| Title: |
Miriam and Donatello (The Hawthorne Portfolio: The Marble Fawn) |
| Artist: |
Shirlaw, Walter (Paisley, Scotland, 1838 - Madrid, Spain, 1909) |
| Date: |
1884 |
| Medium: |
Original Etching |
| Publisher: |
The Riverside Press, Cambridge |
| Edition: |
Limited Edition of One Hundred and twenty-five impressions,
Numbered 4/125 |
| Source: |
The Hawthorne Portfolio (Set of 24 India Proofs) Illustrating The New Riverside Edition |
| Note: |
Walter Shirlaw: Born in Scotland Walter Shirlaw
came to the United States at the age of two or three. He was apprenticed
as an engraver at the age of twelve to the Western Bank Note Company, Chicago.
He worked in that city until 1870 and then journeyed to Germany to study
at the Munich Academy. He remained there for seven years studying painting
and etching techniques under such masters as Raab, Wagner, Lindenschmit
and Von Ramberg. Shirlaw's first paintings were exhibited there and in Paris,
where he received an honourable mention in 1878. |
| |
Upon his return to the United States Walter Shirlaw quickly
gained recognition for his paintings, etchings and illustrations. In the
latter category he illustrated articles and fiction in such magazines as
Harper's, Scribner's, St. Nicholas and The
Century. He was also one of five special artists appointed in 1890
to work among Indian tribes. Walter Shirlaw's paintings and drawings of both the
Crow and Cheyenne nations are now considered valuable historic and artistic
records. |
| |
A highly regarded teacher, Walter Shirlaw was an instructor
at the Art Institute of Chicago and at the Art Students League of New York.
He also served as the first President of the Society of American Artists
and was a member of the Society of Mural Painters, the New York Etching
Club and the American Water Color Society. |
| |
Walter Shirlaw was elected to the National Academy in 1888.
Today his art will be found in the collections of such major institutions
as the Boston Museum of Fine Arts, Yale University Art Gallery, Los Angeles
County Museum of Art, Smithsonian American Art Institution, the National
Gallery of Art, the Art Institute of Chicago, National Academy of Design
Museum, the Metropolitan Museum of Art and the New York Historical Society. |
| |
The Hawthorne Portfolio: In 1883 the Riverside
Press, Cambridge, published its twelve volume set of the collected writings
of the American author, Nathaniel Hawthorne (1804-1864). The publisher commissioned
such contemporary American etchers as Robert Blum, Walter Shirlaw, F. S.
Church, Ross Turner, Frederick Dielman and R. S. Gifford to contribute a
total of twenty-four original etchings to the publication. These were printed
on laid paper with narrow margins. |
| |
A year later (1884) this publisher re-issued the etchings
without the text in a limited edition of one hundred and twenty five sets.
These limited edition etchings were printed upon fine India paper with large
margins and mounted onto individual sheets of white, wove paper. Bearing
the title of The Hawthorne Portfolio, these finely printed etchings
were published unbound within a folding case. |
| |
Walter Shirlaw contributed four original etchings to The
Hawthorne Portfolio. These are entitled, Lady Eleanore's Mantle,
The Maypole of Merrymount, Miriam and Donatello and Hilda
and the Doves. Within these etchings Shirlaw concentrated upon depicting
actual scenes and characters from Hawthorne's romantic fiction. Miriam
and Donatello depicts the two main characters from Hawthorne's last
great work of romantic fiction, The Marble Fawn. |
| |
Nathaniel Hawthorne (Salem, Massachusetts, 1804 - Plymouth New Hampshire, 1864): One of the greatest fiction authors, in American literature, Nathaniel Hawthorne was a master of short stories and novels. His literary masterpieces were published both in book form and journals, periodicals, magazines, and annuals, many of which appeared anonymously in literary sources such as the New England Magazine, Atlantic Monthly, Scribner's Monthly, The American Magazine of Useful and Entertaining Knowledge, The Token and Atlantic Souvenir, and the Salem Gazette, Blackwood's Magazine, Tait's Edinburgh Magazine, and many others. This selection of Hawthorne's published tales and novels is not a complete list, but it does include the majority of his most famous works. It begins with Hawthorne's first published novel, Fanshawe (1828), a romance issued by Marsh & Capen published anonymously at his own expense three years after graduating from Bowdoin College, in Brunswick, Main. That novel was followed by such memorable works as, The Hollow of the Three Hills and An Old Woman's tale, both published in the Salem Gazette (1830). The Gentle Boy, and My Kinsman, Major Molineux, first appeared, along with other tales in the Token and Atlantic Souvenir (1832). In 1834, the New-England Magazine published The Story Teller I and II, and a year later (1835), that same magazine published Young Goodman Brown, a tale of witchcraft, later released in Hawthorne's collection of tales entitled, Moses from an Old Manse (1846). In 1836, Nathaniel Hawthorne moved to Boston to work as the editor of The American Magazine of Useful and Entertaining Knowledge, but is only there for a few months as the magazine filed for bankruptcy, and that same year, The Maypole of Merry Mount and The Wedding-Knell were published in the Token. Then in 1837, Hawthorne's first of three collections of short stores was published under the title, Twice-Told Tales; it included eighteen previously published works, republished in 1842 with additional material, and again in 1851 in the final collection of tales (published during Hawthorn's lifetime), under the title, The Snow Image and Other Twice Told Tales. Published simultaneously in London (dated, 1851) and in Boston (dated, 1852), this new edition included the first book, the 1842 expanded edition, his most recent stories, as well as other uncollected works such as, My Kinsman, Major Molineux, The Man of Adamant, Ethan Brand, The Snow-Image: A Childish Miracle, The Great Stone Face, and others. From 1838 to 1841, Hawthorne published various other works such as the Time's Portraiture, Being the Carrier's Address to the The Salem Gazette (1838), The Sister Years, and The Gentle Boy (1839) and in 1841, he wrote, Grandfather's Chair, a History of Youth, a historical account of New England's past continued in his next volumes, Famous Old People, and the Liberty Tree; the three works formed the whole history of Grandfather's Chair. |
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In 1842, Nathaniel Hawthorne married the painter and illustrator, Sophia Peabody, and they took residence at the Old Manse located in Concord, Massachusetts (1842-1845).During his residency
at the Old Manse, he enjoyed his most productive period publishing many short stories, such tales as The Birth-Mark (1843), and The Hall of Fantasy,(1843), appeared in the Pioneer Magazine. Other works were also published in the United States Magazine and Democratic Review; these include, Buds and Bird Voices (1843), A Select Party (1844), Rappaccini's Daughter (1844). Several of the tales from this period were later included in one of his finest collections of tales which he aptly titled, Mosses from an Old Manse. At the end of 1845, Hawthorne moved back to Salem, Massachusetts where he held the position of Surveyor of the Port of Salem (1846-1849). During his stay in Salem, Hawthorne authored, The Custom House, an introduction to one of his most famous works, The Scarlet letter, a novel set in a village in Puritan New England (1850). The Great Stone Face, published in The National Era, and The Snow Image, which appeared in The International Magazine were both published in 1850. Hawthorne then rented a small cottage in Stockbridge, just outside Lenox, Massachusetts (1850/1851), where he devoted himself to writing, The House of the Seven Gables, a romance novel set in 19th century Salem, Massachusetts (1851). In the winter of 1851, Hawthorne and his family moved to West Newton, Mass. near Boston where he completed, The Blithedale Romance, a story partly based upon Hawthorne's disenchantment with the utopian community (an experiment in communal living where Hawthorne spent some time just before got married) at Brook Farm near Boston (1852). Soon after (1852), Nathaniel Hawthorne purchased their first home, The Wayside in Concord, Massachusetts previously known as Hillside and owned by Mr. and Mrs. Amos Bronson Alcott, parents of Abigail May, Anna, Elizabeth and Louisa May Alcott, the famous author of Little Women and other works. Hawthorne enjoyed his new home and dedicated himself to writing such works as, A Wonder-Book for Girls and Boys, a children's book based on Greek mythology (1852), and the Life of Franklin Pierce (1852), a campaign biography for his lifelong friend, Franklin Pierce, who was elected as the 14th President of the United States (1853-1857). About a year later, Hawthorne published his next children's book, Tanglewood Tales for Girls and Boys: Being a Second Wonder-Book, which was also a series of mythological tales retold (1853), and no less than ten days later, his appointment to the consulate at Liverpool by President Pierce was confirmed. |
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Hawthorne then moved to England where he served as an American Consul to Britain from (1853-1857). During that time, he wrote a manuscript dedicated to Mrs. J. P. Heywood, entitled, The Ghost of Doctor Harris (1856), A Rill from the Town Pump (1857), and his English notebooks, later published in series form as travel articles in The Atlantic Monthly, then published under the title, Our Old Home, after which they were edited and published posthumously by Hawthorn's wife, Sophia Hawthorne. After his term at the British consulate ended, the Hawthorne's took an extended holiday traveling through Europe, and eventually took up residence in Italy, and about two years later they returned to England where Hawthorne completed the Italian romance which was first published in London under the title, Transformation: or, The Romance of Monte Beni (1860), then in America under his original title, The Marble Faun; or, The Romance of Monte Beni (1860). That same year, they returned to the United States and took up permanent residence at the Wayside in Concord, Massachusetts, where Hawthorne continued writing such works as, Pilgrimage to Old Boston (1862), Our Old Home (1863), A London Suburb (1863), and his last, but unfinished literary creation was, Pansie, a Fragment; sometimes called Little Pansie (1864). As mentioned earlier, some of Hawthorne's unfinished works were published posthumously; they include, Passages from his Note-Books (1866), also reprinted in book form as Passages From The American Note-Books, a description of his 1838 summer tour in western Massachusetts (1868), A Passage From Hawthorne's, English Note-Books, edited by Sophia Hawthorne appeared in the Atlantic Monthly (July, 1867), followed by five impressions issued between (1870-1874). The French and Italian Note-Books, passages from his journals while traveling with his family in France, Italy and parts of Switzerland appeared in Scribner's Monthly, (October, 1871). Septimius Felton appeared in the Atlantic Monthly, & in Scribner's Monthly; and again in Septimius, a Romance, edited by Una Hawthorne (1872). Also published posthumously were The Dolliver Romance (1876), and Dr. Grimshaw's Secret: A Romance which was originally a fragment from the second version of the English romance written while living in England in 1860, first published in 1883 with preface and notes by his son, Julian Hawthorne. This original Walter Shirlaw etching entitled, Miriam and Donatello hails from The Hawthorne Portfolio published by the 'The Riverside Press' in 1884 in the limited edition of one hundred and twenty-five impressions, numbered 4/125. Miriam and Donatello depicts the two main characters from Hawthorne's last great work of romantic fiction, The Marble Fawn. |
| Size: |
5 1/2 X 3 1/4 (Sizes in inches are approximate, height
preceding width of plate-mark or image.) |
| |
Matted with 100% Archival Materials |
| Condition: |
Printed upon fine almost tissue thin, India paper and with large, full margins as published by The Riverside Press, Cambridge in the limited edition of 125 impressions for The Hawthorne Portfolio in 1884. Signed in the plate with the artist's 'W.S.' monogram (lower right) and titled along the lower margin. A deeply printed, India Proof impression and in excellent condition throughout. Miriam and Donatello represents a prime, original example of the famous nineteenth
century art of Walter Shirlaw. |
| Price: |
Sold - The price is no longer available. |
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