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Stephanie Pogue's original etching, "Untitled Composition" is printed upon hand-made paper and with full margins as published in 1969 in the limited edition of two hundred impressions. This original work of art is signed, dated and numbered by Stephanie Pogue in pencil along the lower margin and hails from the collection of Roger Trlak. "Untitled Composition" is an accomplished, early example of the art created by the 20th century African-American artist Stephanie Pogue. |
Title: | Untitled Composition |
Artist: | Pogue, Stephanie (Shelby, North Carolina, Born, 1944) |
Date: | 1969 |
Medium: | Original Deep Etching in Colors |
Note: | Stephanie Pogue: A contemporary African American painter and printmaker, Stephanie Pogue received her B.F.A. from Howard University, Washington DC (1963-1966), and her M.F.A. from the Cranbrook Academy of Art, Bloomfield Hills, Michigan (1968). She served as both a Professor and Gallery Director at Fisk University, Nashville, from 1968 to 1981, and has been a Professor of Art at the University of Maryland, from 1981 to the present. |
Stephanie Pogue's first exhibition of art took place at Fisk University in 1966. Since that time, her paintings and prints have been shown at the Metropolitan Museum of Art, New York (1975), El Museo de Arte Moderna, Cali, Columbia (1976), Cinque Gallery, New York (1977), City Museum of Fine Arts, Taipei, Taiwan (1983), Centre d'Art de Rouge-Cloitre, Brussels (1988) and Museo do Gravura, Curitiba, Brazil (1991). Stephanie Pogue's etchings were also included in the important 1996 exhibition, "Bearing Witness: Contemporary Works by African American Women Artists", which was held at Spelman College, Atlanta, Georgia. | |
Provenance: | From the collection of Roger Trlak and bearing his inventory number, 'T-260', on the verso. Roger Trlak (1934-1975) established the commercial art company of Martin-Trlak in Chicago. In 1972 he also opened the RST Gallery in Scottsdale, Arizona where he exhibited not only his own large collection of mostly contemporary art but also held important exhibitions of many modern artists. These Included such major American and international printmakers as Joseph Hirsch, Luigi Lucioni, Jacob Landau, Birgit Skiold and Paul Wunderlich. Among Trlak's closest friends in the arts community were Raphael Soyer, Ivan Albright and Hans Burkhardt. Contemporary prints and paintings were constantly exhibited at the RST Gallery until it was closed in 1975 due to Trlak's untimely death. |
Edition: | Limited edition of two hundred impressions, numbered 105/200 |
Size: | 4 X 4 (DIAMETER) (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon hand-made paper and with full margins as published in 1969 in the limited edition of two hundred impressions. Signed, dated and numbered, '105/200', by the artist in pencil along the lower margin. Containing an unidentified printer's blindstamp to the lower right. A strong, rich impression and in excellent condition throughout. This original etching represents an accomplished early example of the art of Stephanie Pogue. |
Price: | Sold - The price is no longer available. |
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Original Deep Etching in Colors by the American artist, Stephanie Pogue.
Untitled Composition |
View Other Original Works of Art by African/American Artists.
African/American Artists | |||||||
# | Image | Title & Artist | Artist Info | Medium | Date | Info | - |
01- | Golden Gateway, San Francisco by Raymond Howell | Raymond Howell (Oakland, CA, 1931 - 2002) | Original Silkscreen (Serigraph) | c. 1975 | Signed in pencil by the artist and annotated '200' (edition size) by Raymond Howell . | Sold | |
02.- | Make It Short by John Dowell | John Edward Dowell Jr. 'John Dowell' (Born: March 25, 1941 - Philadelphia, PA) | Original Lithograph & Watercolor (Monotype) | 1973 | Signed, dated, titled and numbered, 'A.P. #10' by John Dowell in pencil. | ||
03.- | Music Makers by Hartwell Yeargans | Hartwell Yeargans (Kansas City, 1915 - New York, 2005) | Original Color Woodcut | 1971 | Signed, titled, dated and annotated, ‘Var(iation) II A/P I’ 'Artist Proof' by Hartwell Yeargans | ||
04.- | Tom Tom by Elmer Brown | Elmer William Brown, 'Elmer Brown' (Pittsburgh, 1909 - Cleveland, 1971) | Original Linocut (Linoleum Cut) | c. 1939 | Signed and titled on the original matt (under the image) by Elmer Brown in pencil. | Sold | |
05.- | Une mauvaise rencontre (A Bad Encounter) by Jules Lion designed by Jean-Auguste Bard | Jules Lion (Paris, 1809 or 1810 - New Orleans, Louisiana, 1866) | Original Lithograph | c. 1835 | Signed by Jules Lion in the stone to the lower right | ||
06.- | Untitled Composition by Stephanie Pogue | Stephanie Pogue (Shelby, North Carolina, Born, 1944) | Original Deep Etching in Colors | 1969 | Signed, dated and numbered, '105/200', by Stephanie Pogue in pencil. | Sold | |
07.- | You're Part of Art by Alvin Carl Hollingsworth | Alvin Carl Hollingsworth (New York, NY, 1928 - 2000) | Original Oil on Canvas Board | c. 1970 | Signed by Alvin Hollingsworth within the image to the lower left. | ||
08.- | View from the Balcony (Untitled Composition) by Lloyd Van Pitterson | Lloyd Van Pitterson (Jamaica, 1926 - Elizabeth, New Jersey, 1997) | Original Lithograph | c. 1975 - 1980 | Signed in pencil by Lloyd Van Pitterson to the lower left and numbered, 119/300. |
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