Title: |
Trees in Circle |
Artist: |
Nevelson, Louise (Born, Kiev, Russia, 1900 - New York, 1989) |
Date: |
1965 |
Medium: |
Original Etching & Aquatint |
Publisher: |
Pace Editions, New York |
Note: |
Louise Nevelson has been called 'the most distinguished
sculptor in America and one of the great sculptors of the world'. Her
original etchings occupy a no less exalted position. In both mediums,
she created new fields of form and space that made her one of the most
innovative and influential voices of post 1945 modern art. |
|
At the age of five, Louise Nevelson moved to Maine with her family.
She moved to New York in 1920 and began studying art. Several years later
Louise Nevelson worked at the Art Students League under Kenneth Hayes
Miller. In 1931, she finished her formal training in painting in Munich
under Hans Hofmann. Louise Nevelson returned to New York the following year where
she met the famous Mexican painter, Diego Rivera. She became his primary
assistant there and worked with him on his series of New York murals entitled,
Portrait of America. |
|
By the mid 1930's, Louise Nevelson was establishing a reputation
for her sculptures and paintings. Her premier gallery showing was at the
Secession Gallery in New York and at the Brooklyn Museum. Although well
respected at this time, it would take another twenty years before Nevelson
was regarded as one of the most important contemporary artists in America.
The prestigious Whitney Museum of American Art purchased one of her sculptures
in 1956 and the Museum of Modern Art in New York acquired her Sky Cathedral
in 1958. |
|
Louise Nevelson first turned to etching as a creative medium in
the early 1950's when she worked with Stanley William Hayter at Atelier
17. After several years of experimentation she created her first great
prints from 1953 to 1955. Apart from a handful of several trial proofs,
these etchings were not published until the mid 1960's, and then in very
small, limited editions. This is the case with Trees in Circle,
created by Louise Nevelson at the Atelier 17 around 1955 and printed and published
by Pace Editions in 1965 in an edition of only twenty impressions. These
early Louise Nevelson etchings are valuable not only because of their extreme
rarity -- Trees in Circle has yet to appear in any auction house!
-- But because of their clear relationship to her sculpture. On the two
dimensional surface of paper, in fact, Louise Nevelson was examining the same
challenge of forms and space that inspired her sculpture and collages.
One can, for instance, see in Trees in Circle many of the shapes
and lines that constitute her black wood sculptures of this period. Louise Nevelson
herself summed it up best when she talked of the similarity between her
original prints and her sculpture: "I really deal with shadow and space."* |
Reference: |
* Jean Lipman, Nevelson's World, New York, Hudson
Hills Press, 1983, 244 pp. (The above quotation is on p. 195.) |
Raisonne: |
Gene Baro, Louise Nevelson: The Prints, New York,
1974. |
|
Catalogue # 29, First and only State, as published by Pace
Editions in New York in 1965 in the limited edition of twenty, numbered
(15/20). |
Provenance: |
Purchased in 1969 by a private collector from the Pollock
Gallery, Toronto. The original Pollock Gallery label is included. |
Size: |
19 5/8 X 23 1/8 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
UnMatted |
Condition: |
Printed on pure rag Rives watermarked paper and
with full margins as printed in New York in 1965. Signed, Titled and numbered,
15/20 in pencil by the artist along the lower margin. Trees in Circle
is in excellent condition throughout. This scarce, original etching represents
a superb example of the famous art of Louise Nevelson, a modern American
Master. |
Price: |
Sold - The price is no longer available. |
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