Title: |
Laomedon, King of Troy, Detected by Neptune and Apollo |
Engraver: |
Strange, Sir Robert (Pomona, Orkney, Scotland, 1721 - London,
1792) |
Designer: |
Rosa, Salvador (Arenella, 1615 - Rome, 1673) |
Date: |
1775 |
Medium: |
Original Line Engraving |
Note: |
"Strange's prints are austere and high minded, yet their silvery
tones, and delicate lines coursing round the turn of an arm or a face,
are often of some beauty in their clarity of exposition. Strange believed
that the elevated nature of his subjects should be translated with a
probity of technique that expressed both moral and formal beauty. To
Strange, as to Blake, the lower status of stipple engraving or mezzotint
lay not merely in their greater ease of execution, but in their intrinsic
inferiority of modeling with dots, or scraping out highlights, to incising
a clear and expressive line." *
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Sir Robert Strange: Originally intended for a career
in law, Sir Robert Strange studied art for six years in Edinburgh, under
Richard Cooper. With the arrival of the Civil War Strange joined the Jacobites
and fought in their defeated ranks at the battle of Culloden. He then escaped
to France and completed his studies in Paris under the engraver, J. P. Le
Bas. Robert Strange returned to London in 1751and (along with William Sharp
and William Wollett) established himself as one of England's greatest eighteenth
century engravers. |
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In both his art and his writings, Robert Strange stood in
opposition to a number of contemporary trends in British art. During the
mid and latter eighteenth century most of Britain's etchers and engravers
were producing prints in the tonal mediums of stipple or mezzotint. A powerful
master of the engraved line, Strange's art was more akin to the great seventeenth
century French line engravers, such as Nanteuil and Masson. As well, Strange
had little regard for engraving after the designs of his contemporaries
and held the work of the old masters of the Renaissance and Baroque periods
as the highest form of art. In this regard he left for Italy in 1761 and
spent four years there where he made drawings of many of the celebrated
pictures. In that time he was also elected a member of the academies of
Rome, Florence, Bologna, Parma and Paris. |
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During his career Sir Robert Strange created slightly over
eighty original engravings after the art of Vandyck, Correggio, Titian,
Rosa, Raphael and others. In 1787 he was knighted by King George III. Strange
was the only British engraver to receive such an honour in the eighteenth
century. |
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Laomedon, King of Troy, detected by Neptune and Apollo
is a spectacular example of Sir Robert Strange's engraved art. Here a myriad of meticulously
wrought lines combine to create an image of unforgettable force and clarity. |
Reference: |
* Richard T. Godfrey, Printmaking in Britain, Oxford,
Phaidon Press Ltd., 1978, p. 46. |
Size: |
17 1/4 X 13 3/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
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Framed and Matted with 100% Archival Materials |
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View larger Framed Image |
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Condition: |
Printed on thick eighteenth century hand-made, laid paper
and with margins trimmed slightly beyond the plate-mark. Containing several
small, marginal tears which do not intrude into the actual image, else a
beautifully printed impression bearing all the fine lines of an early printing.
Laomedon, King of Troy, Detected by Neptune and Apollo represents
a prime, original example of the famous engraved art of Sir Robert Strange. |
Price: |
Sold - The price is no longer available. |
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