Title: |
Laeckoo Palace |
Artist: |
Swidde, Willem (Amsterdam, c. 1660 - Stockholm, 1697) |
Date: |
1691 |
Medium: |
Original Etching |
Note: |
Willem Swidde: No nation will ever again quite possibly
produce such an outstanding array of original etchers as Holland in the
seventeenth century. One need only mention several names: Rembrandt, Ruisdael,
Dujardin, van Ostade, Waterloo and a host of others raised etching, and
in particular the landscape etching, to its highest plateau. Despite a
short life, Willem Swidde fully belongs to this 'Golden Age' of the art
of etching. |
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Not much is known of Willem Swidde's actual life. It is assumed
he was born about the year 1660. His first work to be published in Holland
was a set of landscape etchings based upon the designs of Dirk Dalens.
Several years later he established a reputation for a fine set of large,
marine etchings based upon his own designs. Willem Swidde also was commissioned
to contribute etchings to illustrated books of the day, most notably in
the fields of topography and Biblical subjects. |
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In about 1690, Willem Swidde left Holland for the Kingdom
of Sweden to work upon designs and etchings for a proposed publication
entitled, Suecia Antiqua et Hodierna. The text was written by E.
Dahlberg. Several years later a fellow Dutch etcher, Jan Van Den Aveelen
(1650-1727), joined Willem Swidde in Stockholm (Holmiae) to complete the undertaking.
Altogether, the project, with its large and minutely detailed etchings
took more than twenty years to complete and was not published in its final
form until 1715. Willem Swidde had contributed fifty-four etchings by the year
of his death (1697) and these magnificent views stand among the greatest
topographical etchings of their time. |
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Laeckoo Palace stands as a brilliant testament to
the artistry of Willem Swidde. As befits such a topographical work, the
palace is portrayed with as much detail and accuracy as possible and is
thus placed in a position where two angles of the building are clearly
visible. The surrounding countryside, the lake and its ships, however,
are both artistically and lovingly handled. As with the finest of Dutch
17th century etching, landscape and topography are merged to become art. |
Raisonne: |
K. G. Boon, ed., Hollstein's Catalogue of Dutch and Flemish
Etchings, Engravings and Woodcuts, Vol. 29, 1984, pp. 145 - 164. |
|
Catalogue # 166, First and Only State. |
Source: |
Suecia Antigua et Hodierna |
Size: |
8 1/8 X 13 1/8 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
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Framed and Matted with 100% Archival Materials |
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View larger Framed Image |
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Buy Now |
Price: $635.00 US |
Condition: |
Printed on seventeenth century hand-made, laid paper bearing
the Arms of Amsterdam watermark. This probably indicates that this is
an early impression struck long before the completed publication date
of 1715. As well, the strong lines and sharp details in this impression
confirms that this is an initial printing. Trimmed to the plate-mark (which
is customary with 17th century etchings) but re-bordered with laid paper
by a previous owner. Laeckoo Palace represents a brilliant, original
example of the art of Willem Swidde. |
Important Information: |
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