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Frederick M. Spiegle

Frederick M. Spiegle - The Rehearsal

The Rehearsal

Frederick M. Spiegle's original etching, "The Rehearsal" is printed upon fine vellum and with full margins as published in New York by C. Klackner in 1888. It is signed in the plate and signed in pencil along the lower margin by Frederick Spiegle. This impression of "The Rehearsal" is a 'Remarque Proofs' impression. The contrasts of dark and light and the beautifully rendered features of the singer are exceptional. It is a fine, original example of the 19th century etched art created by the American artist, F. M. Spiegle.

Title:	The Rehearsal
Artist:	Spiegle, Frederick M. (New York, 1863 - 1942)
Date:	1888
Medium:	Original Etching (Remarque Proof Impression)
Publisher:	C. Klackner, New York
Edition:	Signed, Remarque Proof Impression on Vellum
Note:	Frederick M. Spiegle 'Frederick Spiegle': A New York City etcher and painter, Frederick M. Spiegle studied art in Paris. In the United States, Spiegle exhibited his art with such societies as the New York Etching Club, the Society of Independent Artists and the Salons of America. He was also regularly commissioned by publishers for book illustrations.
	Most of Frederick Spiegle's etchings were published by the New York firm of C. Klackner. Frederick M. Spiegle specialized in genre scenes, both after his designs and those of others. The Rehearsal is one of Frederick Spiegle's largest and most impressive etchings. Particularly noteworthy is the contrasts of dark and light and the beautifully rendered features of the singer.
	The Nineteenth Century Remarque Proof Impression: In the late 19th century American and British publishers of large engravings and etchings would produce a small number of remarque proofs before publication of the regular edition. 'Remarque' refers to the small etching (in this case a violin and sheet music) found under the main image in the lower margin. Remarques were meant to compliment the composition, and were removed for the publication of the regular edition. 'Proofs' were the first impressions to be pulled from the plate and before the addition of the title along the lower margin. Proofs thus constitute the finest impressions. As well, in the Victorian era, Remarque Proofs were printed on special papers, such as China or India papers, or on expensive materials such as silk or vellum. Proofs were the only impressions which were hand-signed by the artists.
	The New York publisher, C. Klackner, usually issued proof impressions signed by his artists and designers. These included Winslow Homer, William Magrath, James S. King, Frederick M. Spiegle, John T. Bentley, Gustave Mercier, Edward W. Sharland, Eugene Michel Joseph Abot and Leon Moran. Signed, proof impressions were limited small editions. The Rehearsal is a striking, original example of the late 19th century signed, proof impressions published by the American Christian Klackner firm.
Size:	23 1/4 X 15 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Buy Now	Price: $695.00 US
Condition:	Printed upon fine vellum and with full margins as published in New York by Christian Klackner in 1888. Signed in the plate and signed in pencil along the lower margin. Apart from several minute scraping marks within the etching this is a brilliant proof impression on a large sheet of vellum and in very good condition throughout. The Rehearsal represents a superb, original example of the 19th century etched art of F. M. Spiegle.
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Original Etching by the American artist, Frederick M. Spiegle.

The Rehearsal Original Etching by the American artist Frederick Spiegle

The Rehearsal

View other original works of art by Frederick Spiegle.

Frederick M. Spiegle (New York, 1863 - 1942)
#	Image	Title & Artist	Medium	Date	Notes
01-		Little Dick Turpin (Richard Turpin, The Highwayman) by Frederick M. Spiegle and Charles Spiegle	Original Etching	1891	Signed in the plate and signed in pencil by Frederick Spiegle, Remarque Proof Impression.
02.-		The Rehearsal by Frederick M. Spiegle	Original Etching	1888	Signed and dated in the plate and signed in pencil by both Frederick Spiegle and Charles Spiegle, Remarque Proof Impression.

View other original works of art published by the New York firm, C. Klackner.

C. Klackner, New York (Christian Klackner (born, c. 1850 - New York, 1916)
#	Image	Title & Artist	Artist Info	Date	Medium	Info	-
01.-		Accused of Witchcraft by James S. King designed by Douglas Volk.	James S. King 'James King' (New York, 1852 - Montclair, New Jersey, 1925)	1884	Original Etching	Signed in pencil by James King, Artist Proof Impression on China Paper
02.-		Apse of the Parish Church of Saint Pierre, Caen, France by Edward Sharland.	Edward W. Sharland 'Edward Sharland' (Bristol, active, 1911 - 1928)	1915	Original Etching	Signed in pencil by Edward Sharland, Artist Proof Impression on China Paper
03.-		Between two Fires by Eugene Abot designed by John Leon Moran.	Eugene Michel Joseph Abot 'Eugene Abot' (Malines, 1836 - Paris, 1894)	1884	Original Etching	Signed in pencil by both Leon Moran and Eugene Abot, Artist Proof Impression on China Paper
04.-		Wedding Bells in Old Trinity (Wall Street and Broadway, Trinity Church Altar, New York) by John T. Bentley.	John T. Bentley 'John Bentley' (Canadian / American, active, New Jersey, c. 1880-1918)	1885	Original Etching	Signed in pencil by John Bentley, Remarque Proof impression
05.-		Courtship in Ancient Times by Gustave Mercier designed by William Magrath.	Gustave Mercier (Paris, 1858 - New York, 1898)	1889	Original Etching	Signed in pencil by both William Magrath and Gustave Mercier, Remarque Proof Impression on China Paper.
06.-		Far Fram Hame (Far From Home) by James Scott designed by John George Brown.	James Scott (Durham, England, 1831 - New York City, 1913)	1884	Original Mixed Method Engraving	Titled Impression on China Paper	Sold
07.-		Little Dick Turpin by Frederick Spiegle and Charles Spiegle.	Frederick M. Spiegle 'Frederick Spiegle' (New York, 1863 - 1942)	1891	Original Etching	Signed by both Charles Spiegle and Frederick Spiegle in pencil, Remarque Proof impression
08.-		The Path by The Shore by Henry Pruett Share designed by Albert Fitch Bellows.	Henry Pruett Share (New York, 1853 - 1905)	1886	Original Etching	Signed in pencil by Henry Pruett Share, Remarque Proof impression.
09.-		The Rehearsal by Frederick M. Spiegle.	Frederick M. Spiegle 'Frederick Spiegle' (New York, 1863 - 1942)	1888	Original Etching	Signed in pencil by Frederick Spiegle, Remarque Proof impression on Vellum
10.-		Young Womanhood by Jennie Brownscombe.	Jennie Augusta Brownscombe 'Jennie Brownscombe' (Honesdale, Pennsylvania., 1850 - New York, 1931)	1889	Original Engraving & Etching	Signed by Jennie Brownscombe in pencil, Artist Proof Impression on China Paper	Sold

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Music & Dance Portrayed in Art Index	The 'Music & Dance Portrayed in Art' directory contains original works of art concentrating upon the theme of music and dance, a subject of great examination and interest for many artists. Their countless portraits or studies of composers, musicians, singers, dancers, and musical instruments are an important contribution to the arts.

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