper and with full margins as published in Buenos Aires in 1943 in an edition of 1530 impressions. Signed with Cochet's monogram in the block to the lower left. Rimbaud's complete poem appears to the left. Une Saison en Enfer (A Season in Hell), is in excellent condition throughout and represents a prime example of the influential art of Gustavo Cochet. |
Gustavo Cochet |
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Title: | Reclining Woman |
Artist: | Cohn, Harold (Michigan, 1908 - 1982) |
Date: | c. 1950 - 1960 |
Medium: | Original Pastel Drawing |
Note: | "Reclining Woman" is a brilliant example of Harold Cohn's artistic technique. Here the artist deliberately shades the model's facial features in order to concentrate upon form and function. |
Size: | 13 X 9 3/4 |
Matted | |
Buy Now | Price: $395.00 US |
Condition: | Drawn upon wove paper and with full margins. Signed in pencil by the artist to the lower right. A finely preserved drawing without a trace of fading or staining. "Reclining Woman" represents a prime, original example of the art of Harold Cohn. |
Dennis Colbron Pearse |
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Title: | Lowing his Bayonet (He) Demanded Who I Was. (A Boy in the Peninsular War) |
Artist: | Pearse, Dennis Colbron 'Dennis Pearse' (London, 1883 - Hobart, Tasmania, Australia, 1971) |
Date: | c. 1925 |
Medium: | Original Pen and Ink Drawing |
Note: | Provenance: From the collection of Paul F. Franco and bearing his seal and acquisition date on the verso (January, 1923). Franco was a New York City collector of Napoleonica. |
Size: | 8 1/4 X 5 |
Matted | |
Buy Now | Price: $495.00 US |
Condition: | Drawn upon thin artist's board and with full margins as created around 1910. Signed by the artist in black ink within the drawing to the lower centre. Titled by Dennis Colbron Pearse in both the lower and upper margins. Containing one small fold mark in the lower right corner, else in fine condition throughout. "Lowering his Bayonet (He) Demanded Who I Was" represents a prime, original example of the English/Australian art of Dennis Colbron Pearse. |
Alexandre Coll Blanch |
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Title: | Ex-Libris Sara Eugenia Blake (Still Life, Drawing Pad, & Art Supplies) |
Artist: | Coll Blanch, Alexandre (Barcelona, 1898 - 1975) |
Date: | c. 1950 |
Medium: | Original Etching |
Source: | Ex-Libris-Bookplate |
Size: | 4 3/4 X 3 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Framed | |
Buy Now | Price: $285.00 US |
Condition: | Printed upon thick wove paper and with full, deckled margins. Signed in the plate and pencil signed by the artist to the lower right. "Ex-Libris Sara Eugenia Blake" (Still Life, Drawing Pad, & Art Supplies) is in excellent condition throughout and represents a fine, original example of the art of Alexandre Coll Blanch. |
Joseph Collyer |
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Title: | King Henry the Eighth. Act V, Scene IV. The Palace. the Aldermen, Lord Mayer, Garter, Cranmer; Duke of Norfolk with his marshal's Staff, Duke of Suffolk, Dutchess of Norfolk & Marchioness of Dorset, God Mothers, etc. (The Christening of Princess Elizabeth 'Queen Elizabeth') |
Engraver: | Collyer, Joseph (London, 1748 - 1827) |
Designer: | Peters, Reverend Matthew William (Brasted (Freshwater, Isle of Wight, England, 1742 - Died, 1814) |
Date: | 1803 |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, Pall Mall |
Edition: | Original 'Artist Proof Impression' |
Source: | Shakspeare Gallery |
Size: | 19 3/4 X 25 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
UnMatted | |
Buy Now | Price: $1,300.00 US |
Condition: | Printed upon hand-made, laid paper and with full margins as published by Boydell in London in 1796. Containing some foxing in the outer margins (away from the actual engraving), else a vibrant, early, artist proof impression and in good condition throughout. King Henry the Eighth. Act V, Scene IV. The Palace. the Aldermen, Lord Mayer, Garter, Cranmer; Duke of Norfolk with his marshal's Staff, Duke of Suffolk, Dutchess of Norfolk & Marchioness of Dorset, God Mothers, etc. (The Christening of Princess Elizabeth) represents a superb, original example of the famous art of Boydell's Shakespeare Gallery. |
The printer's annotation appears in the lower right margin -- "6th March. 5th." | |
Francois Jules Collignon |
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Title: | Avant L'Orage, Paysage (Before the Storm, Landscape) |
Artist: | Collignon, Francois Jules 'F. J. Collignon' (Paris, c. 1800 - 1850) |
Date: | 1844 |
Medium: | Original Lithograph |
Publisher: | L'Artiste, Paris |
Source: | L'Artiste |
Size: | 6 1/2 X 8 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed upon fine China paper and impressed onto a large sheet of white wove paper as published in Paris in 1844. Signed by the artist in the stone to the lower left and bearing the blindstamp of L'Artiste in the lower margin. A finely printed impression and in excellent condition throughout. Avant L'Orage, Paysage (Before the Storm, Landscape) represents a prime, original example of the art of F. J. Collignon and of early French lithographic landscape art. |
Charles C. Colman |
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Title: | Gateway |
Artist: | Colman, Charles C. (Cleveland, Ohio, 1890 - ?) |
Date: | 1932 |
Medium: | Original Etching |
Edition: | Limited edition of sixty impressions, numbered '3/60'. |
Size: | 5 3/8 X 3 3/8 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed on wove paper and with full margins as created by the artist in 1932. Signed, dated and numbered, '3/60', by the artist in pencil along the lower margin. Containing very faint mat burning in the outer margins, else a finely printed impression and in very good condition throughout. "Gateway" represents a fine, original example of the etched art of Charles C. Colman. |
Samuel Colman |
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Title: | Durham, England |
Artist: | Colman, Samuel (Portland, Maine, 1832 - New York City, 1920) |
Date: | 1880 |
Medium: | Original Etching |
Publisher: | The American Art Review Boston |
Source: | The American Art Review |
Size: | 4 7/8 X 7 3/4 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon fine hand made, laid paper and with full margins as published by Dana Estes and Charles E. Lauriat, Boston for The American Art Review in 1879. Signed with Colman's distinctive monogramme in the lower left corner of the plate. Durham, England is a splendidly printed, tonal impression and in excellent condition throughout. This original etching stands as a prime example of the nineteenth century American art of Samuel Colman. |
Samuel Colman |
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Title: | Entrance to Valencia |
Artist: | Colman, Samuel (Portland, Maine, 1832 - New York City, 1920) |
Date: | 1885 |
Medium: | Original Etching with Plate Tone |
Size: | 4 1/4 X 6 1/8 |
Matted | |
Buy Now | Price: $2 65.00 US |
Condition: | Printed upon fine china paper which has been impressed onto a larger sheet of white, wove paper and with full margins as published in 1885. A strong impression with full plate tone and in excellent condition throughout. Entrance to Valencia represents a prime, original example of the famous etched art of Samuel Colman. |
Carl Benton Compton |
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Title: | Stars |
Artist: | Compton, Carl Benton (Texas, 1905 - 1981) |
Date: | c. 1950 |
Medium: | Original Lithograph |
Edition: | Limited Edition of Fifteen impressions, Numbered 5/15. |
Size: | 13 1/2 X 10 3/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon wove paper and with full margins as published in Texas around the above date. Signed, titled and numbered, '5/15', by the artist in pencil along the lower margins. Containing slight soiling in the outer margins, else a fine impression and in very good condition throughout. Stars represents a scarce, original example of the Texas art of Carl Benton Compton. |
John Coney |
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Title: | Buildwas Abbey, Shropshire, from the N. E. |
Artist: | Coney, John (London, 1786 - Camberwell, 1833) |
Date: | 1822 |
Medium: | Original Graphite Drawing |
Size: | 14 1/2 X 18 5/8 |
Framed | |
Price: | Sold |
Condition: | Drawn upon early nineteenth century wove paper bearing the 'Whatman Turkey Mill 1821' watermark and with full margins. Signed, dated and titled by Coney in pencil along the top central margin. The drawing was received on its original and acidic black backing board and was glued on the verso around all four edges. Every conservationist is aware that the acidity of early nineteenth century papers and matting materials is among the worst. This drawing was thus extensively foxed, stained and browned. For restoration, the drawing was carefully removed from its black board backing (without any loss of paper) and then bathed in archival solutions and cleaned with distilled water. The browning and staining was completely eradicated and the foxing -- while still apparent (particularly in the sky) -- was greatly diminished. This original drawing is thus probably in better condition now than it was one hundred and fifty years ago. Buildwas Abbey, Shropshire, from the N. E thus represents both a premier work of historic significance and a prime example of the architectural art of John Coney. |
Auguste Aristide Fernand Constantin |
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Title: | Fantaisies (Fantasies) |
Artist: | Constantin, Auguste-Aristide-Fernand 'Auguste Constantin' (Paris, 1824 - 1895) |
Date: | 1863 |
Medium: | Original Etching |
Publisher: | Cadart & F. Chevalier, Paris / A. Cadart & Luquet, Paris |
Printer: | Auguste Delatre, Paris |
Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
Raisonne: | Henri Beraldi, Les Graveurs du XIX Siecle, Librairie L. Conquet, Paris, 1886, Vol. 5, p. 44. Catalogue # 2, First and Only State as published by Cadart |
Size: | 9 1/2 X 12 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed on 'Aqua-Fortistes' watermarked, hand-made paper and with full, large margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), in 1863. It bears the official blindstamp "A. Cadart & Luquet, Editeurs, 79. R. Richelieu", the title, "Fantaisies" the publisher's name and address, "Paris, publie par A. Cadart & F. Chevalier, Editeurs, Rue Richelieu, 66", the artist's name "A. Constantin sculp", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris", in the lower margin above the plate-mark. A rich, early impression and in very good condition throughout. "Fantaisies" (Fantasies) stands as a prime example of the art of Auguste Constantin and of French etching from this important era. |
Walter Conz |
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Title: | Aus Holland (From Holland) |
Artist: | Conz, Walter (Stuttgart, 1872 - Uberlingen, 1947) |
Date: | c. 1910 |
Medium: | Original Etching |
Publisher: | Vervielfaltigende Kunst, Vienna |
Size: | 6 1/8 X 9 7/8 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon fine china paper which has been impressed onto a larger sheet of white wove paper and with large, full margins as commissioned and published by Vervielfaltigende Kunst around 1910. Bearing the publisher's address and the printed words, "Original Radirung (Etching) von W. Conz" along the lower plate mark. A delicately printed impression and in excellent condition throughout. Aus Holland represents a fine, original example of the landscape art of Walter Conz. |
Robert Cooper |
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Title: | Mr. Gattie |
Engraver: | Cooper, Robert (London, active, 1800 - 1835) |
Designer: | Sharpe, M. W. (British, 19th c.) |
Date: | 1822 |
Medium: | Original Hand-Coloured Engraving & Etching |
Source: | Set of over Twenty Actor and Actress Portrayals |
Size: | 10 X 6 |
Matted | |
Buy Now | Price: $165.00 US |
Condition: | Printed on early nineteenth century wove paper and with full margins as published in 1822. Bearing the publisher's address and dated along the lower margin. Slight scuffing exists in the lower left corner else in good condition throughout and with fine, unfaded hand-colouring. Mr. Gattie represents an important example of the early English actor engraving. |
Francisco Copello |
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Title: | Untitled Composition (Cubes) |
Artist: | Copello Norero, Francesco 'Francisco Copello' (Santiago, Chile, 1938 - 2006) |
Date: | 1971 |
Medium: | Original Embossed Intaglio in Colours |
Publisher: | Pratt Graphic Arts Center, New York |
Edition: | Limited edition of one hundred impressions, numbered 20/100. |
Size: | 11 X 9 3/4 (Irregular Shape) |
UnMatted | |
Price: | Sold |
Condition Information: | Printed upon hand-made 'German Etch' paper and with full margins as printed in New York in 1971by the artist in the limited and signed edition of 100 impressions. Signed and numbered, '20/100' by the artist in pencil along the lower margin. A fine full colour impression and in excellent condition throughout. Untitled Composition represents a prime, original example of the famous art of Francisco Copello. |
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Art of the Print / www.artoftheprint.com - Art Catalogue (Chf-Cz) - Part 3 |
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Jon Corbino |
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Title: | Escaped Bull |
Artist: | Corbino, Jon (Vittoria, Sicily, 1905 - Sarasota, Fla., 1964) |
Date: | 1937 |
Medium: | Original Lithograph |
Printer: | George Miller |
Note: | Jon Corbino's art is today included in the permanent collections of the Metropolitan Museum of Art, New York, the National Academy of Design, Washington, IBM and the Chicago Institute of Art. The Fine Arts Museum of San Francisco owns an impression of Escaped Bull. |
Edition: | Printer's proof |
Note: | Provenance: This impression of Escaped Bull is from the George Miller estate. On the verso of the lithograph Miller has written, "Printer's Proof from George Miller estate". George Miller was America's master lithographic printer. Such great artists as Raphael Soyer, Childe Hassam, Peggy Bacon, Grant Wood and Stow Wengenroth regularly sought his expertise. Shortly after Miller's death in 1966, Lynd Ward wrote, "George Miller had a great respect for the creative artist and a rare capacity to understand what it was that the artist was after. He was ready to bend all the resources of the lithographic technique to achieve that goal." Obviously, a proof impression from the Miller estate contains the finest nuances possible from the lithographic stone. |
Size: | 10 5/8 X 13 7/8 |
Framed | |
Buy Now | Price: $695.00 US |
Condition: | Printed upon fine laid paper and with full margins as published in 1937. A superbly printed impression and in excellent condition throughout. Annotated, " Printer's Proof from the George Miller estate", on the verso. This original lithograph stands as a prime example of the art of Jon Corbino, one of America's greatest twentieth century masters. |
Edward Henry Corbould |
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Title: | The Staircase Leading to the Ball Room at Eglinton Castle |
Artist: | Corbould, Edward Henry (London, 1815 - 1905) |
Date: | 1839 |
Medium: | Original Lithograph with Tint Stone |
Publisher: | Hodgson & Graves, Pall Mall |
Printer: | Day & Haghe, London |
Source: | The Eglinton Tournament |
Size: | 10 3/8 X 14 3/8 |
Matted | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with full, large margins as published in London on August 30th, 1839. A fine initial impression and in excellent condition throughout. "The Staircase Leading to the Ball Room at Eglinton Castle" represents a scarce and important example of early Victorian art. Examples from this famous set are very sought after, particularly in such excellent condition. |
Edward Henry Corbould |
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Title: | The Joust Between The Lord of The Tournament and The Knight of The Red Rose |
Artist: | Corbould, Edward Henry (London, 1815 - 1905) |
Date: | 1839 |
Medium: | Original Lithograph |
Publisher: | Hodgson & Graves, Pall Mall |
Printer: | Day & Haghe, London |
Source: | The Eglinton Tournament |
Size: | 12 1/2 X 15 1/2 |
Matted | |
Sold: | Sold |
Condition: | Printed on early nineteenth century wove paper and with full, large margins as published in London on November 30th, 1839. This is a fine, initial impression and in excellent condition throughout. |
Thomas Cornell |
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Title: | Head Study |
Artist: | Cornell, Thomas (Cleveland, Ohio, 1937 - Resides, Brunswick, Maine) |
Date: | c. 1972 |
Medium: | Original Etching and aquatint |
Edition: | Limited edition of two hundred and fifty signed and numbered impressions, numbered 89/250. |
Size: | 8 3/4 X 5 7/8 |
Matted | |
Buy Now | Price: $245.00 US |
Condition: | Printed upon fine archival paper and with full, deckled margins as published around 1972. Containing very faint traces of light toning in the outer margins, else in very good condition throughout. Signed and numbered, '89/250' by the artist in pencil along the lower margin. Head Study represents a prime, original example of the art of Thomas Cornell. |
Thomas Cornell |
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Title: | Revolutionary Profile |
Artist: | Cornell, Thomas (Cleveland, Ohio, 1937 - Resides, Brunswick, Maine) |
Date: | c. 1972 |
Medium: | Original Drypoint Engraving |
Edition: | Limited edition of two hundred and fifty signed and numbered impressions, numbered 126/250. |
Size: | 8 3/4 X 5 5/8 |
Matted | |
Buy Now | Price: $245.00 US |
Condition: | Printed upon fine archival paper and with full, deckled margins as published around 1972. Containing very faint traces of light toning and mat burning in the outer margins, else in very good condition throughout. Signed and numbered, '126/250' by the artist in pencil along the lower margin. Revolutionary Profile represents a prime, original example of the art of Thomas Cornell. |
Alfonso Corpus |
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Title: | En Tiempos Pasados (In Times Gone By) |
Artist: | Corpus, Alfonso (Born, Gary, Indiana - Resides, New Jersey) |
Date: | 1983 |
Medium: | Original Lithograph |
Note: | "En Tiempos Pasados" (In Times Gone By)is annotated by the artist -- "S P 1" --which perhaps signifies 'Special Proof 1'. Both strange and familiar, the image emerges like a gigantic icon from the dark, black background. |
Edition: | Artist Proof SP1-' (Artist Proof Impression) |
Size: | 30 X 22 1/2 |
UnMatted | |
Buy Now | Price: $595.00 US |
Condition: | Printed upon pure rag paper with the 'Arches' watermark and with full, deckled margins as printed in 1983. Signed, titled, dated and annotated 'S P 1' by the artist in pencil along the lower margins. Containing faint traces of finger marks along the lower margins in the black background, else a finely printed impression and in very good condition throughout. "En Tiempos Pasados" (In Times Gone By)stands as a prime, original example of the art of Alfonso Corpus. |
Dennis Corrigan |
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Title: | Brahms Amusing Himself |
Artist: | Corrigan, Dennis (Born, 1944 - Resides, Wayne County, Pennsylvania) |
Date: | 1983 |
Medium: | Original Etching |
Publisher: | Associated American Artists, New York |
Edition: | Limited edition of two hundred and fifty impressions, numbered '117/250' |
Size: | 9 1/4 X 12 3/8 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon fine archival paper and with full, deckled margins as published by the Associated American Artists in 1983. A strongly printed impression and in excellent condition throughout. Signed, titled and numbered, '117/250' by the artist in pencil along the lower margin. Brahms Amusing Himself represents a prime, original example of the art of Dennis Corrigan. |
Dennis Corrigan |
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Title: | Nathaniel Hawthorne Posing with a Formally Dressed Gopher (Military Commander) |
Artist: | Corrigan, Dennis (Born, 1944 - Resides, Wayne County, Pennsylvania) |
Date: | c. 1978 |
Medium: | Original Etching and Aquatint |
Publisher: | Associated American Artists, New York |
Edition: | Limited edition of two hundred and fifty impressions, numbered 9/250. |
Source: | During the 1970's and early 1980's the Associated American Artists of New York commissioned major American and International artists for original graphic art. Most of their published works were printed in limited, signed editions of 250.Nathaniel Hawthorne Posing with a Formally Dressed Gopher was commissioned by this publisher. |
Size: | 9 3/8 X 12 |
Matted | |
Price: | Sold |
Condition: | Printed upon fine archival paper and with full, deckled margins as published by the Associated American Artists around the above date. A strongly printed impression and in excellent condition throughout. Signed and numbered, '9/250' by the artist in pencil along the lower margin. It represents a prime, original example of the art of Dennis Corrigan. |
Francisco Corzas |
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Title: | Easel (Artist and Model) |
Artist: | Corzas, Francisco (Mexico City, 1936 - 1983) |
Date: | 1969 |
Medium: | Original Lithograph |
Publisher: | Lublin Press, New York |
Edition: | Limited edition of one hundred and twenty impressions, numbered 68/120. |
Size: | 29 X 22 3/4 |
UnMatted | |
Buy Now | Price: $850.00 US |
Condition: | Printed upon thick, toned rag paper and with full, deckled margins as published in New York in 1969 in the sole, limited edition of 120 impressions. Signed, dated and numbered, '68/120', by the artist in pencil along the lower margin. Containing one very slight smudge mark (printer's ink?) in the lower left margin, else a beautifully printed impression and in very good condition throughout. Easel (Artist and Model) represents a prime, original example of the art of Francisco Corzas, one of Mexico's masters of modern art. |
Alfred Cossmann |
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Title: | Ex-Libris Franz J. Kaiser |
Artist: | Cossmann, Alfred (Gratz, 1870 - Vienna, 1951) |
Date: | 1905 |
Medium: | Original Engraving |
Publisher: | Vervielfaltigende Kunst, Vienna |
Size: | 4 1/2 X 2 3/8 |
Framed | |
Buy Now | Price: $325.00 US |
Condition: | Printed upon laid paper and with large margins as commissioned and published by Vervielfaltigende Kunst in 1905. Signed in the plate by the artist along the lower margin. A finely printed impression and in excellent condition throughout. Ex-Libris Franz J. Kaiser is a major example of the famous art of Alfred Cossmann. |
Herman-Maurice Cossmann |
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Title: | Apres la Bataille (After the Battle) |
Artist: | Cossmann, Herman-Maurice (Berlin, 1821 - Paris, 1890) |
Date: | 1866 |
Medium: | Original Etching |
Publisher: | A. Cadart & Luquet, Paris |
Printer: | Auguste Delatre, Paris |
Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
Size: | 12 1/4 X 9 1/4 |
Matted | |
Buy Now | Price: $285.00 US |
Condition: | Printed upon laid paper and with large, deckled margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1866. Signed, "M. Cossmann", in the plate to the lower center. Also bearing the number "221" in the upper right corner of the etching, as well as the full title, "Apres la Bataille", the publisher's name and address, "Paris, publie par A. Cadart & Luquet, Editeurs, 79 Rue de Richelieu, 79, Paris", the artist's name "Cossmann sculp", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris" along the lower margin, above the plate-mark.A strongly printed impression and in excellent condition throughout. Apres la Bataille (After the Battle) represents a prime, original example of the etched art of Herman-Maurice Cossmann. |
Costume Parisien, Paris (Parisian Dress Gown, Paris) |
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Title: | Chapeau de Crepe Orne de Rubans de Gaze et de Fleurs de Tulipier. Robe de Popeline Canezou d'Organdi de Tulle |
Publisher: | Costume Parisien, Paris |
Date: | 1827 |
Medium: | Original Hand-Coloured Engraving |
Size: | 7 X 4 3/4 |
Framed | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon early nineteenth century hand-made, laid paper and with full margins as published in Paris on the above date. A finely printed impression with unfaded hand-colouring and in excellent condition throughout. This original engraving stands as both a beautiful and scarce example of 1820's fashion art. |
Costume Parisien, Paris (Parisian Dress Gown, Paris) |
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Title: | Chapeau de Satin, Robe de Satin a Corsage et Manches Herisses de Peintes |
Publisher: | Costume Parisien, Paris |
Date: | 1828 |
Medium: | Original Hand-Coloured Engraving |
Size: | 7 X 4 3/4 |
Framed | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon early nineteenth century hand-made, laid paper and with full margins as published in Paris on the above date. A finely printed impression with unfaded hand-colouring and in excellent condition throughout. This original engraving stands as both a beautiful and scarce example of 1820's fashion art. |
Costume Parisien, Paris (Parisian Dress Gown, Paris) |
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Title: | Coeffure en Gaze Lamme, Camelia et Cheveaux Par Mr. Plaisir Corsage de Velours. Robe de Crepe Pelisse de Satin |
Date: | 1819 |
Medium: | Original Hand-Coloured Engraving |
Publisher: | Costume Parisien, Paris |
Size: | 7 X 4 1/8 |
Matted | |
Buy Now | Price: $285.00 US |
Condition: | Printed on hand-made, laid paper and with full margins as published by Costumes Parisien at the above stated date. This is a fine, bright impression with unfaded hand colouring and in excellent condition throughout. |
Pierre Cottin |
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Title: | Basse-Cour (Farmyard) |
Artist: | Cottin, Pierre (La Chapelle-Saint-Denis, 1823 - Paris, 1886) |
Date: | 1864 |
Medium: | Original Etching |
Publisher: | A. Cadart & Luquet, Paris |
Printer: | Auguste Delatre, Paris |
Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
Size: | 9 1/2 X 12 1/2 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed on nineteenth century wove paper and bearing the title, "Basse-Cour" the publisher's name and address, "Paris, publie par A. Cadart & Luquet, Editeurs, 79, Rue Richelieu", the artist's name "Cottin sculp", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris", in the lower margin above the plate mark as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1864 It is in very good condition throughout and with full margins. Basse-Cour (Farmyard) is a striking example of both the printing techniques of Delatre (notice the fine plate-tones) and the famous art of Pierre Cottin. |
Pierre Cottin |
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Title: | Le Retour de la Peche (Back from Fishing) |
Engraver: | Cottin, Pierre (La Chapelle-Saint-Denis, 1823 - Paris, 1886) |
Designer: | Coomans, Pierre Olivier Joseph 'Pierre Coomans' (Brussels, Belgium, 1816 - Boulogne-on-siene, France, 1889) |
Date: | c. 1885 |
Medium: | Original Engraving & Stipple |
Publisher: | Max Jacobi, New York / Boussod, Valadon & Cie., Paris |
Size: | 26 X 32 |
Not Matted | |
Buy Now | Price: $650.00 US |
Condition Information: | Printed upon fine nineteenth century china paper which, has been impressed onto a large sheet of nineteenth century white wove paper and with full margins as published in New York around 1885. Bearing the full title "Le Retour de la Peche" the publishers' names and addresses, "Boussod Valladon & Cie. Imprimeurs, Paris" & "Max Jacoby, New York", the painter's name "Peint Par J. Coomans" and the etcher's name, "Grave Par P. Cottin" in the lower margin above the plate-mark. Containing a stain in the lower right margin, else a magnificent, early impression and in excellent condition throughout. Le Retour de la Peche is a prime, original example of the art of Pierre Cottin. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Chf-Cz) - Part 4 |
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John Sell Cotman |
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Title: | Howden Church, Yorkshire |
Artist: | Cotman, John Sell (Norwich, 1782 - London, 1842) |
Date: | 1811 (Second and Final Edition, 1838) |
Medium: | Original Etching |
Raisonne: | A. E. Popham, "Etchings of John Sell Cotman", Print Collector's Quarterly, 9, 1922, pp. 237 - 273. Catalogue #2, Second and Final State as published in London in 1838 by Henry Bohn. |
Source: | Miscellaneous Etchings of Architectural Antiquities in Yorkshire |
Size: | 15 X 10 5/8 |
Framed | |
Price: | Sold |
Condition: | Printed upon heavy wove paper and with large, full margins as published in London in 1838. Signed, dated and titled in the plate by the artist to the lower left margin. A finely printed impression and in excellent condition throughout. Howden Church, Yorkshire represents a superb, original example of the famous etched art of John Sell Cotman. |
John Sell Cotman |
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Title: | Kirkham Priory, York |
Artist: | Cotman, John Sell (Norwich, 1782 - London, 1842) |
Date: | 1811 (Second and Final Edition, 1838) |
Medium: | Original Etching |
Raisonne: | A. E. Popham, "Etchings of John Sell Cotman", Print Collector's Quarterly, 9, 1922, pp. 237 - 273. Catalogue #11, Second and Final State as published in London in 1838 by Bohn. |
Source: | Miscellaneous Etchings of Architectural Antiquities in Yorkshire |
Size: | 12 X 8 3/4 |
Matted | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon heavy wove paper and with large, full margins as published in London in 1838. Signed, dated and titled in the plate by the artist to the lower left margin. A finely printed impression and in excellent condition throughout. Kirkham Priory, York represents a prime, original example of the famous etched art of John Sell Cotman. |
John Sell Cotman |
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Title: | Rivaulx Abbey, Door Way to the Refectory |
Artist: | Cotman, John Sell (Norwich, 1782 - London, 1842) |
Date: | 1811 (Second and Final Edition, 1838) |
Medium: | Original Etching |
Raisonne: | A. E. Popham, "Etchings of John Sell Cotman", Print Collector's Quarterly, 9, 1922, pp. 237 - 273. Catalogue #12, Second and Final State as published in London in 1838 by Bohn. |
Source: | Miscellaneous Etchings of Architectural Antiquities in Yorkshire |
Size: | 12 X 8 3/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon heavy wove paper and with large, full margins as published in London in 1838. Signed, dated and titled in the plate by the artist to the lower margin. Containing several circular sports in the lower margins, not intruding into the actual etching, else a finely printed impression and in very good condition throughout. Rivaulx Abbey, Door Way to the Refectory represents a prime, original example of the famous etched art of John Sell Cotman. |
John Sell Cotman |
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Title: | Rivaulx Abbey, Yorkshire |
Artist: | Cotman, John Sell (Norwich, 1782 - London, 1842) |
Date: | 1811 (Second and Final Edition, 1838) |
Medium: | Original Etching |
Raisonne: | A. E. Popham, "Etchings of John Sell Cotman", Print Collector's Quarterly,
9, 1922, pp. 237 - 273. Catalogue #10, Second and Final State as published in London in 1838 by Bohn. |
Source: | Miscellaneous Etchings of Architectural Antiquities in Yorkshire |
Size: | 12 X 9 |
Matted | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon heavy wove paper and with large, full margins as published in London in 1838. Signed, dated and titled in the plate by the artist to the lower margin. A finely printed impression and in excellent condition throughout. Rivaulx Abbey, Yorkshire represents a prime, original example of the famous etched art of John Sell Cotman. |
Brigitte Coudrain |
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Title: | Trois Soucis (Three Marigolds) |
Artist: | Coudrain, Brigette (Paris, France, Born, 1934) |
Date: | 1966 |
Medium: | Original Aquatint and Etching |
Edition: | Limited edition of one fifty impressions, numbered 10/50. |
Size: | 13 3/4 X 14 3/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon, hand-made, laid paper with the 'Arches' watermark and with full, deckled margins as published in the limited edition of 50 signed impressions. Containing slight light toning as well as two pinprick holes along the upper and lower margins, else a strongly printed impression and in good condition throughout. Signed by Coudrain in pencil and numbered, '10/50'. The title is written in pencil on the verso. This original etching of Trois Soucis (Three Marigolds) stands as a superb example of the art of Brigitte Coudrain. |
Jack Coughlin |
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Title: | As I Wandered in the Dark |
Artist: | Coughlin, Jack (Greenwich, Connecticut, 1932 - Resides, Amherst, Massachusetts) |
Date: | c. 1970 - 1980 |
Medium: | Original Etching, Aquatint and Engraving |
Edition: | Artist's Proof Impression |
Size: | 17 3/8 X 23 1/8 |
UnMatted | |
Buy Now | Price: $565.00 US |
Condition: | Printed upon thick, hand-made, laid paper and with full deckled margins as published around 1970 - 1980. Signed, titled and annotated, 'Artist's Proof', by the artist in pencil along the lower margin. A crisply printed impression and in excellent condition throughout. As I Wandered in the Dark represents a superb original example of the art of Jack Coughlin. |
Jack Coughlin |
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Title: | Elephant |
Artist: | Coughlin, Jack (Greenwich, Connecticut, 1932 - Resides, Amherst, Massachusetts) |
Date: | c. 1980 |
Medium: | Original Etching and Engraving |
Edition: | Limited edition of fifty impressions, numbered 5/50. |
Size: | 23 1/2 X 17 1/2 |
Matted | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon thick, hand-made, laid paper bearing the 'BFK RIVES' watermark and with full deckled margins as published around 1980. Signed, titled and numbered, '5/50', by the artist in pencil along the lower margin. A crisply printed impression and in excellent condition throughout. Elephant represents a superb original example of the art of Jack Coughlin. |
Jack Coughlin |
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Title: | Hawk |
Artist: | Coughlin, Jack (Greenwich, Connecticut, 1932 - Resides, Amherst, Massachusetts) |
Date: | 1970 |
Medium: | Original Etching and Aquatint |
Publisher: | Associated American Artists, New York |
Edition: | Limited edition of two hundred and fifty impressions, numbered 151/250. |
Size: | 14 1/4 X 10 5/8 |
Matted | |
Buy Now | Price: $325.00 US |
Condition: | Printed upon thick, hand-made, laid paper and with full margins as published in 1970 by the Associated American Artists of New York. Signed, titled and numbered, '151/250', by the artist in pencil along the lower margin. A crisply printed impression and in excellent condition throughout. Hawk represents a superb original example of the etched art of Jack Coughlin. |
The printed presentation sticker from the A.A.A. is included. | |
Jack Coughlin |
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Title: | Owl |
Artist: | Coughlin, Jack (Greenwich, Connecticut, 1932 - Resides, Amherst, Massachusetts) |
Date: | 1970 |
Medium: | Original Woodcut |
Publisher: | Associated American Artists, New York |
Edition: | Limited edition of two hundred and fifty signed and numbered impressions, numbered 99/250. |
Size: | 9 X 8 1/8 |
Matted | |
Price: | Sold |
Condition: | Printed on fine, hand-made, laid paper and with wide, full margins as published in New York in 1970 by the Associated American Artists in the limited edition of 250. Signed, numbered and titled by the artist along the lower margin. This is a superb impression and in excellent condition throughout. |
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A. Wilbur Crane |
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Title: | Winter Landscape |
Artist: | Crane, A. Wilbur ' Wilbur Crane' (New York City, 1875 - New Rochelle, NY, 1934) |
Date: | c. 1900 - 1910 |
Medium: | Original Oil Painting on Canvas Board |
Size: | 12 7/8 X 9 1/4 |
UnMatted | |
Price: | Sold |
Condition: | Painted upon canvas board and bearing the stamp of the Paris American Art Co on the verso. Signed "A. Wilbur Crane" to the lower right. Soiling has occurred but can be completely removed with a sound cleaning. In all this original painting is in good condition throughout and a proper cleaning will greatly increase the contrasts of light and shade. In conclusion Winter Landscape stands as a fine, original example of the landscape art of A. Wilbur Crane. |
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Raymond Creekmore |
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Title: | Circus Elephants |
Artist: | Creekmore, Raymond (Detroit, 1905 - New York, 1984) |
Date: | Circus Elephants |
Medium: | Original Lithograph |
Publisher: | Associated American Artists, New York |
Date: | c. 1940 - 1950 |
Edition: | Limited edition of five signed artist proof impressions. |
Size: | 8 3/4 X 13 1/4 |
Matted | |
Buy Now | Price: $495.00 US |
Condition: | Printed upon wove paper and with large full margins as pulled in five impressions only by the Associated American Artists around 1950. Signed in pencil by the artist along the lower right margin. A superbly printed impression and in excellent condition throughout. Circus Elephants is a prime, original example of the lithographic art of Raymond Creekmore. |
John Crome |
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Title: | Deepham, Near Hingham |
Artist: | Crome, John (Norwich, 1768 - 1821) |
Date: | 1813 (Freeman and J. B. Crome Edition, 1838) |
Medium: | Original Etching |
Raisonne: | Norman L. Goldberg, "John Crome the Elder", New York, New York University Press, 1978, 2 vols. Catalogue #218, Fifth and Final State with the title, “Near Hingham”, added along the lower margin. Quotation found on p. 82. |
Source: | Etchings of Views in Norfolk by the Late John Crome |
Size: | 6 1/2 X 6 5/8 |
Matted | |
Buy Now | Price: $365.00 US |
Condition: | Printed upon early nineteenth century wove paper and with large, full margins as published in Norwich in 1838. Signed and dated by John Crome to the upper left within the plate. Slight foxing is evident within the image and some staining exists in the outer margins. As well a previous owner has strengthened the upper left plate mark with tape on the verso. Else a finely printed impression and in good condition throughout. "Deepham, Near Hingham" represents a prime, original example of the famous landscape art of John Crome. |
John Crome |
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Title: | Gravel Pit, Marlingford |
Artist: | Crome, John (Norwich, 1768 - 1821) |
Date: | c. 1811 - 1812 (Freeman and J. B. Crome Edition, 1838) |
Medium: | Original Etching |
Raisonne: | Norman L. Goldberg, "John Crome the Elder", New York, New York University Press, 1978, 2 vols. Catalogue #217, Third and Final State with the title, “At Marlingford”, added along the lower margin. Quotation found on p. 82. |
Source: | Etchings of Views in Norfolk by the Late John Crome |
Size: | 9 X 6 3/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon early nineteenth century wove paper and with large, full margins as published in Norwich in 1838. Two vertical tears (restored by a previous owner) start at the outside upper margins and end at the plate mark. Staining is also evident in the upper parts of the paper. Else a finely printed impression and in fair condition throughout. "Gravel Pit, Marlingford" represents a prime, original example of the famous landscape art of John Crome. |
John Crome |
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Title: | A Composition: Men and Cows |
Artist: | Crome, John (Norwich, 1768 - 1821) |
Date: | c. 1812 - 1813 (Freeman and J. B. Crome Edition, 1838) |
Medium: | Original Etching |
Note: | A Composition: Men and Cows is an original etching by John Crome published in 1838 for "Etchings of Views in Norfolk by the Late John Crome". |
Raisonne: | * Norman L. Goldberg, "John Crome the Elder", New York, New York University Press, 1978, 2 vols. Catalogue #223, First and Only State. Introductory quotation found on p. 82. |
Description: | Two standing men, cows, cattle, tree . |
Source: | Etchings of Views in Norfolk by the Late John Crome |
Size: | 3 X 3 7/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon early nineteenth century wove paper and with large margins as published in Norwich in 1838. Faint foxing is evident in the outer margins, else a finely printed impression and in very good condition throughout. "A Composition: Men and Cows" represents a prime, original example of the famous landscape art of John Crome. |
John Crome |
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Title: | At Bawburgh |
Artist: | Crome, John (Norwich, 1768 - 1821) |
Date: | c. 1812 - 1813 (Freeman and J. B. Crome Edition, 1838) |
Medium: | Original Etching |
Raisonne: | * Norman L. Goldberg, John Crome the Elder, New York, New York University Press, 1978, 2 vols. Catalogue #224, Third of three states with the title, "At Bawburgh", added along the lower plate-mark. Introductory quotation found on p. 82. |
Source: | Etchings of Views in Norfolk by the Late John Crome |
Size: | 6 X 7 3/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon early nineteenth century wove paper and with large, full margins as published in Norwich in 1838. Faint foxing is evident in the outer margins as well as a restored tear on the upper right corner ending about one inch from the actual etching. Else a finely printed impression and in good condition throughout. "At Bawburgh" represents a prime, original example of the famous landscape art of John Crome. |
Description: | Pool, Willow Tree, tree stumps, cow, vegetation, Crome, landscape, Norwich School. |
John Crome |
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Title: | At Scoutton |
Artist: | Crome, John (Norwich, 1768 - 1821) |
Date: | c. 1812 - 1813 (Freeman and J. B. Crome Edition, 1838) |
Medium: | Original Etching |
Raisonne: | * Norman L. Goldberg, "John Crome the Elder", New York, New York University Press, 1978, 2 vols. Catalogue #222, Third and Final State with "At Scoutton" etched along the lower central margin. Introductory quotation found on p. 82. |
Description: | Foreground pool, large tree trunks, background church tower, forest scene, setting sun, sunset. |
Source: | Etchings of Views in Norfolk by the Late John Crome |
Size: | 7 1/4 X 2 3/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon early nineteenth century wove paper and with large margins as published in Norwich in 1838. Some foxing is evident in the outer margins, else a finely printed impression and in very good condition throughout. "At Scoutton" represents a prime, original example of the famous landscape art of John Crome. |
John Crome |
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Title: | Footbridge at Cringleford |
Artist: | Crome, John (Norwich, 1768 - 1821) |
Date: | c. 1812 (Freeman and J. B. Crome Edition, 1838) |
Medium: | Original Etching |
Raisonne: | Norman L. Goldberg, John Crome the Elder, New York, New York University Press, 1978, 2 vols. |
Catalogue #219, Fourth and Final State with the title, "At Cringleford", added to the lower left. | |
Source: | Etchings of Views in Norfolk by the Late John Crome |
Size: | 9 X 6 7/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon early nineteenth century wove paper and with large, full margins as published in Norwich in 1838. Faint foxing is evident both in the margins and within the actual etching. As well, one tear (restored by a previous owner) exists in the right margin, well removed from the plate mark. Else a finely printed impression and in good condition throughout. Footbridge at Cringleford represents a prime, original example of the famous landscape art of John Crome. |
John Crome |
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Title: | Landscape with Wooden Bridge and a Horseman |
Artist: | Crome, John (Norwich, 1768 - 1821) |
Date: | c. 1812 - 1813 (Freeman and J. B. Crome Edition, 1838) |
Medium: | Original Etching |
Raisonne: | * Norman L. Goldberg, "John Crome the Elder", New York, New York University Press, 1978, 2 vols. Catalogue #235, First and Only State. Introductory quotation found on p. 284. |
Description: | John Crome, etching, first State, Norwich scenes, landscape, Norfolk, wood bridge, horseman. |
Source: | Etchings of Views in Norfolk by the Late John Crome |
Size: | 2 3/8 7 1/4 |
Matted | |
Price: | Sold |
Condition Information: | Printed upon early nineteenth century wove paper and with large margins as published in Norwich in 1838. Faint foxing is evident in the outer margins, else a finely printed impression and in very good condition throughout. "Landscape with Wooden Bridge and a Horseman" represents a prime, original example of the famous landscape art of John Crome. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Chf-Cz) - Part 5 |
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A. David Crown M. D. |
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Title: | Equus LVI |
Artist: | Crown, A. David (Born, London, England - Resides, Gainesville, Florida) |
Date: | c. 2005 |
Medium: | Original Mezzotint & Drypoint |
Publisher: | A. David Crown M. D |
Reference: | Information courtesy of the artist, A. David Crown M. D. |
Edition: | Limited edition of one 'Artist Proof' plus fifteen impressions, numbered 12/15 |
Size: | 7 1/2 X 6 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed upon fine, hand-made paper and with full, deckled margins as printed and published by the artist in a small, limited edition of thirteen impressions. Signed, titled and numbered, '12/15', in pencil under the plate mark. A finely printed impression and in excellent condition throughout. "Equus LVI" represents a superb, original example of the mezzotint art of A. David Crown. |
A. David Crown M. D. |
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Title: | Hens and Chickens |
Artist: | Crown, A. David (Born, London, England - Resides, Gainesville, Florida) |
Date: | c. 2005 |
Medium: | Original Mezzotint |
Publisher: | A. David Crown M. D |
Edition: | Limited edition of one 'Artist Proof' Plus seventeen impressions, numbered 14/17 |
Size: | 6 X 7 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed upon fine, hand-made paper and with full, deckled margins as printed and published by the artist in a small, limited edition of thirteen impressions. Signed, titled and numbered, '14/17', in pencil under the plate mark. A finely printed impression and in excellent condition throughout. "Hens and Chickens" represents a superb, original example of the mezzotint art of A. David Crown. |
A. David Crown M. D. |
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Title: | Ship of Fools |
Artist: | Crown, A. David (Born, London, England - Resides, Gainesville, Florida) |
Date: | c. 2005 |
Medium: | Original Mezzotint & Drypoint |
Publisher: | A. David Crown |
Reference: | Information courtesy of the artist, A. David Crown M. D. |
Edition: | Limited edition of one 'Artist Proof' plus seventeen impressions, numbered 8/17 |
Size: | 11 7/8 X 8 3/4 |
Matted | |
Price: | Sold |
Condition: | Printed upon fine, hand-made paper and with full, deckled margins as printed and published by the artist in a small, limited edition one artist proof and seventeen impressions. Signed, titled and numbered, '8/17', in pencil under the plate mark. A finely printed impression and in excellent condition throughout. "Ship of Fools" represents a superb, original example of the mezzotint art of A. David Crown. |
A. David Crown M. D. |
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Title: | Where have You Been? |
Artist: | Crown, A. David (Born, London, England - Resides, Gainesville, Florida) |
Date: | c. 2005 |
Medium: | Original Mezzotint |
Publisher: | A. David Crown M. D |
Edition: | Limited edition of thirteen impressions. |
Size: | 9 X 6 |
Matted | |
Price: | Sold |
Condition: | Printed upon fine, hand-made paper and with full, deckled margins as printed and published by the artist in a small, limited edition of thirteen impressions. Signed, titled and numbered, '11/13', in pencil under the plate mark. A finely printed impression and in excellent condition throughout. Where have You Been represents a superb, original example of the mezzotint art of A. David Crown. |
George Cruikshank |
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Title: | A Swarm of English Bees Hiving in the Imperial Carriage!! -- Who would have thought it !!! |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | 1816 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, George Cruikshank: A Catalogue Raisonne, London, Bookman's Journal, 1924 (Reprinted, 1971). |
Catalogue #1959, Second State of Two. | |
Reference: | Michael W. Jones, George Cruikshank: His Life and London, MacMillan, London, 1978. (Note: Illustrated, plate 12). |
Size: | 10 1/2 X 14 1/2 |
Matted | |
Buy Now | Price: $385.00 US |
Condition: | Printed on early nineteenth century wove paper and large, full margins as published by Thomas McLean in 1835. Containing several slight, restored tears far away from the actual plate-mark, else in very good condition throughout. A Swarm of English Bees Hiving in the Imperial Carriage represents both a delightful and prime example of the famous satirical art of George Cruikshank. |
George Cruikshank |
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Title: | A Party of Pleasure |
Engraver: | Cruikshank, George (London, 1792 - 1878) |
Designer: | Marryat, Captain Frederick (Westminster, 1792 - Langham, Norfolk, 1848) |
Date: | 1822 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, George Cruikshank: A Catalogue Raisonne, London, Bookman's Journal, 1924 (Reprinted, 1971). |
Size: | 10 1/2 X 14 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with large margins as published by Thomas McLean in 1835. Containing slight scuffing in the outer margins else in very good condition throughout. "A Party of Pleasure" stands as a prime, original example of the famous satirical art of George Cruikshank. |
George Cruikshank |
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Title: | Anglo - Gallic Salutations in London - or, Practice makes Perfect |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | 1816 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, George Cruikshank, A Catalogue Raisonne, Bookman's Journal, London, 1924 (Reprinted, 1971). |
Catalogue #887, Second State of Two. | |
Size: | 10 3/8 X 14 |
Matted | |
Buy Now | Price: $375.00 US |
Condition: | Printed on early nineteenth century wove paper and large, full margins as published by Thomas McLean in 1835. Containing several slight, restored tears far away from the actual plate-mark, else in very good condition throughout. Anglo - Gallic Salutations in London - or, Practice makes Perfect stands as a prime, original example of the famous satirical art of George Cruikshank. |
George Cruikshank |
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Title: | Anglo - Parisian Salutations or, Practice par Excellence! |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | 1816 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, George Cruikshank, A Catalogue Raisonne, Bookman's Journal, London, 1924 (Reprinted, 1971). |
Edition: | Catalogue #888, Second State of Two. |
Size: | 10 1/4 X 14 |
Matted | |
Buy Now | Price: $375.00 US |
Condition: | Printed on early nineteenth century wove paper and large, full margins as published by Thomas McLean in 1835. Containing several slight, restored tears far away from the actual plate-mark, else in very good condition throughout. Anglo - Parisian Salutations or Practice - par Excellence stands as a prime, original example of the famous satirical art of George Cruikshank. |
George Cruikshank |
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Title: | Humming-Birds -- or a Dandy Trio |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | c. 1820 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, George Cruikshank, A Catalogue Raisonne, Bookman's Journal, London, 1924 (Reprinted, 1971). |
Edition: | Catalogue # 1216, Second State of Two. |
Size: | 10 X 14 |
Matted | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and large, full margins as published by Thomas McLean in 1835. Containing several slight, restored tears far away from the actual plate-mark, else Humming-Birds -- or a Dandy Trio is in very good condition throughout. This original etching represents both a delightful and prime example of the famous satirical art of George Cruikshank. |
George Cruikshank |
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Title: | Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess |
Engraver: | Cruikshank, George (London, 1792 - 1878) |
Designer: | Monogramme 'E H L' (Sir Edwin Henry Landseer?) |
Date: | 1816 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, George Cruikshank: "A Catalogue Raisonne",
London, Bookman’s Journal, 1924 (Reprinted, 1971). Cohn #1314, Second and Final State as published in 1835. |
Size: | 10 5/8 X 15 |
Matted | |
Buy Now | Price: $385.00 US |
Condition: | Printed on early nineteenth century wove paper and with large margins as published by Thomas McLean in 1835. Containing slight scuffing in the outer margins and one restored tear to the lower right (not intruding into the actual etching) else in very good condition throughout. "Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess" stands as a prime, original example of the famous satirical art of George Cruikshank and, possibly, a very early example of the art of Sir Edwin Henry Landseer. |
George Cruikshank |
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Title: | Monstrosities of 1819 and 1820 |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | 1819 and 1820 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, George Cruikshank, A Catalogue Raisonne, Bookman's Journal, London, 1924 (Reprinted, 1971). |
Catalogue # 1863, Second State of Two. | |
Size: | 10 X 13 3/4 |
Framed | |
Price: | Sold |
Condition: | Printed on wove paper and with wide, full margins as published by Thomas McLean in 1835. Monstrosities of 1819 and 1820 is a beautiful impression without staining or foxing. The colouring is rich and vibrant without any sign of fading. This original etching is in excellent condition throughout. |
George Cruikshank |
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Title: | Monstrosities of 1822 |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | 1822 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, George Cruikshank, A Catalogue Raisonne, Bookman's Journal, London, 1924 (Reprinted, 1971). |
Edition: | Catalogue #1752, Second State of Two. |
Size: | 10 1/2 X 14 3/4 |
Matted | |
Price: | Sold |
Condition: | Printed on early nineteenth century laid paper and large, full margins as published by Thomas McLean in 1835. Containing several slight, restored tears far away from the actual plate-mark as well as two faint areas of ink toning within the image, else in good condition throughout. Monstrosities of 1822 represents one of George Cruikshank's most famous works of original art. |
George Cruikshank |
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Title: | The Advantages of Travel; -or- 'A Little Learning is a Dangerous Thing' (Plate I) & (Plate I) |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | 1834 (Second and Final Edition, 1835) |
Medium: | A Set of Two Original Etchings |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, George Cruikshank: A Catalogue Raisonne, London, Bookman’s Journal, 1924 (Reprinted, 1971). Catalogue #869-1 and #869-2, Second States of Two. |
Size: | (Plate One: 10 3/4 X 14) & (Plate Two: 11 X 15) |
Matted | |
Buy Now | Price: $695.00 US (For the Set of Two Original Etchings) |
Condition: | This pair of original etchings is printed on early nineteenth century wove paper and with large, full margins as published by Thomas McLean in 1835. Containing several restored tears far away from the actual plate-marks, else in good condition throughout. "The Advantages of Travel; - or - 'A Little Learning is a Dangerous Thing'" represents a prime, original example of the famous satirical art of George Cruikshank. |
George Cruikshank |
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Title: | The "Bloomers" in Hyde Park, or an Extraordinary Exhibition for 1852 |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | Date: 1852 (First State of Two) |
Medium: | Original Etching |
Publisher: | The Comic Almanack, London |
Size: | 6 1/4 X 16 /12 |
Matted | |
Buy Now | Price: $295.00 US |
Condition: | Printed on nineteenth century china paper and impressed onto a large sheet of wove paper as published by "The Comic Almanack" in 1852. Containing some matte burning in the outer margins as well as slight bubbling in the china paper, else in good condition throughout. "The 'Bloomers' in Hyde Park, or an Extraordinary Exhibition for 1852" represents a superb, original example of the famous satirical art of George Cruikshank. |
George Cruikshank |
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Title: | The Good Effects of Carbonic Gas |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | December 10, 1807 (First and Only Edition) |
Medium: | Original Hand-Coloured Etching |
Publisher: | S. W. Fores, Piccadilly, London |
Raisonne: | M. Dorothy George, "Catalogue of Political and Personal Satires in the British Museum, British Museum", London, 1947, Vol. VIII. |
http://www.britishmuseum.org. Bibliographic Reference, 10796 -10798. | |
Size: | 13 1/4 X 9 1/2 |
Matted | |
Buy Now | Price: $595.00 US |
Condition: | Printed on hand-made, laid paper and with margins extending about one half inch from the image on all sides. Mounted upon a larger sheet of wove paper by a former owner. Publisher's address and date of publication to the lower left within the image. Containing fine, unfaded colouration from the date of publication. In good condition throughout. "The Good Effects of Carbonic Gas" represents a prime, original example of the very early art of George Cruikshank. |
George Cruikshank |
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Title: | Very Unpleasant Weather, or the Old Saying Verified, 'Raining Cats, Dogs & Pitchforks' |
Etcher: | Cruikshank, George (London, 1792 - 1878) |
Designer: | Monogramme: 'AE' |
Date: | Date: 1820 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Raisonne: | Albert M. Cohn, "George Cruikshank: A Catalogue Raisonne", London, Bookman’s Journal, 1924 (Reprinted, 1971). Cohn #2074, Second and Final State as published in 1835. |
Size: | 10 X 15 1/8 |
Matted | |
Price: | Sold |
Condition: | Printed on early nineteenth century wove paper and with large margins as published by Thomas McLean in 1835. Containing slight scuffing in the outer margins else in very good condition throughout. "Very Unpleasant Weather, or the Old Saying Verified, ‘Raining Cats, Dogs & Pitchforks" stands as a prime, original example of the famous satirical art of George Cruikshank. Note: The Fine Arts Museums of San Francisco includes an impression of "Very Unpleasant Weather" in its permanent collection. |
Isaac Robert Cruikshank |
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Title: | Household Troops, or a Sketch of a Few, of the Principal Trustworthy and Confidential Domestics of Worthy and Confiding Families |
Artist: | Cruikshank, Isaac Robert (London, 1789 - 1856) |
Date: | 1827 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Size: | 10 3/4 X 14 3/4 |
Matted | |
Buy Now | Price: $375.00 US |
Condition: | Printed on early nineteenth century wove paper and large, full margins as published by Thomas McLean in 1835. Containing several slight, restored tears far away from the actual plate-mark as well as very minor foxing in the outer margins, else in good condition throughout. "Household Troops, or a Sketch of a Few, of the Principal Trustworthy and Confidential Domestics of Worthy and Confiding Families" represents a prime, original example of the etched art of Robert Cruikshank. |
Isaac Robert Cruikshank |
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Title: | Monstrosities of 1827 |
Artist: | Cruikshank, Isaac Robert (London, 1789 - 1856) |
Date: | 1827 (Second and Final Edition, 1835) |
Medium: | Original Etching |
Publisher: | Thomas McLean, Haymarket |
Reference: | Ian Mackenzie, British Prints: Dictionary and Price Guide, Antique Collectors' Club, Woodbridge, Suffolk, 1987, p. 90. Note: Monstrosities of 1827 is illustrated on p. 45. |
Size: | 9 7/8 X 15 1/2 |
Matted | |
Price: | Sold |
Condition Information: | Printed on early nineteenth century laid paper and large, full margins as published by Thomas McLean in 1835. Containing several slight, restored tears far away from the actual plate-mark as well as very minor foxing in the outer margins, else This original etching entitled Monstrosities of 1827 is in good condition throughout. It represents a prime, original example of the etched art of Robert Cruikshank. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Chf-Cz) - Part 6 |
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John Csosz |
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Title: | Oriental Dancer |
Artist: | Csosz, John (Hungary, 1897 - Cleveland, Ohio, 1969) |
Date: | c. 1940 |
Medium: | Original Gouache |
Size: | 20 X 13 1/4 |
Framed | |
Buy Now | Price: $765.00 US |
Condition: | Painted upon artist board and with full margins. Signed by the artist in the image to the lower right. In excellent condition throughout without a trace of fading or discoloration. Oriental Dancer represents a most impressive example of the original art of John Csosz. |
John Csosz |
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Title: | Steeplechase |
Artist: | Csosz, John (Hungary, 1897 - Cleveland, Ohio, ?) |
Date: | c. 1930 - 1940 |
Medium: | Original Gouache |
Note: | Provenance: Steeplechase was formerly in the collection of the T. W. Grogan Company and bearing their label on the verso. |
Size: | 13 3/4 X 20 1/2 |
Framed | |
Buy Now | Price: $695.00 US |
Condition: | Painted upon artist board and with full margins. Signed by the artist in the image to the lower right. In fine condition throughout without a trace of fading or discoloration. Steeplechase represents a large and impressive example of the art of John Csosz. |
John Csosz |
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Title: | Sunlight and Shadows, Venice, Italy |
Artist: | Csosz, John (Hungary, 1897 - Cleveland, Ohio, ?) |
Date: | c. 1930 |
Medium: | Original Drypoint Engraving |
Edition: | Artist's Proof Impression |
Size: | 4 3/4 X 3 3/4 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon a large, full sheet of wove paper. Signed and annotated, "Artists Proof" by Csosz in pencil under the plate-mark and also titled by the artist to the extreme lower left corner. Containing slight ink smudges (from printing) in the outer margins, else a luminous initial impression with full burr and in very good condition throughout. Sunlight and Shadows, Venice, Italy represents a prime, original example of the etched art of John Csosz. |
Robert Cumming |
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Title: | Castor Pollux |
Artist: | Cumming, Robert (Worcester, Massachusetts, B. 1943) |
Date: | 1987 |
Medium: | Original Etching and Drypoint Engraving |
Edition: | Proof Impression Marked, 'T.P. 3/3' |
Size: | 8 3/4 X 7 3/4 |
Matted | |
Buy Now | Price: $395.00 US |
Condition: | Printed upon thick pure rag paper and with full, deckled margins as printed in 1987. Signed, dated and annotated, 'T. P. 3/3', (Trial Proof) by the artist in pencil along the lower margin. Also, this impression contains the publisher's blindstamp (an inverted triangle) to the lower right corner. A fine impression with deeply printed lines in drypoint and in excellent condition throughout. Altogether, Castor Pollux represents a prime, original example of the important contemporary art of Robert Cumming. |
Robert Cumming |
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Title: | Chronos Charm |
Artist: | Cumming, Robert (Worcester, Massachusetts, B. 1943) |
Date: | 1987 |
Medium: | Original Etching and Engraving |
Edition: | 'Trial Proof' impression |
Size: | 9 X 7 3/4 |
Matted | |
Buy Now | Price: $395.00 US |
Condition: | Printed upon thick pure rag paper and with full, deckled margins as printed in 1987. Signed, dated and annotated, 'T. P.', (Trial Proof) by the artist in pencil along the lower margin. Also, this impression contains the publisher's blindstamp (an inverted triangle) to the lower right corner. A fine impression with deeply printed lines and in excellent condition throughout. Altogether, Chronos Charm represents a prime, original example of the important contemporary art of Robert Cumming. |
Robert Cumming |
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Title: | Fright Kite |
Artist: | Cumming, Robert (Worcester, Massachusetts, B. 1943) |
Date: | 1987 |
Medium: | Original Etching and Drypoint Engraving |
Edition: | Proof Impression Marked, 'S.P. 1/4' |
Size: | 8 7/8 X 7 7/8 |
Matted | |
Buy Now | Price: $395.00 US |
Condition: | Printed upon thick pure rag paper and with full, deckled margins as printed in 1987. Signed, dated and annotated, "S. P. 1/4", by the artist in pencil along the lower margin. Also, this impression contains the publisher's blindstamp (an inverted triangle) to the lower right corner. A fine impression with deeply printed lines in drypoint and in excellent condition throughout. Altogether, "Fright Kite" represents a prime, original example of the important contemporary art of Robert Cumming. |
Robert Cumming |
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Title: | Heads + Threads |
Artist: | Cumming, Robert (Worcester, Massachusetts, B. 1943) |
Date: | 1987 |
Medium: | Original Etching and Drypoint Engraving |
Edition: | (Proof Impression Marked, ‘S.P. 4/4’) |
Size: | 8 3/4 X 7 3/4 |
Matted | |
Buy Now | Price: $395.00 US |
Condition: | Printed upon thick pure rag paper and with full, deckled margins as printed in 1987. Signed, dated and annotated, 'S. P. 4/4', by the artist in pencil along the lower margin. Also, this impression contains the publisher's blindstamp (an inverted triangle) to the lower right corner. A fine impression with deeply printed lines in drypoint and in excellent condition throughout. Altogether, "Heads + Threads" represents a prime, original example of the important contemporary art of Robert Cumming. |
Domenico Cunego |
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Title: | Filia Roberti Strozzi Noblis Florentini (Roberti Strozzi's young daughter, Clarice Strozzi with her dog) |
Engraver: | Cunego, Domenico (Verona, 1727 - Rome, 1794) |
Designer: | Titian |
Date: | 1770 |
Medium: | Original Engraving |
Size: | 12 1/4 X 10 |
Framed | |
Buy Now | Price: $750.00 US |
Condition: | Printed upon thick hand-made, laid paper and with large margins as published in Rome in 1770. The paper contains a large and elaborate watermark of a fleur-de-lis within a double circle. Signed in the plate to the lower right, "Dom. Cunego Sculp. Romae 1770". Containing some plate wear, particularly in the dark shadows to the upper and middle left of the plate, else a good impression. This beautiful engraving represents a prime, original example of the famous art of Domenico Cunego. |
Domenico Cunego |
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Title: | Raphael Sanctius Urbinas Pinx in aed Vaticanis |
Engraver: | Cunego, Domenico (Verona, 1727 - Rome, 1794) |
Designer: | Mengs, Raphael (Aussig, 1728 - Rome, 1779) |
Date: | 1785 |
Medium: | Original Engraving & Etching |
Source: | 'Raphael Sanctius' originates from Cunego's largest series of engravings. Each plate (designed by Mengs) was based upon the heads of figures in the Raphael's famous fresco, The School of Athens, in the Vatican. |
Size: | 19 3/4 X 14 1/8 |
Matted | |
Price: | Sold |
Condition: | Printed on fine, eighteenth century, hand-made paper with the "Van Der Ley" watermark. With full, wide margins as printed and published in Rome in 1785. Apart from several slight marginal crease marks this original engraving is in excellent condition and bears all the fine lines of an initial impression. |
William Phelps Cunningham |
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Title: | Grimaldi Castle, Gagnes, France |
Artist: | Cunningham, William Phelps (Humboldt, Kansas, 1903 - Cleveland, 1980) |
Date: | 1929 |
Medium: | Original Aquatint Engraving |
Edition: | Limited edition of fifty impressions, numbered 7/50. |
Size: | 5 1/2 X 7 |
Matted | |
Buy Now | Price: $245.00 US |
Condition: | Printed on hand-made, laid paper and with full margins as created by the artist in 1929. Signed, titled and numbered, '7/50', by Cunningham in pencil along the lower margin. Apart from faint light staining in the outer margins the original aquatint engraving is in very good condition throughout and represents a prime, original example of the art of William Phelps Cunningham. |
Nathaniel Currier |
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Title: | The Cracovienne, Danced by Fanny Elssler, In the Grand Ballet of The Gypsey |
Printer: | Nathaniel Currier (Roxbury, MA, 1813 - New York City, 1888) |
Date: | c. 1840 - 1842 |
Medium: | Original Lithograph |
Publisher: | Hewitt & Jaques, New York |
The Spencer Museum of Art, University of Kansas, lists an impression of The Cracovienne, Danced by Fanny Elssler, In the Grand Ballet of ‘The Gypsey’ in its permanent collection (ID# 1928.1065). | |
Note: | Frederic A. Conningham, "Currier & Ives Prints: An Illustrated Check List", New York, Crown Publishers, 1983. |
Catalogue #1289. First Edition. (The author notes that a second edition was published, with alterations in the background to the village and houses.) | |
Size: | 12 3/4 X 8 |
Matted | |
Price: | Sold |
Condition: | Printed upon white wove paper and with full margins as published in New York around 1842. Containing the six bound pages of sheet music, as mentioned earlier. Very light foxing is apparent in the outer margins, else an excellent impression throughout. Bearing the printed signature, "N. Currier’s Lith. NY", within the image to the lower right. "The Cracovienne, Danced by Fanny Elssler, In the Grand Ballet of ‘The Gypsey’" represents both a scarce and important example of the early art of Nathaniel Currier. |
Currier & Ives |
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Title: | The New York Beauty |
Publisher: | Currier & Ives, New York |
Date: | c. 1872 |
Medium: | Original Hand - Coloured Lithograph |
Printer: | Currier & Ives, New York |
Size: | 14 X 8 |
Matted | |
Buy Now | Price: $195.00 US |
Condition: | Printed on mid nineteenth century wove paper containing full margins as published in New York by Currier and Ives. Slight staining and watermarking from a nineteenth century framing effort are apparent and several small tears along the margins have been professionally restored, else the image is in good condition throughout. |
Currier & Ives |
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Title: | The Two Beauties (Take Your Choice) |
Publisher: | Currier & Ives, 152 Massau St., New York |
Date: | c. 1865 |
Medium: | Original Hand - Coloured Lithograph |
Printer: | Currier & Ives, 152 Nassau St., New York |
Size: | 14 1/2 X 10 7/8 |
Matted | |
Buy Now | Price: $245.00 US |
Condition: | Printed on mid nineteenth century wove paper and with full margins as published in New York By Currier and Ives around 1865. Contains strong, original hand colouring and in good condition throughout. |
F. W. Curzon |
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Title: | Battle of Fish Creek |
Artist: | F. W. Curzon |
Date: | 1885 |
Medium: | Original Colour Lithograph |
Publisher: | Grip Company, Toronto |
Printer: | Toronto Lithographic Company |
Size: | 19 X 24 |
UnMatted | |
Price: | Sold |
Condition: | Printed upon 19th century wove paper and with full margins as published in Toronto in 1885. A strong, unfaded impression and in excellent condition throughout. The Battle of Fish Creek represents both a scarce and important record of nineteenth century Canadian military history. |
Valerie Czepelka |
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Title: | Waldinneres (Woodland Scene) |
Artist: | Czepelka, Valerie (Czechoslovakia, 1896 - ?) |
Date: | 1933 |
Medium: | Original Woodcut |
Publisher: | Vervielfaltigende Kunst, Vienna |
Note: | Valerie Czepelka: An early twentieth century Czech painter, etcher and woodcut artist, Valerie Czepelka studied art techniques in Prague. During her career, Czepelka,s art was exhibited in Vienna, Prague, Brno, Bratislava, Kosice and elsewhere. The artist is primarily known for her landscape depictions, such as this original woodcut entitled, Waldinneres (Woodland Scene). |
Image size: | 7 3/4 X 7 3/4 |
Matted | |
Buy Now | Price: $265.00 US |
Condition: | Printed on wove paper and with full margins as commissioned and published by "Vervielfaltigende Kunst" in 1933. Bearing the printer's address and the words, "Valerie Czepelka, Waldinneres, OriginalHolzschnitt (Woodcut)" along the lower margin. A strongly printed impression and in very good condition throughout. Altogether, Waldinneres represents a prime, original example of the Czechoslovakian landscape art of Valerie Czepelka. |
Ossi Czinner |
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Title: | Italian Landscape View (Isola Tiberina, Rome) |
Artist: | Czinner, Ossi (Vienna, 1935 - Resides, Rome) |
Date: | c. 1970 - 1980 |
Medium: | Original Lithograph |
Edition: | Limited Edition of ten impressions, Numbered 4/10. |
Size: | 14 X 19 3/8 |
Matted | |
Price: | Sold |
Condition: | Printed upon pure rag paper with the 'C. M. Fabriano' watermark and with full, deckled margins as created around the above date. Signed and numbered '4/10' by the artist in pencil along the lower margin. A finely printed impression with full unfaded colors and in excellent condition throughout. "Italian Landscape View" represents a prime and scarce original example of the Italian art of Ossi Czinner. |
Ossi Czinner |
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Title: | Lovers on a Park Bench |
Artist: | Czinner, Ossi (Vienna, 1935 - Resides, Rome) |
Date: | c. 1970 - 1980 |
Medium: | Original Lithograph |
Edition: | Prova d' Artista "Artist's Proof (Unique Impression)" |
Size: | 12 X 18 1/2 |
Matted | |
Price: | Sold |
Condition: | Printed and painted upon pure rag paper with the 'BFK Rives' watermark and with full, deckled margins as created around the above date. Signed and annotated, 'Prova d'artista' (Artist Proof) by the artist in pencil along the lower margin. A finely printed impression with full watercolor and in excellent condition throughout. Lovers on a Park Bench represents a prime, original example of the Italian art of Ossi Czinner. |
Ossi Czinner |
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Title: | Spiaggia |
Artist: | Czinner, Ossi (Vienna, 1935 - Resides, Rome) |
Date: | c. 1970 - 1980 |
Medium: | Original Lithograph |
Edition: | Artist's Proof (Annotated '1A') |
Size: | 15 X 21 7/8 |
UnMatted | |
Buy Now | Price: $425.00 US |
Condition: | Printed upon pure rag paper with the 'C. M. Fabriano' watermark and with full, deckled margins as created around the above date. Signed and titled by the artist in pencil along the lower left margin and annotated '1A' in the lower right corner. This possibly may signify the first impression from the stone. A finely printed impression with full unfaded colors and in excellent condition throughout. "Spiaggia" represents a prime, original example of the Italian art of Ossi Czinner. |
Ossi Czinner |
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Title: | Verona: Piazza delle Erbe |
Artist: | Czinner, Ossi (Vienna, 1935 - Resides, Rome) |
Date: | c. 1970 - 1980 |
Medium: | Original Lithograph |
Size: | 15 X 20 1/2 |
UnMatted | |
Buy Now | Price: $395.00 US |
Condition Information: | Printed upon pure rag paper with the 'C. M. Fabriano' watermark and with full, deckled margins as created around the above date. Signed and titled by the artist in pencil along the lower margin. A finely printed impression with full unfaded colors and in excellent condition throughout. Verona: Piazza delle Erbe represents a prime, original example of the Italian art of Ossi Czinner. |
Cigar Labels |
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Cigar Label (American Lithographic Co., N. Y. 'ALCO') |
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Title: | Africora (Mi Fama por el Orbe) |
Printer: | American Lithographic Co., N. Y. (ALCO) |
Date: | c. 1905 |
Medium: | Original Chromolithograph |
Source: | American Advertising Cigar Label (Trimming) |
Size: | 10 X 6 1/4 |
Matted | |
Buy Now | Price: $125.00 US |
Condition: | Printed on early 20th century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. "Africora (Mi Fama por el Orbe)" is a striking example of the original lithographic art created by the American Lithographic Company, New York for the tobacco company, H Cy Ca. |
Cigar Label (Consolidated Lithographing Corporation, Brooklyn, NY) |
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Title: | Brick House Selected Tabaccos (M&N Cigar Mfgrs Inc., Cleveland, Ohio) |
Company: | Title and Design Registered in US Patent Office M&N Cigar Mfgrs Inc. |
Lithographer: | Consolidated Lithographing Corporation, Brooklyn, NY |
Date: | c. 1926-1930 |
Medium: | Original Embossed Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 6 1/4 X 7 3/4 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | This impression of "Brick House" is printed on wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label (Schlegel Litho Company, New York) |
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Title: | Christy Girl (Registered by Lee Heine) |
Company: | Title and Design Registered by Lee Heine |
Lithographer: | Schlegel Litho Company, New York |
Date: | c. 1895 - 1900 |
Medium: | Original Embossed Chromolithograph |
Source: | American Advertising Cigar Trimming |
Size: | 4 1/2 X 4 1/2 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | This impression of "Christy Girl" is printed on wove paper and with full margins as published on the above date. This is a beautifully printed impression of Christy Girl is in superb condition throughout. |
Cigar Label (Julius Bien Company, New York) |
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Title: | Compliments of the Season, The Old Old Greeting Kind & True |
Printer: | Julius Bien Company, New York |
Company: | No 593 Copyright 1911 by the Julius Bien Company, New York Reg, in US Patent Office |
Date: | 1911 |
Medium: | Original Embossed Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 6 1/4 X 6 1/2 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | This impression of "Compliments of the Season" is printed on twentieth century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label (American Lithographic Co., N. Y. 'ALCO') |
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Title: | Coqueta (American Tobacco Advertising Art) |
Printer: | American Lithographic Co., N. Y. (ALCO) |
Date: | c. 1895 |
Medium: | Original Chromolithograph |
Source: | American Advertising Cigar Label (Trimming) |
Size: | 4 1/4 X 4 1/4 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | Printed on nineteenth century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. "Coqueta" is a striking example of the original chromolithographic art created by the American Lithographic Company, New York. |
Cigar Label (James W. Smith Cigar Co., U.S.A.) |
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Title: | Edmund Halley (James W. Smith Cigar Co., U.S.A) |
Advertiser: | James W. Smith Cigar Co., U.S.A. |
Publisher: | Benjamin J. Kane, Philadelphia |
Company: | Title and Design Owned by Ben. Kane, Philadelphia, PA |
Date: | c. 1910 |
Medium: | Original Embossed Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 6 X 8 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | This impression of "Edmund Halley" is printed on twentieth century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label (State House Cigar mfg. Co., Philadelphia, PA) |
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Title: | Elsie (Trademark & Design by Henry B. Grauley) |
Company: | State House Cigar mfg. Co., Philadelphia, PA |
Record: | Trademark & Design by Henry B. Grauley |
Date: | c. 1885 |
Medium: | Original Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 4 3/4 X 7 1/4 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | This impression of "Elsie" is printed on nineteenth century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label (E. P. C. Company (East Prospect Cigar Company, Pennsylvania) |
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Title: | Epco (Title & Design Owned by E. P. C. Co.) |
Company: | E. P. C. Company (East Prospect Cigar Company, Pennsylvania) |
Registration: | Title & Design Owned by E. P. C. Co. |
Date: | c. 1930 |
Medium: | Original Embossed Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 5 X 6 1/4 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | This impression of "Epco" is printed on wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label (American Lithographic Co., N. Y. 'ALCO') |
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Title: | Flor de Scotia (William D. Castro Tobacco Factory) |
Printer: | American Lithographic Co., N. Y. (ALCO) |
Registered: | Trademark Registered by W. D. Castro |
Date: | c. 1905 |
Medium: | Original Chromolithograph |
Source: | American Advertising Cigar Label (Trimming) |
Size: | 4 1/4 X 4 1/4 (Label Sizes in inches are approximate, height preceding width) |
Matted | |
Price: | Sold |
Condition: | Printed on early 20th century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. "Flor de Scotia" is a striking example of the original lithographic art created by the American Lithographic Company, New York for the William D. Castro Tobacco Factory. |
Cigar Label (Julius Bien Company, New York) |
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Title: | La Tonelda (No 577 Copyright by the Julius Bien Company, New York Reg, in US Patent Office) |
Printer: | Julius Bien Company, New York |
Company: | No 577 Copyright by the Julius Bien Company, New York Reg, in US Patent Office |
Date: | 1911 |
Medium: | Original Embossed Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 6 1/4 X 8 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | This impression of "La Tonelda" is printed on twentieth century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label (Wettig Gedeponeerd) |
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Title: | Marina (Petitos) |
Note: | Wettig Gedeponeerd (Translation from Dutch: Legal Registration) |
Date: | c. 1895 |
Medium: | Original Embossed Chromolithograph |
Source: | Advertising Cigar Label |
Size: | 4 1/2 X 7 |
Matted | |
Buy Now | Price: $110.00 US |
Condition: | This impression of "Marina" is printed on nineteenth century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. Country of origin: Germany. |
Cigar Label (American Lithographic Co., N. Y. 'ALCO') |
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Title: | Mexican Princess, Grown Imported and Manufactured by The Oaxaca Association, Chicago, Illinois, Buena Vista, Mexico |
Printer: | American Lithographic Co., N. Y. (ALCO) |
Registered: | Trademark Registered by The Oaxaca Association |
Date: | c. 1905 |
Medium: | Original Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 6 X 8 1/2 |
Matted | |
Buy Now | Price: $125.00 US |
Condition: | Printed on early 20th century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. "Mexican Princess" is a striking example of the original lithographic art created by the American Lithographic Company, New York for The Oaxaca Association, Chicago, Illinois, Buena Vista, Mexico. |
Cigar Label (F. C. Lundquist Maker Harry) |
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Title: | AAA Motorist, Chicago-Capital-City (Havana Cigars - Chicago AAA Capitol) |
Company: | F. C. Lundquist Maker Harry |
Printer | Harry Erickson, Chicago, Illinois |
Date: | 1922 |
Medium: | Original Embossed Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 8 X 6. 1/5 (Sizes in inches are approximate, height preceding width of paper) |
Matted | |
Buy Now | Price: $225.00 US |
Condition: | This impression of "AAA Motorist, Chicago-Capital-City (Havana Cigars)" is printed on twentieth century wove paper and with full margins as printed by the Harry Erickson, Chcago, Illinoise on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label (Charles Lindbergh) |
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Title: | Our Bird (Charles Lindbergh's Plane, Spirit of St. Louis) |
Date: | Mid to Late 1930's |
Medium: | Original Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 5 1/4 X 8 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | This impression of "Our Bird" (Charles Lindbergh's Plane 'Spirit of St. Louis') is printed in blue and red tones on twentieth century wove paper and with full margins and as published on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label (American Lithographic Co., N. Y. 'ALCO') |
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Title: | The Signal Perfecto (John T. Stier & Son, Louisville, Kentucky) |
Printer: | American Lithographic Co., N. Y. (ALCO) |
Registered: | Design and Title Owned by J. T. Stier & Son |
Date: | c. 1905 - 1915 |
Medium: | Original Chromolithograph |
Source: | American Advertising Cigar Label (Trimming) |
Size: | 10 X 6 1/4 |
Matted | |
Buy Now | Price: $125.00 US |
Condition: | Printed on early 20th century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. "The Signal Perfecto" is a striking example of the original lithographic art created by the American Lithographic Company, New York for the John T. Stier & Son, Louisville, Kentucky. |
Cigar Label (Frederick Wambach, Washington) |
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View Image: | |
Title: | Strawberry (Entered According to the Act of Congress, by Fred Wambach, Washington) |
Company: | Frederick Wambach, Washington |
Registration: | Entered According to the Act of Congress in The Year 1874 by Fred Wambach in the Office of the Librarian of Congress at Washington |
Date: | 1874 |
Medium: | Original Chromolithograph |
Size: | 4 X 4 3/4 |
Matted | |
Buy Now | Price: $295 |
Condition: | This impression of "Strawberry" is printed on nineteenth century wove paper and with full margins, as published in Washington in 1874. This original chromolithograph is a beautifully printed impression and in excellent condition throughout. Strawberry is one of the most important images in the history of American advertising art. |
Cigar Label |
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View Image: | |
Title: | Swan (A White Swan Swimming off the Shore of a Tropical Island) |
Date: | c. 1925 |
Medium: | Original Embossed Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 5 X 10 |
Matted | |
Buy Now | Price: $145.00 US |
Condition: | Swan is printed on twentieth century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label |
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View Image: | |
Title: | Two Friends (Title and Design Registered 'Woman and Saint Bernard') |
Note: | Title and Design Registered |
Date: | c. 1890 |
Medium: | Original Embossed Chromolithograph |
Source: | American Advertising Cigar Label (Trimming Dog Art) |
Size: | 5 X 5 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | This impression of "Two Friends" is printed on nineteenth century wove paper and with full margins as published on the above date. This is a beautifully printed impression and in superb condition throughout. |
Cigar Label |
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View Image: | |
Title: | White Cat (Standard Quality) |
Printer: | Consolidated Lithographing Corporation, Brooklyn, NY |
Date: | c. 1930 |
Medium: | Original Chromolithograph |
Source: | American Advertising Cigar Label |
Size: | 6 3/4 X 7 |
Matted | |
Buy Now | Price: $95.00 US |
Condition: | "White Cat" is printed on twentieth century wove paper and with full margins as printed around 1930. The small print under the "White Cat" logo, reads; "Consolidated Lithographing Corporation, Brooklyn, NY". This is a beautifully printed impression and in superb condition throughout. |
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Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and prints, such as etchings, line engravings, lithographs, aquatints, mezzotints, woodcuts, wood engravings, silk-screens, monoprints, monotypes and other mediums of original art. All of these works of art have been created by prominent and established artists, (painters, illustrators, and printmakers). Their nationalities vary from American to British, Canadian, Czechoslovakian, Dutch, Flemish, French, German, Italian, Mexican, Austrian, Belgium, Israeli, and Japanese, as well as artists from other countries. The collected works span from the early Renaissance period to the modern and contemporary art period. You can find categories ranging from original fine art to speciality collecting such as animal art, botanical art, genre, portraits, maps, military art, lithographic posters and advertising art, satirical art, sports art and many other areas of interest.
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