Carlo Pellegrini Ape - Albert Seymour

Original Vanity Fair Lithograph by the British artist, Carlo Pellegrini "Ape".

Albert Seymour

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Vanity Fair
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02.-		Albert Seymour by Carlo Pellegrini Known as 'Ape'	Carlo Pellegrini 'Ape' (Capua, Italy, 1839 - London, 1889)	Original Lithograph	1877	Vanity Fair
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09.-		Vice - Admiral Caillard by Jean Baptiste Guth	Jean Baptiste Guth (Bayonne, London, died, 1921)	Original Lithograph	1905	Vanity Fair
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Day & Son 'Royal Lithographers to Queen Victoria'
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Ackermann, London
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02.-		Hagar and Ishmael by Joseph Clark	Joseph Clark (Cerne Abbas (Dorset), 1834 - Ramsgate, 1926)	Original Etching	1861-62	Passages from Modern English Poets
03.-		The May Wreath by William Gale	William Gale (London, 1823 - 1909)	Original Etching	1861	Passages from Modern English Poets
04.-		Scene of the Plague in London, 1665 by Charles Samuel Keene	Charles Samuel Keene (Hornsea, 1823 - London, 1891	Original Etching	1861-62	Passages from Modern English Poets
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Title:	Albert Seymour
Designer:	Pellegrini, Carlo "Ape" (Capua, Italy, 1839 - London, 1889)
Date:	August 11, 1877
Medium:	Original Lithograph
Printer:	Vincent Brooks Day & Son, Lith.
Note:	Carlo Pellegrini "Ape": The initial artist and innovator of the 'Vanity Fair' style, Carlo Pelligrini "Ape" came to London from Italy in 1864. He was soon considered the principle humourist in 'the Prince of Wales set', and his association in English Society obviously held him in good stead when he came to work for "Vanity Fair".
	Ape's method of work was quite remarkable as the artist would rarely sketch the subject in his presence. Rather, Carlo Pellegrini "Ape" would simply observe them unawares and later construct a portrait almost entirely from memory. The most satircal of all 'Vanity Fair's' artists, some of the most sought after early 'Vanity Fair' caricatures came from his had.
	Vanity Fair: The historic first issue of Vanity Fair was published in London on November 7, 1868. Founded by Thomas Gibson Bowles, the purpose of this ambitious weekly publication was to expose contemporary vanities and those responsible for them. Each issue contained a full page, original colour lithographic portrayal of a popular sovereign, statesmen or man of the day, caricatured in the smooth and good-natured manner which became renowned as the 'Vanity Fair Style'. Working under the pseudonyms of 'Spy' and 'Ape', two artists in particular became notorious for their portrayals, although many other important artists, including Max Beerbohm, Tissot, 'Quiz', 'WH', and Sickert worked for the publication on a regular basis and contributed some of its greatest art.
	The last issue of Vanity Fair was published in 1914. Through its forty-five year history, it produced the definitive caricatures of the Victorian and Edwardian eras. collectors of these fine, original prints have always been numerous. In recent years, prices for these fascinating caricatures have dramatically increased, particularly for the more desirable examples. "Albert Seymour" which depicts a portrait of Sir Francis Bart. Seymour, K. C. B., a prominent politician of the time.
Raisonne:	Jerold J. Savory, The Vanity Fair Gallelry, A.S. Barnes & Co., New York, 1979. Catalogue # 1532, p. 25.
Source:	Vanity Fair, London
Size:	13 1/4 X 7 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $185.00 US
Condition:	Printed on thick wove paper and its full margins as published by Vanity Fair at the above date. This original lithograph entitled "Albert Seymour" is a strong, bright impression and it is in excellent condition throughout.
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