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George Wistar Hodge Ritchie (George W. H. Ritchie)

George Wistar Hodge Ritchie - From Under the Trees

From Under the Trees

George Wistar Hodge Ritchie's original etching, "From Under the Trees" is printed upon fine nineteenth century, hand-made, laid paper and with full margins as printed by George W. H. Ritchie in 1883. It is signed by the artist in the plate to the lower left. "From Under the Trees" is a fine, original example of the landscape art created by this 19th century American etcher and printer.
 
Title: From Under the Trees
Artist: Ritchie, George Wistar Hodge 'George W. H. Ritchie' (New York City, Active 1870 - 1900)
Date: 1883
Medium: Original Etching
Printer: George Wistar Hodge Ritchie
Note: George Wistar Hodge Ritchie 'George W. H. Ritchie': A nineteenth century New York City etcher and printer, George Wistar Hodge Ritchie is best known for the many plates he printed. He first established his printing press at 109 Liberty Street, New York. Among the artists who entrusted their etched plates to Ritchie were such notables as Winslow Homer who had him print first edition impressions of "The Life Line", "Eight Bells", "Mending the Tears", "Perils of the Sea" and "Fly Fishing".
  Frank Weitenkampf * states that G. W. H. Ritchie was a leading light of the 'Scratchers' Club'. He writes, "The Scratchers' Club, of Brooklyn, born in 1882, under the auspices of G. W. H. Ritchie, Walter M Aikman, Carleton Wiggins, Benjamin Lander, Stanley Middleton, lived for a few years. 'Sometimes,' says Mr. Aikman, 'one of the members would have a plate to bite, and our friend George W. H. Ritchie pulled the proofs. We never had an exhibition for the simple reason that we never made enough plates to hold one.'"
  In 1883 the Art Department of the New England Manufacturers’ and Mechanics’ Institute, Boston, held a major exhibition of contemporary American art. Concentrating mostly upon American drawings and etchings the exhibition catalogue listed 731 works of original art. George Wistar Hodge Ritchie’s original etching, From Under the Trees, was included in this exhibition and bears the catalogue number, 568. **
  George W. H. Ritchie was particularly active for the above named exhibition. Including From Under the Trees, he contributed three original etchings. As well, he was commissioned to print many of the exhibition's etchings, including works by Thomas Moran, Stephen Parrish, Henry Farrer, Benjamin Lander, Joseph Lauber, James Craig Nicoll and Henry W. Rice.
Reference: * Frank Weitenkampf, "American Graphic Art", New York, the MacMillan Company, 1924, p. 8.
  ** Frank T. Robinson (Art Director), "Catalogue of the Art Department of the New England Manufacturers' and Mechanics' Institute", Boston, Charles, Upham & Company, 1883, Catalogue #568.
Size: 4 1/4 X 6 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Buy Now Price: $325.00 US
Condition: Printed upon fine nineteenth century, hand-made, laid paper and with full margins as printed by G. W. H. Ritchie in 1883. Signed by the artist in the plate to the lower left. A strongly printed impression and in excellent condition throughout. "From Under the Trees" represents a prime, original example of the etched art of George Wistar Hodge Ritchie.
Subject: George Wistar Hodge Ritchie, "From Under the Trees", original etching, G. W. H. Ritchie, Winslow Homer, New York City etcher and printer, American Graphic Art, The Scratchers' Club.
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Original Etching by the 19th century American artist, George Wistar Hodge Ritchie 'George W. H. Ritchie'.

From Under the Trees Original Etching by the American artist George W. H. Ritchie also listed as George Wistar Hodge Ritchie
From Under the Trees

Art Department of the New England Manufacturers' and Mechanics' Exhibition 1883.

1883 Exhibition of Contemporary American Art
# Image Title & Artist Artist Info Medium Date  
01.- A Family of Quacks by Charles Volkmar A Family of Quacks by Charles Volkmar Charles Volkmar (Baltimore, 1841 - Metuchen, New Jersey, 1914) Original Etching with Plate Tone c. 1883  
02.- A Southern California Glen by Henry Chapman Ford A Southern California Glen by Henry Chapman Ford Henry C. Ford 'Henry Chapman Ford' (Livonia, New York, 1828 - Santa Barbara, California, 1894) Original Etching c. 1882 Sold
03.- A Southerly Wind and a Cloudy Sky by Thomas Moran A Southerly Wind and a Cloudy Sky Proclaim it a Hunting Morning by Thomas Moran Thomas Moran (Bolton, England, 1837 - Santa Barbara, CA, 1926) Original Etching c. 1882  
04.- A Summer Afternoon by Henry Webster Rice A Summer Afternoon by Henry Webster Rice Henry Webster Rice 'Henry W. Rice' (Pownal, Maine, 1853 - Watertown, Massachusetts, 1934) Original Etching c. 1883  
05.- Artillery Sergeant by William Henry Shelton Artillery Sergeant by William Henry Shelton William Henry Shelton (Allen's Hill, NY., 1840 - Morristown, NY., 1932) Original Etching c. 1883  
06.- Building an Elevator by James Craig Nicol Building an Elevator by James Craig Nicol James Craig Nicoll (New York City, 1847 - Norwalk, Connecticut, 1918) Original Etching with Plate Tone 1881  
07.- Drifting by Stephen Parrish Drifting by Stephen Parrish Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938) Original Etching c. 1883  
08.- Feeding Sheep by John Austin Sands Monks Feeding Sheep by John Austin Sands Monks John Austin Sands Monks (Cold Spring-on-Hudson, NY, 1850 - Chicago, 1917) Original Etching 1883  
09.- From Under the Trees by George W. H. Ritchie From Under the Trees by George W. H. Ritchie (George Wistar Hodge Ritchie) George Wistar Hodge Ritchie 'George W. H. Ritchie' (New York City, Active 1870 - 1900) Original Etching 1883  
10.- Head of an Old Man by Joseph Lauber Head of an Old Man by Joseph Lauber Joseph Lauber (Meschede, Westphalia, Germany, 1855 - New York City, 1948) Original Etching 1881  
11.- Naponoch Scenery Ulster County New York by William Hart Naponock (Naponoch) Scenery, Ulster County, New York by William Hart William M. Hart 'William Hart' (Paisley, Scotland, 1823 - Mount Vernon, New York, 1894) Original Etching c. 1883  
12.- Near Annisquam by Albion Harris Bicknel Near Annasquam (Annisquam) by Albion Harris Bicknell Albion Harris Bicknell 'A. H. Bicknell' (Turner, Maine, 1837 - Malden, Massachusetts, 1915) Original Etching c. 1883  
13.- Now Come Still Evening On by Henry Farrer Now Come Still Evening On by Henry Farrer Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903) Original Etching 1882 - 1883  
14.- Partegat Pond by Benjamin Lander Partegat Pond by Benjamin Lander Benjamin Lander (New York City, 1844 - ?) Original Etching 1882 - 1883 Sold
15.- Street at Honfleur France by Charles Adams Platt Street at Honfleur, France by Charles Platt Charles Adams Platt 'Charles Platt' (New York City, 1861 - 1933) Original Etching 1882  
16.- The Mill by Robert Crannell Minor The Mill by Robert Crannell Minor Robert Crannell Minor 'Robert C. Minor' (New York City, 1839 - Waterford, Connecticut, 1904) Original Etching & Drypoint c. 1883 Sold
17.- View in the Campagna by George Loring Brown View in the Campagna ('A Group of Ilex Trees near Rome') by George Loring Brown George Loring Brown (Boston, 1814 - Malden, Massachusetts, 1889) Original Etching 1854 (Third & Final State: 1883) Sold

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