Sir John Tenniel - War and Glory

War and Glory (Passages from Modern English Poets Illustrated by the Junior Etching Club)

View Other Original Etching by the Junior Etching Club Published Day & Son, London for Passages from Modern English Poets.

The 'Junior Etching Club' (1857-1864)
The Junior Etching Club (1857-1864), was an institution that greatly contributed to the revival of Etching in England. Members included such prominent British artists as, Sir John Everett Millais, James McNeill Whistler, Sir Francis Powell, Henry Moore, Sir John Tenniel, Charles Samuel Keene, Joseph Clark, John Wright Oakes, Walter Severn, William Gale, Frederick Smallfield, Henry Clarence Whaite, Matthew James Lawless, Arthur James Lewis, Henry Stacy Marks, Charles Rossiter, Vincent Bury, Lord G. Fitzgerald, J. R. Clayton, John Sleigh, and Lord Gerald Fitzgerald. The Junior Etching Club often published their members’ etchings and all of the above named artists contributed to their portfolio, Passages from Modern English Poets, first published by Day & Son Limited, Lithographers & Publishers, London, 1862. In total, that publication contained forty-seven original etchings. The Junior Club also issued, another important publication in 1858, Passages from the Poems of Thomas Hood published by E. Gambart & Co, London. It was also illustrated by its members and contained thirty-four plates.
#	Artist Last Name	Image	Title & Artist	Artist Info	Medium	Date	Source
01.-	Barwell		Sea Beach - Norfolk Fisherman on the Look Out (The Fisherman) by Frederick Bacon Barwell	Frederick Bacon Barwell (London, c. 1831 - 1922)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
02.-	Clark		Hagar and Ishmael by Joseph Clark	Joseph Clark (Cerne Abbas (Dorset), 1834 - Ramsgate, 1926)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
03.-	Gale		The May Wreath by William Gale	William Gale (London, 1823 - 1909)	Original Etching	1861	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
04.-	Keene		Scene of the Plague in London, 1665 by Charles Samuel Keene	Charles Samuel Keene (Hornsea, 1823 - London, 1891	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
05.-	Lawless		Sisters of Mercy by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching	1859	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
06.-	Lawless		The Little Shipwrights by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching & Aquatint	1859	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
07.-	Lewis		The Cornfield by Arthur James Lewis	Arthur James Lewis 'Arthur Lewis' (London, 1824 - 1901)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
08.-	Millais		Summer Indolence by John Everett Millais	John Everett Millais (Southampton, 1829 - London, 1896)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
09.-	Moore		Moonlight by Henry Moore	Henry Moore (York, 1831 - Margate, 1895)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
10.-	Oakes		The Last Gleam of Day by John Wright Oakes	John Wright Oakes (Middlewich (Cheshire), 1820 - London, 1887)	Original Drypoint & Etching	1859-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
11.-	Powell		The Rainbow by Sir Francis Powell	Sir Francis Powell (Pendleton, 1833 - Dunoon, Scotland, 1914)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
12.-	Rossiter		St. Valentine's Day by Charles Rossiter	Charles Rossiter (London, 1827 - 1897)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
13.-	Severn		Nearing Home by Walter Severn	Walter Severn (Frascati (near Rome), 1830 - London, 1904)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
14.-	Smallfield		Supping on Horrors by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
15.-	Smallfield		The Shoe-Black by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
16.-	Smallfield		Winter Revels by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
17.-	Tenniel		War and Glory by Sir John Tenniel	Sir John Tenniel (London, 1820 - 1914)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
18.-	Whaite		Study of a Head by Henry Clarence Whaite	Henry Clarence Whaite (Manchester, 1828 - Conwy Valley, Wales, 1912)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
19.-	Whistler		The Punt by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
20.-	Whistler		Sketching by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.

View other original works of art by Day & Son 'Royal Lithographers the Queen'.

Day & Son 'Royal Lithographers to Queen Victoria'
#	Image	Title & Artist	Artist Info	Medium	Date	Source	-
Ackermann, London
01.-		Moon Rise in The Valley of Cairn Gorm by Michel Bouquet	Michel Bouquet (Lorient, 1807 - Paris, 1890)	Original Lithograph	1849	Ackermann, London	Sold
Art Treasures of the United Kingdom
01.-		A Limoges Enamel Plaque, Early Sixteenth Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
02.-		Early Limoges Enamel, 12th or 13th Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
03.-		Faenza Ware Plate by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
04.-		Flemish Ewer, Jug and Stoneware, 16th Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
05.-		Portrait of Princess Elizabeth, in Enamel by Limousin by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
Industrial Arts of the Nineteenth Century at the Great Exhibition
01.-		Altar and Reredos Designed By The Late A. W. Pugin, Carved In Stone By Myers Of London, And Fitted-Up By Hardman Of Birmingham lithography by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1853	Industrial Arts of the Nineteenth Century at the Great Exhibition	Sold
02.-		Fountain in Iron, Andre of Paris by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
03.-		Ornamental Cover of a Colour Box designed by Sliegh for Ackermann & Company	J. Sliegh, (British, active, 19th century)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
04.-		Portion of a Shield in Silver by Vechte, for Hunt and Roskell of London by John Alfred Vinter	Vinter, John Alfred (London, 1828 - 1905)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
Vanity Fair
01.-		Vice - Admiral Caillard by Jean Baptiste Guth	Jean Baptiste Guth (Bayonne, London, died, 1921)	Original Lithograph	1905	Vanity Fair
02.-		Various Vanity Fair Prints (Collection of 40 Original Lithographs)	Miscellaneous Vanity Fair Portraits (Collection of Forty)	Original Lithographs	1875 to 1903	Vanity Fair
03.-		Madam Sarah Bernhardt by a Vanity Fair artist, Monogramme: 'K'	Monogramme: 'K'	Original Lithograph	1912	Vanity Fair	Sold
04.-		The Lord Chief Justice of England (Lord Alverstone) by a Vanity Fair artist, Monogramme: 'W. H.'	Monogramme: 'W. H.'	Original Lithograph	1913	Vanity Fair
05.-		Albert Seymour by Carlo Pellegrini Known as 'Ape'	Carlo Pellegrini 'Ape' (Capua, Italy, 1839 - London, 1889)	Original Lithograph	1877	Vanity Fair
06.-		The Lord Chief Baron (The Right Honourable Sir Fitz Roy Edward Kelly) by a Vanity Fair artist	Vanity Fair artist	Original Lithograph	1871	Vanity Fair
07.-		A Professor (Mr. James Edwin Thorold Rogers) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1884	Vanity Fair	Sold
08.-		H. A. C. (The Earl of Denbigh) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1894	Vanity Fair
09.-		The Admiral (Sir James Dairymple Horn Elphinstone, M. P.) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1878	Vanity Fair
10.-		Turf Devotee - The Right Honourable Lord Hothfield by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1889	Vanity Fair

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Title:	War and Glory
Artist:	Tenniel, Sir John (London, 1820 - 1914)
Date:	1861
Medium:	Original Etching
Publisher:	Day & Son in London
Edition:	Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
Note:	Sir John Tenniel: A premier Victorian era illustrator and cartoonist, Sir John Tenniel studied at the Royal Academy Schools and at the Clipstone Street Life Academy. In 1848 he illustrated an edition of Aesop's Fables which so impressed the editor of Punch that Tenniel became the magazine's second cartoonist in 1851 and its principal cartoonist in 1864, a position he held until 1901. John Tenniel was a full member of the New Watercolour Society (1874) and the Junior Etching Club (1857). As official recognition for his great cartoons and illustrations, John Tenniel was knighted in 1893.
	Sir John Tenniel contributed illustrations to such classic nineteenth century books as Passages from the Poems of Thomas Hood (1858), Poets of the Nineteenth Century (1858), The Home Affections (1858), Lalla Rookh (1861), Parables from Nature (1861), Puck on Pegasus (1862), Arabian Nights (1863), The Ingoldsby Legends (1864) and A Noble Life (1870). As an illustrator his name, however, will always be linked to two of the finest illustrated books of any era; Lewis Carroll's, Alice in Wonderland (1865) and Through the Looking Glass (1872). Shortly after his death in 1914, Punch issued a special Tenniel Supplement as tribute to his life and art.
	As earlier noted, Sir John Tenniel was a full member of the Junior Etching Club (1857-1864), an institution that greatly contributed to the revival of Etching in England. Other members included the British artists, Sir John Everett Millais, Sir Francis Powell, Henry Moore, Charles Keene, M. J. Lawless, Walter Severn, William Gale, Frederick Smallfield, Henry Clarence Whaite and James McNeill Whistler. The Junior Etching Club often published their members’ etchings and many (including Whistler and Tenniel) contributed to their most important portfolio, Passages from Modern English Poets, printed and published during the years 1861 and 1862.
	War and Glory was Sir John Tenniel's contribution to the Junior Etching Club publication, Passages from Modern English Poets. It was designed to illustrate the poem by Samuel Taylor Coleridge. In the poem, Coleridge argues that because Britain's wars are fought in foreign lands, those remaining at home are guilty of treating such conflict as a sport or amusement. Very much seen in our day with such quaint expressions as 'smart bombs', this is reflected in the phrases and terminologies used to describe warfare. He writes, "Terms which we trundle smoothly o'er our tongues, like mere abstractions, empty sounds, to which We join no feeling and attach no form! As if the soldier died without a wound; as if the fibres of this godlike frame Were gored without a pang; as if the wretch Who fell in battle doing bloody deeds Passed off to Heaven translated and not killed; as though he had no wife to pine for him, No God to judge him." * Samuel Taylor Coleridge There is no 'mere abstraction' in John Tenniel's War and Glory. The woman who embraces her dead lover for the last time feels all the horror and devastation of mankind's most brutal activity.
	Day & Son, London: Some of the most ambitious and accomplished printmaking projects of the Victorian era were launched by the publishers, Day & Son. The firm began in the mid 1820's under the title of 'Day & Hague' and assumed its more familiar name 'Day & Son, London' in 1845. Sir John Tenniel's original etching, War and Glory was published by 'Day & Son, London' between 1861-62. Throughout their early years they printed and published works of art dealing with a wide range of subjects, such as, hunting scenes, genre depictions, landscape scenes and topographical views.
Size:	3 5/8 X 5 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $395.00 US
Condition:	Printed upon wove paper and with full margins and signed with the artist's familiar 'JT' monogramme within the etching to the lower left. Bearing the artist's name, "J. Tenniel" as well as the publisher's name and date, "London, Published December 1st, 1861 by Day & Sons, Lith. to the Queen" along the lower margin of the plate as published for Passages from Modern English Poets in 1862. It also bears the plate's number "3" to the upper right corner of the margin above the image. Containing one small spot of foxing in the upper left margin else this impression is in excellent condition throughout without a trace of staining or fading. War and Glory stands as a moving, original example of the famous art of John Tenniel.
Subject:	Sir John Tenniel, War and Glory, original etching, Samuel Taylor Coleridge, poem Passages from Modern English Poets, Samuel Taylor Coleridge (1772-1834), principal artist for Punch Magazine, Illustrator of Lewis Carroll's, Alice in Wonderland (1865) and Through the Looking Glass (1872), British artists.
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