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This Reynolds Brothers Fine Shoes, Utica, New York is an original chromolithographic trade card printed by the New York lithographic firm of Mayer, Merkel & Ottmann Lith., located at 21-25 Warren St., New York around 1875. It is printed in color on thick 19th century wove paper and with full margins as published at the date mentioned. The image depicts a young woman reading a book under the shade of a large tree. She is so absorbed, she hasn't seen the man standing behind her who is holding a gift of flowers over her head. This is a delightful and original example of nineteenth century American advertising. |
Title: | Trade Card Advertiser: Reynolds Brothers Fine Shoes, Utica, New York, A Pleasing Surprise by Mayer, Merkel & Ottmann Lith., New York (A Gift of Flowers) |
Advertiser: | Reynolds Brothers Fine Shoes, Utica, New York |
Printer: | Mayer, Merkel & Ottmann Lith., 21-25 Warren St., New York |
Date: | c. 1880 |
Medium: | Original Chromolithograph |
Source: | Advertising Trade Cards |
Note: | Reynolds Brothers Fine Shoes, Utica, N. Y.: This original chromolithographic trade card was created for the shoe manufacturing firm of 'Reynolds Brothers, Fine Shoes' located in Utica, New York. It became one of the largest firms of its kind in New York. Reynolds Brothers advertisements guaranteed that they used the best material with superior finish and had the latest styles, manufacturing shoes for ladies, misses & children in Utica, New York. Their shoes were sold in the principal cities and towns throughout the Northern and Western States. The firm was first established in 1865 when Mr. Richard Samuel Reynolds (1838 - 1922) formed a partnership with his brother, William H. Reynolds (c. 1842 - 1874), thus creating the firm of ''R. S. & W. H. Reynolds' which began to manufacture women's fine shoes. The firm was first located at Fayettte Street, and in 1867, due to the success of the firm, they moved to Blandina street (Carnahan Street). That same year (1867) when their brother, George A. Reynolds (.c 1840 - 1918) joined the business, it was run under the name of 'Reynolds Brothers'. Around 1866/67, Mr. Richard S. Reynolds sold his share of the company to his brother and partner, George Reynolds. After a fire destroyed a large part of their building, in 1873, the factory was moved to a larger building at John and Catherine streets. William H. Reynolds died in 1874, leaving George Reynolds as the sole proprietor. Further information concerning the owners and the history of the Reynolds Bros. manufacturing company can be found in the following volumes, No (1) 1667 History of Oneida County, New York. Some of its Prominent Men and Pioneers, published in 1878 by Everts & Fabriss, Philadelphia, No (2) The Mercantile and Manufacturing Progress of the City of Utica, N. Y. and environs, together with a condensed summary of her Material Development and Advantages, contributed by the Merchants' and Manufacturers' Exchange of Utica..., published in 1888 by Commerce Publishing Co., Utica. New York and No (3) Encyclopedia of biography of New York, a life record of men and women whose sterling character and energy and industry have made them preeminent..., by Charles E. Fitch, published in 1916 by The American historical society, inc., Boston, New York. This original trade card depicts a young woman reading a book under the shade of a large tree. She is so absorbed, she hasn't seen the man standing behind her who is holding a gift of flowers over her head. This is a delightful and original example of nineteenth century American advertising. |
Mayer, Merkel & Ottmann Lith.: The prominent lithographic firm of Mayer, Merkel & Ottmann Lith. was established in 1874 by Vincent Mayer, Jacob Ottmann (1849-1890), and August Merkel. The firm of Merkel & Ottmann Lith., were general lithographers and power press printers first located at 22 & 24 Church St., between Barclay & Versey Streets, New York. They printed fine art posters, labels, trade cards, pamphlets, and an assortment of other business and advertising material. The The New York Herald, (June 22, 1874), announced the termination of the co partnerships between Vincent Mayer and August Merkel by mutual consent, as of june 1, 1874. It noted that they would continue their lithographic business in all its branches and the importation of lithographic stones and materials, at No. 24 Church Street under the firm name of 'Mayer, Merkel & Ottmann', all claims were to be settled by Vincent Mayer, August Merkel and Jacob Ottmann, formerly with Ferd. Mayer & Co., (a leading New York lithographic firm established in 1854 and active until c. 1883). In 1876, Mayer, Merkel & Ottmann formed an alliance with the famous 19th century periodical, Puck Magazine (1876-1918), in fact, the first Puck magazine was printed in German on their presses. Puck was initially meant to be America's answer to England's Punch, but under Keppler's astute editorship it introduced both art and articles of a much more biting nature. Gouldings New York City Directory (1877), Mayer, Merkel & Ottmann, Lithographers & imps. of lithographic stones and matls., 22 & 24 Church. The Trow City Directory Co.'s Formerly Wilson's Co partnership Directory (1878), has them listed at the Church Street Address and by the following year (1879), they have moved to Mayer, Merkel & Ottmann (Vincent Mayer and Jacob Ottmann), Warren St., New York. | |
Around 1885, Jacob Ottmann bought out his partners, Vincent Mayer and August Merkel and created the firm of J. Ottmann Lithographing Company. That year, Ottmann and the publishers of Puck magazine, Joseph Ferdinand Keppler (1838 - 1894) & Adolph Schwarzmann (1838-1904) commissioned the architect Albert Wagner to design and erect a new building for their firms. By 1886 it was completed and they moved into what is now known as the 'Puck Building', located at Houston Street, in Manhattan. Puck like Punch, had its own mascot, a golden cherub, it appears on the front of the Puck Building. See: The Business Directory of New York City, and Newark City, N. J. page 2, (1886). It lists both (Mayer, Merkel & Ottmann) and J. Ottmann Lithographing Company located at the same address, Puck Bldg. C. Houston & Mulberry. Jacob Ottmann died in 1889, however the firm continued to run until around 1910. The American Stationer, Volume 26, page 1171 (1889), contains the obituary for Jacob Ottmann. Also see: The Trow City Directory Co.'s Formerly Wilson's Co partnership Directory (March, 1890), Ottmann J. Lithographing Co. (William Ottmann, President; Adolph Schwarzmann, Treasurer; further inf. refused), 39 E. Houston. Also see The World Almanac and Encyclopedia (1895), listing for J. Ottmann Lithographing Company. The lithographic firm of Ottmann merged with the United States Printing & Lithographing Company around 1910. | |
Trade Cards: Chromolithography -- printing images by using a series of carefully registered tint stones -- became the most popular method for the original print-making of everything from miniatures to large posters during the last half of the nineteenth century. The far less costly advances of photomechanical methods, however, made this original and complex form of art all but obsolete by the early twentieth century. A Pleasing Surprise is a fine example of the advertising art created during this period. | |
Competing companies were quick to recognize the vast potential of this color process. Beginning around 1870, advertisers regularly allied their products to appealing visual images. And, like today, these images often had very little connection with the product being sold! By the mid 1880's advertisers and their printers were creating the most expensive and elaborate works of art in color. Antique art, advertisements such as this original example printed by Mayer, Merkel & Ottmann Lith., 21-25 Warren St., New York for the Reynolds Brothers Fine Shoes firm located in Utica, New York reflect the true tastes and desires of the times. The image in this original 19th century lithographic trade card depicts a young woman reading a book under the shade of a large tree. She is so absorbed, she hasn't seen the man standing behind her who is holding a gift of flowers over her head. | |
Size: | 5 X 3 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Buy Now | Price: $65.00 US |
Condition: | Printed on thick nineteenth century wove paper and with full margins as published on the above date. It is a fine, strongly printed impression and in good condition throughout. Altogether, A Pleasing Surprise is a delightful and original example of nineteenth century American advertising. |
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Original Chromolithographic Trade Card (Advertisement for Reynolds Brothers Fine Shoes, Utica, New York)
Trade Card Advertiser: Reynolds Brothers Fine Shoes, Utica, New York, A Pleasing Surprise by Mayer, Merkel & Ottmann Lith., New York (A Gift of Flowers) |
View other original 19th century chromolithographic Trade Cards for Clothing Houses, Footwear & (Shoe Makers & Dress Makers)
View other original 19th century chromolithographic Trade Cards in our gallery (Art of the Print / www.artoftheprint.com)
Art of the Print / www.artoftheprint.com - 19th Century Trade Cards | |
Although the advertisement of products and services was active long before the 19th century, It was not until the second half of the 19th century that companies and businesses realized the importance of promoting their products in order to better compete with the growing market, thus, advertising became one of the most potent selling tools to date. 'Trade Cards' and 'Labels' were used to advertise all kinds of products and services. They were the popular choice due to their beautiful and decorative styles and small size. Unlike other methods of advertising, often discarded and destroyed, people actually collected these cards and labels, often keeping them in scrapbooks. The advertising artists went to great lengths in order to create images with sophisticated, decorative and colorful designs that would entice the public to purchase the advertised products. 'Trade Cards' came in various sizes, shapes and colors, and most often depicted beautiful women, cute children, animals, flowers and landscapes, however, many other types of images were part of their wonderful selection. As antique art, advertisements such as these original examples reflect the true tastes and desires of the times. The subjects and categories chosen to illustrate and promote the merchandise and services were endless. Much like today, advertisers employed marketing strategies that embraced the needs or desires of people. Fantasy, comedy, satire, education, politics, and even religion were subjects often manipulated to best represent their merchandise and services. The various categories comprised of circus art, sports memorabilia, portraits of famous men and women, medical supplies and remedies, special holidays, transportation, and other interesting subjects. Trade cards were often a primary means of marketing used by both the medical profession and snake-oil vendors, 'Quacks' selling their remedies for both animals and people. There were trade cards for food products, such as cereals, meats, canned foods, soda pop, coffee, sweets and a variety of different types of groceries (both local and imported), mechanical bank trade cards luring people to save and deposit their money into their banks. The small specialized shops and department stores also advertised items of clothing, such as, shoes, dresses, pants, shirts, hats, coats, etc. There were toiletries like perfumes, colognes and soaps which were great gift ideas. Other items offered for sale included clocks, watches, firearms and toys. Their household goods departments sold dishes, canisters, silverware, pots, kettles, thread, pins and needles, cleaning supplies like brushes and buckets. Companies also advertised tools, large appliances, machinery and other smaller items that reduced the time spent doing chores, like their new sewing machines, stoves, and gardening tools of all types and sizes. Of course, advertisers could not afford to exclude three of the most controversial products ever offered for sale. They became some of the most lucrative products on the market, cigars, cigarettes and liquor. |
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