Dwight Case Sturges - Hear Ye Hear Ye Hear Ye

Hear Ye: Hear Ye: Hear Ye

Dwight Case Sturges's figure studies were considered as among the finest of his age, and in these works he was often compared to the great Swedish artist, Anders Zorn. "Hear Ye: Hear Ye: Hear Ye": clearly shows why Dwight Sturges was so highly regarded. With bold and confident lines he has described a courtroom and its participants with the utmost vigor and veracity. This original etching was created by the American artist, Dwight Sturges in 1928.

Hear Ye: Hear Ye: Hear Ye

View other original works of art by Dwight Sturges.

Dwight Case Sturges (Boston, Massachusetts, 1874 - Melrose, Massachusetts, 1940)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		Hear Ye: Hear Ye: Hear Ye by Dwight Case Sturges	Original Etching	1928	Signed by Dwight Sturges and numbered in pencil, edition, 68/100.
02.-		Portrait by Dwight Case Sturges	Original Etching	c. 1925	Signed by Dwight Sturges in pencil.
03-		Quincy Market and Faneuil Hall by Dwight Case Sturges	Original Etching	1914	Signed by Dwight Sturges in pencil.
04-		The Skipper by Dwight Case Sturges	Original Etching	1923	Signed by Dwight Sturges in pencil.	Sold

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Title:	Hear Ye: Hear Ye: Hear Ye
Artist:	Sturges, Dwight Case (Boston, Massachusetts, 1874 - Melrose, Massachusetts, 1940)
Date:	1928
Medium:	Original Etching
Edition:	Limited edition of one hundred impressions, numbered 68/100
Note:	Dwight Case Sturges: One of the most acclaimed American etchers of the early twentieth century, Dwight Case Sturges studied at the Cowles Art School in Boston. Most of Sturges's early art was in the medium of oil painting. Beginning around 1910, however, he devoted himself almost exclusively to the art of original etching. Many awards soon followed, most notably from the Chicago Society of Etchers and at the Pan Pacific Exposition in San Francisco in 1915. Dwight Sturges was a full member of the Chicago Society of Etchers, the Canadian Society of Etchers, the Concord Art Association and the American Federation of Arts.
	Many major American museums now include examples of his etched art in their collections, such as the Institute of Chicago, the New York Public Library, the Farnsworth Art Museum, the Fogg Museum, the Toledo Museum, the Boston Museum of Fine Arts and the Library of Congress, in Washington.
	During the 1920's era, Sturges gained a strong international reputation for both his figure studies and landscapes. During this decade his original etchings were published by the influential Kennedy Galleries, Fifth Avenue, New York. All were published in editions of 100 or less. Sturges's fine etchings were thus exhibited frequently in both England and France.
	Sturges's figure studies were considered as among the finest of his age, and in these works he was often compared to the great Swedish artist, Anders Zorn. Hear Ye: Hear Ye: Hear Ye: clearly shows why Sturges was so highly regarded. With bold and confident lines he has described a courtroom and its participants with the utmost vigor and veracity.
Size:	12 X 9 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $295.00 US
Condition:	Printed upon fine, hand-made, laid paper and with full margins as published in New York in 1928. The hand-made paper bears the 'Italia Umbria' watermark that Sturges preferred at this time. Signed by Sturges in the plate and signed in pencil along the lower margin and numbered 68/100. The paper along the left plate mark has split and has been restored on the verso with archival materials. Else it is a brilliant impression with full plate tone and in excellent condition throughout.The original presentation sticker is included.
Note:	The original presentation sticker is included.
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