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Edme Jean Pigal

Edme Jean Pigal - Nasty Old Fellow You Shan't

Nasty Old Fellow You Shan't!

Edme Jean Pigal's orignal lithograph, "Nasty Old Fellow You Shan't!" is printed on early nineteenth century wove paper and large, full margins as published between 1825 and 1830. It is signed by Pigal in the stone to the lower left. Nasty Old Fellow you shan't is a fine, original example of the satirical art created by the French artist, Edme Pigal.
 
Title: Nasty Old Fellow You Shan't!
Artist: Pigal, Edme Jean (Paris, 1798 - Sens, 1873)
Date: c. 1825 - 1830
Medium: Original Hand-Colored Lithograph
Note: Edme Jean Pigal: A major French nineteenth century artist and caricaturist, Edme Jean Pigal studied art in Paris in the studio of Baron Gros. He first exhibited his paintings at the Paris Salon in 1827 and continued to annually exhibit his art there for more than thirty years. Edme Jean Pigal's early art was mainly in the medium of lithography. After 1838 he turned more towards painting, particularly religious and historical scenes commissioned by the French government. His last years were spent as a professor of art at the Lycee in Sens.
  Although he was a fine painter it is the lithographic art of Edme Jean Pigal which remains his finest legacy. Beatrice Farwell writes,

"From the late 1820's to the late 1830's, he (Pigal) produced numerous lithographs caricaturing contemporary customs and social types, in which he ridiculed the hypocrisy of the bourgeoisie and the vulgarity of the lower classes. His favorite characters were the street urchins of Paris, servants, coachmen and doormen, and lecherous old men." *

  Edme Pigal's early lithographic work (c. 1825-1830) concentrates upon the actions of one or two main figures and provides little or no background setting. Such is the case with Nasty Old Fellow you shan't. His lithographs created for individual sale (as opposed to those appearing in the journals) were most often hand-colored before publication.
  In some respects Edme Jean Pigal's earthy brand of caricature was closer to the English satirical art of Gillray, Cruikshank and Rowlandson than to the political and social satires of his French contemporaries, such as Daumier and Gavarni. Perhaps for this reason Pigal's lithographs were very popular in Britain and some, such as this original example, were also published there with the caption changed to English. Nasty Old Fellow you shan't probably originates from Moeurs parisiennes (Parisian Manners), consisting of one hundred lithographs first published in Paris around 1825.
Reference: * Beatrice Farwell, The Charged Image: French Lithographic Caricature, 1816-1848, Santa Barbara Museum of Art, Santa Barbara, 1989, pp. 127 - 139. (Quotation, p. 127)
Size: 9 3/8 X 7 3/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Buy Now Price: $295.00 US
Condition: Printed on early nineteenth century wove paper and large, full margins as published between 1825 and 1830. Signed by Pigal in the stone to the lower left. Bearing four very small pin holes on each corner of the image, acting as registration marks for the hand-colorist to make the borders of the image. A finely printed impression with full, unfaded hand-coloring. Nasty Old Fellow you shan't represents a superb, original example of the famous satirical art of Edme Jean Pigal.
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Original Hand-Colored Lithograph by the French satirical artist, Edme Jean Pigal.

Nasty Old Fellow you shant Original Lithograph by the French satirical artist Edme Jean Pigal also listed as Edme Pigal

Nasty Old Fellow You Shan't!

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Satire & Social Commentary Index This directory contains a selection of original works of art with a focus on social issues and satirical art as portrayed by artists throughout the world in history and today. The selected works vary drastically in style. Here, you will find an assortment of rather humorous, more often hilarious depictions of people and animals in typical and unusual circumstances. And on a more serious note, there is also a selection of works portraying social criticism, a number of them based upon man’s destructive actions carried out upon humanity itself.
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