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Peltro William Tomkins (P. W. Tomkins) & Leonardo da Vinci

Peltro William Tomkins and Leonardo da Vinci - An Allegorical Composition In His Majesty's Collection Allegory of the Wolf and the Eagle

An Allegorical Composition, 'In His Majesty's Collection' (Allegory of the Wolf and the Eagle)

Peltro William Tomkins's original stipple engraving "An Allegorical Composition", 'In His Majesty's Collection' represents the allegory of the 'Wolf and the Eagle. It' is based upon a drawing by the Master 'Renaissance' artist Leonardo da Vinci housed in the Royal Collection at Windsor Castle. This impression is printed upon early 19th century wove paper in sepia tones and it appears a light, overall wash was added to the image at the time of publication as created in 1811 by Peltro William Tomkins for John Chamberlain's set of original engravings and etchings entitled, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". It bears the text; "Leonardo di Vinci delt.", "Engrav'd by P. W. Tomkins. Engraver to her Majesty.", "In His Majesty's Collection", and the publication line, "Published April 17. 1811. by J. Chamberlaine, Scotland Yard." in the lower margin, and numbered, "PL. LVII" in the upper left corner. The image depicts a wolf-like creature steering and navigating his boat with the aid of a compass which is decorated with three fleur de lis. In the center of the boat, there is a large tree. To the right, a crowned eagled is perched upon a globe. The meaning of this allegorical drawing is uncertain, however, the most complete and authoritative books published on Leonardo da Vinci states it was presumably devised for the celebration of the marriage of Giuliano de Medici with Filiberta of Savoy. If this is so, then it is possible that the ship navigated by the wolf which in most cases, represents gluttony and corruption of all kinds, is an allusion to the church of Rome and Pope Leo X in search of world power. This is a beautiful, original example of the stipple art created by the British artist, Peltro William Tomkins and the art of Leonardo da Vinci.
 
Title: An Allegorical Composition, 'In His Majesty's Collection' (Allegory of the Wolf and the Eagle)
Engraver: Tomkins, Peltro William (London, 1760 - 1840)
Designer: Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519)
Date: 1811
Medium: Original Stipple Engraving in Sepia
Publisher: John Chamberlaine, London
Note: Peltro William Tomkins 'P. W. Tomkins': A well known stipple and aquatint etcher and engraver, Peltro William Tomkins studied printmaking techniques under Francesco Bartolozzi, in London. Many of P. W. Tomkins's early works were designed by Angelica Kauffman. Later, however,he was commissioned to produce engravings after the designs of such contemporaries as Robert Smirke (1753 – 1845), John Downman (1750 -1824), Henry William Bunbury (1750 – 1811), Mather Brown (1761 – 1831) and others. Peltro William Tomkins was also a major contributor to such publications as The British Gallery of Pictures published in parts by Henry Tresham and William Young Ottley (1808-1820), for a splendid edition of James Thornton’s Seasons after pictures by William Hamilton first published one season at a time (Winter 1726), (Summer, 1727), (Spring 1728), and (Autumn 1730), The Birth of Love, by Bland Burgess, from designs by the Princess Elizabeth of England first published (1752), Illustrations of Modern Scripture (1832), John Boydell's Shakespeare Gallery (1789 – 1805), John Chamberlaine's Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection, and Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools (1796 - 1812) as well as other important works from his own designs. An Allegorical Composition was engraved in 1811 and was commissioned by John Chamberlaine for Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools. Tomkins has engraved these words; "Leonardo di Vinci delt.", "Engrav'd by P. W. Tomkins. Engraver to her Majesty.", "In His Majesty's Collection", and the publication line, "Published April 17. 1811. by J. Chamberlaine, Scotland Yard." in the lower margin, and numbered, "PL. LVII" in the upper left corner.
  Between 1803 and 1811, P. W. Tomkins was commissioned by John Chamberlaine to create original etchings, stipple engravings, and aquatints based upon drawings in the Royal Collection. Such fine works of art include, Female Head (1803), Man's Head (1806), A Figure, with Drapery (1806), and Wolf in a Boat, an Allegorical Composition (1811), all after Leonardo da Vinci; Apotheosis of St. Francis (1806) after Ludovico Carracci, David (1807) after Annibale Carracci, and two landscapes (1807) after Claude Lorrain. Leonardo da Vinci’s drawing Wolf in a Boat, an Allegorical Composition was engraved by P. W. Tomkins in 1811 and was commissioned by John Chamberlaine for Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection.
  Leonardo da Vinci: The true 'Renaissance' man, Leonardo da Vinci was an artist, an engineer and a scientist. In 1472, Leonardo da Vinci enrolled as a painter in the fraternity of St. Luke in Florence. There he served his apprenticeship with Verrocchio. He moved to Milan around 1481 and remained there until 1499, working mostly at the court of Duke Ludovico Sforza.
  Leonardo da Vinci's completed paintings are relatively few. His numerous drawings, however, display aspects and ideas of one of the world's most astute and inventive minds. His legacy to the arts is immense for it was Leonardo who established the concept of the artist as a creative thinker and not merely a craftsman. Leonardo's, meaning for "An Allegorical Composition", is unknown. A wolf-like creature steers his boat to the shore where a crowned eagle or griffin is perched upon a globe. In the center of the boat a large tree grows.
  Allegorical Drawing of The Wolf and The Eagle: Leonardo da Vinci's allegorical drawing of the wolf and the eagle was created around 1515. It is now housed in the Royal Collection at Windsor Castle no. 12496. The image depicts a wolf-like creature steering and navigating his boat with the aid of a compass which is decorated with three fleur de lis. In the center of the boat, there is a large tree. To the right, a crowned eagled is perched upon a globe. The meaning of this allegorical drawing is uncertain and there have been many interpretations, however, the most complete and authoritative books published on Leonardo da Vinci states it was presumably devised for the celebration of the marriage of Giuliano de Medici with Filiberta of Savoy which took place in 1515. * Leonardo Da Vinci: An Artabras Book, Reynal and Company in association with William Morrow and Company, New York, 1978, p. 165. If this is so, then it is possible that the ship navigated by the wolf which in most cases, represents gluttony and corruption of all kinds, is an allusion to the church of Rome and Pope Leo X search of world power. The eagle wearing the crown could well represent Francis I, the King of France and his political aspirations. The compass decorated with three fleur de lis could indicate the wolf is headed for France. The tree in the center of the boat could represent the tree of life or if it is an olive tree, it is alluding to the alliance between France and Italy through marriage. Giuliano de Medici (1479-1516) was an Italian nobleman and a prominent member of Italy’s most powerful family. He was the son of Lorenzo the Magnificent and brother of Pope Leo X. In 1515, the same year he was married, Giuliano de Medici was invested by Francis I, King of France with the title of Duke of Nemours. Filiberta of Savoy (1498-1524), was the Marchioness of Gex and Lady Fossano, daughter of Philip II, Duke of Savoy and Claudine de Brosse-Pentheivre, aunt of Francis I, the King of France and descendant of the house of Bourbon.
  An original stipple engraving printed on early 19th century toned wove paper, "An Allegorical Composition, 'In His Majesty's Collection'" is engraved entirely in sepia tones, and it appears a light, overall wash was added to the image at the time of publication. This stipple is based upon a drawing by the Master 'Renaissance' artist, Leonardo da Vinci housed in England's Royal Collection at Windsor Castle. It was created by Peltro William Tomkins in 1811 for John Chamberlain, curator to his Majesty's Collection and published in the set of original engravings and etchings entitled, Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Bearing the text; "Leonardo di Vinci delt.", "Engrav'd by P. W. Tomkins. Engraver to her Majesty.", "In His Majesty's Collection.", and the publication line, "Published April 17. 1811. by J. Chamberlaine, Scotland Yard."; in the lower margin, and numbered, "PL. LVII" in the upper left corner. An Allegorical Composition, 'In His Majesty's Collection' represents a beautiful, original example of the stipple art of Peltro William Tomkins.
  John Chamberlaine (British, c. 1745 - 1812): In February, 1791, John Chamberlaine (London, 1745 - 1812) was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty's Collection, Chamberlaine's greatest achievement was to publish engravings and etchings based upon these famous old master acquisitions. Between March, 1792 and February, 1800, John Chamberlaine published eighty-four stipple engravings based upon Holbein's portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, 'Historical Engraver to his Majesty'.
  In 1796, John Chamberlaine initiated another important set of engravings based upon drawings in the Royal Collection, entitled, "Imitations of Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi and his followers. The following year, John Chamberlaine began his final set under the title of, "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael 'Raffaello Santi', Michelangelo di Lodovico Buonaroti, Claude Lorrain, Nicolas Poussin, Leonardo da Vinci, Giovanni Antonio Canal 'Canaletto' and other major artist. For this opus, John Chamberlaine commissioned such leading engravers as Francesco Bartolozzi (1727 - 1815), Luigi Schiavonetti (1765 - 1810), Frederick Christian Lewis (1779 - 1856), Peltro William Tomkins (1760 - 1840) and others to worked upon this project.
  The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci" and the 1797 "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection", were both completed in 1812. At this point John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Taking eighteen years to complete, the entire series consisted of sixty-six plates, with the exception of a few sets which contained additional plates (not listed in the index), and bearing the publication date of 1795 or 1796. In order to simulate varying drawing methods, the artists used a wide ranging array of printmaking techniques such as stippling, soft ground etching and aquatinting, often employing either separately printed color plates or hand-coloring. As a result, some of the most complex and technically accomplished etchings and engravings of the late eighteenth and early nineteenth centuries are found within this scarce and monumental collection. An Allegorical Composition, 'In His Majesty's Collection' (Allegory of the Wolf and the Eagle) hails from this set. Bearing the text; "Leonardo di Vinci delt.", "Engrav'd by P. W. Tomkins. Engraver to her Majesty.", "In His Majesty's Collection", and the publication line, "Published April 17. 1811. by J. Chamberlaine, Scotland Yard." in the lower margin, and numbered, "PL. LVII" in the upper left corner. The British Museum includes an impression of this original aquatint. Registration number: 1925,0422.2.52.
Size: 9 1/4 X 12 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  UnMatted
Condition: Printed upon early 19th century toned wove paper and with full margins as created by Peltro William Tomkins for John Chamberlain's set of original engravings and etchings entitled, "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty’s Collection", and bears the text; "Leonardo di Vinci delt.", "Engrav'd by P. W. Tomkins. Engraver to her Majesty.", "In His Majesty's Collection.", and the publication line, "Published April 17. 1811. by J. Chamberlaine, Scotland Yard."; in the lower margin, and numbered, "PL. LVII" in the upper left corner. A finely printed impression with full, unfaded tonal values and in excellent condition throughout. An Allegorical Composition, 'In His Majesty's Collection' (Allegory of the Wolf and the Eagle) represents a beautiful, original example of the stipple art of Peltro William Tomkins.
Subject: Peltro William Tomkins, P. W. Tomkins, Leonardo da Vinci, An Allegorical Composition, 'In His Majesty's Collection' (Allegory of the Wolf and the Eagle), Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools, original stipple engraving, John Chamberlaine, the wolf and the eagle, crowned eagle, tree of life.
Price: Sold - The price is no longer available.
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Original Stipple Engraving by the British artist, Peltro William Tomkins 'P. W. Tomkins', designed by Leonardo.

An Allegorical Composition In His Majesty's Collection Allegory of the Wolf and the Eagle Original Stipple Engraving by the British artist Peltro William Tomkins also known as P. W. Tomkins designed by Leonardo da Vinci published by John Chamberlaine for Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools
An Allegorical Composition, 'In His Majesty's Collection' (Allegory of the Wolf and the Eagle), created for John Chamberlaine's, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools".

View other Original Engravings by The British artist, Peltro William Tomkins 'P. W. Tomkins'.

Peltro William Tomkins (London, 1760 - 1840)
# Image Title & Artists Medium Date Engraver Designer Publisher -
01- An Allegorical Composition by P. W. Tomkins after Leonardo da Vinci An Allegorical Composition (Allegory of the Wolf and the Eagle) by Peltro William Tomkins (P. W. Tomkins), based upon a design by Leonardo da Vinci Original Stipple Engraving in Sepia 1811 P. W. Tomkins Leonardo da Vinci John Chamberlaine, London, inscribed; "Leonardo di Vinci delt.", "Engrav'd by P. W. Tomkins. Engraver to her Majesty.", "In His Majesty's Collection.", and the publication line, "Published April 17. 1811. by J. Chamberlaine, Scotland Yard."; and numbered, "PL. LVII". Sold
02.- Apotheosis of St. Francis by P. W. Tomkins after Ludovico Carracci Apotheosis of St. Francis (Patron Saint of Animals) by Peltro William Tomkins, (P. W. Tomkins), based upon a design by Ludovico Carracci Original Aquatint Engraving in Sepia 1806 P. W. Tomkins Ludovico Carracci John Chamberlaine, London, inscribed, "From the Original Drawing by Ld. Carracci", "Eng. d by PW Tomkins Historical Engraver to Her Majesty", "In His Majesty's Collection", "and the publication line, "London Publish'd May 5. 1806. by I. Chamberlaine no. 2. Scotland Yard, Whitehall.". Sold
03.- Forest Scene by P. W. Tomkins after Claude Lorrain Forest Scene by Peltro William Tomkins (P. W. Tomkins), based upon a design by Claude Lorrain (Claude Gellee) Original Etching & Aquatint 1807 P. W. Tomkins Claude Lorrain John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Larrain.", "Eng. d by P.W. Tomkins. Engraver to her Majesty.", "In His Majesty's Collection", "and the publication line, Pub'd as the Act directs. March 27. 1807. by J. Chamberlaine Scotland Yard."; and numbered, "PL. IX".  
04.- King David by P. W. Tomkins after Annibale Carracci King David (King of all the Israelites) by Peltro William Tomkins (P. W. Tomkins), based upon a design by Annibale Carracci Original Etching & Aquatint 1807 P. W. Tomkins Annibale Carracci John Chamberlaine, London, inscribed, "From the Original Drawing by Annibel Caracci", "Eng. d by P.W. Tomkins Engraver to her Majesty", "In His Majesty's Collection", and the publication line, "London Pub'd March 20. 1807. by J. Chamberlaine Scotland Yard."; and numbered, "PL. XIV".  
05.- Landscape with a River View by P. W. Tomkins after Claude Lorrain Landscape with a River View by Peltro William Tomkins (P. W. Tomkins), based upon a design by Claude Lorrain (Claude Gellee) Original Etching & Aquatint 1807 P. W. Tomkins Claude Lorrain John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Eng. d by P.W. Tomkins Engraver to her Majesty", "In His Majesty's Collection", and numbered, "PL. VIII".  
06.- The Seven Ages of Man The First Age P. W. Tomkins after Robert Smirke The Seven Ages of Man: The First Age Peltro William Tomkins (P. W. Tomkins), based upon a design by Robert Smirke Original Stipple and Line Engraving 'Open Letter Proof Impression' 1801 P. W. Tomkins Robert Smirke John Boydell, London, Shakespeare Gallery: inscribed, "Shakspeare. As You Like It. Act II, Scene VII. The Seven Ages of Man. First Age. Pub. June 4 1801, by J. & J. Boydell at the Shakspeare Gallery Pall Mall, & No. 90, Cheapside, London. Engraved by P. W. Tomkins, Histr. Engraver to Her Majesty. Painted by R. Smirke R. A.".  
07.- Woman's Head by P. W. Tomkins after Leonardo da Vinci Woman's Head by Peltro William Tomkins (P. W. Tomkins), based upon a design by Leonardo da Vinci Original Stipple Engraving 1803 P. W. Tomkins Leonardo da Vinci John Chamberlaine, London, inscribed, "From the Original Drawing by Leo: da Vinci.", "Engraved by P W Tomkins Historical Engraver to Her Majesty", "In His Majesty's Collection", "and the publication line, "Published as the Act Directs Octr. 1803 by I. Chamberlaine Brompton Midd."; and numbered "PL. XII". Sold

View other original engravings published by John Chamberlaine.

British Publisher: John Chamberlaine
# Image Title & Artist Engraver Info Medium Date -
01.- Annibale Carracci's Head of a Man by George Sigmund Facius Annibale Carracci's (Head of a Man) by Georg Sigmund Facius Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814) Original Soft Ground Etching & Stipple Engraving 1807  
02.- Old Man's Head by Francesco Bartolozzi Annibale Carracci's (Old Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching in Sepia 1796  
03.- King David by P. W. Tomkins after Annibale Carracci Annibale Carracci's (King David) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
04.- Self Portrait of Annibale Carracci by Francesco Bartolozzi Annibale Carracci's (Self-Portrait) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching 1796  
05.- Young Man's Head by Francesco Bartolozzi Annibale Carracci's (Young Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1807  
06.- Annibale Carracci's Virgin and Child and St. Anne by Luigi Schiavonetti Annibale Carracci's (Virgin and Child and St. Anne) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Color Aquatint Engraving & Etching 1807  
07.- Annibale Carracci's Virgin and Dead Christ by Luigi Schiavonetti Annibale Carracci's (Virgin and Dead Christ) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Aquatint Engraving & Etching 1807  
08.- Arches by F. C. Lewis after Canaletto Canaletto's 'Canaletti' (Arches) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint and Etching 1811  
09.- Canaletto's Ruins of a Temple and Arches by George Hawkins Canaletto's 'Canaletti' (Ruins of a Temple and Arches) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
10.- Canaletto's Sea View with Buildings by George Hawkins Canaletto's 'Canaletti' (Sea View with Buildings) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
11.- Forest Scene by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Forest Scene) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
12.- Grand Study of Trees by F. C. Lewis after Claude Lorrain Claude Lorrain's (Grand Study of Trees) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching and Aquatint 1807  
13.- Landscape with a River View by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Landscape with a River View) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
14.- Pharaoh by F. C. Lewis after Claude Lorrain Claude Lorrain's 'Pharaoh' (Moses and the Israelites) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching & Aquatint with Hand Coloring 1809  
15.- Polyphemus by the brothers F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's 'Polyphemus' (A One-Eyed Giant 'A Cyclops by the brothers, George Robert Lewis and Frederick Christian Lewis George Robert Lewis (London, 1782 - 1871) and Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) Original Etching & Aquatint 1807  
16.- Temple of Apollo by F. C. Lewis after Claude Lorrain Claude Lorrain's (Temple of Apollo) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching with Hand Coloring 1809 Sold
17.- The Landing of Aeneas The hero of Virgil's Aeneid by F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's (The Landing of Aeneas) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856), and George Robert Lewis, (London, 1782 - 1871) Original Etching and Aquatint 1807  
18.- A Lawyer Original Stipple Engraving by Robert Shipster designed by Leonardo da Vinci Leonardo da Vinci's (A Lawyer) by Robert Shipster Robert Shipster 'Robert Shepster' (British, 1775 - 1823) Original Stipple Engraving 1806 Sold
19.- An Allegorical Composition by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (An Allegorical Composition) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving in Sepia 1811 Sold
20.- Country Girl's Head by Francesco Bartolozzi Leonardo da Vinci's (Country Girl's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1806 Sold
21.- Dante Five Grotesque Heads by Francesco Bartolozzi Leonardo da Vinci's ('Dante' Five Grotesque Heads) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1806 Sold
22.- Design for a Cannon Foundry by Francesco Bartolozzi Leonardo da Vinci's (Design for a Cannon Foundry by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
23.- Four Profiles Grotesque Heads by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Four Profiles) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
24.- Large Head of a Man by Francesco Bartolozzi Leonardo da Vinci's (Large Head of a Man) Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving 1796 Sold
25.- Self Portrait of Leonardo da Vinci by Francesco Bartolozzi Leonardo da Vinci's (Self Portrait of Leonardo) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1795 Sold
26.- Study of an Old Woman Grotesque Head by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Study of an Old Woman) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
27.- The Muscular System by Francesco Bartolozzi Leonardo da Vinci's (The Muscular System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
28.- The Skeletal System by Francesco Bartolozzi Leonardo da Vinci's (The Skeletal System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1795 Sold
29.- Woman's Head by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (Woman's Head) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving 1803 Sold
30.- Abraham Entertaining Three Angels by Francesco Bartolozzi Ludovico Carracci's (Abraham Entertaining Three Angels) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
31.- Apotheosis of St. Francis by P. W. Tomkins after Ludovico Carracci Ludovico Carracci's (Apotheosis of St. Francis by Peltro William Tomkins) Peltro William Tomkins (London, 1760 - 1840) Original Aquatint Engraving in Sepia 1806 Sold
32.- Jacob's Vision by Francesco Bartolozzi Ludovico Carracci's (Jacob's Vision) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
33.- Virgin and Child and St. John by F. C. Lewis after Michelangelo Michelangelo's (Virgin and Child and St. John) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1811 Sold
34.- Bacchanalia A Dance before a Herm of Pan or Priapus by F. C. Lewis after Nocolas Poussin Nicolas Poussin's (Bacchanalia, 'A Dance before a Herm of Pan, or Priapus') by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving c. 1809  
35.- Treading the Wine Bags by F. C. Lewis after Nicolas Poussin Nicolas Poussin's (Treading the Wine Bags) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving 1809  
36.- Holy Family the Virgin with the Christ child St. Elizabeth and the infant St. John the Baptist by F. C. Lewis after Raffaelo Raphael's (Holy Family, the Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809  
37.- Leda and the Swan by F. C. Lewis after Raphael Raphael's (Leda and the Swan) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching 1809 Sold
38.- Sibyl by F. C. Lewis after Raphael Raphael's (Sibyl) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809 Sold

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Animals in Art Index The 'Animal Art' directory contains a selection of original animal art created by artists throughout the centuries, depicting birds, cats, dogs, horses, cows, sheep, pigs, monkeys, fish and or many other creatures. The artists' depictions range from rare zoological studies to some very humorous animal portrayals.
Landscapes, Seascapes, City & Town Views Art Index This directory contains a selection of original works of art with a focus on landscapes, seascapes, city views, town views and farm views from around the world. These artworks date from the 16th century to the 20th century.
Transportation Portrayed in Art Index Our 'Transportation In Art' directory contains original artworks concentrating upon depictions of vehicles used for transportation, such as, trains, wagons, ships, boats, airplanes, cars, bicycles, lunar modules, space ships and many other delightful and interesting machines associated with mankind's interest in travel.

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