Henry Clarence Whaite - Study of a Head

Study of a Head (Passages from Modern English Poets Illustrated by the Junior Etching Club)

View Other Original Etching by the Junior Etching Club Published Day & Son, London for Passages from Modern English Poets.

The 'Junior Etching Club' (1857-1864)
The Junior Etching Club (1857-1864), was an institution that greatly contributed to the revival of Etching in England. Members included such prominent British artists as, Sir John Everett Millais, James McNeill Whistler, Sir Francis Powell, Henry Moore, Sir John Tenniel, Charles Samuel Keene, Joseph Clark, John Wright Oakes, Walter Severn, William Gale, Frederick Smallfield, Henry Clarence Whaite, Matthew James Lawless, Arthur James Lewis, Henry Stacy Marks, Charles Rossiter, Vincent Bury, Lord G. Fitzgerald, J. R. Clayton, John Sleigh, and Lord Gerald Fitzgerald. The Junior Etching Club often published their members’ etchings and all of the above named artists contributed to their portfolio, Passages from Modern English Poets, first published by Day & Son Limited, Lithographers & Publishers, London, 1862. In total, that publication contained forty-seven original etchings. The Junior Club also issued, another important publication in 1858, Passages from the Poems of Thomas Hood published by E. Gambart & Co, London. It was also illustrated by its members and contained thirty-four plates.
#	Artist Last Name	Image	Title & Artist	Artist Info	Medium	Date	Source
01.-	Barwell		Sea Beach - Norfolk Fisherman on the Look Out (The Fisherman) by Frederick Bacon Barwell	Frederick Bacon Barwell (London, c. 1831 - 1922)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
02.-	Clark		Hagar and Ishmael by Joseph Clark	Joseph Clark (Cerne Abbas (Dorset), 1834 - Ramsgate, 1926)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
03.-	Gale		The May Wreath by William Gale	William Gale (London, 1823 - 1909)	Original Etching	1861	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
04.-	Keene		Scene of the Plague in London, 1665 by Charles Samuel Keene	Charles Samuel Keene (Hornsea, 1823 - London, 1891	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
05.-	Lawless		Sisters of Mercy by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching	1859	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
06.-	Lawless		The Little Shipwrights by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching & Aquatint	1859	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
07.-	Lewis		The Cornfield by Arthur James Lewis	Arthur James Lewis 'Arthur Lewis' (London, 1824 - 1901)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
08.-	Millais		Summer Indolence by John Everett Millais	John Everett Millais (Southampton, 1829 - London, 1896)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
09.-	Moore		Moonlight by Henry Moore	Henry Moore (York, 1831 - Margate, 1895)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
10.-	Oakes		The Last Gleam of Day by John Wright Oakes	John Wright Oakes (Middlewich (Cheshire), 1820 - London, 1887)	Original Drypoint & Etching	1859-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
11.-	Powell		The Rainbow by Sir Francis Powell	Sir Francis Powell (Pendleton, 1833 - Dunoon, Scotland, 1914)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
12.-	Rossiter		St. Valentine's Day by Charles Rossiter	Charles Rossiter (London, 1827 - 1897)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
13.-	Severn		Nearing Home by Walter Severn	Walter Severn (Frascati (near Rome), 1830 - London, 1904)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
14.-	Smallfield		Supping on Horrors by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
15.-	Smallfield		The Shoe-Black by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
16.-	Smallfield		Winter Revels by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
17.-	Tenniel		War and Glory by Sir John Tenniel	Sir John Tenniel (London, 1820 - 1914)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
18.-	Whaite		Study of a Head by Henry Clarence Whaite	Henry Clarence Whaite (Manchester, 1828 - Conwy Valley, Wales, 1912)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
19.-	Whistler		The Punt by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
20.-	Whistler		Sketching by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.

View other original works of art by Day & Son 'Royal Lithographers the Queen'.

Day & Son 'Royal Lithographers to Queen Victoria'
#	Image	Title & Artist	Artist Info	Medium	Date	Source	-
Ackermann, London
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03.-		Faenza Ware Plate by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
04.-		Flemish Ewer, Jug and Stoneware, 16th Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
05.-		Portrait of Princess Elizabeth, in Enamel by Limousin by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
Industrial Arts of the Nineteenth Century at the Great Exhibition
01.-		Altar and Reredos Designed By The Late A. W. Pugin, Carved In Stone By Myers Of London, And Fitted-Up By Hardman Of Birmingham lithography by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1853	Industrial Arts of the Nineteenth Century at the Great Exhibition	Sold
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03.-		Ornamental Cover of a Colour Box designed by Sliegh for Ackermann & Company	J. Sliegh, (British, active, 19th century)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
04.-		Portion of a Shield in Silver by Vechte, for Hunt and Roskell of London by John Alfred Vinter	Vinter, John Alfred (London, 1828 - 1905)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
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08.-		H. A. C. (The Earl of Denbigh) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1894	Vanity Fair
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Title:	Study of a Head
Artist:	Whaite, Henry Clarence 'Henry Whaite' (Manchester, 1828 - Conwy Valley, Wales, 1912)
Date:	1861-62
Medium:	Original Etching
Publisher:	Day & Son, London
Edition:	Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862
Note:	Henry Clarence Whaite 'Henry Whaite': A leading nineteenth century landscape painter, mostly in the medium of watercolours, Henry Clarence Whaite first studied art techniques at the Manchester School of Design and then completed his education in London, both at Leigh’s School and at the Royal Academy Schools. Whaite first exhibited his art at the Royal Academy in 1851 and contributed to their annual exhibitions until 1904.
	Henry Clarence Whaite first visited the Conwy Valley in North Wales in 1851. Although he remained in Manchester for almost two more decades he made that mountainous region of Wales his permanent home (and his major source for artistic inspiration) in 1870. H. C. Whaite was an early member of Manchester Academy of Fine Arts (1859) and a founding member of the Royal Cambrian Academy. He later served as President of both these institutions. He was also a full member of the Royal Watercolour Society and of the Junior Etching Club.
	Today civic galleries in Blackburn, Cardiff, Liverpool, Nottingham and Warrington include examples of the art of Henry Clarence Whaite in their permanent collections. Other impressions of his original etching, Study of a Head, will be found at the Hunterian Museum and Art Gallery, University of Glasgow and at the New York Public Library.
	Henry Clarence Whaite was a contributing member of the Junior Etching Club (1857-1864), an institution that greatly contributed to the revival of etching in England. Other members included the British artists, Sir John Everett Millais, Charles Rossiter, Henry Moore, Charles Keene, Matthew James Lawless, Walter Severn, Henry Stacy Marks, Frederick Smallfield, Arthur James Lewis, Frederick Bacon Barwell, William Gale, Joseph Clark, Sir Francis Powell and James McNeill Whistler. The Junior Etching Club often published their members’ etchings and the above artists all contributed to their most important portfolio, Passages from Modern English Poets, printed and published during the years 1861 and 1862. Study of a Head was H. C. Whaite’s sole contribution to Passages.
	Henry Clarence Whaite's original etching, Study of a Head was commissioned for the 1862 publication, Passages from Modern English Poets Illustrated by the Junior Etching Club. Each etching was meant to embellish one or several contemporary poems. Three nineteenth century poems dealing with the theme of ageing accompanied Henry Whaite’s original etching. The poets were St. George Tucker, Charles Caleb Colton and William Wordsworth. The first poem entitled, Youth and Age by St. George Tucker begins with a stanza from a poem written by James Montgomery which is quoted below; "Till Youth's delirious dream is o'er, Sanguine with hope we look before The future good to find; In age, when error charms no more, For bliss we look behind." * James Montgomery. The last lines of the poem entitled, Youth and Age written by St. George Tucker are quoted below; "Days of my age, ye will shortly be past; Pains of my age, but awhile ye can last; Joys of my age in true wisdom delight; Eyes of my age, be religioun you light; Thoughts of my age, dread ye not the cold sod; Hopes of my age, be ye fixed on your God." The Hon. St. George Tucker The opening lines from the Second poem entitled, Old Age* written by Charles Caleb Colton are quoted below; "Thou anti-climax in life's wrinkled page, Worse end of bad beginning, helpless Age! That sow'st the thorn, though long the flower hath fled' Alive to torment, but to transport dead; Imposing still through Time's still roughening road, With strength diminished, an augmented load." Charles Caleb Colton And, the opening lines from the third poem entitled, Youth and Age* by William Wordsworth are quoted below; "We talk with open Heart and tongue Affectionate and true, A pair of Friends, though I was young, And Mathew seventy-two." *William Wordsworth
	Day & Son, London: Some of the most ambitious and accomplished printmaking projects of the Victorian era were launched by the publishers, Day & Son. The firm began in the mid 1820's under the title of 'Day & Hague' and assumed its more familiar name 'Day & Son, London' in 1845. Henry Clarence Whaite's original etching, Study of a Head was published by 'Day & Son, London' between 1861-62. Throughout their early years they printed and published works of art dealing with a wide range of subjects, such as, hunting scenes, genre depictions, landscape scenes and topographical views.
Size:	6 3/4 X 4 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $295.00 US
Condition:	Printed upon wove paper and with full margins as published in Passages from Modern English Poets in 1862. Signed with the artist’s ‘H. C. W.’ monogramme within the image to the lower left. Bearing the artist's name name "W. C. Whaite" and the publisher's date and name, "London, Published December 1st, 1861 by Day & Sons, Lith. to the Queen" along the lower margin of the plate. It also bears the plate's number "26" to the upper right corner of the margin above the image. This impression is in excellent condition throughout without a trace of staining, foxing or fading. Study of a Head represents a fine, original example of the art of Henry Clarence Whaite.
Subject	Henry Clarence Whaite, H. C. Whaite, Study of a Head, original etching, with poems by St. George Tucker, Charles Caleb Colton and William Wordsworth, and a quote from a poem by James Montgomery, Passages from Modern English Poets Illustrated by the Junior Etching Club, Manchester School of Design, Royal Cambrian Academy, Artists of Wales, nineteenth century landscape painters.
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Henry Clarence Whaite (Henry Whaite)

Study of a Head