Louis Prang

Black and White Kingfisher

Louis Prang's original chromolithograph, "Black and White Kingfisher" hails from his natural history set entitled, Animate Creation published by Selmar Hess in 1898. It is a fine original example of the art created by the 19th century American printer, Louis Prang.

The black and white Kingfisher's name derives from its tinting. It is a remarkable contrast to the brilliant hues of blue and green which is a more common feature in these birds. The 'Black and White Kingfisher' is a native of many parts of the world.

Black and White Kingfisher

View other original works of art by Louis Prang.

Louis Prang (Breslau, 1823 - Los Angeles, 1909)
Series: "Animate Creation"
#	Image	Title & Artist	Medium	Date	Publisher
1.-		Black and White Kingfisher by Louis Prang	Original Chromolithograph	1898	Selmar Hess, New York	Sold
2.-		Group of Finches by Louis Prang	Original Chromolithograph	1898	Selmar Hess, New York
3.-		Lammergeyer Birds of Prey by Louis Prang	Original Chromolithograph	1898	Selmar Hess, New York	Sold
4.-		Paradise Flycatchers by Louis Prang	Original Chromolithograph	1898	Selmar Hess, New York	Sold
5.-		Titmice by Louis Prang	Original Chromolithograph	1898	Selmar Hess, New York
6.-		Weaver Birds by Louis Prang	Original Chromolithograph	1898	Selmar Hess, New York

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Title:	Black and White Kingfisher
Artist:	Prang, Louis (Breslau, 1823 - Los Angeles, 1909)
Date:	1898
Medium:	Original Chromolithograph
Publisher:	Selmar Hess, New York
Note:	Louis Prang: Born in Germany, Louis Prang sailed for the United States in 1850. During his initial years in his adopted country he worked for a short period for both Gleason's Pictorial and for lithographic printers in Philadelphia. In 1856 Louis Prang went into lithographic partnership with Julius Mayer, in Boston. By 1864 he set up his own business which then grew to eventually dominate the important field of color lithography in America. Prang & Company created all kinds of color lithographs (chromolithographs), from large landscapes and advertising posters, to botanical, ornamental, architectural and natural history plates, as well as numerous greeting and Christmas cards. No matter what the subject, the distinguishing element of a Prang 'chromo' was that it was usually superior to similar subjects published by the competition. From his long standing Boston establishment, Prang regularly designed and printed the most technically accomplished chromolithographs in the history of the medium. His original color prints demanded as much as thirty-five separate printings in order to achieve the subtleties of tone and color that Prang demanded. No one, either before or after him, matched Prang's consummate skills.
	During the 1890's, when Art Nouveau trends altered taste and design, Prang again emerged as America's foremost lithographic printer, lending his expertise to many famous posters. Once author states, "In years to come, Louis Prang was to tower over his competitors. He linked his name for all time to come with the word chromolithography, and gradually established himself as the country's leading promoter and purveyor of chromos." *
	Black and White Kingfisher: Louis Prang's original chromolithograph depicts the 'Black and White Kingfisher' (ceryle rudis). It is a native of many parts of the world and can be found throughout various parts of Asia and Africa. The black and white Kingfisher's name derives from its tinting. It is a remarkable contrast to the brilliant hues of blue and green which is a more common feature in these birds. A few distinctive features of Kingfishers are the length of their bills, being long and sharp and most often straight, in comparison to their short bodies. Their front toes are partly joined and the number of their toes is variable in form and arrangement. The Kingfisher mostly feeds upon fish it captures but others, like the Australian 'Laughing Jackass' or 'Giant Kingfisher', has a diet that consists mostly of insects, crustaceans, small mammalians and reptiles; due to the fact that it often resides in the vast arid plains where streams are not large enough to harbour fish. Some Kingfishers are quite dull in tint, black, brown and white, while others have the most brilliant plumage.
Source:	This original Prang chromolithograph entitled, "Black and White Kingfisher" hails from a natural history set entitled, Animate Creation. All the color lithographs dealing with natural history subjects -- including eleven portrayals of birds -- were created under his supervision. As with all Prang's work, the color printing is both accurate and superbly rendered. The 'Black and White Kingfisher' (ceryle rudis), is a native of many parts of the world, can be found throughout various parts of Asia and Africa. The black and white Kingfisher's name derives from its tinting. It is a remarkable contrast to the brilliant hues of blue and green which is a more common feature in these birds.
Reference:	* S. H. Hutchings, "Fine Art Lithography in Boston: Craftsmanship in Color, 1840-1900, Art and Commerce: American Prints of the Nineteenth Century", Charlottesville, University Press of Virginia, 1978, p. 111.
	* The Rev. J. G. Wood,"Animate Creation.", Selmar Hess, New York, 1898, pp. 130 - 138.
Size:	8 1/2 X 5 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed on nineteenth century wove paper and with full margins as published in New York in 1898. In excellent condition throughout and retaining its full color ranges. This original chromolithograph entitled, "Black and White Kingfisher" stands as a prime example of the art of Louis Prang, America's foremost color printer of the nineteenth century.
Price:	Sold - The price is no longer available.
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