Title: |
Le Chapeau Epingle (The Pinned Hat) |
Artist: |
Renoir, Pierre Auguste (Limoges, Paris, 1841 - Cagnes,
1919) |
Date: |
1894: First Edition |
Medium: |
Original Etching |
Publisher: |
Dentu, Paris |
Note: |
Pierre Auguste Renoir 'Pierre Renoir': One of the greatest masters
of French Impressionism, Pierre-Auguste Renoir created slightly over fifty
original etchings or lithographs during his life. His first original graphic
work of art was created in 1890 and, during the following ten years, he
was encouraged to produce more etchings and lithographs by his friends,
such as the etcher, Roux-Champion, and the publisher, Ambroise Vollard.
The themes of Renoir's original prints are very much akin to those of
his paintings; scenes of people he admired, children, bathers, nudes --
all examined in the ever changing light of the moment. |
|
The subject of Le Chapeau Epingle ('The Pinned
Hat') was depicted by him in six different prints, three etchings and
three lithographs. Renoir treated this scene of two young girls side by
side, with one of them pinning on the other's hat, in a series of variations
at this time. His models are known to have been Julie Manet, the daughter
of Berthe Morisot and niece of Eduard Manet, and her cousin, Paulette
Gobillard. The scene originated from a study Pierre Renoir made while on holiday
on the coast of Northern France with Berthe Morisot and her family. Julie
Manet was a favourite model for Renoir and on this occasion he drew her
on the beach with her cousin who was adjusting the pin on her large sun
hat. |
|
This impression of Le Chapeau Epingle is the third
and final etched variation. In its treatment it is much more compelling
and complex than the earlier two versions. This etching was commissioned
by Dentu in Paris in 1894 for Gustave Geffroy's art journal, La Vie
artistique. It later appeared in Georges Riviere's, Renoir et
ses Amis, published in Paris in 1921. It should also here be noted
that there are a number of modern re-strikes of this famous etching. One
can, however, determine the differences of these editions by the papers
used and their dimensions. First edition (1894) impressions, such as this
original example, were printed upon light cream laid paper with small
outside margins of slightly over 6" by 4". These impressions were also
very finely printed. Second edition (1921) impressions were printed upon
smooth wove paper with large margins. Finally, modern re-strikes appear
on thin, white laid paper with large margins. Their printing is very pale
and even. |
Edition: |
Publication information for first edition impressions is
not known. However, they must have been published in very small numbers
because they are now listed as rare. This is the only first edition impression
of Le Chapeau Epingle I have had the opportunity to acquire. |
Raisonne: |
Loys Delteil, Le Peintre-Graveur Illustre, Paris, 1923,
Volume 17. |
|
Catalogue # 8, Second and final state as published in Paris
in 1894. |
Raisonne: |
Dr. Joseph G. Stella, The Graphic Work of Renoir,
Lund Humphries, London, n.d. |
|
Catalogue # 8, Second and final state as published in Paris
in 1894. |
Size: |
4 3/8 X 3 1/8 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
Condition: |
Printed upon light cream, laid paper with margins measuring
slightly over 6" by 4" inches, which is indicative of a first edition
1894 impression. Signed by Renoir in the plate to the lower left. A superb,
delicately printed impression and in excellent condition throughout. This
impression of Le Chapeau Epingle represents both a scarce and
important example of the famous Impressionist art of Pierre-Auguste Renoir. |
Price: |
Sold - The price is no longer available. |
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