Paul Wunderlich

Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen (Eye as wide as the nose Christ of Bremen)

Paul Wunderlich's original lithograph, "Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen" is one of a set of lithographs the German artist, created to commemorate the quincentenerary of Albrecht Durer. Each of these lithographs was published in Germany in a sole, signed edition of 75 impressions. This impression is signed in pencil by the artist, Paul Wunderlich and is numbered '14/75' along the lower margin, Riediger # 377, First and only state. It was formerly in the collection of Roger Trlak and bearing his inventory number, 'T-520', on the verso. "Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen" loosely translates to (The Eye is as wide as the side of the nose of the Christ of Bremen). It is a fine, origina example of the surreal art created by the German artist, Paul Wunderlich.

Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen (The Eye is as wide as the side of the nose of the Christ of Bremen)

View other original works of art by Paul Wunderlich.

Paul Wunderlich (Berlin, Born, 1927 - Resides, Hamburg)
#	Image	Title & Artist	Medium	Date	Info	-
01.-		Acrobatie sur Fond Noir (Acrobatics on a Black Backgroud) Noir by Paul Wunderlich	Original Lithograph	1969	Signed in white pencil and numbered, '38/75' by Paul Wunderlich. From the Roger Trlak Collection.	Sold
02.-		Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen (The Eye is as wide as the side of the nose of the Christ of Bremen) by Paul Wunderlich	Original Lithograph	1970	Signed in pencil and numbered '14/75' by Paul Wunderlich. From the Roger Trlak Collection.	Sold
03.-		Entwurf fur ein Nurnberger Kissen (Design for a Nuremberg Cusion) by Paul Wunderlich	Original Lithograph	1970	Signed in pencil and numbered, '14/75' by Paul Wunderlich. From the Roger Trlak Collection.	Sold
04.-		La Fleur (The Flower) by Paul Wunderlich	Original Lithograph	1969	Signed in pencil and numbered, '37/75' by Paul Wunderlich. From the Roger Trlak Collection.	Sold
05.-		So Baden Dei Frauen in Bremen 1 (So The Women Bathe in Bremen 1) by Paul Wunderlich	Original Lithograph	1970	Signed in pencil and numbered,'14/75' by Paul Wunderlich. From the Roger Trlak Collection.	Sold

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Title:	Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen (The Eye is as wide as the side of the nose of the Christ of Bremen)
Artist:	Wunderlich, Paul (Berlin, Born, 1927 - Resides, Hamburg)
Date:	1970
Medium:	Original Lithograph
Edition:	Limited edition of seventy five impressions, numbered, '14/75'
Note:	Paul Wunderlich: A Leading German painter, printmaker and sculptor, Paul Wunderlich studied art at the Landeskunstschule in Hamburg (1947-1951), under Willi Titze and Willem Grimm. His first one man exhibition of art took place in Lubeck, Germany, in 1949. Since that time his paintings and lithographs have been the subject of numerous solo exhibitions in such far ranging countries as Japan, the United States, Finland, New Zealand, Italy and England. Paul Wunderlich's original lithographs have won such awards as the Deutsche Kunstpreis de Jugend fur Grafik, Mannheim (1960), the Gold Medal, Florence, (1970), the Gold Medal, Print Biennale, Listowell, Ireland (1978), and the Prize for Art at the Graphic Art Museum, Kamakura, Tokyo.
	Paul Wunderlich began devoting a great deal of his efforts to the art of lithography when he lived and worked in Paris from 1960 to 1963. Upon his return to Germany in 1963 he accepted the post of Professor at the Hochschule fur Bildende Kunste, Hamburg. Today the lithographs of Paul Wunderlich are found in many major, international collections, including, the British Museum, London, the Museum of Modern Art, New York, the Bibliotheque Nationale, Paris, the Hirshhorn Museum, Washington, the Museum Boysmans van Beuningen, Rotterdam, the Museum Atheneum, Helsinki, Landesmuseum, Hannover, and Staatsgalerie fur Moderne Kunst, Munich. Paul Wunderlich currently both lives and works in Hamburg and in the South of France.
	Paul Wunderlich's first lithographs and paintings were composed in an abstract style. During the early 1960's, however, he adopted the more surrealist style for which his art has become famous. Sexuality and sensuality lie at the core of his often unsettling but always challenging art. Through both distortion and dream-like imagery he has created a symbolically potent world of his own.
	"Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen" is one of a set of lithographs Paul Wunderlich created to commemorate the quincentenerary of Albrecht Durer. Each of these original lithographs was published in a sole, signed edition of seventy five impressions. "Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen" loosely translates to (The Eye is as wide as the side of the nose of the Christ of Bremen).
Provenance:	"Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen" was formerly in the collection of Roger Trlak and bearing his inventory number, 'T-520', on the verso. Roger Trlak (1934-1975) established the commercial art company of Martin-Trlak in Chicago. In 1972 he also opened the RST Gallery in Scottsdale, Arizona where he exhibited not only his own large collection of mostly contemporary art but also held important exhibitions of many modern artists. These Included such major American and international printmakers as Joseph Hirsch, Luigi Lucioni and Paul Wunderlich. Among Trlak's closest friends in the arts community were Raphael Soyer, Ivan Albright and Hans Burkhardt. Their original prints and paintings were constantly exhibited at the RST Gallery until it was closed in 1975 due to Trlak's untimely death.
Raisonne:	Carsten Riediger, Paul Wunderlich. Werkzeichnis der Druckgraphic 1948 - 1982, Volker Huber, Leinen, 1983. Riediger # 377, First and only state as published in the limited edition of seventy five impressions.
Size:	29 5/8 X 22 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Condition:	Printed upon "Arches" watermarked paper and with full, deckled margins as published in Germany in 1970. Signed in pencil by the artist and numbered '14/75' along the lower margin. A finely printed impression and in excellent condition throughout. Der Augapfel ist so Breit wie der Nasenflugel beim Christus von Bremen represents a prime example of the famous lithographic art of Paul Wunderlich.
Price:	Sold - The price is no longer available.
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