Art of The Print Logo for www.artoftheprint.com
www.artoftheprint.com
Art of the Print
Home Artist Index Gallery Catalogue About Us Our Policy Contact Us Site Map Search

Robert Shipster & Leonardo da Vinci

Robert Shipster and Leonardo da Vinci - A Lawyer In His Majesty's Collection

A Lawyer, 'In His Majesty's Collection'

Robert Shipster’s original stipple engraving A Lawyer, 'In His Majesty's Collection' is based upon a drawing created by Leonardo da Vinci housed in the England's Royal collection at Windsor castle. It is printed upon early 19th century wove paper and with full margins as created by Robert Shipster (sometimes spelt 'Robert Shepster') in 1806 for John Chamberlaine's important set of engravings also based upon drawings in the Royal Collection, "'Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". This impression bears the text, "From the Original drawing by Leo: da Vinci.", "Shepster Sculpt.", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs Octr. 10. 1806. by J. Chamberlaine. Scotland Yard." in the lower margin, and also contains the plate number "PL. VIII." in the upper right corner. Other engravers who contributed to John Chamberlaine's, Imitations of Original Designs include Francesco Bartolozzi and P. W. Tomkins. This stipple is entirely engraved with a multitude of dots or flicks, as opposed to lines, thus rendering more tonality. It is a fine, original example of late eighteenth and early nineteenth century British stippling technique and the engraved art of Robert Shipster. This charming portrayal of a full-length figure depicts an older gentleman who appears to be holding a scroll or legal document in his right hand and is facing towards our right. He is most likely wearing a lawyer’s robe. Legal attire dates back to the early 14th century during the reign of Edward III (King of England and Lord of Ireland), when those in the legal profession distinguished themselves with a dress code that could maintain their grace and dignity while attending royal court. During the Middle Ages, A lawyer, then known as a ‘Man of Law’ was considered to be an apprentice to the judiciary.
 
Title: A Lawyer, 'In His Majesty's Collection'
Engraver: Shipster, Robert 'Robert Shepster' (British, 1775 - 1823)
Designer: Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519)
Date: 1806
Medium: Original Stipple Engraving
Publisher: John Chamberlaine, London
Note: Robert Shipster 'Robert Shepster': A painter, draughtsman and engraver, Robert Shipster (sometimes spelt, ‘Robert Shepster’) was a student of Francesco Bartolozzi. He created stipple and line engravings for various prominent London publishers. These include his contributions to the "Macklin Bible", published by Cadell & Davies, London published serially between (1752’s – 1800). In the former category his most accomplished work is the "Witch of Endor", after Benjamin West. Robert Shipster also engraved plates after his own designs such as the portrait "George Lord Dartmouth", as well as drawings and engravings after contemporary and Renaissance artists, and in this category, these works include; "Isaiah’s Vision of the Messiah" after Henry Fuseli created for "The Poetical Works of Alexander Pope" published by F. J. Du Roveray, London, (1804). His portraits include "John Dunning Esqr." after Robert Stewart, "Horatio Nelson" after John Francis Rigaud, and "Sir Charles Saunders K. B. Admiral of the Blue Squadron, First Lord Commissioner of the Admiralty" after Richard Brampton published by Robert Faulder in Charnock’s "Biographia Navalis" (1799). As well, he created many other accomplished 18th and early 19th century portraits, mythical and religious scenes and other subjects. "The Assumption of the Virgin with St. Peter and St. Jerome" is one of Shipster's exquisite drawings which hails from a series he created based upon designs by Guercino. This charming stipple engraving entitled "A Lawyer" was created in 1806 based upon a drawing by Leonardo da Vinci in the Royal Collection as commissioned by John Chamberlaine for the "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Robert Shipster’s art is now held in the collections of the National Library of Australia, the Royal Collection Trust, The National Portrait Gallery, London, The Royal Museums Greenwich, the British Museum, London, and other prestigious institutions.
  Leonardo da Vinci: The true ‘Renaissance’ man, Leonardo da Vinci was an artist, an engineer and a scientist. In 1472 Leonardo enrolled as a painter in the fraternity of St. Luke in Florence. There he served his apprenticeship with Verrocchio. He moved to Milan around 1481 and remained there until 1499, working mostly at the court of Duke Ludovico Sforza.
  Leonardo da Vinci’s completed paintings are relatively few. His numerous drawings, however, display aspects and ideas of one of the world’s most astute and inventive minds. His legacy to the arts is immense for it was Leonardo who established the concept of the artist as a creative thinker and not merely a craftsman.
  A Lawyer, 'In His Majesty's Collection': This delightful portrayal depicts a full-length figure of an older gentleman (a lawyer) turned to our right. He is holding a scroll or legal document in his right hand and appears to be wearing a lawyer’s robe. The figure here is engraved with a multitude of dots or flicks, as opposed to lines throughout the entire composition in order to create strong tonal values and delicate hues. Briefly, a stipple engraving is created by using masses of flicks or dots rather than solid lines, making it a more tonal composition. It is a fine, original example of late eighteenth and early nineteenth century British stippling technique. Based upon Leonardo da Vinci’s drawing housed in the England's Royal collection at Windsor castle, this stipple engraving was created by Robert Shipster, also spelt 'Robert Shepster' in 1806 for John Chamberlaine's important set of engravings entitled "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". This impression bears the text, "From the Original drawing by Leo: da Vinci.", "Shepster Sculpt.", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs Octr. 10. 1806. by J. Chamberlaine. Scotland Yard." in the lower margin, and the plate number "PL. VIII." in the upper right corner. Other engravers who contributed to John Chamberlaine's, Imitations of Original Designs include Francesco Bartolozzi and P. W. Tomkins.
  During the Middle Ages, A lawyer, then known as a ‘Man of Law’ was considered to be an apprentice to the judiciary. Legal and judicial dress has its origins in royal and ecclesiastical history. However, English legal attire was more or less established by the early 14th century during the reign (1327-1377) of Edward III (King of England and Lord of Ireland). As fashion trends evolved light surcoats became more popular than the gowns worn by early legal practitioners becoming a symbol of the English legal profession so as to distinguish them with a dress code that could maintain their grace and dignity while attending royal court. By 1635, the definitive guide to court dress was published in the Judges’ Rules, but this was to change with a less formal version taking its place in time.
  John Chamberlaine (British, c. 1745 - 1812): In February, 1791, John Chamberlaine was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty’s Collection, John Chamberlaine’s greatest achievement was to publish engravings and etchings based upon these famous old master acquisitions. Between March, 1792 and February, 1800, John Chamberlaine published eighty-four stipple engravings based upon Holbein’s portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, ‘Historical Engraver to his Majesty’.
  In 1796, John Chamberlaine initiated another important set of engravings based upon drawings in the Royal Collection, entitled, "Imitations of Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi, Robert Shipster and other stipple engravers. The following year, John Chamberlaine began his final set under the title of, Engravings from the "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty’s Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael 'Raffaello Santi', Michelangelo di Lodovico Buonaroti, Claude Lorrain, Nicolas Poussin, Leonardo da Vinci, Giovanni Antonio Canal 'Canaletto' and other major artist. For this opus, John Chamberlaine commissioned such leading engravers as Francesco Bartolozzi (1727 - 1815), Luigi Schiavonetti (1765 - 1810), Frederick Christian Lewis (1779 - 1856), Peltro William Tomkins (1760 - 1840) and others to worked upon this project.
  The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci" and the 1797 Engravings from the "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty’s Collection", were both completed in 1812. At this point John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Taking eighteen years to complete, the entire series consisted of sixty-six plates, with the exception of a few sets which contained additional plates (not listed in the index), and bearing the publication date of 1795 or 1796. In order to simulate varying drawing methods, the artists used a wide ranging array of printmaking techniques such as stippling, soft ground etching and aquatinting, often employing either separately printed color plates or hand-coloring. As a result, some of the most complex and technically accomplished etchings and engravings of the late eighteenth and early nineteenth centuries are found within this scarce and monumental collection.
Size: 11 1/2 X 9 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Condition: Printed upon early 19th century wove paper and with full margins as created by Robert Shipster, also spelt 'Robert Shepster' in 1806 for John Chamberlaine's important set of engravings based upon drawings in the Royal Collection", "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", and bears the text, "From the Original drawing by Leo: da Vinci.", "Shepster Sculpt.", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs Octr. 10. 1806. by J. Chamberlaine. Scotland Yard." in the lower margin, and the plate number "PL. VIII." in the upper right corner. Containing very minor foxing else a beautifully printed impression and in very good condition throughout. "A Lawyer, 'In His Majesty's Collection'" represents a fine, original example of the early English stipple engraving.
Subject: Robert Shipster, Robert Shepster, "A Lawyer, 'In His Majesty's Collection'", John Chamberlaine, curator to his Majesty’s Collection, John Chamberlaine’s, Imitations of Original Designs by Leonardo da Vinci, original stipple engraving, British stippling techniques, early English stipple engravings, student of Francesco Bartolozzi.
Price: Sold - The price is no longer available.
Important Information:

The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial.

Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period.

Original Stipple Engraving by the British artist, Robert Shipster 'Robert Shepster' designed by Leonardo da Vinci.

A Lawyer In His Majesty's Collection Original Stiple Engraving by the British artist Robert Shipster also spelt Robert Shepster designed by Leonardo da Vinci published by John Chamberlaine for the Original Designs of the Most Celebrated Masters of the Bolognese Roman Florentine and Venetian Schools
A Lawyer, Original Stipple Engraving by the British artist, Robert Shipster designed by Leonardo da Vinci. 'In His Majesty's Collection' (Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools), published by John Chamberlaine.

View other original engravings designed by Leonardo da Vinci.

Leonardo Da Vinci (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519)
# Image Title & Artists Medium Date Engraver Designer Notes -
01- A Lawyer Original Stipple Engraving by Robert Shipster designed by Leonardo da Vinci A Lawyer, by the British artist, Robert Shipster designed by Leonardo da Vinci. Original Stipple Engraving 1806 Robert Shipster (Robert Shepster) Leonardo da Vinci John Chamberlaine, London, inscribed; "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", and bears the text, "From the Original drawing by Leo: da Vinci.", "Shepster Sculpt.", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs Octr. 10. 1806. by J. Chamberlaine. Scotland Yard." in the lower margin, and the plate number "PL. VIII." in the upper right corner. Sold
02.- Country Girl's Head by Francesco Bartolozzi designed by Leonardo da Vinci Country Girl's Head by Francesco Bartolozzi designed by Leonardo da Vinci Original Stipple Engraving in Sepia 1806 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Octr. 10. 1806, by I. Chamberlaine, Scotland Yard"; and numbered 'Pl. XIV'. Sold
03.- Dante Five Grotesque Heads by Francesco Bartolozzi designed by Leonardo da Vinci 'Dante' Five Grotesque Heads by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1806 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "Dante", "In His Majesty's Collection", and the publication line, "Published as the Act directs by I. Chamberlaine, Scotland Yard, Octr. 10, 1806.". Sold
04.- Design for a Cannon Foundry by Francesco Bartolozzi designed by Leonardo da Vinci Design for a Cannon Foundry by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1796 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, May 13. 1796, by I. Chamberlaine". Sold
05.- Four Profiles Grotesque Heads by Benedetto Pastorini designed by Leonardo da Vinci Four Profiles (Grotesque Heads) by Benedetto Pastorini designed by Leonardo da Vinci Original Stipple Engraving 1806 Benedetto Pastorini Leonardo da Vinci John Chamberlaine, London, inscribed;"From the Original Drawing by Leo: da Vinci."B. Pastorini Sculpt.", "In His Majesty's Collection" and the publication line, "Publish'd as the Act directs Octr. 10 1806 by I. Chamberlaine Scotland Yard."; as well as the plate number in the upper right margin"PL.XV"  
06.- Large Head of a Man by Francesco Bartolozzi designed by Leonardo da Vinci Large Head of a Man by Francesco Bartolozzi designed by Leonardo da Vinci Original Stipple Engraving 1796 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, March 1.1796 by I. Chamberlaine". Sold
07.- Self Portrait of Leonardo da Vinci by Francesco Bartolozzi designed by Leonardo da Vinci Self-Portrait of Leonardo da Vinci by Francesco Bartolozzi designed by Leonardo da Vinci Original Stipple Engraving in Sepia 1795 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "Leonardo - Vinci", "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and and the publication line, "Published as the Act directs, Sept. 1, 1795, by I. Chamberlaine". Sold
08.- Study of an Old Woman Grotesque Head by Benedetto Pastorini designed by Leonardo da Vinci Study of an Old Woman (Grotesque Head) by Benedetto Pastorini designed by Leonardo da Vinci Original Stipple Engraving 1806 Benedetto Pastorini Leonardo da Vinci John Chamberlaine, London, inscribed;"From the Original Drawing by Leo: da Vinci."B. Pastorini Sculpt.", "In His Majesty's Collection" and the publication line, "Publish'd as the Act directs Octr. 10 1806 by I. Chamberlaine Scotland Yard."; as well as the plate number in the upper right margin"PL.XVI"  
09.- The Muscular System by Francesco Bartolozzi designed by Leonardo da Vinci The Muscular System by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1796 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Apr. 27, 1796, by I. Chamberlaine"". Sold
10.- The Skeletal System by Francesco Bartolozzi designed by Leonardo da Vinci The Skeletal System by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1795 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, August 15th 1795 by I. Chamberlaine". Sold
11.- Woman's Head by P. W. Tomkins designed by Leonardo da Vinci Woman's Head by Peltro William Tomkins (P. W. Tomkins), based upon a design by Leonardo da Vinci Original Stipple Engraving 1803 P. W. Tomkins Leonardo da Vinci John Chamberlaine, London, inscribed, "From the Original Drawing by Leo: da Vinci.", "Engraved by P W Tomkins Historical Engraver to Her Majesty", "In His Majesty's Collection", "and the publication line, "Published as the Act Directs Octr. 1803 by I. Chamberlaine Brompton Midd."; and numbered "PL. XII". Sold

View other original engravings published by John Chamberlaine.

British Publisher: John Chamberlaine
# Image Title & Artist Engraver Info Medium Date -
01.- Annibale Carracci's Head of a Man by George Sigmund Facius Annibale Carracci's (Head of a Man) by Georg Sigmund Facius Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814) Original Soft Ground Etching & Stipple Engraving 1807  
02.- Old Man's Head by Francesco Bartolozzi Annibale Carracci's (Old Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching in Sepia 1796  
03.- King David by P. W. Tomkins after Annibale Carracci Annibale Carracci's (King David) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
04.- Self Portrait of Annibale Carracci by Francesco Bartolozzi Annibale Carracci's (Self-Portrait) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching 1796  
05.- Young Man's Head by Francesco Bartolozzi Annibale Carracci's (Young Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1807  
06.- Annibale Carracci's Virgin and Child and St. Anne by Luigi Schiavonetti Annibale Carracci's (Virgin and Child and St. Anne) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Color Aquatint Engraving & Etching 1807  
07.- Annibale Carracci's Virgin and Dead Christ by Luigi Schiavonetti Annibale Carracci's (Virgin and Dead Christ) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Aquatint Engraving & Etching 1807  
08.- Arches by F. C. Lewis after Canaletto Canaletto's 'Canaletti' (Arches) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint and Etching 1811  
09.- Canaletto's Ruins of a Temple and Arches by George Hawkins Canaletto's 'Canaletti' (Ruins of a Temple and Arches) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
10.- Canaletto's Sea View with Buildings by George Hawkins Canaletto's 'Canaletti' (Sea View with Buildings) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
11.- Forest Scene by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Forest Scene) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
12.- Grand Study of Trees by F. C. Lewis after Claude Lorrain Claude Lorrain's (Grand Study of Trees) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching and Aquatint 1807  
13.- Landscape with a River View by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Landscape with a River View) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
14.- Pharaoh by F. C. Lewis after Claude Lorrain Claude Lorrain's 'Pharaoh' (Moses and the Israelites) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching & Aquatint with Hand Coloring 1809  
15.- Polyphemus by the brothers F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's 'Polyphemus' (A One-Eyed Giant 'A Cyclops by the brothers, George Robert Lewis and Frederick Christian Lewis George Robert Lewis (London, 1782 - 1871) and Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) Original Etching & Aquatint 1807  
16.- Temple of Apollo by F. C. Lewis after Claude Lorrain Claude Lorrain's (Temple of Apollo) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching with Hand Coloring 1809 Sold
17.- The Landing of Aeneas The hero of Virgil's Aeneid by F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's (The Landing of Aeneas) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856), and George Robert Lewis, (London, 1782 - 1871) Original Etching and Aquatint 1807  
18.- A Lawyer Original Stipple Engraving by Robert Shipster designed by Leonardo da Vinci Leonardo da Vinci's (A Lawyer) by Robert Shipster Robert Shipster 'Robert Shepster' (British, 1775 - 1823) Original Stipple Engraving 1806 Sold
19.- An Allegorical Composition by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (An Allegorical Composition) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving in Sepia 1811 Sold
20.- Country Girl's Head by Francesco Bartolozzi Leonardo da Vinci's (Country Girl's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1806 Sold
21.- Dante Five Grotesque Heads by Francesco Bartolozzi Leonardo da Vinci's ('Dante' Five Grotesque Heads) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1806 Sold
22.- Design for a Cannon Foundry by Francesco Bartolozzi Leonardo da Vinci's (Design for a Cannon Foundry by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
23.- Four Profiles Grotesque Heads by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Four Profiles) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
24.- Large Head of a Man by Francesco Bartolozzi Leonardo da Vinci's (Large Head of a Man) Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving 1796 Sold
25.- Self Portrait of Leonardo da Vinci by Francesco Bartolozzi Leonardo da Vinci's (Self Portrait of Leonardo) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1795 Sold
26.- Study of an Old Woman Grotesque Head by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Study of an Old Woman) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
27.- The Muscular System by Francesco Bartolozzi Leonardo da Vinci's (The Muscular System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
28.- The Skeletal System by Francesco Bartolozzi Leonardo da Vinci's (The Skeletal System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1795 Sold
29.- Woman's Head by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (Woman's Head) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving 1803 Sold
30.- Abraham Entertaining Three Angels by Francesco Bartolozzi Ludovico Carracci's (Abraham Entertaining Three Angels) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
31.- Apotheosis of St. Francis by P. W. Tomkins after Ludovico Carracci Ludovico Carracci's (Apotheosis of St. Francis by Peltro William Tomkins) Peltro William Tomkins (London, 1760 - 1840) Original Aquatint Engraving in Sepia 1806 Sold
32.- Jacob's Vision by Francesco Bartolozzi Ludovico Carracci's (Jacob's Vision) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
33.- Virgin and Child and St. John by F. C. Lewis after Michelangelo Michelangelo's (Virgin and Child and St. John) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1811 Sold
34.- Bacchanalia A Dance before a Herm of Pan or Priapus by F. C. Lewis after Nocolas Poussin Nicolas Poussin's (Bacchanalia, 'A Dance before a Herm of Pan, or Priapus') by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving c. 1809  
35.- Treading the Wine Bags by F. C. Lewis after Nicolas Poussin Nicolas Poussin's (Treading the Wine Bags) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving 1809  
36.- Holy Family the Virgin with the Christ child St. Elizabeth and the infant St. John the Baptist by F. C. Lewis after Raffaelo Raphael's (Holy Family, the Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809  
37.- Leda and the Swan by F. C. Lewis after Raphael Raphael's (Leda and the Swan) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching 1809 Sold
38.- Sibyl by F. C. Lewis after Raphael Raphael's (Sibyl) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809 Sold

Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
Century:
Old Master Artist Index The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's.
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
British Artists Index The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century.
Italian Artist Index The 'Italian Art' directory contains a listing of original works of art created by artists from Italy and or art with an Italian theme. The artworks date from the 15th century to the 20th century.
Subject:
Portraits & Figure Studies Index The 'Portrait Studies' directory contains a listing of original works of art concentrating upon the theme of portraits, self-portraits and studies. Created by International artists throughout the centuries, these fine examples of portraiture have left a permanent and vivid record of their sitters.
Professions Portrayed in Art Index The 'Professions Portrayed in Art' directory contains a selection of original art with depictions of people in various professional occupations, such as the medical field with portrayals of doctors, dentists, nurses and quacks. The legal group contains depictions of judges, lawyers and the judicial system. The political profession includes politicians and statesmen who have represented us in government in the past or issues relating to politics. And the fourth category is businessmen. These works of art have been created by artists from around the world and date from the 16th century to the 20th century.

www.artoftheprint.com - Art of The Print Gallery

Customer inquiries: Contact us E-mail Address for www.artoftheprint.com or phone Greg & Connie (905) 957-6666

www.artoftheprint.com - Home | About Us | Artist Index | Gallery | Catalogue | Our Policy | Contact Us | Site Map

© copyrighted by Art of The Print / www.artoftheprint.com / Greg & Connie Peters. All Rights Reserved.