Vanity Fair - Madam Sarah Bernhardt

Madam Sarah Bernhardt

View Other Original Works of Art by Vanity Fair.

Vanity Fair
#	Image	Title & Artist	Artist Info	Medium	Date	Source	-
01.-		A Professor (Mr. James Edwin Thorold Rogers) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1884	Vanity Fair	Sold
02.-		Albert Seymour by Carlo Pellegrini Known as 'Ape'	Carlo Pellegrini 'Ape' (Capua, Italy, 1839 - London, 1889)	Original Lithograph	1877	Vanity Fair
03.-		H. A. C. (The Earl of Denbigh) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1894	Vanity Fair
04.-		Madam Sarah Bernhardt by a Vanity Fair artist, Monogramme: 'K'	Monogramme: 'K'	Original Lithograph	1912	Vanity Fair	Sold
05.-		The Admiral (Sir James Dairymple Horn Elphinstone, M. P.) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1878	Vanity Fair
06.-		The Lord Chief Baron (The Right Honourable Sir Fitz Roy Edward Kelly) by a Vanity Fair artist	Vanity Fair	Original Lithograph	1871	Vanity Fair
07.-		The Lord Chief Justice of England (Lord Alverstone) by a Vanity Fair artist, Monogramme: 'W. H.'	Monogramme: 'W. H.'	Original Lithograph	1913	Vanity Fair	Sold
08.-		Turf Devotee - The Right Honourable Lord Hothfield by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1889	Vanity Fair
09.-		Vice - Admiral Caillard by Jean Baptiste Guth	Jean Baptiste Guth (Bayonne, London, died, 1921)	Original Lithograph	1905	Vanity Fair
10.-		Various Vanity Fair Prints (Collection of 40 Original Lithographs)	Miscellaneous Vanity Fair Portraits (Collection of Forty)	Original Lithographs	1875 to 1903	Vanity Fair

View other original works of art by Day & Son 'Royal Lithographers the Queen'.

Day & Son 'Royal Lithographers to Queen Victoria'
#	Image	Title & Artist	Artist Info	Medium	Date	Source	-
Ackermann, London
01.-		Moon Rise in The Valley of Cairn Gorm by Michel Bouquet	Michel Bouquet (Lorient, 1807 - Paris, 1890)	Original Lithograph	1849	Ackermann, London	Sold
Art Treasures of the United Kingdom
01.-		A Limoges Enamel Plaque, Early Sixteenth Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
02.-		Early Limoges Enamel, 12th or 13th Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
03.-		Faenza Ware Plate by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
04.-		Flemish Ewer, Jug and Stoneware, 16th Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
05.-		Portrait of Princess Elizabeth, in Enamel by Limousin by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
Industrial Arts of the Nineteenth Century at the Great Exhibition
01.-		Altar and Reredos Designed By The Late A. W. Pugin, Carved In Stone By Myers Of London, And Fitted-Up By Hardman Of Birmingham lithography by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1853	Industrial Arts of the Nineteenth Century at the Great Exhibition	Sold
02.-		Fountain in Iron, Andre of Paris by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
03.-		Ornamental Cover of a Colour Box designed by Sliegh for Ackermann & Company	J. Sliegh, (British, active, 19th century)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
04.-		Portion of a Shield in Silver by Vechte, for Hunt and Roskell of London by John Alfred Vinter	Vinter, John Alfred (London, 1828 - 1905)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
Passages from Modern English Poets
01.-		Sea Beach - Norfolk Fisherman on the Look Out (The Fisherman) by Frederick Bacon Barwell	Frederick Bacon Barwell (London, c. 1831 - 1922)	Original Etching	1861-62	Passages from Modern English Poets
02.-		Hagar and Ishmael by Joseph Clark	Joseph Clark (Cerne Abbas (Dorset), 1834 - Ramsgate, 1926)	Original Etching	1861-62	Passages from Modern English Poets
03.-		The May Wreath by William Gale	William Gale (London, 1823 - 1909)	Original Etching	1861	Passages from Modern English Poets
04.-		Scene of the Plague in London, 1665 by Charles Samuel Keene	Charles Samuel Keene (Hornsea, 1823 - London, 1891	Original Etching	1861-62	Passages from Modern English Poets
05.-		Sisters of Mercy by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching	1859	Passages from Modern English Poets
06.-		The Little Shipwrights by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching	1859-62	Passages from Modern English Poets
07.-		The Cornfield by Arthur James Lewis	Arthur James Lewis 'Arthur Lewis' (London, 1824 - 1901)	Original Etching	1861-62	Passages from Modern English Poets
08.-		Summer Indolence by John Everett Millais	John Everett Millais (Southampton, 1829 - London, 1896)	Original Etching	1861-62	Passages from Modern English Poets
09.-		Moonlight by Henry Moore	Henry Moore (York, 1831 - Margate, 1895)	Original Etching	1861-62	Passages from Modern English Poets
10.-		The Last Gleam of Day by John Wright Oakes	John Wright Oakes (Middlewich (Cheshire), 1820 - London, 1887)	Original Drypoint & Etching	1859-62	Passages from Modern English Poets
11.-		The Rainbow by Sir Francis Powell	Sir Francis Powell (Pendleton, 1833 - Dunoon, Scotland, 1914)	Original Etching	1861-62	Passages from Modern English Poets
12.-		St. Valentine's Day by Charles Rossiter	Charles Rossiter (London, 1827 - 1897)	Original Etching	1861-62	Passages from Modern English Poets
13.-		Nearing Home by Walter Severn	Walter Severn (Frascati (near Rome), 1830 - London, 1904)	Original Etching	1861-62	Passages from Modern English Poets
14.-		Supping on Horrors by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Passages from Modern English Poets
15.-		The Shoe-Black by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Passages from Modern English Poets
16.-		Winter Revels by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Passages from Modern English Poets
17.-		War and Glory by Sir John Tenniel	Sir John Tenniel (London, 1820 - 1914)	Original Etching	1861-62	Passages from Modern English Poets
18.-		Study of a Head by Henry Clarence Whaite	Henry Clarence Whaite (Manchester, 1828 - Conwy Valley, Wales, 1912)	Original Etching	1861-62	Passages from Modern English Poets
19.-		Sketching by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Passages from Modern English Poets
20.-		The Punt by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Passages from Modern English Poets

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Title:	Madam Sarah Bernhardt
Designer:	Monogram: K
Date:	1912
Medium:	Original Lithograph Printed in Colour
Printer:	Vincent Brooks, Day & Son Lith.
Note:	Vanity Fair: The historic first issue of Vanity Fair was published in London on November 7, 1868. Founded by Thomas Gibson Bowles, the purpose of this ambitious weekly publication was to expose contemporary vanities and those responsible for them. Each issue contained a full page, original colour lithographic portrayal of a popular sovereign, statesmen or man of the day, caricatured in the smooth and good-natured manner which became renowned as the 'Vanity Fair Style'. Working under the pseudonyms of 'Spy' and 'Ape', two artists in particular became notorious for their portrayals, although many other important artists, including Max Beerbohm, Tissot, 'Quiz', 'WH', and Sickert worked for the publication on a regular basis and contributed some of its greatest art.
	The last issue of Vanity Fair was published in 1914. Through its forty-five year history, it produced the definitive caricatures of the Victorian and Edwardian eras. collectors of these fine, original prints have always been numerous. In recent years, prices for these fascinating caricatures have dramatically increased, particularly for the more desirable examples.
	Madam Sarah Bernhardt (born, Paris, 1844): Madam Bernhardt entered the Conservatoire in 1859 and made her first stage appearance at the Theatre Francais in 1862. In 1872, Madam Bernhardt's portrayal of the character Queen of Spain in 'Ray Blas', gained her celebrity status.
	"Great in Struggle, Great in Triumph, in spite of persistent abuse, opposition, and ridicule, Madame Sarah Bernhardt has forced her way to the very front of theatrical celebrity, and in an age of advanced mediocrity stands out as genius possibly beyond compare." * Marmaduke
	This original lithograph is illustrated on page 109 of Jeorold Savory's "The Vanity Fair Gallery". Obviously few portrayals are as famous as this in the entire history of "Vanity Fair". "Madam Sarah Bernhardt" has long been held as one of the most desirable theatrical representation.
Provenance:	This original lithographic portrait of the actress, Madam Sarah Bernhardt hails from the former collection of the Vanity Fair Ltd., of Cincinnati, Ohio. These prints originally appeared with a textual biography. A copy of this biography is enclosed. Also included is the Certificate of Authenticity from the former collection of the Vanity Fair Ltd., of Cincinnati, Ohio.
Raisonne:	Jerold J. Savory, The Vanity Fair Gallelry, A.S. Barnes & Co., New York, 1979.
	Catalogue # 0525, illustrated on p.109
Source:	Vanity Fair, London
Size:	14 1/4 X 8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	"Madam Sarah Bernhardt" is printed on thick wove paper and its full margins as published by Vanity Fair at the above date. This original lithograph contains staining along the outer margins of the paper from a previous matting job, a small chip is missing on the bottom center margin and there is slight creasing to the bottom right margin of the paper. Otherwise, it is a strong, bright impression and the image itself is in excellent condition throughout. Altogether a good example of one of the most famous Vanity Fair prints published.
Price:	Sold - The price is no longer available.
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