Vanity Fair - The Lord Chief Baron The Right Honourable Sir Fitz Roy Edward Kelly

The Lord Chief Baron (The Right Honourable Sir Fitz Roy Edward Kelly)

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Vanity Fair
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04.-		Madam Sarah Bernhardt by a Vanity Fair artist, Monogramme: 'K'	Monogramme: 'K'	Original Lithograph	1912	Vanity Fair	Sold
05.-		The Admiral (Sir James Dairymple Horn Elphinstone, M. P.) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1878	Vanity Fair
06.-		The Lord Chief Baron (The Right Honourable Sir Fitz Roy Edward Kelly) by a Vanity Fair artist	Vanity Fair	Original Lithograph	1871	Vanity Fair
07.-		The Lord Chief Justice of England (Lord Alverstone) by a Vanity Fair artist, Monogramme: 'W. H.'	Monogramme: 'W. H.'	Original Lithograph	1913	Vanity Fair	Sold
08.-		Turf Devotee - The Right Honourable Lord Hothfield by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1889	Vanity Fair
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Day & Son 'Royal Lithographers to Queen Victoria'
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Ackermann, London
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Art Treasures of the United Kingdom
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03.-		Faenza Ware Plate by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
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Industrial Arts of the Nineteenth Century at the Great Exhibition
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02.-		Hagar and Ishmael by Joseph Clark	Joseph Clark (Cerne Abbas (Dorset), 1834 - Ramsgate, 1926)	Original Etching	1861-62	Passages from Modern English Poets
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04.-		Scene of the Plague in London, 1665 by Charles Samuel Keene	Charles Samuel Keene (Hornsea, 1823 - London, 1891	Original Etching	1861-62	Passages from Modern English Poets
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07.-		The Cornfield by Arthur James Lewis	Arthur James Lewis 'Arthur Lewis' (London, 1824 - 1901)	Original Etching	1861-62	Passages from Modern English Poets
08.-		Summer Indolence by John Everett Millais	John Everett Millais (Southampton, 1829 - London, 1896)	Original Etching	1861-62	Passages from Modern English Poets
09.-		Moonlight by Henry Moore	Henry Moore (York, 1831 - Margate, 1895)	Original Etching	1861-62	Passages from Modern English Poets
10.-		The Last Gleam of Day by John Wright Oakes	John Wright Oakes (Middlewich (Cheshire), 1820 - London, 1887)	Original Drypoint & Etching	1859-62	Passages from Modern English Poets
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14.-		Supping on Horrors by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Passages from Modern English Poets
15.-		The Shoe-Black by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Passages from Modern English Poets
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19.-		Sketching by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Passages from Modern English Poets
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Publisher:	Vanity Fair
Date:	November 04, 1871
Medium:	Original Lithograph Printed in Colour
Printer:	Vincent Brooks, Day & Son Lith.
Note:	Vanity Fair: The historic first issue of Vanity Fair was published in London on November 7, 1868. Founded by Thomas Gibson Bowles, the purpose of this ambitious weekly publication was to expose contemporary vanities and those responsible for them. Each issue contained a full page, original colour lithographic portrayal of a popular sovereign, statesmen or man of the day, caricatured in the smooth and good-natured manner which became renowned as the 'Vanity Fair Style'. Working under the pseudonyms of 'Spy' and 'Ape', two artists in particular became notorious for their portrayals, although many other important artists, including Max Beerbohm, Tissot, 'Quiz', 'WH', and Sickert worked for the publication on a regular basis and contributed some of its greatest art.
	The last issue of Vanity Fair was published in 1914. Through its forty-five year history, it produced the definitive caricatures of the Victorian and Edwardian eras. collectors of these fine, original prints have always been numerous. In recent years, prices for these fascinating caricatures have dramatically increased, particularly for the more desirable examples.
	The Red Robes: During the history of Vanity Fair, a large grouping of members of the Bench and Bar were portrayed. Of that exclusive set known as the 'Red Robed Judges', however, only ten were ever made. Because of their desirability and scarcity these ten prints represent the 'creme de la creme' of the entire Vanity Fai collection. Red Robed Judges in excellent condition, such as this original example, are simply becoming difficult to find at any price. "The Lord Chief Baron" is one of the earliest Red Robed Judges published by Vanity Fair.
Provenance:	This original lithograph entitled, "The Lord Chief Baron" (The Right Honourable Sir Fitz Roy Edward Kelly) hails from the former collection of the Vanity Fair Ltd., of Cincinnati, Ohio. These prints originally appeared with a textual biography. A copy of this biography is enclosed. Also included is the Certificate of Authenticity from the former collection of the Vanity Fair Ltd., of Cincinnati, Ohio.
Raisonne:	Jerold J. Savory, The Vanity Fair Gallelry, A.S. Barnes & Co., New York, 1979.
	Figure # 35, Listed on p. 54 and illustrated on p. 49
Source:	Vanity Fair (The Red Robes)
Size:	13 1/2 X 8 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $295.00 US
Condition:	Printed on thick wove paper and its full margins as published by Vanity Fair at the above date. This original lithograph entitled, "The Lord Chief Baron" is a strong, bright impression and it is in excellent condition throughout.
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