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Samuel Phillips's original stipple engraving, Taste in High Life is based upon a 1742 painting by William Hogarth. In the early 1800's, the famous British publisher, John Boydell acquired Hogarth's original engraved plates and printed a posthumous edition from them. He also commissioned artists to engrave several further plates after Hogarth's most famous paintings. These include such works as Shrimps (engraved by Francesco Bartolozzi) and this original stipple engraving entitled, Taste in High Life (engraved by Samuel Phillips). Taste in High Life is a brilliant attack upon the fashions and decorations of the day. In the early nineteenth century such satirical masters as George Cruikshank and William Heath would further exploit this rich field. Most of the imagery in Taste in High Life is self explanatory. Taste in High Life is an original stipple engraving printed upon early nineteenth century wove paper and with full margins as published by John Boydell in 1808. This is a fine, original example of the satirical art created by the British artists, William Hogarth and Samuel Phillips. |
Title: | Taste in High Life |
Engraver: | Phillips, Samuel (London, Active, 1790 - 1810) |
Designer: | Hogarth, William (London, 1697 - 1764) |
Date: | 1808 |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, London |
Note: | Samuel Phillips: Very little is known concerning the life of Samuel Phillips (London, Active, 1790 - 1810). Engravings from his hand were mostly commissioned by London's leading publishers, John (1719-1804) and Josiah Boydell (1752-1817), and Rudolph Ackermann (1764-1834). As well as William Hogarth's, Taste in High Life, Samuel Phillips engraved such plates as Meditation (1802), The Birth of Otway (1804), and The Birth of Shakespeare (1804), after Richard Westall published by R. Ackermann. A few of his engraved plates after Maria Cosway include The Guardian Angel (1803), Adriadne (1801), Innocence (1801), and Bacchus (1801), also published by R. Ackermann. Samuel Phillips also engraved plates after Luigi Schiavonetti, Henry Singleton, Benjamin West, and others. |
William Hogarth: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, Four Prints of an Election, The Four Times of the Day and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his. | |
Training first as an engraver, William Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Harlot's Progress (1732), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in Hogarth's footsteps. | |
Taste in High Life: Samuel Phillips's original stipple engraving entitled, Taste in High Life is based upon a 1742 painting by William Hogarth. In the early 1800's Boydell acquired Hogarth's original engraved plates and printed a posthumous edition from them. He also commissioned artists to engrave several further plates after Hogarth's most famous paintings. These include such works as Shrimps (engraved by Francesco Bartolozzi) and Taste in High Life (engraved by Samuel Phillips). Taste in High Life is a brilliant attack upon the fashions and decorations of the day. In the early nineteenth century such satirical masters as George Cruikshank and William Heath would further exploit this rich field. Most of the imagery in Taste in High Life is self explanatory. To the left a Black page boy sits on the table with a doll in his hand. A fashionably dressed young woman strokes his chin as if he were a pet. To the centre an elderly woman in a tent-like dress accepts a thimble-sized cup of tea from a man dressed in the latest French fashion. On the floor and dressed in the latest livery a monkey peruses the dinner menu which includes such delicacies as "Ducks Tongues" and "Rabbit's Ears". Perhaps the end result of all these absurdities of fashion is seen in the large painting on the wall. One cannot go beyond such a fashionable innovation. |
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Raisonne: | Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965. |
Size: | 15 3/8 X 18 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon early nineteenth century wove paper and with full margins as published by Boydell in 1808. Containing some foxing in the outer margins and slight, uniform light toning within the actual engraving. Else a strong, early impression and in good condition throughout. Taste in High Life represents a superb example of the famous art of William Hogarth. |
Price: | Sold - The price is no longer available. |
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Original Stipple Engraving by Samuel Phillips based upon William Hogarth's Painting
View other original Works of Art by William Hogarth
William Hogarth (London, 1697 - 1764) | ||||
# | Title & Artist | Medium | Date | - |
01.- | An Election Entertainment by William Hogarth | Complete Set of Four Original Engravings | 1755 - 1758 (Heath Ed) | Sold |
02.- | Analysis of Beauty by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1753 (Heath Ed) | Sold |
03.- | A Midnight Modern Conversation by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
04.- | A Rake's Progress by William Hogarth | Complete Set of Eight Original Engravings | 1735 (Heath Ed) | Sold |
05.- | A Chorus of Singers by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
06.- | Battle of the Pictures by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
07.- | Boys Peeping at Nature by William Hogarth | Original Engraving & Etching | 1730 (Heath Ed) | Available |
08.- | Characters & Caricaturas by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
09.- | Credulity, Superstition and Fanaticism by William Hogarth | Original Engraving & Etching | 1762 (Heath Ed) | Sold |
10.- | Four Times of The Day by William Hogarth | Complete Set of Four Original Engravings | 1738 (Heath Ed) | Sold |
11.- | Four Stages of Cruelty by William Hogarth | Complete Set of Four Original Engravings | 1750-1751 (Heath Ed) | Sold |
12.- | Frontispiece to Taylor's Perspective by William Woollett & William Hogarth | Original Line Engraving | 1761 (Heath Ed) | Sold |
13.- | Gin Lane by William Hogarth | Original Engraving & Etching | 1750-1751 (Heath Ed) | Sold |
14.- | Illustrations for Samuel Butler's 'Hudibras' by William Hogarth | Complete Set of Twelve Original Engravings | 1725 (Heath Ed) | Available |
15.- | Industry and Idleness by William Hogarth | Complete Set of Twelve Original Engravings | 1747 (Heath Ed) | Sold |
16.- | John Wilkes Esquire by William Hogarth | Original Etching | 1763 (Heath Ed) | Sold |
17.- | Marriage a la Mode by William Hogarth | Complete Set of Six Original Engravings | 1745 (Heath Ed) | Sold |
18.- | Martin Folkes Esqr. by William Hogarth | Original Etching & Engraving | 1742 (Heath Ed) | Available |
19.- | Moses Brought to Pharaoh's Daughter by William Hogarth | Original Engraving & Etching | 1752 (Heath Ed) | Available |
20.- | Pit Ticket: The Cockpit by William Hogarth | Original Engraving & Etching | 1759 (Heath Ed) | Available |
21.- | Satire on False Perspective by Luke Sullivan & William Hogarth | Original Etching & Engraving | 1754 (Heath Ed) | Sold |
22.- | Scholars at a Lecture by William Hogarth | Original Line Engraving & Etching | 1736 (Heath Ed) | Sold |
23.- | Shrimps! by Francesco Bartolozzi & William Hogarth | Original Stipple Engraving | 1782 | Sold |
24.- | Simon Lord Lovat by William Hogarth | Original Etching | 1746 (Heath Ed) | Sold |
25.- | Southwark Fair by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
26.- | Taste in High Life by Samuel Phillips & William Hogarth | Original Stipple Engraving | 1808 (John Boydell Ed.) | Sold |
27.- | The Company of Undertakers by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
28.- | The Distrest Poet by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
29.- | The Five Orders of Perriwigs by William Hogarth | Original Engraving & Etching | 1761 (Heath Ed) | Sold |
30.- | The Invasion: France, Plate I by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
31.- | The Invasion: England, Plate II by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
32.- | The Laughing Audience by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
33.- | The Politician by John Keyse Sherwin & William Hogarth | Original Engraving & Etching | 1775 (Heath Ed) | Sold |
34.- | The Sleepy Congregation by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
35.- | The Times by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1762 (Heath Ed) | Sold |
36.- | Time Smoking a Picture by William Hogarth | Original Engraving | 1761 (Heath Ed) | Sold |
37.- | William Hogarth Painting of the Comic Muse by William Hogarth | Original Engraving | 1764 (Heath Ed) | Sold |
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