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Jose Guadalupe Posada's original engraving, Corrido: Incendio de la Valenciana (Ballad: The Valenciana Fire) was engraved by the Mexican artist to illustrate a song of this name. It was engraved upon type metal and was first published between 1888 and 1900. Obviously at this time a fire engine would have been the subject of great civic pride. Posada's prints cover an amazing range of imagery. National events, disasters, miracles, abnormalities, executions, illustrations to popular songs (corridos), broadsides and street gazettes (gaceta callejera) embody a large portion of Posada's artistic oeuvre. Corrido: Incendio de la Valenciana was both designed and engraved by the Mexican artist, Jose Guadalupe Posada and it hails from the second posthumous edition entitled, Posada: 36 Grabados published by Arsacio Vanegas Arroyo in 1943 from the original Posada plate. |
Title: | Corrido: Incendio de la Valenciana (Ballad: The Valenciana Fire) |
Artist: | Posada, Jose Guadalupe (Aguascalientes, 1852 - Mexico City, 1913) |
Date: | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) |
Medium: | Original Engraving on Type Metal |
Publisher: | Arsacio Vanegas Arroyo |
Printer: | Arsacio Vanegas Arroyo |
Note: | Jose Guadalupe Posada: The father of Mexican printmaking, Jose Guadalupe Posada was born in Aguascalientes in 1852. As a child he assisted an elder brother who was a school teacher and an uncle who was a potter. In 1868, he was apprenticed to a local printmaker and publisher, Jose Trinidad Pedroza, who specialized in lithography. Posada's first prints are in this medium. |
In 1872 Pedroza opened a second shop in Leon de los Aldamas in the state of Guanajuato and left Posada in charge of it. Posada bought the shop in 1876 and made a comfortable living in this city with both commercial and religious art assignments. He also taught lithography techniques at a local secondary school. | |
Jose Guadalupe Posada moved to Mexico City in 1888 and within two years had become the chief artist for Antonio Vanegas Arroyo, a prominent publisher of illustrated broadsides, gazettes, song books, chapbooks and other popular forms of illustrated literature. At this point Posada completely abandoned lithography in favor of engraving on type metal, a process that produces results in relief similar to that of a woodcut. He used this method for his many engravings until about 1900, when he turned to etching upon zinc plates. All of Posada's now famous prints were produced for his publisher, Arroyo, and he continued to work closely with him until his death in 1913. | |
Posada's prints cover an amazing range of imagery. National events, disasters, miracles, abnormalities, executions, illustrations to popular songs (corridos), broadsides and street gazettes (gaceta callejera) cover a large portion of his artistic oeuvre. As well, his notorious 'Calaveras' have permanently been placed at the summit of Mexican artistic expression. By means of the Calaveras (Spanish for skulls or skeletons), Posada mimed practically every human folly. In a very strong way, Posada is to Mexico what Daumier, Goya and Hogarth are to their countries. Masters of the succeeding generation, such as Rivera and Orozco, were deeply influenced and indebted to Posada's art. | |
A note on impressions of Posada's prints: All original Posada engravings are scarce. First edition impressions of Posada's prints are next to impossible to acquire. As they were printed upon the cheapest wove papers used for popular broadsides, songsheets and street gazettes the vast majority simply disintegrated. The few remaining examples accompanied by text are now in the collections of mostly public or national museums. The first posthumous edition of original Posada engravings was published in Mexico City in 1930 by Frances Toor and Pablo O'Higgins, entitled, Mongrafia: Las Obras de Jose Guadalupe Posada. A second edition of original Posada engravings was then issued by the grandson of Posada's actual publisher, Arsacio Vanegas Arroyo, in 1943. Entitled, Posada: 36 Grabados, these engravings, most of which were not published in the Mongrafia, were printed upon coloured wove papers from the original Arroyo workshop which were quite similar to the papers used for the initial, first edition impressions. This original engraving hails from this 1943 set. Even prints from this set are listed as very scarce. | |
A word should also be said about the titles printed with Posada's posthumous impressions. As most dealt with topical events of the day, the publishers of both posthumous editions had to rely upon the memories of others to ascribe titles to the songs or events portrayed. Mistakes were not uncommon and when a discrepancy occurs with the scholarly research detailed in the text below I have noted it. * | |
Reference: | * Roberto Berdecio and Stanley Appelbaum, eds., Posada's Popular Mexican Prints, New York, Dover Publications, 1972. |
Note: | Corrido: Incendio de la Valenciana (Ballad: The Valenciana Fire) was engraved by Posada to illustrate a song of this name. As it was engraved upon type metal it was created between 1888 and 1900. Obviously at this time a fire engine would have been the subject of great civic pride. |
Source: | Posada 36 Grabados, Mexico City, 1943 |
Size: | 7 1/4 X 5 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon coloured wove paper and with full margins as published in Mexico City in 1943 by Arsacio Vanegas Arroyo for Posada: 36 Grabados. Containing several small marginal tears else in excellent condition throughout. Titled by the publisher along the lower edge of the margin. A fine impression and in excellent condition throughout. This original engraving entitled, Corrido: Incendio de la Valenciana (Ballad: The Valenciana Fire) represents a prime example of the famous art of Jose Guadalupe Posada. |
Price: | Sold - The price is no longer available. |
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Original engraving by the Mexican artist, Jose Guadalupe Posada
# 13.- Corrido: Incendio de la Valenciana (Ballad: The Valenciana Fire) |
View other original engravings by Jose Guadalupe Posada
Jose Guadalupe Posada (Aguascalientes, 1852 - Mexico City, 1913) | |||||
# | Title & Artist | English Title | Date | Medium | - |
01.- | Calavera: Guerra Mundial by Jose Guadalupe Posada | Skeleton: World War | 1911 (Monografia Edition: 1930) | Original Engraving on Type Metal | Sold |
02.- | Calavera Catrina by Jose Guadalupe Posada | Dapper Skeleton | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
03.- | Calavera de un Revolucionario Zapatista by Jose Guadalupe Posada | Skeleton of a Revolutionary Follower of Zapata | c. 1910 - 1912 (Monografia Edition | Original Etching on Zinc | Sold |
04.- | Calavera Revolucionaria by Jose Guadalupe Posada | Revolutionary Skeleton | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
05.- | Calaveras "Patinando" by Jose Guadalupe Posada | Streetcleaner Skeletons | c. 1910 - 1912 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
06.- | Cancion: La Locomotora by Jose Guadalupe Posada | Song:The Locamotive | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
07.- | Chispeante y divertida calavera de Dona Tomasa y Simon el aguador by Jose Guadalupe Posada | Witty and Amusing Skeleton of Dona Tomasa and Simon, the Water Carrier | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
08.- | Corrido: Dona Simona by Jose Guadalupe Posada | Ballad: Madam Simona | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
09.- | Corrido: El Fin del Mundo 'No. One' by Jose Guadalupe Posada | Ballad: The End of the World | c. 1895 - 1900 (Monografia Edition: 1930) | Original Engraving on Type Metal | Sold |
10.- | Corrido: El Fin del Mundo 'No. Two' by Jose Guadalupe Posada | Ballad: The End of the World | c. 1895 - 1900 (Monografia Edition: 1930) | Original Engraving on Type Metal | Sold |
11.- | Corrido: Fusilamiento de Bruno Apresa by Jose Guadalupe Posada | Bruno Apresa's Execution by Fire squad | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
12.- | Corrido: Fusilamiento de Bruno Martinez by Jose Guadalupe Posada | Bruno Martinez Executed by the Firing Squad | 1892 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
13.- | Corrido: Incendio de la Valenciana by Jose Guadalupe Posada | Ballad: The Valenciana Fire | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
14.- | Corrido: 'La AlfaJorera' by Jose Guadalupe Posada | Ballad: 'The Nougat Vendor' | 1893 (Monografia Edition: 1930) | Original Engraving on Type Metal | Sold |
15.- | Corrido: 'The Rumba' by Jose Guadalupe Posada | Ballad: 'The Rumba' | c. 1900 - 1910 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
16.- | Corrido: "Las Bicicletas" & "Loa: El Petatero" by Jose Guadalupe Posada | Ballad: "The Bicycles" & "Loa: The Sleeping Matt Carrier" | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
17.- | Corrido: Los Lamentos de Bruno Martinez by Jose Guadalupe Posada | Ballad: The Lamentations of Bruno Martinez | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
18.- | Corrido: Plaza de San Juan de los Lagos by Jose Guadalupe Posada | Ballad: San Juan de los Lagos Square | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Available |
19.- | Cuatro Zapatistas Fusilados by Jose Guadalupe Posada | Four Zapatistas Executed by a Fire Squad | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
20.- | Dialogo de Calaveras (Un 'Charro' y Su Amor) by Jose Guadalupe Posada | Dialogue of Skeletons 'A Horseman and his love | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
21.- | Dialogo de Calaveras 'Una Pareja Emocionada' by Jose Guadalupe Posada | Dialogue of Skeletons 'An Excited Couple' | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
22.- | Don Ferruco y su amor by Jose Guadalupe Posada | Don Ferruco and his Love | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
23.- | Ejemplo: 'Maria la Chiquita' by Jose Guadalupe Posada | Example: 'Maria the Little One' | 1897 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
24.- | Ejemplo: 'La Bejarano' by Jose Guadalupe Posada | Example: 'The Bejarano', (Guadalupe Martinez de Bejarano, The Child Killer) | c. 1892 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Available |
25.- | El Jarabe en Ultratumba by Jose Guadalupe Posada | The Folk Dance Beyond the Grave | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
26.- | El Muneco de Carton by Jose Guadalupe Posada | Ballad: The Cardboard Doll | c. 1900 - 1910 (Arsacio Vanegas Arroyo Edition: 1943) | Original Etching on Zinc | Available |
27.- | La Gaceta Callejera: La Adultera by Jose Guadalupe Posada | The Street Gazzete: The Adultress | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Available |
28.- | La Gaceta Callejera: Manifestacion Anti Clerical by Jose Guadalupe Posada | The Street Gazzete: Anti Clerical Manifestation | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
29.- | Ni Aqui te Olvidare! by Jose Guadalupe Posada | I Won't Even Forget You From Here! | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
30.- | Pleito de Suegras by Jose Guadalupe Posada | Argument Between Mothers-in-Law | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
31.- | Separacion del Cuerpo y del Alma by Jose Guadalupe Posada | Separation of the Body and the Soul | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
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