Title: |
Victoria in her Coronation Robes |
Engraver: |
Wagstaff, Charles Edward (London, 1808 - 1850) |
Designer: |
Sully, Thomas (Horncastle, England, 1783 - Philadelphia,
USA, 1872) |
Date: |
April 10, 1839 |
Medium: |
Original Mixed Method Engraving |
Publisher: |
Hodgson & Graves, Pall Mall |
Note: |
Charles Edward Wagstaff 'Charles Wagstaff': Despite a relatively brief
life, Charles Edward Wagstaff clearly rose to the top of his artistic
profession. After completing his duties as an apprentice engraver in London
he went on to engrave the portraits of such famous contemporaries as Queen
Victoria, Prince Albert and the Duke of Wellington. Such desirable early
Victorian era engravings as The Golfers: A Grand Match Over St. Andrews'
Links' were from his hand. |
|
The three most illustrious engravings covering the early
years of Victoria's reign were all left in the hands of Charles Edward
Wagstaff. These were, Victoria in her Coronation Robes (1839),
The Coronation of Queen Victoria (1840) and The Marriage of
Queen Victoria (1844). Victoria in her Coronation Robes was
also published by Hodgson & Graves, the first official 'Printsellers to
Her Majesty the Queen'. |
|
Both in its subject matter and in its stylistic accomplishments,
Victoria in her Coronation Robes is a most important example of
the early Victorian mixed method engraving. In this fine work of art,
Charles Wagstaff has combined etching, engraving, mezzotinting and stippling to
create remarkable depth and tonal values. This valuable engraving showcases
Wagstaff's talents. |
|
The Victorian Era Mixed Method Engraving: Perhaps
the most technically demanding form of original printmaking, the mixed
method engraving reached its apex during the Victorian era. Highly skilled
engravers would often devote more than a full year's work to one large
engraving, combining such complex mediums as mezzotinting, aquatinting,
stippling, etching and engraving to produce remarkable effects in black
and white. During the mid and late nineteenth century these large engravings
became the driving force of the Victorian art world. |
|
Unfortunately, surviving examples of this unique art form
are now very scarce. Because of their large size most of these engravings
were meant to be framed. Nineteenth century framers knew next to nothing
about archival conservation and thus the majority of these important works
have been unalterably ruined. Thankfully this beautiful example is in
excellent condition. |
|
Along with W. O. Geller, Charles Edward Wagstaff was a pioneer
of the early mixed method technique. His portrayals of the young Queen
Victoria, in particular, provided the geneses for the fine engravings
of the mid and late nineteenth century. |
Size: |
15 1/2 X 11 1/2 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
|
View larger Framed Image |
|
|
Condition: |
Printed upon fine china paper which has been pressed onto
a largr sheet of white wove paper and with the publisher's address along
the extreme lower margin. The outer margins have been cropped by a previous
collector, else a magnificent early impression and in excellent condition
throughout. Victoria in her Coronation Robes is a prime example
of the early nineteenth century mixed method engraving. |
Price: |
Sold - The price is no longer available. |
Important Information: |
The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial.
Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |