Title: |
The Annunciation |
Engraver: |
Sadeler, Jan (Brussels, 1550 - Venice, 1600) |
Designer: |
De Witte, Pieter 'Candido' (Bruges, 1548 - Munich,
1628) |
Date: |
c. 1590 |
Medium: |
Original Engraving |
Note: |
Jan Sadeler was initially apprenticed
to his father's business of engraving upon armour and others metals.
Yet both he and his younger brother, Raphael Sadeler (1555-1616), showed
such early talent at drawing the human figure that they both established
themselves as major artists. Jan Sadeler's first engravings upon copper
-- designs after the drawings of Crispin Van den Broeck -- were published
before he turned twenty. Jan Sadeler then traveled and worked in Germany before
settling permanently in Venice (c. 1580). Most of his greatest engravings
were produced while he lived in Italy. |
|
Jan Sadeler was equally adept at both landscapes and figure
studies. During his career he engraved the portraits of such eminent
individuals as Marie de Medici, Pope Clement VIII, Charles, Prince of
Sweden, Sigismund Feyerabend and Martin Luther. He also engraved plates
after Hans Bol, Martin de Vos, Carravagio and Carracci. In Italy, Jan Sadeler
often worked with the Bruges painter, Pieter de Witte (1548-1628). De
Witte worked in both Tuscany and Florence and signed his Italian works
with the name of 'Candido'. At least six of Sadeler's engravings from
this period, including The Annunciation, were designed by Candido. |
|
In Renaissance art, the scene of the Annunciation is most
often represented with the Archangel Gabriel announcing to Mary that
she will bear the Son of God. This engraving departs somewhat from the
traditional representation by including the figure of Joseph. It is a
superb example of Jan Sadeler's engraved art, particularly in the manner
he captures emotion and expression. |
Size: |
5 1/2 X 7 3/4 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
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View larger Framed Image |
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Condition: |
Printed upon late 16th century thin, laid paper and with
margins cropped to the plate-mark, as usual. It is a somewhat light but
even impression and containing several very slight crease marks. Else
it is in good condition throughout. This original Renaissance engraving
represents a prime example of the famous art of Jan Sadeler. |
Price: |
Sold - The price is no longer available. |
Important Information: |
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