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Jean Pierre Simon 'John Peter Simon, the Younger' & Richard Westall

Jean Pierre Simon also known as John Peter Simon and Richard Westall - First Part of King Henry The Fourth Act III Scene I The Archdeacon of Bangors House in Wales Hotspur Worcester Mortimer and Owen Glendower from the Shakspeare Gallery by John Boydell

First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower. Shakspeare Gallery

Jean Pierre Simon's original line and stipple engraving, "First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower." is based upon a design by the British artist Richard Westall for John Boydell's "Shakspeare Gallery". This impression is printed upon early nineteenth century wove paper and with full margins as published by Boydell in London in 1795. An original engraving, inspired by a William Shakespeare's play, the scene takes place in Wales at the house of the Archdeacon of Bangor with four Lords around a table discussing the downfall of the English monarch, King Henry the Fourth, and division of the realm. The first rebel is Hotspur, Henry Percy, 2nd Earl of Northumberland, the second noble is Thomas Percy, Earl of Worcester, an English nobleman, and Hotspur's uncle. The third accomplice is Edmund Mortimer, the Earl of March an English nobleman and the chosen heir of King Richard the Second, and lastly, we have Owen Glendower (Owain Glyndwr), a Welsh leader, and sympathizer of the rebellion. This is a superb, original example of the British art of Jean Pierre Simon (J. P. Simon, Peter Simon, The Younger), Richard Westall, and the famous Boydell Shakespeare Gallery. The text below the image of this impression reads; "Shakespeare. First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower. Published June 4. 1795, by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall; & at No. 90, Cheapside, London. Engraved by I. P. Simon. Painted by R. Westall R. A.

Wor. Yea, but a little charge will trench him here,
And on this north side win this cape of land;
And then he runs straight and even
Hot. I'll have it so;a little charge will do it.
Glend. I will not have it alter'd.
Hot. Will not you?
Glend. No, no you shall not.
Hot. Who shall say me nay?
Glend. Why, that will I."
 
Title: First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower.
Engraver: Simon, Jean Pierre 'John Peter Simon, the Younger' (London, 1750 - Paris, c. 1810)
Designer: Westall, Richard (Hertford, 1765 - London, 1836)
Date: 1795
Medium: Original Line and Stipple Engraving
Publisher: John Boydell, London
Source: Shakspeare Gallery
Note: Jean Pierre Simon (J. P. Simon, Peter Simon, The Younger): Born in London, it is believed Jean Pierre Simon studied stippling techniques under Francesco Bartolozzi. Early in his career he engraved plates for Worlidge's, Antique Gems. By 1790, Jean Pierre Simon had established himself as one of England's finest stipple engravers and was commissioned to create engravings after such contemporary artists as Gainsborough, Reynolds, Fuseli and Wheatley. Simon's abilities to capture strong tonal values and contrasts placed his art in great demand and John Boydell frequently commissioned him to produce engravings for both is 'Shakespeare' and 'Milton' sets. This original stipple engraving entitled First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower. represents a prime example of the art of Jean Pierre Simon.
  Richard Westall: After attending the Royal Academy schools in London (1785), Richard Westall devoted himself to history and landscape subjects. He was an early practitioner of the watercolour medium and many publishers of illustrated books soon sought his designs for publication of illustrated editions of Gray, Moore, Crabbe and other poets of the day. During the 1790's and early 1800's he was commissioned by John Boydell to work upon important engravings illustrative of both the Milton and Shakespeare publications. Richard Westall was elected an Associate of the prestigious Royal Academy in 1792 and a full Academician in 1794. In the 1820's he was appointed the drawing master to then Princess Victoria.
  John Boydell was clearly one of England's most remarkable 18th century people. Born to a poor family, he began his career as an at best mediocre engraver of book plates. At this time England was at a very low ebb as a serious centre for the creative arts (particularly engraving) and Boydell sought to eradicate this problem by beginning a second career as a print publisher. Modest experiments in the 1760's led to a rapid expansion and the mid 1770's saw the publication of his Liber Veritas, with mezzotint engravings by Richard Earlom after the drawings of Claude in the King's Collection. This expensive undertaking put England back on the printmaking map and was a huge financial success for John Boydell.
  John Boydell had now established Britain as a major centre for the arts and this once poor and struggling artist was now acknowledged for his work by being elected no less than Lord Mayor of London, in 1791. The same year marked the beginning of Boydell's most grandiose undertaking. His new publishing establishment in Pall Mall, the 'Shakspeare Gallery', began by commissioning the most illustrious engravers and painters in the country to create and design large and expensive engravings based upon the plays and life of William Shakespeare. By this time as well John Boydell's brother, Joshua, had joined the venture.
  This monumental venture continued until Boydell’s death thirteen years later. By that time, the Shakspeare Gallery (Shakspeare Gallery) had created and published one hundred and seventy engravings on a grand scale. Alas, the expenses for this vast project had been so large that England’s foremost publisher of art ended his life the way he began, dying penniless. Note: During that period, William Shakespeare's name was also spelt, 'Shakspeare', thus the spelling for Boydell's (Shakespeare Gallery) appears printed as 'Shakspeare Gallery'.
  Shakspeare Gallery: Jean Pierre Simon, First Part of King Henry The Fourth (The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower)
 

Shakespeare. First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower. Published June 4. 1795, by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall; & at No. 90, Cheapside, London. Engraved by I. P. Simon. Painted by R. Westall R. A.

Sir Harry Hotspur. methinks my moiety, north from Burton here,
In quantity equals not one of yours:
See how this river comes me cranking in,
And cuts me from the best of all my land
A huge half-moon, a monsterous cantle out.
I'll have the current in this place damm'd up;
And here the smug and silver Trent shall run
In a new channel, fail and evenly;
It shall not wind with such a deep indent,
To rob me of so rich a bottom here.

Owen Glendower. Not wind? It shall, it must; you see it doth.

Edmund Mortimer, Earl of March. Yea, but
Mark how he bears his course, and runs me up
With like advantage on the other side;
Gelding the opposed continent as much
As on other side it takes from you.

Thomas Percy, Earl of Worcester. Yea, but a little charge will trench him here
And on this north side win this cape of land;
And then he runs straight and even

Sir Harry Hotspur. I'll have it so;a little charge will do it.

Owen Glendower. I will not have it alter'd.

Sir Harry Hotspur. Will not you?

Owen Glendower. No, no you shall not.

Sir Harry Hotspur. Who shall say me nay?

Owen Glendower. Why, that will I... *Shakespeare

An original engraving, inspired by a William Shakespeare's play, the scene takes place in Wales at the house of the Archdeacon of Bangor with four Lords around a table discussing the downfall of the English monarch and division of the realm, King Henry the Fourth (Bolingbroke), who seized the throne from King Richard the Second. Our first nobel portrayed is Hotspur, Henry Percy, 2nd Earl of Northumberland, also known as (Sir Harry Hotspur), wild and reckless, and a valiant warrior who enjoys the glory of war. He has already led successive rebellions against King Henry IV of England. Hotspur is the son of Henry Percy, Earl of Northumberland. The second man is Thomas Percy, Earl of Worcester, an English nobleman, brother of Henry Percy, and Hotspur's uncle. The third accomplice is Edmund Mortimer, the Earl of March an English nobleman and fine warrior, the chosen heir of King Richard the Second, as such, he believes he has a better claim to the throne than King Henry. And lastly, we have Owen Glendower (Owain Glyndwr), a Welsh leader, and sympathizer of the rebellion. He was a bold and enterprising warrior who believed to posses magical powers, and fought off King Henry's armies on several occasions.

Note: According to "Willis's Current Notes...", Shakespeare's Archdeacon of Bangor was the Dean, David Daron of Bangor a sympathizer of the cause of Glendower. It notes that the Dean is clearly shown as a collaborator in old Welsh Manuscripts and other authorities. Daron is named by Browne Willis, who says that the location for the scheme of resistance took place at the house of Bangor. * "Willis's Current Notes: a Series of Articles of Antiquities, Biography, Heraldry, History, Languages, Literature, Curious Customs etc. Selected from Original letters and documents addressed during the year 1856, Willis and Sotheran, No. 136, Strand London, VDCCCLVII, (1856) Pg. 8. Another source that relates to this matter of Shakespeare's Archdeacon of Bangor is the "Shakspeareana Genealogica..." compiled by George Russell French, London and Cambridge; Macmillan and Co. 1869.Page 64.
Size: 25 X 18 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Condition: Printed upon early nineteenth century wove paper and with full margins as published by John Boydell in London in 1795. A superbly printed impression and in excellent condition throughout. This large and impressive stipple engraving entitled King Henry The Fourth: Act Three, Scene One Engraved by Jean Pierre Simon also represents a prime example of the art of John Boydell's famous Shakespeare Gallery.
Subject: Jean Pierre Simon, J. P. Simon, Richard Westall, "First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower.", original line and stipple engraving, British artists, John Boydell,the Shakspeare Gallery, the Shakespeare Gallery, early nineteenth, William Shakespeare plays, British, Shakespearean prints, Henry Percy, 2nd Earl of Northumberland, Sir Harry Hotspur, Henry Percy, Earl of Northumberland, Thomas Percy, Earl of Worcester, Edmund Mortimer, the Earl of March, Owen Glendower, Dean, David Daron of Bangor.
Price: Sold - The price is no longer available.
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Original Line and Stipple Engraving by Jean Pierre Simon designed by Richard Westall (Shakspeare Gallery, John Boydell, London).

First Part of King Henry The Fourth Act III Scene I The Archdeacon of Bangors' House in Wales Hotspur Worcester Mortimer and Owen Glendower Original Engraving by the British artists Jean Pierre Simon also known as John Peter Simonn and Richard Westall from the Shakspeare Gallery by John Boydell London
First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower. Published June 4. 1795, by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall; & at No. 90, Cheapside, London.

View other original engravings by Jean Pierre Simon.

Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810)
# Image Title & Engraver Medium Date Engraver Designer -
01- As You Like It Rosalind Celia Hymen engraved by Jean Pierre Simon designed by William Hamilton As You Like It. Act V, Scene IV. Rosalind, Celia, Hymen, Duke Senior, Orlando, etc. engraved by Jean Pierre Simon designed by William Hamilton for the Shakspeare Gallery. Original Stipple Engraving (Proof Impression Before Title) 1790 J. P. Simon William Hamilton (Chelsea, 1751 - London, 1801)  
02.- As You Like It The Seven Ages of Man The Fifth Age engraved by Jean Pierre Simon designed by Robert Smirke As You Like It. Act II, Scene VII. The Seven Ages of Man. Fifth Age. Middle Age engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple Engraving (Open Letter Proof Impression) 1801 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
03.- As You Like It The Seven Ages of Man The Seventh Age engraved by Jean Pierre Simon designed by Robert Smirke As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple Engraving (Open Letter Proof Impression) 1801 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
04.- King Henry The Fourth engraved by Jean Pierre Simon designed by Richard Westall First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower engraved by Jean Pierre Simon designed by Richard Westall for the Shakspeare Gallery. Original Line and Stipple Engraving 1795 J. P. Simon Richard Westall (Hertford, 1765 - London, 1836) Sold
05.- Hymn to the Nativity Poetical Works of John Milton engraved by Jean Pierre Simon designed by Richard Westall Hymn to the Nativity, engraved by Jean Pierre Simon designed by Richard Westall (Poetical Works of John Milton). Original Stipple Engraving (First Edition Impression) 1797 J. P. Simon Richard Westall (Hertford, 1765 - London, 1836)  
06.- Merchant of Venice Shylock Jessica and Launcelot engraved by Jean Pierre Simon designed by Robert Smirke Merchant of Venice. Act II, Scene V. Shylock's House. Shylock, Jessica and Launcelot engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple Engraving (First Edition Impression) 1795 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
07.- Merry Wives of Windsor Anne Page Slender and Simple engraved by Jean Pierre Simon designed by Robert Smirke Merry Wives of Windsor. Act I, Scene I. Before Page's House. Anne Page, Slender and Simple engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple and Line Engraving (Proof Impression Before Title) 1792 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
08.- Merry Wives of Windsor Mrs Page Mrs Ford and Falstaff engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters Merry Wives of Windsor. Act III, Scene III. Mrs. Page, Mrs. Ford and Falstaff engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters for the Shakspeare Gallery. Original Stipple and Line Engraving (First Edition Impression) 1793 J. P. Simon Reverend Matthew William Peters (Brasted (Freshwater, Isle of Wight, England, 1742 - Died, 1814)  
09.- Much Ado About Nothing Hero Ursula and Beatrice engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters Much Ado About Nothing. Act III, Scene I. Hero, Ursula and Beatrice engraved by Jean Pierre Simon designed by William Hamilton for the Shakspeare Gallery. Original Stipple and Line Engraving (Open Letter Proof Impression) 1790 J. P. Simon William Hamilton (Chelsea, 1751 - London, 1801) Sold
10.- Much Ado About Nothing Don Pedro Don John Leonato Friar Claudio Benedick Hero and Beatrice engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters Much Ado About Nothing. Act IV, Scene I. Don Pedro, Don John, Leonato, Friar, Claudio, Benedick, Hero and Beatrice engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters for the Shakspeare Gallery. Original Stipple and Line Engraving (Open Letter Proof Impression) 1790 J. P. Simon Reverend Matthew William Peters (Brasted (Freshwater, Isle of Wight, England, 1742 - Died, 1814)  
11.- Paradise Lost Satan Alarmed Poetical Works of John Milton engraved by Jean Pierre Simon designed by Richard Westall Paradise Lost: Satan Alarmed engraved by Jean Pierre Simon designed by Richard Westall (Poetical Works of John Milton). Original Stipple Engraving (First Edition Impression) 1794 J. P. Simon Richard Westall (Hertford, 1765 - London, 1836)  
12.- Winter's Tale Leontes Antigonus Lords Attendants and the Infant Perdita engraved by Jean Pierre Simon designed by John Opie Winter's Tale. Act II, Scene III. Leontes, Antigonus, Lords, Attendants and the Infant Perdita engraved by Jean Pierre Simon designed by John Opie for the Shakspeare Gallery. Original Stipple Engraving 1793 J. P. Simon John Opie (St. Agnes, Cornwall, 1761 - London, 1807) Sold

View other original 17th and 18th century engravings published by John Boydell & Josiah Boydell for the Shakespeare Gallery in our gallery (Art of the Print / www.artoftheprint.com).

Art of the Print / www.artoftheprint.com

John Boydell & Josiah Boydell

Shakspeare Gallery
 
All's Well that Ends Well
01.- All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. by Georg Sigmund Facius & Johann Gottlieb Facius George Sigmund Facius (Ratisbon, Germany, C. 1750 - London, 1814) & Johann Gottlieb Facius (Ratisbon, Germany c. 1750 - London, 1802) Original Stipple Engraving (Spooner Edition, 1852) 1792  
As You Like It
02.- As You Like It. Act I, Scene II. Before the Duke's Palace. Rosalind, Celia, Orlando & Attendants etc. Charles carried off. by William Satchwell Leney William Satchwell Leney (London, 1769 - Longue Pointe (Montreal), Canada, 1831) Original Stipple and Line Engraving (Artist Proof Impression) 1794  
03.- As You Like It. Act II, Scene I. Jaques and the Wounded Stag in the Forest of Arden. Enter Duke, Amiens and other Lords. by Samuel Middiman Samuel Middiman (London, 1750 - 1831) Original Line Engraving (Open Letter Proof Impression) 1791  
04.- As You Like It. Act V, Scene IV. Rosalind, Celia, Hymen, Duke Senior, Orlando, etc. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving (Proof Impression Before Title) 1790  
As You Like It: The Seven Ages of Man
05.- As You Like It. Act II, Scene VII. The Seven Ages of Man. First Age. Infancy. by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving (Open Letter Proof Impression) 1801  
06.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Second Age. Childhood. by John Ogborne John Ogborne (Chelmsford, 1755 - London, 1837) Original Stipple Engraving (Open Letter Proof Impression) 1801  
07.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Third Age. Youth. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (Open Letter Proof Impression) 1801  
08.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Fourth Age. Manhood. by John Ogborne John Ogborne (Chelmsford, 1755 - London, 1837) Original Stipple Engraving (Open Letter Proof Impression) 1801  
09.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Fifth Age. Middle Age. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving (Open Letter Proof Impression) 1801  
10.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Sixth Age. Old Age. by William Satchwell Leney William Satchwell Leney (London, 1769 - Longue Pointe (Montreal), Canada, 1831) Original Stipple Engraving (Open Letter Proof Impression) 1801  
11.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving (Open Letter Proof Impression) 1801  
Comedy of Errors
12.- Comedy of Errors. Act V, Scene I. A street before the Priory. Merchant, Angelo, Lady Abbess, Adriana, etc. by Charles Gauthier Playter Charles Gauthier Playter (Died, Lewisham, 1809) Original Stipple Engraving (Proof Impression Before Title) 1794  
Cymbeline
13.- Cymbeline. Act I, Scene II. Cymbeline's palace in Britain. Imogen, Posthumus, Queen, Cymbeline, etc. by Thomas Burke Thomas Burke (Dublin, 1749 - London, 1815) Original Stipple and Line Engraving (First Edition Impression) 1795  
14- Cymbeline. Act III, Scene IV. Near Milford Haven. Pisanio and Imogen. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (Open Letter Proof Impression) 1801  
15.- Cymbeline. Act III, Scene VI. The Forest and Cave. Imogen in Boy's Cloaths. by Thomas Gaugain Thomas Gaugain (Abbeville, France, 1748 - London, 1810) Original Stipple Engraving (Open Letter Proof Impression) 1803  
Julius Caesar
16.- Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar. by Edward Scriven Edward Scriven (Alcester, 1775 - London, 1841) Original Line and Stipple Engraving (Spooner Edition, 1852) 1803  
King George III
17.- His most Gracious Majesty King George the Third by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (Artist Proof Impression) 1804  
King Henry the Fourth
18.- First Part of King Henry the Fourth. Act II, Scene II. The Road by Gadshill. Prince Henry, Poins, Peto, Falstaff, etc. by Samuel Middiman Samuel Middiman (London, 1750 - 1831) Original Line Engraving (Artist Proof Impression) 1797  
19.- First Part of King Henry the Fourth. Act II, Scene IV. The Boar's Head Tavern. Prince Henry, Falstaff, Poins, etc. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (First Edition Impression) 1796  
20.- First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Line and Stipple Engraving 1795 Sold
21.- First Part of King Henry the Fourth. Act V, Scene IV. Plain Near Shrewsbury. Prince Henry, Hotspur and Falstaff. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (First Edition Impression) 1796  
22.- Second Part of King Henry the Fourth. Act II, Scene IV. (Doll Tearsheet, Falstaff, Henry & Poins) by William Satchwell Leney William Satchwell Leney (London, 1769 - Longue Pointe (Montreal), Canada, 1831) Original Stipple and Line Engraving (First Edition Impression) 1795 Sold
23.- Second Part of King Henry the Fourth. Act IV, Scene IV. The Palace at Westminster. King Henry asleep; Prince of Wales. Prince Henry Taking the Crown. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Etching & Engraving (Proof Before Title) 1791  
24.- Second Part of King Henry the Fourth. Act IV, Scene IV. The Palace at Westminster. King Henry & the Prince of Wales. Prince Henry's Apology. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple & line Engraving (Open Letter Proof Impression) 1798  
King Henry the Sixth
25.- First part of King Henry the 6th. Act II, Scene IV. London. The Temple Garden. Earl of Somerset, Suffolk and Warwick; Richard Plantagenet, Vernon, etc. John Ogborne (Chelmsford, 1755 - London, 1837) Original Stipple Engraving (Proof Before Title Impression) 1790  
26.- Third Part of King Henry the Sixth. Act I, Scene III. Rutland and his Tutor, Clifford and Soldiers. by Charles Gauthier Playter & Thomas Ryder Charles Gauthier Playter (Died, Lewisham, 1809)
Thomas Ryder (London, 1746 -1810)		 Original Stipple Engraving (Spooner Edition, 1852) 1796  
27.- Third Part of King Henry the 6th. Act V, Scene VII. King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, etc. by Jean Baptiste Michel Jean Baptiste Michel (Paris, 1748 - London, 1804) Original Stipple Engraving (Open Letter Proof Impression) 1794  
King Henry The Eighth
28.- King Henry The Eighth. Act I, Scene IV. York Place. Cardinal Wolsey, Lord Sands, Ann Bullen, King Henry, etc. by Isaac Taylor Isaac Taylor (Worcester, 1730 - London, 1807) Original Line Engraving (Artist Proof Impression) 1798  
29.- King Henry the Eighth. Act III, Scene I. A Room in the Queen's Apartments. The Queen, and some of her Women, at Work. Cardinal Wolsey and Campeius. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (Open Letter Proof Impression) 1796  
30.- King Henry the Eighth. Act IV, Scene II. Abbey of Leicester. Wolsey, Northumberland, & Attendants, Abbot of Leicester, etc. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (Open Letter Proof Impression) 1798  
31.- King Henry the Eighth. Act V, Scene IV. The Palace. the Aldermen, Lord Mayer, Garter, Cranmer; Duke of Norfolk with his marshal's Staff, Duke of Suffolk, Dutchess of Norfolk & Marchioness of Dorset, God Mothers, etc. The Christening of Princess Elizabeth. by Joseph Collyer Joseph Collyer (London, 1748 - 1827) Original Stipple Engraving (Artist Proof Impression) 1803  
King Richard The Second
32.- King Richard The Second. Act IV, Scene I. King Richard, Bolingbroke, York, Aumerle, etc. by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (Artist Proof Impression) c. 1795 Sold
33.- King Richard the Second. Act V, Scene II. The Entrance of King Richard and Bolingbroke into London. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple and Line Engraving (First Edition Impression) 1801 Sold
King Richard The Third
34- King Richard the Third. Act III, Scene I. Prince of Wales, Duke of York, his Brother, etc. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple & Line Engraving (Open Letter Proof Impression) 1791  
Love's Labour's Lost
35.- Love's Labour's Lost. Act IV, Scene I. Princess, Forester, Boyet, Attendants, etc. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (Open Letter Proof Impression) 1793  
Measure for Measure
36.- Measure for Measure. Act II, Scene I. Angelo's House. Escalus, A Justice, Elbow, Froth, Clown, Officers, etc. by Charles Gauthier Playter & Thomas Ryder Charles Gauthier Playter (Died, Lewisham, 1809)
Thomas Ryder (London, 1746 -1810)		 Original Stipple Engraving (Artist Proof Impression) 1794 Sold
Merchant of Venice
37.- Merchant of Venice. Act II, Scene V. Shylock's House. Shylock, Jessica and Launcelot. by Jean Pierre Simon Simon, Jean Pierre 'John Peter Simon, the Younger' (London, 1750 - Paris, c. 1810) Original Stipple Engraving (First Edition Impression) 1795  
38.- Merchant of Venice. Act V, Scene I. A Grove & Lawn, before Portia's House. Jessica, Lorenzo and Stephano. by John Browne John Browne (Finchingfield, Essex, 1741 - Walworth, 1801) Original Line Engraving (First Edition Impression) 1795  
Merry Wives of Windsor
39.- Merry Wives of Windsor. Act V, Scene V. Windsor Park. Falstaff disguised with a buck's head on etc. Sir Hugh Evans, Anne Page, etc. by Isaac Taylor, Junior Isaac Taylor, Junior (1759 - Ongar, 1829) Original Line Engraving (Artist Proof Impression) 1793 Sold
40.- Merry Wives of Windsor. Act IV, Scene II. A room in Ford's House. Falstaff in women's clothes led by Mrs. Page. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (First Edition Impression) 1801  
41.- Merry Wives of Windsor. Act I, Scene I. Before Page's House. Anne Page, Slender and Simple. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple and Line Engraving (Proof Impression Before Title) 1792  
42.- Merry Wives of Windsor. Act III, Scene III. Mrs. Page, Mrs. Ford and Falstaff. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple and Line Engraving (First Edition Impression) 1793  
Much Ado about Nothing
43.- Much Ado About Nothing. Act III, Scene I. Hero, Ursula and Beatrice engraved by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple and Line Engraving (Open Letter Proof Impression) 1790 Sold
44.- Much Ado About Nothing. Act IV, Scene I. Don Pedro, Don John, Leonato, Friar, Claudio, Benedick, Hero and Beatrice engraved by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple and Line Engraving (Open Letter Proof Impression) 1790  
Othello
45.- Othello. Act II, Scene I. A Platform. Desdemona, Othello, Iago, Cassio, Rodrigo, Emilia, etc. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (Artist Proof Impression) 1799  
Queen Charlotte
46.- Her Most Gracious Majesty, Queen Charlotte by Thomas Ryder, Thomas Ryder Junior, and Sir William Beechey. Thomas Ryder (London, 1746 -1810)
Thomas Ryder Junior (British, born 1789 -died ?)		 Original Stipple Engraving (First Edition Impression) 1804  
Romeo and Juliet
47.- Romeo and Juliet. Act I, Scene V. A Hall in Capulet's House. Romeo, Juliet, Nurse, with Guests etc. by Georg Sigmund Facius & Johann Gottlieb Facius Georg Sigmund Facius (Ratisbon, Germany, C. 1750 - London, 1814) & Johann Gottlieb Facius (Ratisbon, c. 1750 - London, 1802) Original Stipple Engraving (Proof Before Title Impression) 1789  
The Tempest
48.- The Tempest. Act I, Scene I. The Enchanted Island: Before the Cell of Prospero. Prospero and Miranda. by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (First Edition Impression) 1797  
49.- The Tempest. Act V, Scene I. Ferdinand & Miranda playing at Chess. by Caroline Watson Caroline Watson (London, 1760 - Pimlico, 1814) Original Stipple Engraving (First Edition Impression) 1795  
The Alto-Relievo (The frontis-piece for the Shakspeare Gallery set)
50.- Shakspeare seated between the Dramatick Muse and the Genius of Painting. The alto relievo in the front of the Shakspeare Gallery, Pall Mall by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (First Edition Impression) 1796  
Two Allegorical Engravings (The introductory engravings for the Shakspeare Gallery set)
51.- The Infant Shakspeare. Attended by Nature and the Passions by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Line and Stipple Engraving (Spooner Edition 1852) 1799 Sold
52.- Shakspeare Nursed by Tragedy And Comedy by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (First Edition Impression) 1803  
Troilus and Cressida
53.- Troilus and Cressida. Act II Scene II. Scene, Troy. Cassandra Raving. by Francis Legat Francis Legat (Scotland, 1755 - London, 1809) Original Line Engraving (First Edition Impression) 1795  
Twelfth Night
54.- Twelfth Night. Act V, Scene I. The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants. by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple and Line Engraving (Open Letter Proof Impression) 1797  
55.- Twelfth Night. Act III, Scene IV. Olivia's - house. Olivia, Maria. & Malvolio. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (Open Letter Proof Impression) 1794  
Two Gentlemen of Verona
56.- Two Gentlemen of Verona. Act V, Scene III. A Forest. Valentine, Proteus, Silvia & Julia. by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Stipple Engraving (First Edition Impression) 1792  
Winter's Tale
57.- Winter's Tale. Act II, Scene III. Leontes, Antigonus, Lords, Attendants and the Infant Perdita. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving 1793 Sold
58.- Winter's Tale. Act III, Scene III. Storm Scene, Antigonus Pursued by a Bear. by Samuel Middiman Samuel Middiman (London, 1750 - 1831) Original Line Engraving (Spooner Edition, 1852) 1793  
59.- Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc. by James Fittler James Fittler (London, 1758 - Turnham Green, 1835) Original Line Engraving (Proof Impression Before Title) 1789  

Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
Century:
Old Master Artist Index The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's.
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
British Artists Index The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century.
Subject:
Royalty Portrayed in Art Index The 'Royalty, Nobility, Palaces and Castles' directory contains a selection of original art depicting portraits of Kings and Queens, as well as a variety of portrayals of nobles holding the title of Prince, Princess, Duke, Duchess, Count, Countess, etc., and scenes depicting royal ceremonies. Also included is a listing of original artworks with depictions of and castles and palaces. The artworks date from the 16th century to the 20th century.
Theater Portrayed in Art Index The 'Theater Portrayed in Art' directory contains a listing of original works of art depicting activities associated with the theatre, such as, studies of performing artists, plays depicting drama and comedy and a variety of other forms of entertainment on the stage. Categories include portrayals of actors, singers, musicians, dancers, circus and burlesque performers; scenes from various plays; and images related specifically to the plays of William Shakespeare.

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