Jose Guadalupe Posada

Separacion del Cuerpo y del Alma Original Engraving by the Mexican artist Jose Guadalupe Posada

# 31.- Separacion del Cuerpo y del Alma
(Separation of the Body and the Soul)

View other original engravings by Jose Guadalupe Posada

Jose Guadalupe Posada (Aguascalientes, 1852 - Mexico City, 1913)
#	Title & Artist	English Title	Date	Medium	-
01.-	Calavera: Guerra Mundial by Jose Guadalupe Posada	Skeleton: World War	1911 (Monografia Edition: 1930)	Original Engraving on Type Metal	Sold
02.-	Calavera Catrina by Jose Guadalupe Posada	Dapper Skeleton	c. 1910 (Monografia Edition: 1930)	Original Etching on Zinc	Sold
03.-	Calavera de un Revolucionario Zapatista by Jose Guadalupe Posada	Skeleton of a Revolutionary Follower of Zapata	c. 1910 - 1912 (Monografia Edition	Original Etching on Zinc	Sold
04.-	Calavera Revolucionaria by Jose Guadalupe Posada	Revolutionary Skeleton	c. 1910 (Monografia Edition: 1930)	Original Etching on Zinc	Sold
05.-	Calaveras "Patinando" by Jose Guadalupe Posada	Streetcleaner Skeletons	c. 1910 - 1912 (Monografia Edition: 1930)	Original Etching on Zinc	Sold
06.-	Cancion: La Locomotora by Jose Guadalupe Posada	Song:The Locamotive	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
07.-	Chispeante y divertida calavera de Dona Tomasa y Simon el aguador by Jose Guadalupe Posada	Witty and Amusing Skeleton of Dona Tomasa and Simon, the Water Carrier	c. 1910 (Monografia Edition: 1930)	Original Etching on Zinc	Sold
08.-	Corrido: Dona Simona by Jose Guadalupe Posada	Ballad: Madam Simona	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
09.-	Corrido: El Fin del Mundo 'No. One' by Jose Guadalupe Posada	Ballad: The End of the World	c. 1895 - 1900 (Monografia Edition: 1930)	Original Engraving on Type Metal	Sold
10.-	Corrido: El Fin del Mundo 'No. Two' by Jose Guadalupe Posada	Ballad: The End of the World	c. 1895 - 1900 (Monografia Edition: 1930)	Original Engraving on Type Metal	Sold
11.-	Corrido: Fusilamiento de Bruno Apresa by Jose Guadalupe Posada	Bruno Apresa's Execution by Fire squad	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
12.-	Corrido: Fusilamiento de Bruno Martinez by Jose Guadalupe Posada	Bruno Martinez Executed by the Firing Squad	1892 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
13.-	Corrido: Incendio de la Valenciana by Jose Guadalupe Posada	Ballad: The Valenciana Fire	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
14.-	Corrido: 'La AlfaJorera' by Jose Guadalupe Posada	Ballad: 'The Nougat Vendor'	1893 (Monografia Edition: 1930)	Original Engraving on Type Metal	Sold
15.-	Corrido: 'The Rumba' by Jose Guadalupe Posada	Ballad: 'The Rumba'	c. 1900 - 1910 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
16.-	Corrido: "Las Bicicletas" & "Loa: El Petatero" by Jose Guadalupe Posada	Ballad: "The Bicycles" & "Loa: The Sleeping Matt Carrier"	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
17.-	Corrido: Los Lamentos de Bruno Martinez by Jose Guadalupe Posada	Ballad: The Lamentations of Bruno Martinez	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
18.-	Corrido: Plaza de San Juan de los Lagos by Jose Guadalupe Posada	Ballad: San Juan de los Lagos Square	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Available
19.-	Cuatro Zapatistas Fusilados by Jose Guadalupe Posada	Four Zapatistas Executed by a Fire Squad	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
20.-	Dialogo de Calaveras (Un 'Charro' y Su Amor) by Jose Guadalupe Posada	Dialogue of Skeletons 'A Horseman and his love	c. 1910 (Monografia Edition: 1930)	Original Etching on Zinc	Sold
21.-	Dialogo de Calaveras 'Una Pareja Emocionada' by Jose Guadalupe Posada	Dialogue of Skeletons 'An Excited Couple'	c. 1910 (Monografia Edition: 1930)	Original Etching on Zinc	Sold
22.-	Don Ferruco y su amor by Jose Guadalupe Posada	Don Ferruco and his Love	c. 1910 (Monografia Edition: 1930)	Original Etching on Zinc	Sold
23.-	Ejemplo: 'Maria la Chiquita' by Jose Guadalupe Posada	Example: 'Maria the Little One'	1897 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
24.-	Ejemplo: 'La Bejarano' by Jose Guadalupe Posada	Example: 'The Bejarano', (Guadalupe Martinez de Bejarano, The Child Killer)	c. 1892 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Available
25.-	El Jarabe en Ultratumba by Jose Guadalupe Posada	The Folk Dance Beyond the Grave	c. 1910 (Monografia Edition: 1930)	Original Etching on Zinc	Sold
26.-	El Muneco de Carton by Jose Guadalupe Posada	Ballad: The Cardboard Doll	c. 1900 - 1910 (Arsacio Vanegas Arroyo Edition: 1943)	Original Etching on Zinc	Available
27.-	La Gaceta Callejera: La Adultera by Jose Guadalupe Posada	The Street Gazzete: The Adultress	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Available
28.-	La Gaceta Callejera: Manifestacion Anti Clerical by Jose Guadalupe Posada	The Street Gazzete: Anti Clerical Manifestation	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
29.-	Ni Aqui te Olvidare! by Jose Guadalupe Posada	I Won't Even Forget You From Here!	c. 1910 (Monografia Edition: 1930)	Original Etching on Zinc	Sold
30.-	Pleito de Suegras by Jose Guadalupe Posada	Argument Between Mothers-in-Law	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold
31.-	Separacion del Cuerpo y del Alma by Jose Guadalupe Posada	Separation of the Body and the Soul	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)	Original Engraving on Type Metal	Sold

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Title:	Separacion del Cuerpo y del Alma (Separation of the Body and the Soul)
Artist:	Posada, Jose Guadalupe (Aguascalientes, 1852 - Mexico City, 1913)
Date:	c. 1895 (Arsacio Vanegas Arroyo Edition: 1943)
Medium:	Original Engraving on Type Metal
Publisher:	Arsacio Vanegas Arroyo
Printer:	Arsacio Vanegas Arroyo
Note:	Jose Guadalupe Posada: The father of Mexican printmaking, Jose Guadalupe Posada was born in Aguascalientes in 1852. As a child he assisted an elder brother who was a school teacher and an uncle who was a potter. In 1868, he was apprenticed to a local printmaker and publisher, Jose Trinidad Pedroza, who specialized in lithography. Posada's first prints are in this medium.
	In 1872, Jose Trinidad Pedroza opened a second shop in Leon de los Aldamas in the state of Guanajuato and left Jose Guadalupe Posada in charge of it. Posada bought the shop in 1876 and made a comfortable living in this city with both commercial and religious art assignments. He also taught lithography techniques at a local secondary school.
	Jose Guadalupe Posada moved to Mexico City in 1888 and within two years had become the chief artist for Antonio Vanegas Arroyo, a prominent publisher of illustrated broadsides, gazettes, song books, chapbooks and other popular forms of illustrated literature. At this point Jose Guadalupe Posada completely abandoned lithography in favor of engraving on type metal, a process that produces results in relief similar to that of a woodcut. He used this method for his many engravings until about 1900, when he turned to etching upon zinc plates. All of Jose Guadalupe Posada's now famous prints were produced for his publisher, Antonio Vanegas Arroyo, and he continued to work closely with him until his death in 1913.
	Jose Guadalupe Posada's prints cover an amazing range of imagery. National events, disasters, miracles, abnormalities, executions, illustrations to popular songs (corridos), broadsides and street gazettes (gaceta callejera) cover a large portion of his artistic oeuvre. As well, his notorious 'Calaveras' have permanently been placed at the summit of Mexican artistic expression. By means of the Calaveras (Spanish for skulls or skeletons), Jose Guadalupe Posada mimed practically every human folly. In a very strong way, Posada is to Mexico what Honore Daumier, Francisco Goya and William Hogarth are to their countries. Masters of the succeeding generation, such as Diego Rivera and Jose Clemente Orozco, were deeply influenced and indebted to Posada's art.
	Separacion del Cuerpo y del Alma (Separation of the Body and the Soul): The subject of this engraving is, of course, the parting of the soul from the body at the moment of death. The dying man is accompanied by three spirits; at his feet is a horned representative of Satan, above is an angel of the Lord, or a representation of the actual, ascending soul, and at his head is Death whose left hand is pointing downwards to the Cross.
	A Note on Impressions of Posada's Prints: All original Jose Guadalupe Posada engravings and etchings are scarce. First edition impressions of Posada's prints are next to impossible to acquire. As they were printed upon the cheapest wove papers used for popular broadsides, songsheets and street gazettes the vast majority simply disintegrated. The few remaining examples accompanied by text are now in the collections of mostly public or national museums. The first posthumous edition of original Posada engravings was published in Mexico City in 1930 by Frances Toor and Pablo O'Higgins, entitled, "Mongrafia: Las Obras de Jose Guadalupe Posada". A second edition of original Posada engravings was then issued by the grandson of Posada's actual publisher, Arsacio Vanegas Arroyo, in 1943. Entitled, "Posada: 36 Grabados", these engravings, most of which were not published in the "Mongrafia", were printed upon coloured wove papers from the original Arroyo workshop which were quite similar to the papers used for the initial, first edition impressions. This original engraving entitled, "Separacion del Cuerpo y del Alma" (Separation of the Body and the Soul) hails from this 1943 set. Even prints from this set are listed as very scarce.
	A word should also be said about the titles printed with Jose Guadalupe Posada's posthumous impressions. As most dealt with topical events of the day, the publishers of both posthumous editions had to rely upon the memories of others to ascribe titles to the songs or events portrayed. Mistakes were not uncommon and when a discrepancy occurs with the scholarly research detailed in the text below I have noted it, above.
Source:	Posada: 36 Grabados, Mexico City, 1943
Reference:	Roberto Berdecio and Stanley Appelbaum, eds., "Posada's Popular Mexican Prints", New York, Dover Publications, 1972. (Illustrated on plate 61.)
Size:	3 1/2 X 5 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed upon coloured wove paper and with large margins as published in Mexico City in 1943 by Arsacio Vanegas Arroyo for "Posada: 36 Grabados". A finely printed impression and in excellent condition throughout. "Separacion del Cuerpo y del Alma" (Separation of the Body and the Soul) represents a prime, original example of the famous Mexican art of Jose Guadalupe Posada.
Subject:	Jose Guadalupe Posada, "Separacion del Cuerpo y del Alma" (Separation of the Body and the Soul), Original Engraving on Type Metal, Posada: 36 Grabados, Mexican art, father of Mexican printmaking, parting of the soul from the body at the moment of death.
Price:	Sold - The price is no longer available.
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Separacion del Cuerpo y del Alma (Separation of the Body and the Soul)