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| Theodule Augustin Ribot's "La Carte, Scene Culinaire #8" (The Menu, Culinary Scene #8) is an original etching printed upon fine, china paper and impressed unto a large sheet of white, wove paper. It is signed "T. Ribot 8" in the plate to the lower left and bears the printer's details "Imp. Delatre, Paris", in the lower right margin above the plate-mark as published by A. Cadart & Luquet, Paris around 1865 for a set of original etchings portraying the life in the kitchen's of Parisian restaurant. "La Carte, Scene Culinaire #8" depicts three cooks discussing La Carte (menu). It is a fine, original example of the famous nineteenth century art created by the French artist, Theodule Ribot. Both the British Museum, and the Cleveland Museum of Art include an impression of "La Carte" in their permanent collections. |
| Title: | La Carte, Scene Culinaire #8 (The Menu, Culinary Scene #8) |
| Artist: | Ribot, Theodule-Augustin 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) |
| Date: | c. 1863-1866 |
| Medium: | Original Etching |
| Publisher: | A. Cadart & Luquet, Paris |
| Printer: | Auguste Delatre, Paris |
| Source: | Scenes Culinaires |
| Note: | Theodule-Augustin Ribot 'Theodule Ribot': A major nineteenth century French painter and etcher, Theodule Ribot first studied art at the Ecole des Arts et Metiers in Chalons. After his father's death in 1840 he worked as a bookkeeper in Rouen to help support his family. Theodule Ribot came to Paris in 1845 and studied in the atelier of Auguste-Barthelemy Glaize. Several years later he befriended the etcher and painter, Bonvin, who showed the work of Theodule Ribot and other realist artists, such as Fantin Latour, Legros and Whistler, in his studio. These artists were united in their opposition to classical and historical themes in French art and by their preference for depicting scenes from ordinary life. In the 1850's such realist works of art were usually met with derision by the establishment. |
| Theodule-Augustin Ribot first exhibited at the Paris Salon in 1861. Two years later, however, he joined the newly created Salon des Refuses, which stood opposed to the official salon. After this point both his paintings and etchings gained a wide national reputation and Theodule Ribot was named to the Legion of Honor in 1878. | |
| In total Theodule Ribot created slightly over thirty original etchings. Some of these are portraits and still lifes. His most famous etchings, however, are his "Scenes culinaires" portraying the life in the kitchen's of Parisian restaurants. Ribot's original etchings dealing with a culinary theme which depict chefs, cooks, kitchens, and other cooking imagery include, "La Carte" (The Menu), "L'Aide de Cuisine" (The Kitchen Helper), "Le Recette du Cuisinier" (The Cook's Recipe), "Les Eplucheurs" (The Peelers), "Le Mets Brule, Salon de 1863" (The Burnt Meal), "Le Dejeuner des Cuisiniers" (The Cooks' Lunch), "Le Dejeuner du chat" (The Cat's Lunch), and others. Nearly all of Theodule Ribot's etchings (including his well known portrait of Alfred Cadart) were published by Cadart between 1862 and 1878. Most of Ribot's etchings (including "La Carte, Scene Culinaire #8") were printed by Delatre, the master Paris printer of etchings. With its finely impressed lines and strong contrasts of light and shade, This original etching is clearly a very fine early printing. It depicts three cooks discussing La Carte (menu). The British Museum, Registration number, 1949.0411.2670, The Art Institute of Chicago, No. 93613, and the Cleveland Museum of Art, Inventory No. 1921.992, include an impression of "La Carte" in their permanent collections. | |
| Theodule Ribot 's original etching entitled, "La Carte, Scene Culinaire #8" (The Menu, Culinary Scene #8) hails from a set of original etchings published in Paris by A. Cadart & Luquet (1863-1866). It is listed in Maxime Lalanne's Traite de La Gravure - A L'Eau-Forte, which contains a complete catalogue listing of the works published by Cadart & Luquet up to the year 1866. This includes Theodule Ribot's set of original etchings which is listed on page five of the catalogue as ("T. Ribot - Cuisiniers, Collection de 6 Pl"). In "Les Graveurs du XIX Siecle", published in 1891, Henri Henri Beraldi includes "La Carte" as part of the set. The suite of eaux-fortes "Scene Culinaires" (Culinary Scenes), par T. Ribot contained original etchings depicting cooks and their assistants engaged in various phases of food preparation in Parisian restaurants. The New York Public Library includes a suite of Ribot's "Scenes Culinaires" in their permanent collection, OCLC Number, 839338722. These include "Les Eplucheurs", "Le Mets Brule", "La Carte"," L'Aide de Cuisine", & "Le Dejeuner des Cuisiniers". This original etching bears the artist's name "T. Ribot", the number "5", and the printer's details "Imp. Delatre, Paris", in the lower margin above the plate-mark as published by A. Cadart & Luquet, Paris around 1865. This scene depicts three cooks in the kitchen of a Parisian restaurant discussing the menu. Two men are seated on low stools and the third is leaning against the chopping block placed on the taller stool. | |
| Alfred Cadart: Within a surprisingly short period of time, the revival of etching as an original art form in Europe and America during the latter nineteenth century became viewed as a means of artistic expression equal to (and in more than several quarters, superior to) painting and sculpture. And, during that period, Alfred Cadart (1828-1875), sometimes listed as Alphonse Cadart, was France's foremost publisher of original etchings. He was most influential in re-establishing etching as a major artistic medium in France, England and America. In 1862, Alfred Cadart, along with Felix Chevalier, founded the Societe des Aqua-Fortistes (Society of Etchers), an organization, responsible for producing some of the finest French art from this era until its demise in 1867. The initial members included Felix Bracquemond, Henri Fantin- Latour, Johan Barthold Jongkind, Alphonse Legros and Theodule Ribot. Many of the fine etchings published by Cadart, particularly the earlier prints, were printed by August Delatre (1822-1907). Recognized as the most gifted printer-etcher of his era, August Delatre's influence upon the course of creative etching was significant. The artists who requested their services for their impressions reads like a 'who's who' of nineteenth century art. Corot, Chauvel, Brendel, Chaigneau, Constantin, Cottin, Whistler, Meryon, Haden, Jacquemart, Appian, Daubigny, Bracquemond, Rops, and other fine artists all pressed for their skills and advice. Both Cadart and Delatre were thus responsible for creating some of the most memorable and finest etchings of the nineteenth century. Theodule Ribot's original etching, "La Carte, Scene Culinaire #8" (The Menu, Culinary Scene #8) is a fine, original example of the etchings published by Cadart during the 1860's decade. | |
| Through the years, Alfred Cadart's firm entered into various partnerships producing changes in the name of the firm, as well as a change of address during the publication of some of his art albums. Starting around 1859, Alfred Cadart's publications bear the "Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacres". In 1861, Alfred Cadart entered into partnership with Felix Chevalier, establishing their new publishing house as, 'A. Cadart & F. Chevalier", Rue Richelieu, 66, Paris'. His next partnership began around 1862 with Jules Luquet, thus creating the firm of 'A. Cadart & Luquet, Editeurs', Rue de Richelieu, 79, Paris". In 1867, Cadart formed another partnership, this time with Mr. Luce, launching la Maison de "Cadart et Luce, Editeurs-Fondateurs, 58, Rue Neuve des Mathurins, 58". Then in 1872 he began to publish under his own name, "A. Cadart, Editeur-Fondateur, 58, Rue Neuve des Mathurins, 58". In 1874, the address changed to '56, Boulevard Haussmann, 56, Paris". After Cadart's death in 1875, his widow, Celonie-Sofie Cadart continued publishing original graphic works of art under the name, "Vve A. Cadart", (Puis Veuve Cadart), at the same address "56, Boulevard Haussmann, 56, Paris, until the demise of the firm in 1882. A selection of Paris art journals that contained original etchings published by the A. Cadart firm are listed below. | |
| Some of the earliest issues published by Alfred Cadart containing original etchings include, "Specimen, Paris Qui S'en Va", and "Paris Qui S'en Va Paris et Qui Vient", (1859-1860), Publication Artistique, dessinee et Gravee par Leopold Flameng, publie par Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacre. Another is "Voyage en Bateau, Croquis a L'Eau Forte" par Daubigny (1862), publie par 'A. Cadart & F. Chevalier', printed by Auguste Delatre, this one contained a set of nineteen original etchings by Charles-Francois Daubigny. Cadart's 1862 portfolio, "Huit Gravures a l'eau-forte par Manet" (Eight etchings by Edouard Mane), is also of great note, and it actually contained nine original etchings (two were printed on a single sheet). | |
| From (1862-1867), Alfred Cadart along with the Societe des Aqua-Fortistes began the publication of their first long running series of art albums, issued from September of 1862 to August of 1867 under the title of, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes".The first two issues bear the names & addresses of the firms, 'A. Cadart & F. Chevalier', and 'Cadart & Luquet'. The remaining issues (only) bear the 'Cadart & Luquet' full address. By the time of their demise in 1867, Cadart and the Societe des Aqua-Fortistes had published hundreds of original etchings for the series, 'Eaux-Fortes Modernes', three hundred etchings, sixty etchings per issue. Most were printed on single pages, however, some pages contained multiple etchings, increasing the number to over three hundred. | |
| During Cadart's partnership with Jules Luquet (1863 - 1867), the publishing house of Cadart & Luquet also published individual etchings, periodicals and various art albums or series containing original graphic works of art created by an individual artist, such is the case with the series of original etchings listed as, "Scenes Culinaires" which dealt with culinary scenes in Parisian restaurants etched by the French artist, Theodule-Augustin Ribot. These include, "La Carte" (The Menu), "L'Aide de Cuisine" (The Kitchen Helper), "Le Recette du Cuisinier" (The Cook's Recipe), "Les Eplucheurs" (The Peelers), "Le Mets Brule, Salon de 1863" (The Burnt Meal), "Le Dejeuner des Cuisiniers" (The Cooks' Lunch), "Le Dejeuner du chat" (The Cat's Lunch), and others. This original etching entitled, "La Carte" hails from Ribot's "Scenes Culinaires", and is typical of his most highly regarded works of art in this field. A few examples of art albums created by an individual artist include, A. P. Martial's two albums of Parisian views with original etchings entitled, "Vieux Paris" and "Ancien Paris". Both albums contained a collection of one hundred etchings in each portfolio with views of famous homes, city views, streets scenes, and important monuments in Paris. Another art publication entitled, "La Legende de Malborough" contained a collection of twenty one etchings by Amedee de Boret illustrating the Malborough's war verses. There were many additional works published in this manner by the Cadart firm, created and etched by such distinguished artists as, Maxime Lalanne, Jules Jacquemart, de Longueville, A. Gueyroy, and others. | |
| In 1868, Alfred Cadart initiated the publication of another series of original etchings, entitled, "L'Illustration Nouvelle" par Une 'Societe de Peintres-Graveurs, a L'Eau-Forte' (Society of Painters - Etchers) published under the partnership of 'Cadart et Luce' from 1868 to 1871, but starting with the 1872 issue, Cadart published it under his own name, 'A. Cadart', until his death in 1875. After the death of Alfred Cadart, his widow, Celonie-Sofie Cadart continued to publish "L'Illustration Nouvelle" under the name, "Vve A. Cadart" (Puis Veuve Cadart). This continued until the last issue was published in 1881). In total, there were 584 etchings commissioned for "L'Illustration Nouvelle". Like the previous series, entitled, "Eaux-Fortes Modernes", most of the etchings were printed on single pages, however, some pages contained multiple etchings, increasing the number of the combined issues to over six hundred etchings created by master etchers of the 19th century. | |
| In 1874, while "L'Illustration Nouvelle" was still in publication, Cadart began another fine series of original etchings, the first being, "Publications A. Cadart - L'Eau-Forte en 1874" (Publications A. Cadart - Etching in 1874), published by 'A. Cadart', 58, Rue Neuve des Mathurins, 58, Paris. The second issue L'Eau-Forte en 1875" contained a change of address (56, Boulevard Haussmann, 56, Paris). After the death of Alfred Cadart in 1875, his widow, Celonie-Sofie Cadart also continued to publish this series, but changed the title to "Publications Vve A. Cadart - L'Eau-Forte en 1876", Vve A. Cadart, Editeur - Imprimeur (same address, but with a change of date) until the last one entitled, "Publications Vve A. Cadart - L'Eau-Forte en 1881" was published in 1881. According to the British Museum of Art, the firm closed in 1882. It is believed that Celonie-Sofie Cadart could no longer afford the high cost of publishing and declared bankruptcy. After the closure of the Cadart publishing house, all of the inventory was auctioned off, ending an era of more than two decades of original creative printmaking, and the publishing of some of the finest etchings of the latter part of the nineteenth century by France's foremost publisher of original etchings, and one of the principal forces behind the French etching revival, Alfred Cadart. | |
| Reference: | Maxime Lalanne, Traite de La Gravure - A L'Eau-Forte, - Texte et Planches Par Maxime Lalanne, Paris, Cadart et Luquet, Editeurs, Gerants de la Societe des Aqua-Fortistes, 79, Rue Richelieu,79, MDCCC LXVI (1866), Catalogue des Lithographies - Gravures - Eaux-Fortes Publiees par la Maison Cadart & Luquet, Eaux Fortes, pg. 5, T. Ribot - "Cuisiniers, Collection de 6 Pl" Prix de Chaque Epruve (2), Prix de la Collection 10). |
| Reference: | Henri Beraldi, Les Graveurs du XIX Siecle, Paris, Librairie Conquet, 1891, Vol 11, pages, 195-196, Ribot (Theodule), Peintre, 1823-1891), Eaux-Fortes, 1863-1878, Portrait de Cadart", in-8- Scenes Culinaires: (Titre, "Les Eplucheurs", "Le Mets Brule", "La Carte"," L'Aide de Cuisine","Le Dejeuner des Cuisiniers", Publication de Cadart, Ces Sujets de Marmitons son les plus caracteristiques de L'oeuvre du Peintre). |
| Reference: | Mr. Martin Hardie, B.A., "Board of Education, South Kensington, Catalogue of Prints", Modern Etchings of the Foreign Schools in the National Art Library, Victoria and Albert Museum, London, printed by Wyman and Sons, Limited, Peter Lane E.C., 1903, pg. 170, Scenes Culinaires. six Eaux-fortes par E. Kibot. Title-page (A Cook seated at a Table), Ref. 20707.1. |
| Size: | 12 1/2 X 9 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
| Matted with 100% Archival Materials | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed upon upon fine, china paper and impressed unto a large sheet of white, wove paper and is signed "T. Ribot 8" in the plate to the lower left and also bears the printer's details "Imp. Delatre, Paris", in the lower right margin above the plate-mark as published by A. Cadart & Luquet, Paris around 1865 for a set of original etchings portraying the life in the kitchen's of Parisian restaurant. Containing tape staining on the extreme margins (verso) as well as paper loss to the upper right and lower left corners (well removed from the actual etching), else a strongly printed impression and in very good condition throughout. "La Carte, Scene Culinaire #8" (The Menu, Culinary Scene #8) represents a prime, original example of the famous nineteenth century art of Theodule-Augustin Ribot. |
| Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Etching by the French artist, Theodule-Augustin Ribot.
 |
| La Carte, Scene Culinaire #8 (The Menu, Culinary Scene #8) |
| Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | ||||||
| # | Image | Title & Artist | Medium | Date | Notes | - |
| 01.- |  |
La Carte, Scene Culinaire #8 (The Menu, Culinary Scene #8) by Theodule-Augustin Ribot | Original Etching | c. 1863-1866 | Signed "T. Ribot 8" in the plate to the lower left and bearing the printer's details "Imp. Delatre, Paris", in the lower right margin as published by A. Cadart & Luquet, Paris, from Theodule Ribot's set of, "Scenes Culinaires". | |
| 02.- |  |
Le Dejeuner des Cuisiniers, Scene Culinaire #5 (The Cooks' Lunch, Culinary Scene # 5) by Theodule-Augustin Ribot | Original Etching | c. 1863-1866 | Bearing the artist's name "T. Ribot", the number "5", and the printer's details "Imp. Delatre, Paris", in the lower margin as published by A. Cadart & Luquet, Paris, from Theodule Ribot's set of, "Scenes Culinaires". | |
| 03.- |  |
Le Recette du Cuisinier The Cook's Recipe by Theodule-Augustin Ribot | Original Etching | 1877 | Bearing the full title, "La Recette du Cuisinier" the publisher's name and address, "Vve A. Cadart Edit. Imp. 56 Blvrd. Haussmann, Paris", the artist's name "T. Ribot, pinx. et sculpt" in the lower margin as published for "L'Eau-Forte en 1877",, from Theodule Ribot's set of, "Scenes Culinaires". | |
| 04.- |  |
Les Eplucheurs (The Peelers) by Theodule-Augustin Ribot | Original Etching | 1863 | Bearing the official blindstamp "A. Cadart & Luquet, Editeurs, 79. R. Richelieu", the title, "Les Eplucheurs" the publisher's name and address, "Paris, publie par A. Cadart & F. Chevalier, Editeurs, Rue Richelieu, 66", the artist's name "T. Ribot sculp", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris for "Societe des Aqua-Fortistes", "Eaux-Fortes Modernes", from Theodule Ribot's set of, "Scenes Culinaires". | |
| 05.- |  |
Le Mets Brule, Salon de 1863 (The Burnt Meal) by Theodule-Augustin Ribot | Original Etching | 1863 | Signed by Theodule Ribot in the plate to the upper right and also bears the title, "Le Mets Brule" and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris", in the lower margin as published by A. Cadart & Luquet,, Paris for "Societe des Aqua-Fortistes", "Eaux-Fortes Modernes", from Theodule Ribot's set of, "Scenes Culinaires". | |
| 06.- |  |
M. A. Cadart, Fondateur de la Societe des Aqua-Fortistes (Portrait of Alfred Cadart, Founder of the "Society of Etchers") by Theodule-Augustin Ribot | Original Etching | 1864 | Signed by Theodule Ribot in the plate and bearing the title, "M. A. Cadart - Fondateur de la Societe des Aqua-Fortistes" the publisher's name and address, "Publie par Cadart & Luquet, Editeurs, 79, Rue de Richelieu, 79, Paris" as published for the "Societe des Aqua-Fortistes", "Eaux-Fortes Modernes". | Sold |
View other original etchings by Theodule-Augustin Ribot 'Theodule Ribot'.
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| Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories. | |
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| Trades & Occupations Portrayed in Art Index | The 'Trades & Occupations Portrayed in Art' directory contains a selection of original art depicting activities associated with trades, & occupations, such as cooks, bakers, tailors, blacksmiths, shoemakers, barbers, fishermen, fishing merchants, wine and flower merchants, peddlers, farming, farmers,manufacturing, construction and other related vocations. These artworks date from the 16th century to the 20th century. |
View other original etchings published by Alfred Cadart's publishing house & his partners.
| "Alfred Cadart", "A. Cadart & F. Chevalier", 'A. Cadart & Luquet", "Cadart et Luce", "A. Cadart", & "Vve A. Cadart" | |||||||
| # | Last Name | Artist & Title | Artist Info | Source | Date | - | |
| 01.- | Abraham | Bords de l'Oudon (Banks of the Oudon) by Tancrede Abraham | Tancrede Abraham (Vitre, 1836 - 1895) | Eaux-Fortes Modernes (plate # 31) | 1863 | ||
| 02.- | Aufray | Moulin Hollandais sur le Canal du Roi-Guillaume (Dutch Windmill on the Canal Roi-Guillaume) by Alphonse Aufray | Alphonse Edouard de Roc'Bhian Aufray 'Alphonse Aufray' (Paris, 1833 - 1886) | Eaux-Fortes Modernes (plate # 194) | 1865 | Sold | |
| 03.- | Barillot | Un Verger au Printemps (An Orchard in Springtime) by Leon Barillot | Leon Barillot (Montigny-les-Metz, 1844 - Paris, 1929) | L'Eau-Forte en 1878 (plate #19) | 1878 | Sold | |
| 04.- | Beaujoint | Vue de Varennes en Argonne (View of Varennes in Argonne) by Alphonse Beaujoint | Alphonse Beaujoint (France, Active, 1850 - 1870) | Eaux-Fortes Modernes (plate # 192) | 1865 | ||
| 05.- | Berthelemy | Entree du Port de Courseulles a Maree Basse (Entrance to the Port of Courseulles at Low Tide) by Pierre Emile Berthelemy | Pierre Emile Berthelemy (Rouen, 1818 - Bernieres-Sur-Mer, 1890) | Eaux-Fortes Modernes (plate # 121) | 1864 | ||
| 06.- | Besnus | La Mare au Drac, Champagne (The Pond at Drac, Champagne) by Amedee Besnus | Amedee Besnus (Paris, 1831 - 1909) | Eaux-Fortes Modernes (plate # 149) | 1865 | Sold | |
| 07.- | Besnus | Une Famille de Philosophes (A Family of Philosophers) by Amedee Besnus | Amedee Besnus (Paris, 1831 - 1909) | Eaux-Fortes Modernes (plate 222) | 1866 | ||
| 08.- | Borromeo | Vue Prise aux iles Borromees, Lac Majeur (View of the Borromean Islands, Lake Maggiore) by Gilberto Borromeo | Gilberto Borromeo (Milan, Italy, 1815 - 1885) | Eaux-Fortes Modernes (plate # 200) | 1865 | ||
| 09.- | Brendel | Une Bergerie (A Sheepfold) by Albert Brendel | Albert-Henrick Brendel 'Albert Brendel' (Berlin, 1827 - Weimar, 1895) | Eaux-Fortes Modernes (plate # 7) | 1862 | ||
| 10.- | Chaigneau | Le Petit Troupeau (The Little Herd) by Jean Ferdinand Chaigneau | Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) | Eaux-Fortes Modernes (plate # 91) | 1864 | Sold | |
| 11.- | Chaigneau | Moutons en Plaine, Salon de 1863 (Sheep in the Plain) by Jean Ferdinand Chaigneau | Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) | Eaux-Fortes Modernes (plate # 49) | 1863 | Sold | |
| 12.- | Chauvel | A Fleury, Seine-et-Marne (In Fleury, Seine-et-Marne) by Theophile-Narcisse Chauvel | Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) | Eaux-Fortes Modernes (plate #147) | 1865 | Sold | |
| 13.- | Chauvel | Apres la Pluie, a Vaujours (After the Rain, at Vaujours) by Theophile-Narcisse Chauvel | Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) | L'Eau-Forte en 1876 (plate # 21) | 1876 | Sold | |
| 14.- | Constantin | Fantaisies (Fantasies) by Auguste Constantin | Auguste Aristide Fernand Constantin 'Auguste Constantin' (Paris, 1824 - 1895) | Eaux-Fortes Modernes (plate 21) | 1863 | ||
| 15.- | Cossmann | Apres la Bataille (After the Battle) by Herman-Maurice Cossmann | Herman-Maurice Cossmann 'Herman Cossmann' (Berlin, 1821 - Paris, 1890) | Eaux-Fortes Modernes (plate # 221) | 1866 | ||
| 16.- | Cottin | Basse-Cour (Farmyard) by Pierre Cottin | Pierre Cottin (La Chapelle-Saint-Denis, 1823 - Paris, 1886) | Eaux-Fortes Modernes (plate # 112) | 1864 | ||
| 17.- | Dansaert | La Rentree du Pierrot (The Return of Pierrot) by Leon Dansaert | Leon-Marie-Constant Dansaert 'Leon Dansaert' (Brussels, 1830 - 1909) | Eaux-Fortes Modernes (plate # 40) | 1863 | ||
| 18.- | de Boret | Chevaliers et Sorcieres (Horsemen and Witches) by Amedee de Boret | Amedee De Boret (Jussey, France, 1837 - Raincourt, 1916) | Eaux-Fortes Modernes (plate # 218) | 1866 | ||
| 19.- | Delatre | Le Matin (Morning) 'View of a Duck Pond' by Auguste Delatre | Auguste Delatre (Paris, 1822 - 1907) | Eaux-Fortes Modernes (plate # 167) | 1865 | Sold | |
| 20.- | Duseigneur | Dans la Rue, Lyon (In the Street, Lyon) by Georges Duseigneur | Louis-Didier-Georges Duseigneur 'Georges Duseigneur' (Lyon, 1841 - Paris, 1906) | Eaux-Fortes Modernes (plate # 170) | 1865 | ||
| 21.- | Edwards | Parc a Richmond, Angleterre (Park in Richmond, England) by Edwin Edwards | Edwin Edwards (Framlingham, 1823 - London, 1879) | Eaux-Fortes Modernes (plate #122) | 1864 | ||
| 22.- | Faruffini | Le Sacrifice Egyptien d'une Vierge au Nil, Salon de 1867 (Egyptian Sacrifice of a Virgin to the Nile) by Federico Faruffini | Federico Faruffini (Milan, Italy, 1831 - Perugia, Italy, 1869) | Eaux-Fortes Modernes (plate # 281) | 1867 | Sold | |
| 23.- | Gabriel | La Petite-Venise 'Provence' (Little Venice 'Province') by Justin Gabriel | Justin Gabriel (Brignolles, 1838 - ?) | Eaux-Fortes Modernes (plate # 126) | 1864 | Sold | |
| 24.- | Gassies | Le Forgeron (The Blacksmith) by Georges Gassies | Georges Gassies (Paris, 1829 - 1919) | Eaux-Fortes Modernes (plate # 10) | 1862 | Sold | |
| 25.- | Jacquemart | Souvenirs de Voyage (Souvenirs of a Journey) (Souvenirs of a Journey) by Jules Jacquemart | Jules-Ferdinand Jacquemart 'Jules Jacquemart' (Paris, 1837 - 1880) | Eaux-Fortes Modernes (plate # 8) | 1862 | Sold | |
| 26.- | Laguillermie | Jeune Bretonne Vannant du Ble Noir au Bord de la Mer, Salon de 1874 (Young Bretonne Winnowing Buckwheat at the Seaside) by Frederic-Auguste Laguillermie | Frederic-Auguste Laguillermie (Paris 1841 - 1934) | L'Eau-Forte en 1875 (plate # 16) | 1875 | ||
| 27.- | Lancon | Un Vieux Lion (An Old Lion) by Auguste Andre Lancon | Auguste Andre Lancon 'Auguste Lancon' (Saint-Claude (Jura) 1836 - Paris, 1887) | L'Eau-Forte en 1874 (plate # 14) | 1874 | ||
| 28.- | Laurens | Canards Sauvages (Wild Ducks) by Jules Laurens | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | Eaux-Fortes Modernes (plate # 13) | 1862 | ||
| 29.- | Laurens | Sous Les Murs de Teheran, Perse (Within the Walls of Teheran, Persia) by Jules Laurens | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | Eaux-Fortes Modernes (plate # 51) | 1863 | ||
| 30.- | Laurens | Truands de Campagne (Thieves in the Countryside) by Jules Laurens | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | Eaux-Fortes Modernes (plate # 187) | 1865 | ||
| 31.- | Leconte | Une Rue a Sienne, Italie (A Street in Sienna, Italy) by Louis Leconte de Roujou | Louis Leconte de Roujou 'Louis Leconte de Roujou' (Blois, c. 1820 - 1870) | Eaux-Fortes Modernes (plate # 23) | 1863 | ||
| 32.- | L'hermitte | Interieur de Moulin a Kersaint, Finistere (Interior of a Mill in Kersaint, Finistere) by Leon-Augustin Lhermitte | Leon-Augustin L'hermitte (Mont-Saint-Pere, 1844 - Paris, 1925) | L'Eau-Forte en 1875 (plate # 22) | 1875 | Sold |
| 33.- | Lombard | Le Borriquero, Espagne (The Donkey Keeper, Spain) by Louis Lombard | Louis Lombard (Paris, 1831 - ?) | Eaux-Fortes Modernes (plate # 35) | 1863 | Sold |
| 34.- | Mery | Abeilles (Bees) by Alfred Emile Mery | Alfred Emile Mery 'Alfred Mery' (Paris, 1824 - 1896) | Eaux-Fortes Modernes (plate # 216) | 1866 | |
| 35.- | Monzies | L' Opinion du Modele (The Opinion of the Model) by Louis Monzies | Louis Monzies (Montauban, 1849 - Le Mans) | L'Eau-Forte en 1878 (plate # 16) | 1878 | |
| 36.- | Morin | Pays Quand Meme (Home all the Same) by Edmond Morin | Edmond Morin (au Havre, 1824 - Scaeux, 1882) | L'Eau-Forte en 1875 (plate # 33) | 1875 | |
| 37.- | Noterman | Les Plaideurs (The Litigants) by Zacharias Noterman | Zacharias Noterman (Ghent, 1813 - Paris, 1874) | Eaux-Fortes Modernes (plate # 42) | 1863 | |
| 38.- | Prevost | Les Remords (Remorse) by Alexandre Prevost | Alexandre Celeste Gabriel Prevost 'Alexandre Prevost' (Paris, c. 1830 - 1900) | Eaux-Fortes Modernes (plate # 258) | 1866 | |
| 39.- | Queyroy | Menhirs de Meneck by Armand Queyroy | Armand Queyroy 'Mathurin Louis Armand Queyroy' (Vendome, 1830 - 1893) | Eaux-Fortes Modernes (plate # 17) | 1862 | |
| 40.- | Ribot | La Carte, Scene Culinaire #8 (The Menu, Culinary Scene #8) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Scenes Culinaires | c. 1863-1866 | |
| 41.- | Ribot | Le Dejeuner des Cuisiniers, Scene Culinaire #5 (The Cooks' Lunch, Culinary Scene # 5) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Scenes Culinaires | c. 1863-1866 | |
| 42.- | Ribot | Le Mets Brule, Salon de 1863 (The Burnt Meal) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Eaux-Fortes Modernes (plate # 58) | 1863 | |
| 43.- | Ribot | Le Recette du Cuisinier (The Cook's Recipe) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | L'Eau-Forte en 1878 (plate # 25) | 1877 | |
| 44.- | Ribot | Les Eplucheurs (The Peelers) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Eaux-Fortes Modernes (plate # 25) | 1863 | |
| 45.- | Ribot | M. A. Cadart, Fondateur de la Societe des Aqua-Fortistes (Alfred Cadart, Founder of the Society of Etchers) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Eaux-Fortes Modernes (plate # 99) | 1864 | Sold |
| 46.- | Roybet | En Retard Pour La Fete (Late for the Fair) by Ferdinand Roybet | Ferdinand Roybet (Uzes, 1840 - Paris, 1920) | Eaux-Fortes Modernes (plate # 148) | 1865 | Sold |
| 47.- | Roybet | Le Repos, 'Fanueses au Repos' (Rest, 'Haymakers Resting') by Ferdinand Roybet | Ferdinand Roybet (Uzes, 1840 - Paris, 1920) | Eaux-Fortes Modernes (plate # 214) | 1866 | Sold |
| 48.- | Rudaux | Il M'aime Un Peu, Beaucoup? (He Loves Me, Loves Me Not?) by Edmond Adolphe Rudaux | Edmond Adolphe Rudaux 'Edmond Rudaux' (Verdun, 1840 - Paris, 1914) | L'Eau-Forte en 1881 (plate # 4) | 1881 | Sold |
| 49.- | Sege | Moulins dans le Pas-de-Calais (Windmills in the Pas-de-Calais) by Alexandre Sege | Alexandre Sege (Paris, 1818 - Coubron (Seine-et-Oise), 1885) | Eaux-Fortes Modernes (plate #181) | 1865 | |
| 50.- | Smits | La Lettre (The Letter) by Eugene Smits | Eugene Joseph Henri Smits 'Eugene Smits' (Antwerp, 1826 - Brussels, 1912) | Eaux-Fortes Modernes (plate # 232) | 1866 | Sold |
| 51.- | Snell | Lillebonne en 1848 by George Snell | George Snell (United States, 1820 - 1893) | Eaux-Fortes Modernes (plate # 240) | 1866 | |
| 52.- | Taiee | Notre St. Ouen d'avant la guerre by Alfred Taiee | Alfred Taiee (Paris, 1820 - ?) | L'Illustration Nouvelle (plate # 205) | 1873 | |
| 53.- | Taiee | Rose Tremiere (Alcea Rosea, Hollyhock) by Alfred Taiee | Alfred Taiee (Paris, 1820 - ?) | Eaux-Fortes Modernes (plate # 249) | 1866 | |
| 54.- | Ulm | Brant Decouvrant le Phosphore (Brandt Discovering Phosphorus) by Emile Ulm | Emile Ulm (Rochefort, 1829 - Paris, 1892) | Eaux-Fortes Modernes (plate # 137) | 1864 | Sold |
| 55.- | Valentin | Un Ouvrier de Sevres (A Worker from Sevres) by Henry Augustin Valentin | Henry Augustin Valentin 'Henry Valentin' (Yvetot 'Seine-Inferieure', 1822 - c. 1883) | Eaux-Fortes Modernes (plate # 70) | 1863 | |
| 56.- | Vernier | Rue Saint-Nicolas, Blois by Emile Louis Vernier | Emile Louis Vernier 'Emile Vernier' (Lons-le-Saulnier, (Jura) 1829 - Paris, 1887) | Eaux-Fortes Modernes (plate # 32) | 1863 | |
| 57.- | Villevieille | En Picardie (In Picardy) by Leon Villevieille | Leon Villevieille (Paris, 1826 - 1863) | Eaux-Fortes Modernes (plate # 87) | 1864 | Sold |
| 58.- | Von Heyden | Juifs Polonais, paysans et mineurs se la Haute-Silesie a l'embarcadere d'une mine (Polish Jews, peasants and miners from Haute-Silesie at the mine pier) by August Von Heyden | August Jakob Theodor Von Heyden 'August Von Heyden' (Breslau, 1827 - Berlin, 1897) | Eaux-Fortes Modernes (plate # 33) | 1863 | Sold |
| 59.- | Weber | Souvenir de Normandie (Souvenir of Normandie) by Otto Weber | Otto Weber (Berlin, 1832 - London, 1888) | Eaux-Fortes Modernes (plate # 53) | 1863 | Sold |
| 60.- | Weber | Un Pardon Breton, pres le Faouet, Morbihan (A Breton Pilgrimage, near Le Faouet, Morbihan) by Otto Weber | Otto Weber (Berlin, 1832 - London, 1888) | Eaux-Fortes Modernes (plate # 84) | 1864 | |
| 61.- | Zaleski | Lecon de Lecture a Orenbourg (A Reading Lesson in Orenburg) by Bronislaw Zaleski | Bronislaw Zaleski (Raczkiewicze, Poland, 1819 - Menton, France, 1880) | Eaux-Fortes Modernes (plate # 207) | 1866 |
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