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Simkha Simkhovitchz's original lithograph entitled, "Island Beach #1" is printed upon wove paper and with large, full margins as printed in the limited edition of fifty impressions in 1933. This impression is signed, dated and numbered, 37/50, by the artist in pencil under the image and titled by him in the lower right margin. Island Beach is a fine, original example of the lithographic and landscape art created by the Russian/American artist, Simkha Simkhovitch. |
Artist: | Simkhovitch, Simkha (Petrograd, Russia, 1893 - Greenwich, CT, 1949) |
Date: | 1933 |
Medium: | Original Lithograph |
Note: | Simkha Simkhovitch: A fine Russian/American painter and printmaker, Simkha Simkhovitch studied art at the Royal Academy in Petrograd. In 1918 he received the First Soviet Government Prize for his painting, "Russian Revolution". During the next several years his paintings were acquired for the permanent collections of both the Museum of the Winter Palace and the Museum of Art, Petrograd. |
Simkha Simkhovitch emigrated to the United States in 1924, settling first in New York City and later in Greenwich, Connecticut. By 1930 his art was included in many major national exhibitions such as the annual shows at the Carnegie Institute, the Pennsylvania Academy of Fine Arts, the Art Institute of Chicago and the National Academy of Design. His paintings and prints are now in the permanent collections of many museums, such as the Whitney Museum of American Art, New York, and the Krakow Museum of Art, Krakow, Poland. Simkha Simkhovitch was also a full member of the Brooklyn Society of Artists. | |
Like many great American artists during the 1930's years of the Great Depression, Simkha Simkhovitch worked on commissions provided by the Works Progress Administration, instituted by President Roosevelt. The W.P.A. actively assisted many fine artists during this time and Simkhovitch worked on funded projects for large murals in both North Carolina and in Jackson, Mississippi. | |
Edition: | Limited Edition of Fifty Impressions, numbered 37/50. |
Size: | 8 X 10 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon wove paper and with large, full margins as printed in the limited edition of fifty impressions in 1933. Containing very faint mat burning in the outer margins and tape staining, verso, to the extreme outer margins. Else a finely printed impression and in very good condition throughout. Signed, dated and numbered, 37/50, by the artist in pencil under the image and titled by him in the lower right margin. Altogether, Island Beach represents a brilliant, original example of the art of Simkha Simkhovitch. |
Price: | Sold - The price is no longer available. |
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Original Lithograph by the Russian/American artist, Simkha Simkhovitch
Island Beach #1 |
View Our Selection of Original American Art of the Depression Era (c. 1930 - c. 1945)
American Art of the Depression Era (c. 1930 - c. 1945) | ||
The American Art of the Depression Era directory contains a listing of original works of art from the Depression decade of the 1930’s and into the early 1940’s created by American artists. These pages also include information about the art publishers, associations, clubs, groups and societies located in major cities throughout the United States, such as Boston, Brooklyn, Chicago, Cincinnati, Cleveland, Buffalo, Wichita, Philadelphia, Rochester, San Francisco, Washington D.C. and elsewhere. Many of these organizations provided an opportunity for American artists to work and create original works of art during the Great Depression. A few of the art associations and clubs active during this period that are discussed in this directory include the American Artists Group, the Associated American Artists, New York, the Buffalo Print Club, the Chicago Society of Etchers, the Lone Star Printmakers, the Prairie Print Makers, the Print Club of Cleveland, the Print Club of Philadelphia, the Print Club of Rochester, the Society of American Etchers, the Indiana Society of Printmakers, the Society of Washington D.C. Artists and the Syracuse Print Club. | ||
01.- | American Art of the Depression Era - Page 1 (Artist Index (A to E) | American Art of the Depression Era dating from 1930 to 1945 (Art of The Print / www.artoftheprint.com - Artist Index: A to E): The following four pages contain a listing of original American etchings, lithographs woodcuts, serigraphs, watercolors, drawings, linocuts and wood engravings from the Depression decade of the 1930’s and into the early 1940’s. Despite the dire economic times publishers of original prints continued to survive and successfully raise revenue for the artists as well as making original art affordable during the Great Depression years. Listed on the first page of the 'American Art of the Depression Era' directory are over fifty original works of art created by American artists such as, George Elbert Burr, his etchings, Little Canyon, Arizona and Morraine Park were both commissioned by The Print Connoisseur, while his Evening, Arizona was published by The Brooklyn Society of Etchers. Also, works such as, Kenneth Ballantyne's original linocut, Wood Nymphs appeared in The Colophon in New York in 1931. George Elmer Browne’s The Fishing Fleet and Adolf Dehn’s Threshing Near Kilkenny published by the Associated American Artists (A.A.A.), are other outstanding examples of early prints from this decade. |
02.- | American Art of the Depression Era - Page 2 (Artist Index (F to J) | American Art of the Depression Era dating from 1930 to 1945 (Art of The Print / www.artoftheprint.com - Artist Index: F to J): The second page of this directory also contains a list of over fifty original works of art created during the Great Depression years by American artists. One of the more interesting aspects of art of the Depression is how seldom the actual misery and privation of the decade is depicted. On this page, for example, only Hugo Gellert’s original lithograph, Primary Accumulation, protests the contemporary state of affairs. The visual arts (including films) set out to divert and entertain. Perhaps for artists an almost sure recipe for failure would have been to remind the average man of his sorry condition. On the contrary most areas of the entertainment industries thrived. The art of Kenneth Hartwell is an excellent example. His lithographs of circus acrobats, jugglers and clowns and of the music, dancing and comedy of the Burlesque shows are worlds into themselves. Gazing at his imagery the viewer is granted a temporary reprieve from the real world. |
03.- | American Art of the Depression Era - Page 3 (Artist Index (K to P) | American Art of the Depression Era dating from 1930 to 1945 (Art of The Print / www.artoftheprint.com - Artist Index: K to P): Even in a Depression the sense of a continuation of normal activities persists. In Joseph Margulies, New England Granny the subject does exactly what grannies do best as she contentedly sits in her rocker, sewing. Philip Parsons depicts a joyful family reunion in Home for Christmas and Henry Pitz depicts the dignity of work in his monumental art deco style in both Maine Fisherman and Man Against the Sky. Purely by alphabetical accident, page 3 also contains two of my favorite night scenes: Alan Lewis’ delightful color woodcut, Swinging the Gate and Martin Lewis’ renowned Night in New York. This famous etching was published by the Chicago Society of Etchers in 1932. |
04.- | American Art of the Depression Era - Page 4 (Artist Index (R to Z) | American Art of the Depression Era dating from 1930 to 1945 (Art of The Print / www.artoftheprint.com - Artist Index: R to Z): Like the previous three pages, page four of this directory provides a full variety of Depression era themes and techniques. Stark realities of the times are provided by W. P. Robinson (Abandoned Farm) and Isadore Weiner (Gardening). In contrast are pieces like John W. Winkler’s playful landscape, Rae Lakes, California and the fine animal studies by Clarence Zuelch. Two magnificent drypoints by Albert Sterner -- Meditation and The Promised Land – will also be found listed on that page. In particular, The Promised Land seems like a potent symbol of man’s journey through the decade of the Great Depression. In total, there are over two hundred works of original art created by American artists from the Depression decade of the 1930’s and into the early 1940’s listed in the 'American Art of the Depression' directory. |
Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art. | |
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories. | |
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American Artist Index | The 'American Artist' directory contains a listing of original works of art created by artists from the United States of America, and or art with an American theme. These artworks date from the 17th century to the 20th century. |
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Landscapes, Seascapes, City & Town Views Art Index | This directory contains a selection of original works of art with a focus on landscapes, seascapes, city views, town views and farm views from around the world. These artworks date from the 16th century to the 20th century. |
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