Charles Adams Platt - Old Boat House Gloucester Massachusetts

Old Boat House, Gloucester, Massachusetts

View other original Etchings Charles Platt.

Charles Adams Platt (New York City, 1861 - 1933)
#	Image	Title & Engraver	Medium	Date	Publisher	-
01-		Inner Temple Lane by Charles Adams Platt	Original Etching with Plate Tone	1883 (Published, 1884)	Signed and titled by Charles Platt in the plate, published by G. P. Putnam's Sons, New York	Sold
02.-		Old Boat House, Gloucester, Massachusetts by Charles Adams Platt	Original Etching	1881	Signed and dated by Charles Platt in the plate, published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review", Boston	Sold
03.-		Oxford by Charles Adams Platt	Original Etching with Plate Tone	1883 (Published, 1884)	Signed, titled and dated by Charles Platt in the plate, published by G. P. Putnam's Sons, New York	Sold
04.-		Street at Honfleur, France by Charles Adams Platt	Original Etching	1882	Signed and dated by Charles Platt in the plate, published by George Wistar Hodge Ritchie	Available
05.-		Westminster Abbey by Charles Adams Platt	Original Etching with Plate Tone	1883 (Published, 1884)	Signed and titled by Charles Platt in the plate, published by G. P. Putnam's Sons, New York	Sold

View other original works of art published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review".

"The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art" (Nov. 1879 to Oct. 1881)
#	Image	Title & Etcher	Artist Info	Medium	Date	-
01.-		A Village Street in France by Joseph Foxcroft Cole	Joseph Foxcroft Cole 'J. F. Cole' (Jay, Maine, 1837 - Winchester, Mass., 1892)	Original Etching	1879 (1st Ed: 1880)	Sold
02.-		A Young Republican by John Ames Mitchell	John Ames Mitchell 'John Mitchell' (New York, 1845 - Ridgefield, Connecticut, 1918)	Original Etching	1881	Sold
03.-		Coal Pockets at New Bedford, Massachusetts by Robert Swain Gifford	Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905)	Original Etching	1879	Sold
04.-		Devil's Way, Algiers by Stephen James Ferris 'Stephen Ferris'	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1879
05.-		Divination in Tea Leaves by Alfred Laurens Brennan	Alfred Laurens Brennan 'Alfred Brennan' (Louisville, Kentucky, 1853 - Brooklyn, New York, 1921)	Original Etching	1879
06.-		Durham, England by Samuel Colman	Samuel Colman (Portland, Maine, 1832 - New York City, 1920)	Original Etching	1880
07.-		Lady of Cairo Visiting by James David Smillie after Frederick Arthur Bridgman	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1881
08.-		Leukothea (Leucothea) Appears to Odysseus by Hans Meyer after Friedrich Johann Christian Ernst Preller	Hans Meyer (Berlin, 1846 - 1919)	Original Etching and Aquatint	1881
09.-		Mill Pond at Windsor Connecticutt by Albert Fitch Bellows	Albert Fitch Bellows 'Albert Bellows' (Milford, Massachusetts, 1829 - New York, 1883)	Original Etching	1879	Sold
10.-		Moonlight on the Androscoggin by John Henry Hill	John Henry Hill 'John Hill' (West Nyack, New York, 1839 - 1922)	Original Etching and Aquatint	1880	Sold
11.-		Mrs. Philip Nicklin by Stephen James Ferris 'Stephen Ferris' after Gilbert Stuart.	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1879
12.-		Near Mattakeesett by Edmund Henry Garrett	Edmund Henry Garrett 'Edmund Garrett' (Albany, New York, 1853 - Nedham, Massachusetts, 1929)	Original Etching	1881
13.-		Negro Huts at Wilmington, North Carolina by John Mackie Falconer	John Mackie Falconer 'John Falconer' (Edinburgh, Scotland, 1820 - Brooklyn, N.Y., 1903)	Original Etching	1880	Sold
14.-		November by Stephen Parrish	Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938)	Original Etching	1880	Sold
15.-		Old Boat House, Gloucester, Massachusetts by Charles Adams Platt	Charles Adams Platt 'Charles Platt' (New York City, 1861 - 1933)	Original Etching	1881	Sold
16.-		Old Cedars, Coast of Maine by James David Smillie	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1880	Sold
17.-		On New York Bay by Henry Farrer	Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903)	Original Etching	1879	Sold
18.-		On the Housatonic by Hendrik Dirk Kruseman Van Elten	Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904)	Original Etching	1881	Sold
19.-		On the Shepang River, Connecticut by Hendrik Dirk Kruseman Van Elten	Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904)	Original Etching	1880	Sold
20.-		Passaic Meadows (In The Newark Meadows) by Thomas Moran	Thomas Moran (Bolton, England, 1837 - Santa Barbara, Ca, 1926)	Original Etching	1880
21.-		Pond at Cernay-La-Ville by Eliza Pratt Greatorex	Eliza Pratt Greatorex 'Eliza Greatorex' (Manor Hamilton, Ireland, 1820 - Paris, 1897)	Original Etching	1880	Sold
22.-		Portrait of Mrs. J. Coleman Drayton by Stephen James Ferris 'Stephen Ferris' after Daniel Huntington	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1881
23.-		Portrait of Sir Gilbert Scott by Anna Lea Merritt after George Richmond	Anna Lea Merritt (Philadelphia, 1844 - Hampshire, England, 1930)	Original Etching and Aquatint	1880
24.-		Schwabelweiss by Otto Henry Bacher	Otto Henry Bacher 'Otto Bacher' (Cleveland, 1856 - Bronxville, Ny., 1909)	Original Etching	1879	Sold
25.-		Summer by Ignaz Marcel Gaugengigl	Ignaz Marcel Gaugengigl 'Ignaz Gaugengigl' (Passau, Bavaria, 1855 - Boston, 1932)	Original Etching	1880
26.-		Sunset, Gowanus Bay by Henry Farrer	Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903)	Original Etching	1880	Sold
27.-		The Mermaid by Frederick Stuart Church	Frederick Stuart Church 'F. S. Church' (Grand Rapids, Michigan, 1842 - New York, 1924)	Original Etching and Aquatint	1880	Sold
28.-		The Noonday Rest by Peter Moran	Peter Moran (Bolton, England, 1841 - Philadelphia, Pa, 1914)	Original Etching	1877 (1st Ed: 1880)
29.-		The Old Clothes Dealer, Cairo by Stephen James Ferris 'Stephen Ferris' after Jean-Leon Gerome	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1880
30.-		The Path by The Shore by Robert Swain Gifford	Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905)	Original Etching	1879	Sold
31.-		Up The Hill by James David Smillie	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1879	Sold

Title:	Old Boat House, Gloucester, Massachusetts
Artist:	Platt, Charles Adams (New York City, 1861 - 1933)
Date:	1881
Medium:	Original Etching
Publisher:	Dana Estes and Charles E. Lauriat, Boston
Source:	The American Art Review
Note:	Charles Adams Platt: A painter, architect, etcher and writer, Charles Adams Platt quickly became one of America's most highly regarded landscape artists during the late nineteenth century. He first studied art at the National Academy of Design and at the Art Students League of New York before finishing his formal training under Boulanger and Lefebvre, in Paris. During his successful career Platt received many awards, including the bronze medal from the Paris Exposition of 1900. He was a full member of the Society of American Artists (1888), the National Academy of Design (Associate, 1897: Academician, 1911), the American Academy of Arts and Letters, the American Institute of Architects, the New York Etching Club and the London Society of Painter-Etchers.
	Charles Adams Platt was taught etching by his friend and fellow artist, Stephen Parrish, in 1880. Parrish (1846-1938) lived in Gloucester, Massachusetts, and thus many of Charles Adams Platt's initial etchings dealt with scenes from this locality. From 1880 through 1890, Charles Adams Platt devoted himself almost exclusively to the art of etching and produced over one hundred works of art in this medium.
	Even in his earliest etchings, Charles Adams Platt proved himself a most innovative and accomplished artist. In Old Boat House, Gloucester, for example, he employed deeply bitten lines with plate tone to achieve a striking effect. It is a work of art worthy of one of America's greatest nineteenth century etchers.
	The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art: Inspired by the European etched art of James McNeill Whistler, Charles Meryon, Sir Francis Seymour Haden and others, a large number of American artists became seriously interested in the art of etching by 1875. A primary catalyst to the etching revival in America was the journal, American Art Review (1879-1881). Founded and edited by Sylvester Rosa Koehler it commissioned American artists for original etchings. Contributing etchers included such famous artists as Thomas Moran, Peter Moran, Otto Bacher, Stephen Parrish, Henry Farrer, Eliza Greatorex, Charles Adams Platt and William Merritt Chase. Each etching published by Dana Estes and Charles E. Lauriat, Boston for The American Art Review was printed in a limited edition of 500 impressions on fine china paper which was then pressed onto a larger sheet of white wove paper.
	Due mostly to its lavish production costs the journal lasted only slightly over two years. The finely printed etchings it produced, however, served as a cornerstone for the many great American etchings of the early twentieth century.
Edition:	Each etching published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review" was printed in a limited edition of 500 impressions on fine china paper which was then pressed onto a larger sheet of white wove paper.
Size:	5 3/4 X 9 5/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials

	View larger Framed Image
Condition:	Printed upon fine china paper and pressed onto a large sheet of wove paper as published by Dana Estes and Charles E. Lauriat, Boston for The American Art Review in the limited edition of 500 impressions in 1881. Signed and dated in the plate (lower right corner) by the artist. A deeply printed sepia impression and in excellent condition throughout. This original etching represents a superb example of the nineteenth century American art of Charles Adam Platt.
Price:	Sold - The price is no longer available.
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