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James David Smillie's "Up the Hill" is an original etchingpublished by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review". Of James D. Smillie's etched work from this period, M. W. Schantz writes, "During the 1870's and most of the 1880's, James David Smillie's painter-etchings consisted of mostly landscape scenes and views. He frequently chose scenes in which roads, paths and/or views pass through surrounding trees and foliage, with some person or object of interest in the deep distance. "The Farm Lane" was the first of this kind, followed by "Up the Hill" and his several Poughkeepsie, New York scenes."* |
Title: | Up the Hill |
Artist: | Smillie, James David 'James D. Smillie' (New York City, 1833 - 1909) |
Date: | 1879 |
Medium: | Original Etching |
Publisher: | Dana Estes and Charles E. Lauriat, Boston |
Source: | The American Art Review |
Note: | James David Smillie 'James D. Smillie': An accomplished nineteenth century etcher and painter, James David Smillie studied from the age of nine under his father, James Smillie (1807-1885), a well known engraver. More than any American etcher of his time, James D. Smillie became an expert in etching and engraving techniques and his advice was sought after by many etchers and printers throughout the latter half of the nineteenth century. Many of the fine etchings commissioned by "The American Art Review", for example, were printed under James David Smillie's supervision. In the late 1880's, James David Smillie was commissioned by the Smithsonian Institute to create drypoints, mezzotints, soft ground etchings and aquatints as examples for other artists to follow. |
The large majority of James D. Smillie's original etchings date from 1878 to 1900 and are striking examples of etching processes. In "Up the Hill", for instance, he spread thin layers of ink upon the plate to create areas of strong tonal values. Up the Hill was published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review", in Boston. In total, this publisher commissioned three Smillie etchings during its publishing history. | |
James David Smillie was a founding member of the influential New York Etching Club and later became its president. He also served as president of the American Water Color Society from 1873 to 1879. He was made an Associate of the National Academy in 1865 and elected a full Academician in 1876. | |
The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art: Inspired by the European etched art of James McNeill Whistler, Charles Meryon, Sir Francis Seymour Haden and others, a large number of American artists became seriously interested in the art of etching by 1875. A primary catalyst to the etching revival in America was the journal, "The American Art Review" (1879-1881). Founded and edited by Sylvester Rosa Koehler it commissioned American artists for original etchings. Contributing etchers included such famous artists as James David Smillie, Thomas Moran, Otto Bacher, Edmund Henry Garrett, Stephen Parrish, Henry Farrer, Eliza Greatorex, Charles Adams Platt and William Merritt Chase. Each etching published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review" was printed in a limited edition of 500 impressions on fine china paper which was then pressed onto a larger sheet of white wove paper. | |
Due mostly to its lavish production costs the journal lasted only slightly over two years. The finely printed etchings it produced, however, served as a cornerstone for the many great American etchings of the early twentieth century. | |
Reference: | * Michael W. Schantz, "James D. Smillie: American Printmaker", Philadelphia, Woodmere Art Museum, 1991. (Quotation within the unpaginated introduction.) |
Size: | 8 1/4 X 5 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon fine, laid paper as published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review". Signed by the artist with his characteristic signature in the lower left corner of the plate. A deeply printed, tonal impression and in excellent condition throughout. "Up the Hill" represents a superb, original example of the nineteenth century American art of James David Smillie. |
Subject: | James David Smillie, Up the Hill, original etching, American Art Review, New York Etching Club, Smithsonian Institute, American nineteenth century etchings. |
Price: | Sold - The price is no longer available. |
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Original Etching by James David Smillie 'James D. Smillie'.
Up the Hill |
View other original works of art by the American artist, James David Smillie.
James David Smillie 'James D. Smillie' (New York City, 1833 - 1909) | ||||||
# | Image | Title & Artist | Medium | Date | Notes | - |
01.- | Detached Thoughts on Books by James David Smillie | Original Etching | 1883 (Published, 1884) | Signed within the plate, "J. Smillie, June, 1883" to the upper right and bearing his number (24) to the lower left. | Sold | |
02.- | Lady of Cairo Visiting by James David Smillie | Original Etching | 1881 | Signed within the plate, "Smillie, N.Y., 1881" to the upper right and "F. A. Bridgman, 1880" to the lower right. | ||
03.- | Old Cedars, Coast of Maine by James David Smillie | Original Etching | 1880 | Signed in the plate lower left corner by James David Smillie and titled by him to the lower right. | Sold | |
04.- | The Sun Dial by James David Smillie | Original Etching | 1883 (Published, 1884) | Signed within the plate, "J. Smillie, 1883" to the lower left and bearing his number (22) to the lower right. | Sold | |
05.- | Up the Hill by James David Smillie | Original Etching | 1879 | Signed by James David Smillie with his characteristic signature in the lower left corner of the plate. | Sold |
View other original works of art published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review".
"The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art" (Nov. 1879 to Oct. 1881) | ||||||
# | Image | Title & Etcher | Artist Info | Medium | Date | - |
01.- | A Village Street in France by Joseph Foxcroft Cole | Joseph Foxcroft Cole 'J. F. Cole' (Jay, Maine, 1837 - Winchester, Mass., 1892) | Original Etching | 1879 (1st Ed: 1880) | Sold | |
02.- | A Young Republican by John Ames Mitchell | John Ames Mitchell 'John Mitchell' (New York, 1845 - Ridgefield, Connecticut, 1918) | Original Etching | 1881 | Sold | |
03.- | Coal Pockets at New Bedford, Massachusetts by Robert Swain Gifford | Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905) | Original Etching | 1879 | Sold | |
04.- | Devil's Way, Algiers by Stephen James Ferris 'Stephen Ferris' | Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915) | Original Etching | 1879 | ||
05.- | Divination in Tea Leaves by Alfred Laurens Brennan | Alfred Laurens Brennan 'Alfred Brennan' (Louisville, Kentucky, 1853 - Brooklyn, New York, 1921) | Original Etching | 1879 | ||
06.- | Durham, England by Samuel Colman | Samuel Colman (Portland, Maine, 1832 - New York City, 1920) | Original Etching | 1880 | ||
07.- | Lady of Cairo Visiting by James David Smillie after Frederick Arthur Bridgman | James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909) | Original Etching | 1881 | ||
08.- | Leukothea (Leucothea) Appears to Odysseus by Hans Meyer after Friedrich Johann Christian Ernst Preller | Hans Meyer (Berlin, 1846 - 1919) | Original Etching and Aquatint | 1881 | ||
09.- | Mill Pond at Windsor Connecticutt by Albert Fitch Bellows | Albert Fitch Bellows 'Albert Bellows' (Milford, Massachusetts, 1829 - New York, 1883) | Original Etching | 1879 | Sold | |
10.- | Moonlight on the Androscoggin by John Henry Hill | John Henry Hill 'John Hill' (West Nyack, New York, 1839 - 1922) | Original Etching and Aquatint | 1880 | Sold | |
11.- | Mrs. Philip Nicklin by Stephen James Ferris 'Stephen Ferris' after Gilbert Stuart. | Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915) | Original Etching | 1879 | ||
12.- | Near Mattakeesett by Edmund Henry Garrett | Edmund Henry Garrett 'Edmund Garrett' (Albany, New York, 1853 - Nedham, Massachusetts, 1929) | Original Etching | 1881 | ||
13.- | Negro Huts at Wilmington, North Carolina by John Mackie Falconer | John Mackie Falconer 'John Falconer' (Edinburgh, Scotland, 1820 - Brooklyn, N.Y., 1903) | Original Etching | 1880 | Sold | |
14.- | November by Stephen Parrish | Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938) | Original Etching | 1880 | Sold | |
15.- | Old Boat House, Gloucester, Massachusetts by Charles Adams Platt | Charles Adams Platt 'Charles Platt' (New York City, 1861 - 1933) | Original Etching | 1881 | Sold | |
16.- | Old Cedars, Coast of Maine by James David Smillie | James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909) | Original Etching | 1880 | Sold | |
17.- | On New York Bay by Henry Farrer | Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903) | Original Etching | 1879 | Sold | |
18.- | On the Housatonic by Hendrik Dirk Kruseman Van Elten | Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904) | Original Etching | 1881 | Sold | |
19.- | On the Shepang River, Connecticut by Hendrik Dirk Kruseman Van Elten | Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904) | Original Etching | 1880 | Sold | |
20.- | Passaic Meadows (In The Newark Meadows) by Thomas Moran | Thomas Moran (Bolton, England, 1837 - Santa Barbara, Ca, 1926) | Original Etching | 1880 | ||
21.- | Pond at Cernay-La-Ville by Eliza Pratt Greatorex | Eliza Pratt Greatorex 'Eliza Greatorex' (Manor Hamilton, Ireland, 1820 - Paris, 1897) | Original Etching | 1880 | Sold | |
22.- | Portrait of Mrs. J. Coleman Drayton by Stephen James Ferris 'Stephen Ferris' after Daniel Huntington | Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915) | Original Etching | 1881 | ||
23.- | Portrait of Sir Gilbert Scott by Anna Lea Merritt after George Richmond | Anna Lea Merritt (Philadelphia, 1844 - Hampshire, England, 1930) | Original Etching and Aquatint | 1880 | ||
24.- | Schwabelweiss by Otto Henry Bacher | Otto Henry Bacher 'Otto Bacher' (Cleveland, 1856 - Bronxville, Ny., 1909) | Original Etching | 1879 | Sold | |
25.- | Summer by Ignaz Marcel Gaugengigl | Ignaz Marcel Gaugengigl 'Ignaz Gaugengigl' (Passau, Bavaria, 1855 - Boston, 1932) | Original Etching | 1880 | ||
26.- | Sunset, Gowanus Bay by Henry Farrer | Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903) | Original Etching | 1880 | Sold | |
27.- | The Mermaid by Frederick Stuart Church | Frederick Stuart Church 'F. S. Church' (Grand Rapids, Michigan, 1842 - New York, 1924) | Original Etching and Aquatint | 1880 | Sold | |
28.- | The Noonday Rest by Peter Moran | Peter Moran (Bolton, England, 1841 - Philadelphia, Pa, 1914) | Original Etching | 1877 (1st Ed: 1880) | ||
29.- | The Old Clothes Dealer, Cairo by Stephen James Ferris 'Stephen Ferris' after Jean-Leon Gerome | Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915) | Original Etching | 1880 | ||
30.- | The Path by The Shore by Robert Swain Gifford | Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905) | Original Etching | 1879 | Sold | |
31.- | Up The Hill by James David Smillie | James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909) | Original Etching | 1879 | Sold |
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