John Wright Oakes - The Last Gleam of Day

The Last Gleam of Day (Passages from Modern English Poets Illustrated by the Junior Etching Club)

View Other Original Etching by the Junior Etching Club Published Day & Son, London for Passages from Modern English Poets.

The 'Junior Etching Club' (1857-1864)
The Junior Etching Club (1857-1864), was an institution that greatly contributed to the revival of Etching in England. Members included such prominent British artists as, Sir John Everett Millais, James McNeill Whistler, Sir Francis Powell, Henry Moore, Sir John Tenniel, Charles Samuel Keene, Joseph Clark, John Wright Oakes, Walter Severn, William Gale, Frederick Smallfield, Henry Clarence Whaite, Matthew James Lawless, Arthur James Lewis, Henry Stacy Marks, Charles Rossiter, Vincent Bury, Lord G. Fitzgerald, J. R. Clayton, John Sleigh, and Lord Gerald Fitzgerald. The Junior Etching Club often published their members’ etchings and all of the above named artists contributed to their portfolio, Passages from Modern English Poets, first published by Day & Son Limited, Lithographers & Publishers, London, 1862. In total, that publication contained forty-seven original etchings. The Junior Club also issued, another important publication in 1858, Passages from the Poems of Thomas Hood published by E. Gambart & Co, London. It was also illustrated by its members and contained thirty-four plates.
#	Artist Last Name	Image	Title & Artist	Artist Info	Medium	Date	Source
01.-	Barwell		Sea Beach - Norfolk Fisherman on the Look Out (The Fisherman) by Frederick Bacon Barwell	Frederick Bacon Barwell (London, c. 1831 - 1922)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
02.-	Clark		Hagar and Ishmael by Joseph Clark	Joseph Clark (Cerne Abbas (Dorset), 1834 - Ramsgate, 1926)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
03.-	Gale		The May Wreath by William Gale	William Gale (London, 1823 - 1909)	Original Etching	1861	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
04.-	Keene		Scene of the Plague in London, 1665 by Charles Samuel Keene	Charles Samuel Keene (Hornsea, 1823 - London, 1891	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
05.-	Lawless		Sisters of Mercy by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching	1859	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
06.-	Lawless		The Little Shipwrights by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching & Aquatint	1859	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
07.-	Lewis		The Cornfield by Arthur James Lewis	Arthur James Lewis 'Arthur Lewis' (London, 1824 - 1901)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
08.-	Millais		Summer Indolence by John Everett Millais	John Everett Millais (Southampton, 1829 - London, 1896)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
09.-	Moore		Moonlight by Henry Moore	Henry Moore (York, 1831 - Margate, 1895)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
10.-	Oakes		The Last Gleam of Day by John Wright Oakes	John Wright Oakes (Middlewich (Cheshire), 1820 - London, 1887)	Original Drypoint & Etching	1859-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
11.-	Powell		The Rainbow by Sir Francis Powell	Sir Francis Powell (Pendleton, 1833 - Dunoon, Scotland, 1914)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
12.-	Rossiter		St. Valentine's Day by Charles Rossiter	Charles Rossiter (London, 1827 - 1897)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
13.-	Severn		Nearing Home by Walter Severn	Walter Severn (Frascati (near Rome), 1830 - London, 1904)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
14.-	Smallfield		Supping on Horrors by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
15.-	Smallfield		The Shoe-Black by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
16.-	Smallfield		Winter Revels by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
17.-	Tenniel		War and Glory by Sir John Tenniel	Sir John Tenniel (London, 1820 - 1914)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
18.-	Whaite		Study of a Head by Henry Clarence Whaite	Henry Clarence Whaite (Manchester, 1828 - Conwy Valley, Wales, 1912)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
19.-	Whistler		The Punt by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
20.-	Whistler		Sketching by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Published by Day & Son, London, for Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.

View other original works of art by Day & Son 'Royal Lithographers the Queen'.

Day & Son 'Royal Lithographers to Queen Victoria'
#	Image	Title & Artist	Artist Info	Medium	Date	Source	-
Ackermann, London
01.-		Moon Rise in The Valley of Cairn Gorm by Michel Bouquet	Michel Bouquet (Lorient, 1807 - Paris, 1890)	Original Lithograph	1849	Ackermann, London	Sold
Art Treasures of the United Kingdom
01.-		A Limoges Enamel Plaque, Early Sixteenth Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
02.-		Early Limoges Enamel, 12th or 13th Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
03.-		Faenza Ware Plate by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
04.-		Flemish Ewer, Jug and Stoneware, 16th Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
05.-		Portrait of Princess Elizabeth, in Enamel by Limousin by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
Industrial Arts of the Nineteenth Century at the Great Exhibition
01.-		Altar and Reredos Designed By The Late A. W. Pugin, Carved In Stone By Myers Of London, And Fitted-Up By Hardman Of Birmingham lithography by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1853	Industrial Arts of the Nineteenth Century at the Great Exhibition	Sold
02.-		Fountain in Iron, Andre of Paris by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
03.-		Ornamental Cover of a Colour Box designed by Sliegh for Ackermann & Company	J. Sliegh, (British, active, 19th century)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
04.-		Portion of a Shield in Silver by Vechte, for Hunt and Roskell of London by John Alfred Vinter	Vinter, John Alfred (London, 1828 - 1905)	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
Vanity Fair
01.-		Vice - Admiral Caillard by Jean Baptiste Guth	Jean Baptiste Guth (Bayonne, London, died, 1921)	Original Lithograph	1905	Vanity Fair
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05.-		Albert Seymour by Carlo Pellegrini Known as 'Ape'	Carlo Pellegrini 'Ape' (Capua, Italy, 1839 - London, 1889)	Original Lithograph	1877	Vanity Fair
06.-		The Lord Chief Baron (The Right Honourable Sir Fitz Roy Edward Kelly) by a Vanity Fair artist	Vanity Fair artist	Original Lithograph	1871	Vanity Fair
07.-		A Professor (Mr. James Edwin Thorold Rogers) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1884	Vanity Fair	Sold
08.-		H. A. C. (The Earl of Denbigh) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1894	Vanity Fair
09.-		The Admiral (Sir James Dairymple Horn Elphinstone, M. P.) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1878	Vanity Fair
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Title:	The Last Gleam of Day
Artist:	Oakes, John Wright (Middlewich (Cheshire), 1820 - London, 1887)
Date:	1861-62
Medium:	Original Etching
Publisher:	Day & Son in London
Edition:	Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862.
Note:	John Wright Oakes 'J. W. Oakes': Apart from brief studies at the Liverpool Academy and the Mechanics Institute, John Wright Oakes was mainly self-taught, and in the following years proved himself to be a landscape artist of the first rank. He moved to Liverpool as a young man and initially supported himself as a house painter. He exhibited his first work of art at the Liverpool Academy in 1839. Nine years later J. W. Oakes showed his first of many paintings at the Royal Academy.
	Oakes's earliest work was mainly in the genre of still life, but in 1843 he turned almost exclusively to landscape. John Wright Oakes was elected an Associate of the Liverpool Academy in 1847 and served as Secretary from 1853 to 1855. He permanently moved to London in 1859 and was elected an Associate of the Royal Academy in 1876. J. W. Oakes also was awarded Honorary membership to the Royal Scottish Academy in 1883.
	John Wright Oakes's earliest work was mainly in the genre of still life, but in 1843 he turned almost exclusively to landscape. John Wright Oakes was elected an Associate of the Liverpool Academy in 1847 and served as Secretary from 1853 to 1855. He permanently moved to London in 1859 and was elected an Associate of the Royal Academy in 1876. J. W. Oakes also was awarded Honorary membership to the Royal Scottish Academy in 1883.
	John Wright Oakes was a full member of the Junior Etching Club (1857-1864), an institution that greatly contributed to the revival of etching as a leading art form in England. Other members included the British artists, Sir John Everett Millais, Sir Francis Powell, Henry Moore, Joseph Clark, Charles Keene, Matthew James Lawless, Walter Severn, Henry Stacy Marks, Frederick Smallfield, William Gale, Henry Clarence Whaite and James McNeill Whistler. The Junior Etching Club often published their members’ etchings and the above artists all contributed to their most important portfolio, Passages from Modern English Poets, printed and published during the years 1861 and 1862. J. W. Oakes's The Last Gleam of Day was the nineteenth plate for this publication.
	An original etching by John Wright Oakes, The Last Gleam of Day was commissioned by the Junior Etching Club for its 1862 publication, Passages from Modern English Poets. In total the publication contained forty-seven etchings by member artists. Each etching was accompanied by one or several poems written by various authors. The adjoining poem for J. W. Oakes's original etching was, The Last Gleam of Day by Mrs. John Hunter. The first part of the stanza of her poem is quoted below: "The sun has sunk, his joyous course is o'er, And Night creeps on the unwilling world once more; Beneath the wave declined, but not to rest, For distant nations greet their welcome guest; There morning glows whilst here it is not night, And round the wide world spreads the realm of light; O'er all the sky his blushing beams are thrown, The ocean smiles in glory not its own, Heaven weeps in dews o'er all the joys he shed, And light still lingers through the Sun be fled... * Mrs. John Hunter
	Mrs. John Hunter (British, 1742 - 1821): Mrs. John Hunter, nee Anne Home was an English Romantic Poet and Lyricist. Throughout her literary career, the author published her poems and lyrics as Mrs. John Hunter and Anne Home in a variety of journals, and magazines. A selection of her oeuvre is as follows; "Adieu ye Streams", published in The London Magazine, (1772), and in Scottish Songs, (1794). In 1876, a collection of Anne's compositions, as well as a brief biography of her life was recorded in, The Poets and Poetry of Scotland, from the Earliest to Present Time, written by James Grant Wilson, and published in London by Balckie & Son, Paternoster Buildings; Glasgow and Edinburgh. That volume included such works as "Bess the Gawki, "The Lot of Thousands", "The Ocean Grave", "Oh, Tuneful Voice!", "To My Daughter", "Adieu, Ye Streams" and others. According to Wilson, the author of the book in question, several of Mrs. Hunter's lyrics were incorporated into Francis Joseph Hayden's music. Anne's work was also published in two volumes, the first was "Poems" London, T. Payne (1802) & (1803). Anne's note to the reader of "Poems" said that the volume consisted of chiefly Odes, Ballads and Songs. The second volume, "The "Sports of the Genii", was published in London, T. Payne (1804). The Last Gleam of Day is a poem by Mrs. John Hunter published in, Passages from Modern English Poets.
	Day & Son, London: Some of the most ambitious and accomplished printmaking projects of the Victorian era were launched by the publishers, Day & Son. The firm began in the mid 1820's under the title of 'Day & Hague' and assumed its more familiar name 'Day & Son, London' in 1845. John Wright Oakes's original etching, The Last Gleam of Day was published by 'Day & Son, London' between 1861-62. Throughout their early years they printed and published works of art dealing with a wide range of subjects, such as, hunting scenes, genre depictions, landscape scenes and topographical views.
Size:	3 7/8 X 5 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $295.00 US
Condition:	Printed upon wove paper and with full margins and bears the artist's name, "J. W. Oakes" and the publisher's date and name, "London, Published December 1st, 1861 by Day & Sons, Lith. to the Queen" along the lower margin of the plate as published in Passages from Modern English Poets in 1862. It also bears the plate's number "19" to the upper right corner of the margin above the image. This impression is in excellent condition throughout without a trace of staining, foxing or fading. The Last Gleam of Day represents a striking, original example of the nineteenth century landscape art of John Wright Oakes.
Subject:	John Wright Oakes, J. W. Oakes, The Last Gleam of Day , poem by Mrs. John Hunter, original etching and drypoint, Junior Etching Club, Liverpool Academy, nineteenth century religious art, Royal Institute of Painters in Oils (ROI), British artists and art.
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John Wright Oakes (J. W. Oakes)

The Last Gleam of Day