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Gilles Rouselet & Titian 'Tiziano Vecellio'

Gilles Rouselet and Titian Tiziano Vecellio - The Entombment of Christ Cabinet Du Roi

The Entombment of Christ (Cabinet Du Roi)

Gilles Rousselet's original engraving The Entombment of Christ is based upon a design created by the Italian Master, Titian,'Tiziano Vecellio'. This impression is printed upon fine, hand-made, laid, watermarked paper from the 17th century and with full margins as published in Paris around for the "Cabinet du Roi" in 1675. "The Entombment of Christ" represents a scarce masterpiece of the seventeenth century French engraved art of Gilles Rousselet.
 
Title: The Entombment of Christ
Engraver: Rousselet, Gilles (Paris, 1610 - 1686)
Designer: Titian 'Tiziano Vecellio' (Pieve di Cadore, c. 1487 - Venice, 1576)
Date: c. 1675
Medium: Original Line Engraving
Source: Cabinet Du Roi
Note: Gilles Rousselet: Seventeenth century France was fortunate to have a legion of very gifted engravers. One of them was Gilles Rousselet. It is thought that he studied engraving techniques under the fine Dutch artist, Cornelis Bloemaert. During his career, Gilles Rousselet gained fame for his large engravings after both the Italian masters of the Renaissance and after contemporary French painters. In this latter vein, he formed a close working relationship with the painter, Le Brun. His old master engravings include works of art after Guido, Raphael, Domenichino and Titian. Rousselet became a full member of the prestigious Royal French Academy in 1663.
  This beautiful, large engraving originates from a famous series known as the 'Cabinet du Roi'. In the early 1670's, the King of France (Louis X1V) commissioned the country's best engravers to etch and engrave his collection of paintings -- which would later form the beginnings of the Louvre Museum. Such distinguished artists as Picart, Masson, Baudet, Chasteau, de Poilly and Rousselet all contributed original engravings. When completed (around 1675) the sets were then bound into special volumes. The largest engravings, such as this original example, were folded down the centre to accommodate the size of the volumes. It is believed that less than one hundred impressions were struck from each plate. These spectacular engravings are thus very scarce and The Entombment of Christ clearly represents one of the finest works of art from this set. The French text in the lower left of this engraving reads; " Jesus Christ descendu de la Croix est porte au Sepulebre par ses disciples (Jesus Christ descends from the cross and is carried by his Disciples to his tomb). And, to the lower right, the text in Latin reads; "Christus e Cruce Detractus a Discipulis in Sepulebrum IInfertur--"
  Titian (Pieve di Cadore, c. 1487 – Venice, 1576): The greatest master of the Venetian School, Titian (Tiziano Vecellio) studied and trained under Giovanni Bellini, in Venice. As early as 1507, Titian was receiving government commissions and working alongside such artists as Giorgione. In 1516 he succeeded Bellini as the Official Painter to the Doge of Venice. By 1530 Titian’s clientele included most of the rulers and nobility of all of Catholic Europe. He was particularly patronised by Emperor Charles V and his son, Philip II, during the following years. In the 1540’s Titian assumed the unofficial role of portraitist to the Farnese, the family of Pope Paul the Third. As well such powerful figures as the Dukes of Ferrara, Mantua and Urbino continually vied for his portraits and mythological and religious scenes. As a result Titian became perhaps the most politically powerful artist of the Italian Renaissance. Titian’s influence has proved to be vast. Such masters as Poussin, Velazquez and Rubens have revered his art. This original engraving entitled, "The Entombment of Christ" is based upon a design created by the Italian Master, Titian.
  Titian's painting, The Entombment of Christ, was acquired by Louis X1V in 1662. Thus Gilles Rousselet's engraving probably was the first attempt to engrave the painting once it passed into the King's collection. G. C. Williamson * lists it as being among Rousselet's greatest works of art. The clarity of line, tone and detail within this large work is indicative of the best work of seventeenth century French engraving. It has, in fact, even served a utilitarian function. Over the centuries Titian's painting darkened considerably and when restorers recently cleaned the painting they turned to Rousselet's famous engraving as a guide. (George C. Williamson, Bryan's Dictionary of Painters and Engravers, London, Bell & Sons, 1930, Vol. 1V, p. 289).
Size: 16 3/4 X 14 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Condition: Printed upon fine, hand-made, laid, watermarked paper from the 17th century and with full margins as published in Paris around 1675. Contains vertical centre crease, as always. Bearing the crisp lines and tonal values of a very early impression and in excellent condition throughout. Altogether, The Entombment of Christ represents a scarce masterpiece of seventeenth century French engraved art.
Subject: Gilles Rousselet, Titian 'Tiziano Vecellio', original engraving, The Entombment of Christ, Italian artist, "Cabinet du Roi", seventeenth century, French engraver.
Price: Sold - The price is no longer available.
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Original Engraving by the French artist, Gilles Rouselet.

The Entombment of Christ Original Engraving by the French artist Gilles Rouselet designed by the Italian Master Titian Tiziano Vecellio published for the Cabinet Du Roi
The Entombment of Christ

View other works by Gilles Rouselet.

Gilles Rousselet (Paris, 1610 - 1686)
# Image Title & Artist Medium Date Source -
01- Saint Francis in Meditation by Gilles Rouselet designed by Guido Reni Saint Francis in Meditation by by Gilles Rouselet designed by Guido Reni Original Line Engraving c. 1675 Cabinet Du Roi Sold
02.- The Entombment of Christby Gilles Rouselet designed by Titian Tiziano Vecellio The Entombment of Christby Gilles Rouselet designed by Titian 'Tiziano Vecellio' Original Line Engraving c. 1675 Cabinet Du Roi Sold

View other original works of art designed by Titian 'Tiziano Vecellio'

Titian 'Tiziano Vecellio' (Pieve di Cadore, c. 1487 - Venice, 1576)
# Image Title & Artist Engraver Info Medium Date Info -
01.- Portrait of Clarice Strozzi young daughter of Roberti Strozzi engraved by Domenico Cunego designed by Titian Filia Roberti Strozzi Noblis Florentini (Roberti Strozzi's young daughter, Clarice Strozzi with her dog) engraved by Domenico Cunego designed by Titian 'Tiziano Vecellio. Cunego, Domenico (Verona, 1727 - Rome, 1794) Original Engraving 1770 Published by Gavin Hamilton for Schola Italica Picturae.  
02.- Madonna of the Cherries by Lucas Vorsterman the Younger designed by David Teniers the Younger and Titian Madonna of the Cherries by Lucas Vorsterman, the Younger designed by David Teniers, the Younger and Titian Lucas Vorsterman, the Younger (Antwerp, c. 1605 - 1667) Original Etching 1656-1660 Theatrum Pictorium (Theatre of Paintings)  
03. Questo e Pietro Aretino Poeta Tosco This is the Tuscan Poet Pietro Aretino by Wenzel Hollar Questo e Pietro Aretino, Poeta Tosco (This is the Tuscan Poet, Pietro Aretino) by Wenzel Hollar (Wenceslaus Hollar) designed by Titian, 'Tiziano Vecellio' Hollar, Wenceslaus 'Wenzel Hollar' (Prague, 1607 - London, 1677) Original Etching 1647 Richard Pennington, Catalogue # P1346, First State of Two. Sold
04.- The Entombment of Christby Gilles Rouselet designed by Titian Tiziano Vecellio The Entombment of Christby Gilles Rouselet designed by Titian 'Tiziano Vecellio' Gilles Rousselet (Paris, 1610 - 1686) Original Line Engraving c. 1675 Cabinet Du Roi Sold
05.- La Maitresse du Titien Titian's Mistress Engraved by Francois Forster designed by Titian La Maitresse du Titien (Titian's Mistress) Engraved by Francois Forster designed by Titian 'Tiziano Vecellio'. Francois Forster (Locle, 1790 - Paris, 1872) Original Engraving 1837 Artaria & Fontaine, Manheim  

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