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Jean Pierre Simon 'John Peter Simon, the Younger' & Richard Westall

Jean Pierre Simon also known as John Peter Simon and Richard Westall - Hymn to the Nativity The Poetical Works of John Milton

Hymn to the Nativity (The Poetical Works of John Milton)

Jean Pierre Simon's original stipple engraving, Hymn to the Nativity is based upon a design created by the British painter, Richard Westall for John & Josiah Boydell's "The Poetical Works of John Milton". Such masterworks as Paradise Lost, Samson Agonistes and Comus place John Milton (British, 1608 - 1674) as England's greatest poet. It belongs to Milton's Poems upon Several Occasions. In this scene, the infant Christ carries the olive sprig of peace and banishes the gods of paganism. This impression is printed upon thick Whatman wove paper and with large, full margins. It contains the engraver's name, "J. P. Simon Sculpt.", the designer's name, "R. Westall, R. A. delt.", title, "Hymn to the Nativity. Stan. 23 & 24._Page 92.", which stands for (Stanzas 23 & 24 of Milton's Hymn to the Nativity, from John and Josiah Boydell's, The Poetical Works of John Milton on page 97), and the publisher's details "Published March 25, 1797 by J. & J. Boydell & G. Nicol, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside." printed below the image. Hymn to the Nativity is a striking, original example of the 18th century art created by the British artists, Jean Pierre Simon & Richard Westall.
 
Title: Hymn to the Nativity
Engraver: Simon, Jean Pierre 'John Peter Simon, the Younger' (London, 1750 - Paris, c. 1810)
Designer: Westall, Richard (Hertford, 1765 - London, 1836)
Date: 1797
Medium: Original Stipple Engraving
Publisher J. & J. Boydell & G. Nicol, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside
Source: The Poetical Works of John Milton
Note: Jean Pierre Simon (J. P. Simon, Peter Simon, The Younger): Born in London, it is believed Jean Pierre Simon studied stippling techniques under Francesco Bartolozzi. Early in his career he engraved plates for Worlidge's, Antique Gems. By 1790 Jean Pierre Simon had established himself as one of England's finest stipple engravers and was commissioned to create engravings after such contemporary artists as Gainsborough, Reynolds, Fuseli and Wheatley. Simon's abilities to capture strong tonal values and contrasts placed his art in great demand and John Boydell frequently commissioned him to produce engravings for both his 'Shakespeare' and 'Milton' sets.
  Richard Westall: After attending the Royal Academy schools in London (1785), Richard Westall devoted himself to history and landscape subjects. He was an early practitioner of the watercolour medium and many publishers of illustrated books soon sought his designs for publication of illustrated editions of Gray, Moore, Crabbe and other poets of the day. During the 1790's he was commissioned by Boydell to work upon both the Milton and Shakespeare sets. Richard Westall was elected an Associate of the prestigious Royal Academy in 1792 and a full Academician in 1794. In the 1820's he was appointed the drawing master to then Princess Victoria.
  John Boydell is easily one of England's most remarkable 18th century personalities. Born in poverty, he began his career as an at best mediocre engraver of small book plates. At this time England was at a very low ebb as a serious centre for the visual arts (particularly engraving) and Boydell sought to eradicate this situation by beginning a second career as a publisher of fine prints. Modest initial experiments in the 1760's led to a rapid expansion of his business and during the 1770's he published his striking series of mezzotint engravings, Liber Veritas, engraved by Richard Earlom after the drawings of Claude Lorrain. This ambitious undertaking put England back on the printmaking map and was a huge financial success for John Boydell.
  Boydell had now established London as a major centre for the arts and this once poor and struggling engraver/publisher was acknowledged for his efforts by being elected no less than Lord Mayor of London, in 1791. The same year marked the beginning of Boydell's most grandiose undertaking. His new publishing establishment in Pall Mall, the 'Shakspeare Gallery', began by commissioning the most esteemed painters and engravers in the country to create and design large and expensive engravings based upon the plays and life of William Shakespeare. By this time as well John Boydell's nephew, Josiah Boydell (1752-1817), had joined the firm.
  This monumental venture continued until Boydell's death thirteen years later. By that time, The Shakespeare Gallery had created and published one hundred and seventy engravings on a grand scale. Alas, the expenses for this vast project had been so large that England's foremost publisher of art ended his life the way he began, dying penniless.
  At this time England's other great literary giant, John Milton, was honoured by Boydell. The Poetical Works of John Milton was published in three parts in 1794, 1795 and 1797. Sparing no expense, John Boydell commissioned George Romney to design a portrait plate and Richard Westall to design images illustrating each part of Paradise Lost and Paradise Regained as well as the more famous individual poems. The engravers included Richard Earlom, Thomas Kirk, J. P. Simon, Benjamin Smith, M. Haughton, Dutterau and John Ogborne.
  Unlike the Shakespeare engravings, the Milton prints were constructed almost solely in the stipple technique. Stippling reached its golden age in late eighteenth century England. The technique was promoted and taught by Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815). Many of the above mentioned engravers were among his finest students. Briefly, stippling was a tonal method where the image was created not with solid lines but with a multitude of dots or flicks. Under a master's hand, stippling magnificently captured tonal values by contrasting areas of light and shade. Unfortunately it was most laborious and quickly became extinct with advances in aquatint engraving in the early nineteenth century. Yet to this day some of the most subtle and sensual engravings in the history of British art belong to the stipple engravers of the late eighteenth century.
Edition: As one can easily see, these stipple engravings for Boydell's The Poetical Works of John Milton are masterpieces of their kind. As well, these original prints are more scarce than Boydell's other published works of art. They were issued in one edition only and no further editions were struck from the plate.
 

Hymn to the Nativity: This stipple engraving contains the engraver's name, "J. P. Simon Sculpt.", the designer's name, "R. Westall, R. A. delt.", title, "Hymn to the Nativity. Stan. 23 & 24._Page 92.", which stands for (Stanzas 23 & 24 of Milton's Hymn to the Nativity, from John and Josiah Boydell's, The Poetical Works of John Milton on page 97), and publisher's details "Published March 25, 1797 by J. & J. Boydell & G. Nicol, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside." printed below the image. Hymn to the Nativity belongs to Milton's Poems upon Several Occasions. In this scene, the infant Christ carries the olive sprig of peace and banishes the gods of paganism. This original Jean Pierre Simon stipple engraving illustrates stanzas 23 and 24:

"Nor is Osiris seen
In Memphian grove or green,
Trampling the unshower'd grass with lowings loud;
Nor can he be at rest
Within his sacred chest,
Naught but profoundest Hell can be his shroud;
In vain, with timbrel'd anthems dark,
The sable-stolen sorcerers bear his worshipp'd ark."
Size: 10 1/2 X 7 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Buy Now Price: $1,150.00 US
Condition: Printed upon thick Whatman wove paper and with large, full margins as published by John and Josiah Boydell in Pall Mall in 1797. It contains the engraver's name, "J. P. Simon Sculpt.", the designer's name, "R. Westall, R. A. delt.", title, "Hymn to the Nativity. Stan. 23 & 24._Page 92.", and publisher's details "Published March 25, 1797 by J. & J. Boydell & G. Nicol, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside." printed below the image. Containing faint water staining in the left margin (well away from the actual engraving) and one spot of foxing to the right of the angel's outstretched arm, else a rich, early impression and in excellent condition throughout. This original stipple engraving represents both a scarce and superb example of late eighteenth century British art.
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Original Stipple Engraving by the British artist Jean Pierre Simon designed by Richard Westall.
'First Edition Impression'

Hymn to the Nativity Poetical Works of John Milton Original Stipple Engraving by the British artist Jean Pierre Simon also known as John Peter Simon designed by Richard Westall for John Boydell's set The Poetical Works of John Milton
Hymn to the Nativity (Poetical Works of John Milton)

View other original engravings by Jean Pierre Simon.

Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810)
# Image Title & Engraver Medium Date Engraver Designer -
01- As You Like It Rosalind Celia Hymen engraved by Jean Pierre Simon designed by William Hamilton As You Like It. Act V, Scene IV. Rosalind, Celia, Hymen, Duke Senior, Orlando, etc. engraved by Jean Pierre Simon designed by William Hamilton for the Shakspeare Gallery. Original Stipple Engraving (Proof Impression Before Title) 1790 J. P. Simon William Hamilton (Chelsea, 1751 - London, 1801)  
02.- As You Like It The Seven Ages of Man The Fifth Age engraved by Jean Pierre Simon designed by Robert Smirke As You Like It. Act II, Scene VII. The Seven Ages of Man. Fifth Age. Middle Age engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple Engraving (Open Letter Proof Impression) 1801 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
03.- As You Like It The Seven Ages of Man The Seventh Age engraved by Jean Pierre Simon designed by Robert Smirke As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple Engraving (Open Letter Proof Impression) 1801 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
04.- King Henry The Fourth engraved by Jean Pierre Simon designed by Richard Westall First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower engraved by Jean Pierre Simon designed by Richard Westall for the Shakspeare Gallery. Original Line and Stipple Engraving 1795 J. P. Simon Richard Westall (Hertford, 1765 - London, 1836) Sold
05.- Hymn to the Nativity Poetical Works of John Milton engraved by Jean Pierre Simon designed by Richard Westall Hymn to the Nativity, engraved by Jean Pierre Simon designed by Richard Westall (Poetical Works of John Milton). Original Stipple Engraving (First Edition Impression) 1797 J. P. Simon Richard Westall (Hertford, 1765 - London, 1836)  
06.- Merchant of Venice Shylock Jessica and Launcelot engraved by Jean Pierre Simon designed by Robert Smirke Merchant of Venice. Act II, Scene V. Shylock's House. Shylock, Jessica and Launcelot engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple Engraving (First Edition Impression) 1795 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
07.- Merry Wives of Windsor Anne Page Slender and Simple engraved by Jean Pierre Simon designed by Robert Smirke Merry Wives of Windsor. Act I, Scene I. Before Page's House. Anne Page, Slender and Simple engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple and Line Engraving (Proof Impression Before Title) 1792 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
08.- Merry Wives of Windsor Mrs Page Mrs Ford and Falstaff engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters Merry Wives of Windsor. Act III, Scene III. Mrs. Page, Mrs. Ford and Falstaff engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters for the Shakspeare Gallery. Original Stipple and Line Engraving (First Edition Impression) 1793 J. P. Simon Reverend Matthew William Peters (Brasted (Freshwater, Isle of Wight, England, 1742 - Died, 1814)  
09.- Much Ado About Nothing Hero Ursula and Beatrice engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters Much Ado About Nothing. Act III, Scene I. Hero, Ursula and Beatrice engraved by Jean Pierre Simon designed by William Hamilton for the Shakspeare Gallery. Original Stipple and Line Engraving (Open Letter Proof Impression) 1790 J. P. Simon William Hamilton (Chelsea, 1751 - London, 1801) Sold
10.- Much Ado About Nothing Don Pedro Don John Leonato Friar Claudio Benedick Hero and Beatrice engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters Much Ado About Nothing. Act IV, Scene I. Don Pedro, Don John, Leonato, Friar, Claudio, Benedick, Hero and Beatrice engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters for the Shakspeare Gallery. Original Stipple and Line Engraving (Open Letter Proof Impression) 1790 J. P. Simon Reverend Matthew William Peters (Brasted (Freshwater, Isle of Wight, England, 1742 - Died, 1814)  
11.- Paradise Lost Satan Alarmed Poetical Works of John Milton engraved by Jean Pierre Simon designed by Richard Westall Paradise Lost: Satan Alarmed engraved by Jean Pierre Simon designed by Richard Westall (Poetical Works of John Milton). Original Stipple Engraving (First Edition Impression) 1794 J. P. Simon Richard Westall (Hertford, 1765 - London, 1836)  
12.- Winter's Tale Leontes Antigonus Lords Attendants and the Infant Perdita engraved by Jean Pierre Simon designed by John Opie Winter's Tale. Act II, Scene III. Leontes, Antigonus, Lords, Attendants and the Infant Perdita engraved by Jean Pierre Simon designed by John Opie for the Shakspeare Gallery. Original Stipple Engraving 1793 J. P. Simon John Opie (St. Agnes, Cornwall, 1761 - London, 1807) Sold

View other original engravings published by John and Josiah Boydell for "The Poetical Works of John Milton".

The Poetical Works of John Milton
Designed by Richard Westall
# Image Title & Engraver Engraver Info Medium Date -
01.- Comus Sabrina Releasing the Lady from her Spell by John Ogborne designed by Richard Westall Comus: Sabrina Releasing the Lady from her Spell by John Ogborne John Ogborne (Chelmsford, 1755 - London, 1837) Original Stipple Engraving 'First Edition Impression 1797 Available
02.- - Comus: The Forest Scene by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving 'First Edition Impression 1797 --
03.- - Comus: The Temptation Scene by Benjamin Smith Benjamin Smith (London, 1754 - 1833)
& Benjamin Duterrau (1767 - 1851)		 Original Stipple Engraving 'First Edition Impression 1797 --
04.- - Elegia Quinta by Thomas Kirk Thomas Kirk (London, Died, 1797) Original Stipple Engraving 'First Edition Impression 1797 --
05.- Hymn to the Nativity Poetical Works of John Milton engraved by Jean Pierre Simon designed by Richard Westall Hymn to the Nativity by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving 'First Edition Impression 1797 Available
06.- - Il Penseroso by John Ogborne John Ogborne (Chelmsford, 1755 - London, 1837) Original Stipple Engraving 'First Edition Impression 1797 --
07.- John Milton On the Death of a Fair Infant by Benjamin Smith On the Death of a Fair Infant by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving 'First Edition Impression 1794 Available
08.- - L'Allegro by Thomas Kirk Thomas Kirk (London, Died, 1797) Original Stipple Engraving 'First Edition Impression 1797 --
09.- Lycidas by Benjamin Smith designed by Richard Westall Lycidas (A poem by John Milton), by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving 'First Edition Impression 1797 Available
10.- - Milton and his two Daughters by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving 'First Edition Impression 1797 --
11.- Paradise Lost Adam and Eve Banished by Benjamin Smith Paradise Lost: Adam and Eve Banished from Paradise by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving 'First Edition Impression 1795 Available
12.- Paradise Lost Adam Awakening Eve by Richard Earlom after Richard Westall Paradise Lost: Adam Awakening Eve by Richard Earlom Richard Earlom (London, 1743 - 1822) Original Stipple Engraving 'First Edition Impression 1794 Sold
13.- Paradise Lost Death Leaving the Gates of Hell for the World of Man by John Ogborne designed by Richard Westall Paradise Lost: Death Leaving the Gates of Hell for the World of Man by John Ogborne John Ogborne (Chelmsford, 1755 - London, 1837) Original Stipple Engraving 'First Edition Impression 1795 Available
14.- Paradise Lost Eve in the Garden of Eden by Richard Earlom after Richard Westall Paradise Lost: Eve in the Garden of Eden by Richard Earlom Richard Earlom (London, 1743 - 1822) Original Stipple Engraving 'First Edition Impression 1795 Sold
15.- Paradise Lost Messiah Routs Satan and his Angels by Luigi Schiavonetti designed by Richard Westall Paradise Lost: Messiah Routs Satan and his Angels by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Stipple Engraving 'First Edition Impression 1794 Sold
16.- Paradise Lost Satan Alarmed Poetical Works of John Milton engraved by Jean Pierre Simon designed by Richard Westall Paradise Lost: Satan Alarmed by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving 'First Edition Impression 1794 Available
17.- - Paradise Lost: Satan at the Gates of Hell by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving 'First Edition Impression 1794 --
18.- - Paradise Lost: Satan Awakening His Legions by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving 'First Edition Impression 1794 --
19.- Paradise Lost The Angel Raphael Relates The Story of Creation to Adam and Eve by Thomas Kirk designed by Richard Westall Paradise Lost: The Angel Raphael Relates The Story of Creation to Adam and Eve by Thomas Kirk Thomas Kirk (London, Died, 1797) Original Stipple Engraving 'First Edition Impression 1795 Sold
20.- Paradise Lost The Temptation of Eve by Thomas Kirk designed by Richard Westall Paradise Lost: The Temptation of Eve by Thomas Kirk Thomas Kirk (London, Died, 1797) Original Stipple Engraving 'First Edition Impression 1795 Sold
21.- Paradise Regained Christ and Satan Dispute the Value of Earthly Glory by William Satchwell Leney designed by Riichard Westall Paradise Regained: Christ and Satan Dispute the Value of Earthly Glory. by William Satchwell Leney William Satchwell Leney (London, 1769 - Longue Pointe (Montreal), Canada, 1831) Original Stipple Engraving 'First Edition Impression 1795 Available
22.- Paradise Regained Christ in the Wilderness by Moses Haughton Junior Paradise Regained: Christ in the Wilderness by Moses Haughton Junior Moses Haughton, Junior (Wednesbury, Staffordshire, c. 1772 - London, 1848) Original Stipple Engraving 'First Edition Impression 1795 Available
23.- Paradise Regained The Fall of Satan by Benjamin Smith Paradise Regained: The Fall of Satan by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving 'First Edition Impression 1795 Available

Portraits of John Milton (England, 1608 - 1674)
# Image Title & Artist Artist Info Medium Publisher Date -
01.- John Milton Age 21 by William Nelson Gardiner John Milton, Age 21 by William Nelson Gardiner William Nelson Gardiner (Dublin, 1766 - London, 1814) Original Stipple Engraving and Etching John and Josiah Boydell & George Nicol, London 1794 Sold
02.- John Milton Age 62 by William Nelson Gardiner John Milton, Age 62 by William Nelson Gardiner William Nelson Gardiner (Dublin, 1766 - London, 1814) Original Stipple Engraving and Etching John and Josiah Boydell & George Nicol, London 1794  
03.- Portrait of John Milton as a Child by Giovanni Battista Cipriani Portrait of John Milton as a Child by Giovanni Battista Cipriani Giovanni Battista Cipriani (Florence, Italy, 1727 - London (Hammersmith), 1785) Original Etching Thomas Hollis (J. & J. Boydell & G. Nicol Edition, 1794) 1760  
04.- Portrait of John Milton as a Young Man by Giovanni Battista Cipriani Portrait of John Milton as a Young Man by Giovanni Battista Cipriani Giovanni Battista Cipriani (Florence, Italy, 1727 - London (Hammersmith), 1785) Original Etching Thomas Hollis (J. & J. Boydell & G. Nicol Edition, 1794) 1760  
05.- Portrait of John Milton in Old Age by Giovanni Battista Cipriani Portrait of John Milton in Old Age by Giovanni Battista Cipriani Giovanni Battista Cipriani (Florence, Italy, 1727 - London (Hammersmith), 1785) Original Etching Thomas Hollis (J. & J. Boydell & G. Nicol Edition, 1794) 1760  
06.- Portion of a Shield in Silver by Vechte for Hunt and Roskell of London by John Alfred Vinter Portion of a Shield (John Milton dictating his epic poem, "Paradise Lost", to his daughter.) by John Alfred Vinter John Alfred Vinter (London, 1828 - 1905) Original Lithograph Day & Son, London 1852  

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