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An original engraving by the Mexican artist, Jose Guadalupe Posada, "Corrido: 'La Alfajorera'" (Ballad: 'The Nougat Vendor') was initially published in the summer of 1893 for the Gaceta Callejera (Street Gazette, in Mexico City. A second edition printed from the original Posada plate was issued for the "Mongrafia: Las Obras de Jose Guadalupe Posada, Grabador Mexicano" in 1930. This original impression hails from the second edition. The authors of "Posada's Popular Mexican Prints" (see below) indicate that the full title of this work of art was originally, "Gran espanto: Aparicion del fantasma de Pachita la alfajorera" ('Great Fright: Apparition of Pachita the Nougat Vendor'). Mexico City newspapers from the time indicate that this was an actual event. An old and unsavory character, Pachita regularly haunted her apartment after her death. Making life miserable for the new tenant, an ice vendor, she would invisibly drag him about her former quarters. |
Title: | Corrido: 'La AlfaJorera' (Ballad: 'The Nougat Vendor') |
Artist: | Posada, Jose Guadalupe (Aguascalientes, 1852 - Mexico City, 1913) |
Date: | 1893 (Monografia Edition: 1930) |
Medium: | Original Engraving on Type Metal |
Publisher: | Frances Toor, Blas Vanegas Arroyo and Pablo O'Higgins |
Note: | Jose Guadalupe Posada: The father of Mexican printmaking, Jose Guadalupe Posada was born in Aguascalientes in 1852. As a child he assisted an elder brother who was a school teacher and an uncle who was a potter. In 1868, he was apprenticed to a local printmaker and publisher, Jose Trinidad Pedroza, who specialized in lithography. Jose Guadalupe Posada's first prints are in this medium. |
In 1872, Pedroza opened a second shop in Leon de los Aldamas in the state of Guanajuato and left Posada in charge of it. Jose Guadalupe Posada bought the shop in 1876 and made a comfortable living in this city with both commercial and religious art assignments. He also taught lithography techniques at a local secondary school. | |
Jose Guadalupe Posada moved to Mexico City in 1888 and within two years had become the chief artist for Antonio Vanegas Arroyo, a prominent publisher of illustrated broadsides, gazettes, song books, chapbooks and other popular forms of illustrated literature. At this point Posada completely abandoned lithography in favor of engraving on type metal, a process that produces results in relief similar to that of a woodcut. He used this method for his many engravings until about 1900, when he turned to etching upon zinc plates. All of Jose Guadalupe Posada's now famous prints were produced for his publisher, Antonio Vanegas Arroyo, and he continued to work closely with him until his death in 1913. | |
Jose Guadalupe Posada's prints cover an amazing range of imagery. National events, disasters, miracles, abnormalities, executions, illustrations to popular songs (corridos), broadsides and street gazettes (gaceta callejera) cover a large portion of his artistic oeuvre. As well, his notorious 'Calaveras' have permanently been placed at the summit of Mexican artistic expression. By means of the Calaveras (Spanish for skulls or skeletons), Jose Guadalupe Posada mimed practically every human folly. In a very strong way, Posada is to Mexico what Daumier, Goya and Hogarth are to their countries. Masters of the succeeding generation, such as Diego Rivera and Jose Clemente Orozco, were deeply influenced and indebted to Posada's art. | |
The authors of the book, "Posada's Popular Mexican Prints" indicate that the full title of this original engraving entitled, Corrido: 'La AlfaJorera' (Ballad: 'The Nougat Vendor') was originally, entitled, "Gran espanto: Aparicion del fantasma de Pachita la alfajorera" ('Great Fright 'Ghost': Apparition of Pachita the Nougat Vendor'). Mexico City newspapers from the time indicate that this was an actual event. An old and unsavory character, Pachita regularly haunted her apartment after her death. Making life miserable for the new tenant, an ice vendor, she would invisibly drag him about her former quarters. Pachita is the nickname for Francisca. | |
A Note on Impressions of Posada's Prints: All original Jose Guadalupe Posada engravings are scarce. First edition impressions of Posada's prints are next to impossible to acquire. As they were printed upon the cheapest wove papers used for popular broadsides, songsheets and street gazettes the vast majority simply disintegrated. The few remaining examples accompanied by text are now in the collections of mostly public or national museums. The first posthumous edition of original Posada engravings and etchings was published in Mexico City in 1930 by Frances Toor, Blas Vanegas Arroyo and Pablo O'Higgins, entitled, "Mongrafia: Las Obras de Jose Guadalupe Posada, Grabador Mexicano". The original Jose Guadalupe Posada plates were collected and printed (sometimes two to a page and always using both sides of the paper) by none other than Diego Rivera and Pablo O'Higgins. "Corrido: 'La Alfajorera'" (Ballad: 'The Nougat Vendor') hails from this 1930 set. Even prints from this set are listed as very difficult to acquire. | |
Source: | Monografia: Las Obras de Jose Guadalupe Posada, Mexico City, 1930 |
Reference: | * Roberto Berdecio and Stanley Appelbaum, eds., "Posada's Popular Mexican Prints", New York, Dover Publications, 1972. Note: "Corrido: 'La Alfajorera'" (Ballad: 'The Nougat Vendor') is illustrated on plate 62. |
Size: | 5 X 8 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon wove paper and with full margins as published in Mexico City in 1930 for the Monografia. Titled by the publisher along the lower edge of the margin. As usual with impressions from this publication the paper is slightly brittle and age toned along the outer edges, else the actual engraving is finely printed and in good condition throughout. "Corrido: 'La Alfajorera'" (Ballad: 'The Nougat Vendor') represents a superb, original example of the famous art of Jose Guadalupe Posada. |
Subject: | Jose Guadalupe Posada, "Corrido: 'La Alfajorera'" (Ballad: 'The Nougat Vendor'), original engraving on type metal, Monografia, Apparition, Diego Rivera and Pablo O'Higgins. |
Price: | Sold - The price is no longer available. |
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Original engraving by the Mexican artist, Jose Guadalupe Posada
# 14.- Corrido: 'La AlfaJorera' (Ballad: 'The Nougat Vendor') |
View other original engravings by Jose Guadalupe Posada
Jose Guadalupe Posada (Aguascalientes, 1852 - Mexico City, 1913) | |||||
# | Title & Artist | English Title | Date | Medium | - |
01.- | Calavera: Guerra Mundial by Jose Guadalupe Posada | Skeleton: World War | 1911 (Monografia Edition: 1930) | Original Engraving on Type Metal | Sold |
02.- | Calavera Catrina by Jose Guadalupe Posada | Dapper Skeleton | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
03.- | Calavera de un Revolucionario Zapatista by Jose Guadalupe Posada | Skeleton of a Revolutionary Follower of Zapata | c. 1910 - 1912 (Monografia Edition | Original Etching on Zinc | Sold |
04.- | Calavera Revolucionaria by Jose Guadalupe Posada | Revolutionary Skeleton | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
05.- | Calaveras "Patinando" by Jose Guadalupe Posada | Streetcleaner Skeletons | c. 1910 - 1912 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
06.- | Cancion: La Locomotora by Jose Guadalupe Posada | Song:The Locamotive | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
07.- | Chispeante y divertida calavera de Dona Tomasa y Simon el aguador by Jose Guadalupe Posada | Witty and Amusing Skeleton of Dona Tomasa and Simon, the Water Carrier | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
08.- | Corrido: Dona Simona by Jose Guadalupe Posada | Ballad: Madam Simona | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
09.- | Corrido: El Fin del Mundo 'No. One' by Jose Guadalupe Posada | Ballad: The End of the World | c. 1895 - 1900 (Monografia Edition: 1930) | Original Engraving on Type Metal | Sold |
10.- | Corrido: El Fin del Mundo 'No. Two' by Jose Guadalupe Posada | Ballad: The End of the World | c. 1895 - 1900 (Monografia Edition: 1930) | Original Engraving on Type Metal | Sold |
11.- | Corrido: Fusilamiento de Bruno Apresa by Jose Guadalupe Posada | Bruno Apresa's Execution by Fire squad | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
12.- | Corrido: Fusilamiento de Bruno Martinez by Jose Guadalupe Posada | Bruno Martinez Executed by the Firing Squad | 1892 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
13.- | Corrido: Incendio de la Valenciana by Jose Guadalupe Posada | Ballad: The Valenciana Fire | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
14.- | Corrido: 'La AlfaJorera' by Jose Guadalupe Posada | Ballad: 'The Nougat Vendor' | 1893 (Monografia Edition: 1930) | Original Engraving on Type Metal | Sold |
15.- | Corrido: 'The Rumba' by Jose Guadalupe Posada | Ballad: 'The Rumba' | c. 1900 - 1910 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
16.- | Corrido: "Las Bicicletas" & "Loa: El Petatero" by Jose Guadalupe Posada | Ballad: "The Bicycles" & "Loa: The Sleeping Matt Carrier" | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
17.- | Corrido: Los Lamentos de Bruno Martinez by Jose Guadalupe Posada | Ballad: The Lamentations of Bruno Martinez | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
18.- | Corrido: Plaza de San Juan de los Lagos by Jose Guadalupe Posada | Ballad: San Juan de los Lagos Square | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Available |
19.- | Cuatro Zapatistas Fusilados by Jose Guadalupe Posada | Four Zapatistas Executed by a Fire Squad | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
20.- | Dialogo de Calaveras (Un 'Charro' y Su Amor) by Jose Guadalupe Posada | Dialogue of Skeletons 'A Horseman and his love | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
21.- | Dialogo de Calaveras 'Una Pareja Emocionada' by Jose Guadalupe Posada | Dialogue of Skeletons 'An Excited Couple' | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
22.- | Don Ferruco y su amor by Jose Guadalupe Posada | Don Ferruco and his Love | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
23.- | Ejemplo: 'Maria la Chiquita' by Jose Guadalupe Posada | Example: 'Maria the Little One' | 1897 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
24.- | Ejemplo: 'La Bejarano' by Jose Guadalupe Posada | Example: 'The Bejarano', (Guadalupe Martinez de Bejarano, The Child Killer) | c. 1892 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Available |
25.- | El Jarabe en Ultratumba by Jose Guadalupe Posada | The Folk Dance Beyond the Grave | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
26.- | El Muneco de Carton by Jose Guadalupe Posada | Ballad: The Cardboard Doll | c. 1900 - 1910 (Arsacio Vanegas Arroyo Edition: 1943) | Original Etching on Zinc | Available |
27.- | La Gaceta Callejera: La Adultera by Jose Guadalupe Posada | The Street Gazzete: The Adultress | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Available |
28.- | La Gaceta Callejera: Manifestacion Anti Clerical by Jose Guadalupe Posada | The Street Gazzete: Anti Clerical Manifestation | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
29.- | Ni Aqui te Olvidare! by Jose Guadalupe Posada | I Won't Even Forget You From Here! | c. 1910 (Monografia Edition: 1930) | Original Etching on Zinc | Sold |
30.- | Pleito de Suegras by Jose Guadalupe Posada | Argument Between Mothers-in-Law | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
31.- | Separacion del Cuerpo y del Alma by Jose Guadalupe Posada | Separation of the Body and the Soul | c. 1895 (Arsacio Vanegas Arroyo Edition: 1943) | Original Engraving on Type Metal | Sold |
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