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| Thomas Nast's illustration for this original wood engraving depicts Major General Mathew C. Butler, Attorney and Democratic Senator of South Carolina. This engraving deals with African Americans, slavery and Southern racism. The main character depicted in this scene is Mathew Calbraith Butler, who was also a former slave holder and Confederate officer in the American Civil War. He is standing over a frightened African American man that has a racist sign around his neck that reads; "This is a real Nigger". In the upper right corner, the caricature of the slave escaping with toy blood hounds tied around him concerns a show directed by General Butler which was held at a race track. It featured a simulated chase with his blood hounds pursuing an African American man. The racist sentiment printed here was voiced by defendants of these inhumane practices, and they also refer to Butler's involvement in the 1876 Hamburg Riots. Thomas Nast's attack against the decadent South and its inhumane culture was an attempt to defend the rights of Slaves. This engraving is printed on nineteenth century wove paper and with full margins as published for Harper‘s Weekly (Journal of Civilization), by Harper & Brothers, New York on November 1, 1879. It contains the artists name within the right side of the image. The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done is a fine, original example of the important art created by the 19th century American artist, Thomas Nast. |
| Title: | The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done (Major General Mathew Calbraith Butler, Attorney, Democratic Senator, African Americans, Slavery & Southern Racism) |
| Designer: | Nast, Thomas (Landau, Bavaria, 1840 - Ecuador, 1902) |
| Date: | Nov. 1, 1879 |
| Medium: | Original Wood Engraving |
| Publisher: | Harper & Brothers, New York |
| Publication: | Harper's Weekly, New York |
| Note: | Thomas Nast: Born in Landau, Bavaria, Germany in 1840, Thomas Nast immigrated with his family to America in 1846 at the age of six and settled in New York City. Thomas Nast began work as a full time illustrator at the age of fifteen for Frank Leslie's Illustrated Newspaper. Three years later, Nast contributed his first illustration to Harper's Weekly (1859). That same year, Thomas Nast was hired by the New York Illustrated News and sent to England. During that time, he worked as a war artist following the progress of the Italian war with Giuseppe Garibaldi's army and provided illustrations for the New York Illustrated News and the London Illustrated News. In 1861, Nast returned to New York and in 1862, he began his legendary association with Harper’s, just in time for the outbreak of the American Civil War! The first artist to unreservedly defend the rights of Slaves, Nast launched a series of satirical attacks in his art against the decadent South and its inhumane culture. His political propaganda was so successful in inspiring Union patriotism by humiliating and denigrating the Confederate cause that it prompted none other than President Lincoln to term Nast, “Our best recruiting sergeant.” Throughout his career, Thomas Nast continued his fight for civil rights and the suppression of exploitation, intimidation & violence against African americans, Native Americans, Chinese Americans and immigrants from other countries. He was also a major force in the campaign against political corruption and coercion. In all probability, no man’s art has had a greater social and political impact than that of Thomas Nast. His symbols are with us to this day. He invented the Republican elephant and the Democratic donkey and even our modern day celebration of Christmas and the rotund figure of Santa Claus is due to his art. Thus, through his important art, Thomas Nast influenced the political and social consciousness of 19th century America. He made his last engraving for Harper’s Weekly in 1886. Ending a glorious twenty-five year association. His life came to a close while serving as the American Consul-General in Ecuador. The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done Too deals with the (Major General Mathew Calbraith Butler, Attorney, African Americans, Slavery, Southern Racism). This is a fine original example of Nast's political satire. |
| The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done (Major General Mathew Calbraith Butler, African Americans, Slavery, Southern Racism): This caricature depicts Mathew Calbraith Butler (1836-1919), standing over and pointing at a defenseless and frightened African American man. There is a racist sign around his neck that reads; "This is a real Nigger". Major General Mathew C. Butler served as a Confederate officer during the American Civil War. Before the War, Butler was a member of the Democratic Party, he was elected by the South Carolina legislature to the United States Senate. In 1876, M. C. Butler was the attorney who appeared as council for the men who (later) took part in the Hamburg massacre of the black militiamen (a disaster that affected his political career). Thomas Nast's image and the various racial slurs printed here, refer to Butler's involvement in the 1876 Hamburg Riots. Nast also alludes to the 1876 presidential scandal which was settled with the Compromise of 1877', and during which, he was appointed to the United Stales Senate. The 1877 Compromise also marked the end of the era of 'Reconstruction' (the protection of African Americans in the South enforced by the U.S. Army). This political arrangement left African Americans at the mercy of those who did not believe they deserved or had any rights. In 1898, Butler was appointed Major General of the U. S. Volunteers during the Spanish-American War. | |
In this original engraving entitled, "The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is done", Thomas Nast launches an attack against the decadent South and its inhumane culture in an attempt to defend the rights of Slaves. Here, Nast exposes the violence and terror created by militant groups in the South by reminding his readers of the 1876 Hamburg riots also known as the 'Hamburg Massacre' that erupted on July 9, 1876 in the town of Hamburg, South Carolina, a town mostly occupied by freedmen. General Butler (the Gentleman illustrated in this original engraving), was the attorney who appeared as council for the men who filed a complaint against a group of African American militiamen. Soon after, those same men formed the mob that murdered six of the militiamen. In mockery, Nast includes racist sentiment expressed by politicians, militant groups and people who defended all the atrocities and Southern practices against African Americans. This original 19th century engraving serves as a reminder of the horrors that can take place when mutual respect is not present, and when the rights of the individual are not protected by law. The appalling reality is that these sins have found their way into our own century. The offensive, and racist text printed on the broadsides that are posted on the wall of this engraving is re-printed below.
In 1879, the same year this engraving was published, a traveling show directed by General John T. Butler, a military man of the Confederate Army and former slaveholder from South Carolina (the same man depicted here by Nast), was held in the North. As per, * "Abolitionists Remember", by Julie Roy Jeffrey, 2008. General John T. Butler traveled north to convince Northerners that the practice of pursuing fugitives with blood hounds for profit was inhuman and sadistic. General Butler's demonstration which was held at a race track, featured his blood hounds chasing an African American man named (Sam) who is said to have simulated an escape on foot and on horseback. Harper's Weekly proclaimed the whole event absurd "as an illustration of a real slave-hunt." Thomas Nast illustrates the event in the upper left area of this engraving with a caricature of an African American (an assumed slave called Sam) chased by and tied to toy Blood Hounds on wheels. In the condemnation of this act, Nast also posted racist sentiment voiced by defendants of these practices,
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| Thomas Nast also draws our attention to Mr. Lamar who believed that terrorism in Louisiana, Mississippi and Arkansas could be entirely removed by sending the ringleaders of the armed white leagues to prison. The White League was a militant white supremacy group, at times linked to the Ku-Klux Klan. Mr. Lamar, Lucius Q,. C. Lamar, also known as Lucius Quintus Cincinnatus Lamar ( 1825-1893), was the Democratic Senator from Mississippi, United States Secretary of the Interior, Associate Justice of the Supreme Court of the United States. The comment, "Mr. Lamar will deliver a comic lecture on the YAZOO match." is most likely a reference to the White Leagues in Yazoo, Mississippi. "B. F. Butler's Show in Massachusetts" refers to Benjamin Franklin Butler (1818-1893), a Union Army Major General in the American Civil War, an American lawyer, Attorney General of the United States, represented Massachusetts in the United States House of Representatives. Benjamin F. Butler became Governor of Massachusetts and played an important role in the Ku Klux Klan Act of 1871 which allowed the Federal Government to destroy the Klan in the South. Benjamin Butler was a presidential candidate during the 1884 election, but President Grover Cleveland won that election. | |
| Harper & Brothers: A leading American publishing and printing firm based in New York, 'Harper & Brothers' was originally founded by James Harper (1795-1869) and his brother, John Harper (1797-1875), when they opened their first printing firm as 'J. & J.' in 1817. Later, their two younger brothers, Joseph Wesley Harper (1801-1870), and Fletcher Harper (1806-1877), joined the firm. During the following years, their printing firm flourished. In 1833, 'J. & J.' was renamed as 'Harper & Brothers', and under that name, their firm entered into the publishing business. Harper & Brothers was among the first printing and publishing firms to adopt case binding and to use stereotype and electrotype printing plates and steam - powered printing. It has been noted that by the mid 19th century, 'Harper & Brothers' had become one of the largest printing and publishing firms in the world. | |
| Harper & Brothers Periodicals, Journals & Magazines: During the second half of the nineteenth century, periodicals, journals and magazines such as Harper's Weekly, New York, 'Frank Leslie's Illustrated Newspaper', 'Every Saturday', 'The Aldine', Puck in the United State and 'The Illustrated London News', 'The Illustrated London Almanack', and 'The Graphic', in England, created pictorial journalism on a grand scale. They covered, literature, arts, sciences, sports, social and political events, fashion, and fiction. Wood engraving (invented around 1780) at last made it possible for publishers to print images and words on the same page without the extravagant costs of producing etchings or engravings from metal plates. From about 1850 engraving upon wood became the dominant means of distributing information along with pictorial imagery, and continued in this role until around 1900, when the practical application of photography took control. In addition to being one of the most prestigious printing and publishing firms for books and printed matter commissioned by both national and international firms, 'Harper & Brothers' decided to enter the 'Big Race' for journalistic supremacy. They began to issue their own illustrated periodicals, starting with the launch of their first magazine, originally known as 'Harper's New Monthly Magazine', later known as 'Harper's Magazine'. It was first issued in (1850) and continued to do so into the twenty first century. 'Harper's Magazine' is now published by HarperCollins Publishers LLC. It was originally established as a literary and educational monthly magazine dealing with politics, culture, arts and finance. As their circulation increased it was followed by 'Harper's Weekly (A Journal of Civilization)' (1857-1916), an illustrated and interesting higher toned, better illustrated paper featuring political issues, domestic and foreign news, literary fiction and other stories. The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done is an original wood engraving designed by the famous American Satirical artist Thomas Nast in 1882 for 'Harper's Weekly'. In 1867, Harper & Brothers launched their first issue of 'Harper's Bazar', a magazine that is still active today, and is now published by the Hearst Corporation. 'Harper's Bazar', started out as a weekly periodical (magazine), mostly for feminine interests and culture. It was devoted to various departments of literature, fashion and domestic arts and as noted in their 1886 issue "A Repository of Fashion, Pleasures, and instruction". 'Harper & Brothers' offered a subscription to all three publications for only 10.00 dollars a year or any two for 7.00 dollars, and special offers for group subscriptions. They also sold 'Popular Editions' at a higher price and' Household Editions' at a lower price. In 1878, the Franklin Square Library was formed and was renamed 'Harper's Franklin Square Library' in 1881, remaining active until 1893. 'Harper & Brothers' was among of the first to publish a selection of books to help confront and regulate the piracy of their material by rogue printers and publishers. Those books were published under the Harper Franklin Square Library imprint at a loss and were available through subscriptions offered to businesses (Booksellers). In 1879 they began the weekly publication of 'Harper's Young People', an illustrated magazine aimed at America's boys and girls of all ages. The publication contained both instructional and entertaining topics which included a variety of well written stories, poetry, serials, games, and other areas of interest written and illustrated by noted authors and artists. In 1895, 'Harper's Young People' was renamed as 'Harper's Round Table', another well written and illustrated weekly magazine for America's youth, but this one was aimed at an older generation of kids (teenaged boys), priced at five cents a copy or two dollars a year. The last issue of 'Harper's Round Table' was published in 1899. | |
| Harper & Brothers Illustrators: The firm of Harper & Brothers, New York hired some of the finest engravers, illustrators and journalists of the period. Throughout its life, skilled artists maintained a very high level of craftsmanship in their illustrative art, thus, for well over one hundred years, these original engravings have attracted serious collectors who recognize both the historic and artistic value of these images. In fact, one of the first avid collectors of these engravings was Vincent Van Gogh, who, for several years, entertained thoughts of working as an illustrative artist for the publications. American illustrators who contributed works to 'Harper & Brothers' included such distinguished painters and watercolor artists as, Frederick Stuart Church (1842-1924), who began his career as an illustrator for Harper's designing graceful fantasy scenes, many dealing with women, children and animals. Walter Sheila (1838-1909), and Stephen G. McCutcheon, (c. 1846 - 1884) illustrated articles and fiction to such magazines as as Harper's, Scribner's, St. Nicholas and The Century. William Ludwell Sheppard, 'W. L. Sheppard' (1833-1912), is recorded to have illustrated the Southern side of the American Civil War, contributing many of those designs to Harper's and Picturesque America. Winslow Homer (1836-1910), contributed his first of many designs to Harper's Weekly of New York in 1857. Homer's role as a pictorial journalist during the American Civil War is of significant historical importance. The artist, Frederick Dielman (1847-1935), contributed such works as the Celebration of the Abolition of Slavery in the District of Columbia by the Colored People in Washington, Harper's Weekly (1866), and Mirandy Encourages Phil's Talent, Harper's Bazaar (1886). Americas's political cartoonist, Thomas Nast (1840-1902), began his legendary association with Harper's in 1857, just in time for the outbreak of the American Civil War. Nast's famous illustration of Merry Old Santa Claus (1881), which appeared in Harper's Weekly is responsible for our modern day image of Santa. The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done and He Wants change Too two striking examples of the illustrations dealing with 'African-American Rights, Self-Defence and White Racism' created by Thomas Nast for Harper's Weekly, New York, (Journal of Civilization). During the last part of the nineteenth century and the first quarter of the 20th century another important group of young artists began to appear, such as, Arthur Burdett Frost (1851-1928), an American artist mostly known for his sporting subjects. Frost contributed many illustrations to Harper & Brothers periodicals, such as, An Archery Meeting, Harper's Weekly (1879), Woodcock Shooting, Harper's Weekly (1893), The Sparrow's Christmas Dinner Harper's Bazar (1886), etc. William James Aylward (1875-1956), began his career as an illustrator for both Harper's and Scribner's magazines, creating such as The Christmas-Tree Ship, Harper's Weekly, (1909), The Secret Sharer, Harper's Magazine (1910), Steamboating Through Dixie written and illustrated for Harper's Monthly (1915). And, Harry Everett Townsend (1879-1941) established a strong reputation as a leading illustrator and was regularly commissioned by such popular magazines as Harper's, The Century and McClure's. By 1962, the firm of 'Harper & Brothers' merged with Row, Peterson and Company' and was renamed as 'Harper & Row'. The firm of 'Harper & Row' continued to run under that name until 1990, when it was acquired by William Collins & Sons and renamed as 'HarperCollins'. Today, the firm of HarperCollins remains one of the largest publishing companies in the world. | |
| The following Thomas Nast engravings were published by Harper & Brothers for Harper's Weekly, New York from 1876 to 1882, a brief selection includes, All Quite on the Hudson. Mr. George B. McClellan in his Element Again - Running for Something, An Open Question Still - Uncle Sam, "You Don't Give Bread With-", Another Such Victory - and I am Undone. Pyrrhus, Ay, There's the Rub - You Can't Change the Nature of the Animal. You Dirty Boy, He Wants a Change Too, Into the Jaws of Death - Temple of Janus, Look Before You Leap, More 'Pacification' - 'The Carpet-Baggers' are Protected that's Comfort, The Day We Celebrate. (April First), Toast; We are not all Dead, The Elephant Walks Around - And the Still Hunt is Nearly Over, The First Step Toward National Bankruptcy, The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done, The Trapper-Trapped, and Willie, We have Missed You. | |
| Size: | 16 1/8 x 11 (Sizes in inches are approximate, height preceding width of full paper size.) |
| Not Matted | |
| Buy Now | Price: $125.00 US |
| Condition: | Printed on nineteenth century wove paper and with full margins as published on November 1, 1879 by Harper & Brothers, New York for their periodical, Harper‘s Weekly (Journal of Civilization). Water staining throughout image, else a fine printing but in poor condition throughout. The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done (Major General Mathew Calbraith Butler, African Americans, Slavery, Southern Racism) is a deservedly famous example of the important art of Thomas Nast. |
| Subject: | Thomas Nast, The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done, Satirical art, Harper's Weekly, American Caricature and Satire American Caricature and Satire (General Mathew Calbraith Butler, Attorney, Democratic Senator, African Americans, Southern Racism, Hamburg Massacre, African American rights, Slavery) |
| Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Wood Engraving Illustrated by the American artist, Thomas Nast Published for Harper‘s Weekly by Harper & Brothers, New York.
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| The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done (Major General Mathew Calbraith Butler, Attorney, Democratic Senator, African Americans, Slavery, Southern Racism) |
View Other Original Wood Engravings designed by the American artist, Thomas Nast
| Thomas Nast (Landau, Bavaria, 1840 - Ecuador, 1902) (Political Corruption, Coercion, Reforms, The Tammany Ringdom & African-American Rights) |
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| # | Image | Title | Medium | Date | Publisher | Subject |
01.- |
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All Quite on the Hudson. Mr. George B. McClellan in his Element Again - Running for Something (Political Campaigning) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | October 27, 1877 | Harper & Brothers, New York | American Caricature and Satire (Political Campaigning, George B. McClellan, Abraham Lincoln) |
| 02.- |  |
An Open Question Still - Uncle Sam, "You Don't Give Bread With--" (The 1877 Halifax Fisheries Commission Fishing Negotiations) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | December 22, 1877 | Harper & Brothers, New York | American Caricature and Satire (United States, Britain and Canada Fishing Negotiations) |
| 03.- |  |
Another Such Victory - and I am Undone. Pyrrhus (Political Reform, Rutherford B. Hayes) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | March 24, 1879 | Harper & Brothers, New York | American Caricature and Satire (Political Reforms, Fraud, Elephant, Republican Party, Filibusters) |
| 04.- |  |
Ay, There's the Rub - You Can't Change the Nature of the Animal. You Dirty Boy (Grover Cleveland's Governor of New York 1882 Campaign and his Fight Against Political Corruption) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | October 21, 1882 | Harper & Brothers, New York | American Caricature and Satire (Governor Grover Cleveland, Great Lakes, Lake Erie, Lake Ontario, Tammany, Copper Heads, Political Corruption, Tammany Rinc) |
| 05.- |  |
He Wants a Change Too (Hamburg Riots, the Hamburg Massacre) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | Oct. 28, 1876 | Harper & Brothers, New York | American Caricature and Satire (Hamburg Riots, the Hamburg Massacre, Negroes, African-American Rights, Self-Defence, White Racism) |
| 06.- |  |
Into the Jaws of Death - Temple of Janus (Russo-Turkish War) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | February 2, 1878 | Harper & Brothers, New York | Russo-Turkish War, Death, Skulls |
| 07.- |  |
Look Before You Leap (Tammany Ringdom & Boss Tweed) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | November 12, 1882 | Harper & Brothers, New York | American Caricature and Satire (Tammany Ringdom, Corruption and Coercion, Boss Tweed) |
| 08.- |  |
More 'Pacification' - 'The Carpet-Baggers' are Protected that's Comfort (1876 Presidential Election, Samuel Tilden and Rutherford Hayes & the Compromise of 1877) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | December 22, 1877 | Harper & Brothers, New York | American Caricature and Satire (Political Campaigning, Carpet-Baggers, Political Corruption, Senate, 1876 Presidential Election, Samuel Tilden and Rutherford Hayes, The Compromise of 1877, Electoral Corruption, end of the Reconstruction) |
| 09.- |  |
The Day We Celebrate. (April First), Toast; We are not all Dead (1876 Presidential Election, Samuel Tilden and Rutherford Hayes & the Compromise of 1877) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | April 7, 1877 | Harper & Brothers, New York | American Caricature and Satire (Political Campaigning, April Fools' Day, Donkey, Democratic Party, 1876 Presidential Election, Samuel Tilden and Rutherford Hayes, The Compromise of 1877, Political and Electoral Corruption) |
| 10.- |  |
The Elephant Walks Around - And the Still Hunt is Nearly Over (1876 Presidential Election, Samuel Tilden and Rutherford Hayes, the Compromise of 1877) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | October 28, 1876 | Harper & Brothers, New York | Political Campaigning, Corruption, Fraud, The Public Schools, The ABC of our Republic - The Republican Vote, Solid for the Union, 1876 Presidential Election, Samuel Tilden and Rutherford Hayes, The Compromise of 1877, Electoral Corruption |
| 11.- |  |
The First Step Toward National Bankruptcy (Mr. Matthews' Resolution - Bonds, Greenbacks) by Thomas Nast for Harper & Brothers, New York | Original Wood Engraving | February 16, 1878 | Harper & Brothers, New York | American Caricature and Satire (Uncle Sam, Mr. Stanley Matthews, Associate Justice of the United States Supreme Court 'Mr. Matthews Resolution', Currency, Silver Coinage, Greenbacks, Bonds) |
| 12.- |  |
The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done (Politics, African Americans, Southern Racism) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | Nov. 1, 1879 | Harper & Brothers, New York | American Caricature and Satire (General Mathew Calbraith Butler, Attorney, African Americans, Southern Racism, Hamburg Massacre) |
| 13.- |  |
The Trapper-Trapped (Judge Stanley Matthews - 1876 Presidential Election, the Compromise of 1877 & The Potter Committee Investigation) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | June 29, 1878 | Harper & Brothers, New York | American Caricature and Satire (Machine Politics, Mr. Stanley Matthews, Associate Justice of the United States Supreme Court 'Mr. Matthews Resolution', Corruption, Investigations, Potter Committee Investigation) |
| 14.- |  |
Willie, We have Missed You (William M. Tweed, 'Boss Tweed' & the Tammany Ringdom in Prison) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving |
October 28, 1876 | Harper & Brothers, New York | American Caricature and Satire (William Tweed, Boss Tweed, New York, Tammany Ringdom, Corruption and Coercion) |
View Other Original Wood Engraving Published by Harper & Brothers, New York
| Winslow Homer (Boston, 1836 - Scarboro, Maine, 1910) | ||||||
| # | Image | Title & Artist | Medium | Date | Publisher | - |
| 01- |  |
A Bivouac Fire on The Potomac by Winslow Homer for Harper's Weekly, New York | Original Wood Engraving | December 21, 1861 | Harper & Brothers, New York | Sold |
| 02.- |  |
Husking The Corn in New England by Winslow Homer for Harper's Weekly, New York | Original Wood Engraving | November 13, 1858 | Harper & Brothers, New York | |
| 03.- |  |
The Bathe At Newport by Winslow Homer for Harper's Weekly, New York | Original Wood Engraving | September 04, 1858 | Harper & Brothers, New York | Sold |
| 04.- |  |
The Boston Common by Winslow Homer for Harper's Weekly, New York | Original Wood Engraving | September 04, 1858 | Harper & Brothers, New York | Sold |
View Other Original Works of Art by African/American Artists.
| African/American Artists | |||||||
| # | Image | Title & Artist | Artist Info | Medium | Date | Info | - |
| 01- |  |
Golden Gateway, San Francisco by Raymond Howell | Raymond Howell (Oakland, CA, 1931 - 2002) | Original Silkscreen (Serigraph) | c. 1975 | Signed in pencil by the artist and annotated '200' (edition size) by Raymond Howell . | Sold |
| 02.- |  |
Make It Short by John Dowell | John Edward Dowell Jr. 'John Dowell' (Born: March 25, 1941 - Philadelphia, PA) | Original Lithograph & Watercolor (Monotype) | 1973 | Signed, dated, titled and numbered, 'A.P. #10' by John Dowell in pencil. | |
| 03.- |  |
Music Makers by Hartwell Yeargans | Hartwell Yeargans (Kansas City, 1915 - New York, 2005) | Original Color Woodcut | 1971 | Signed, titled, dated and annotated, ‘Var(iation) II A/P I’ 'Artist Proof' by Hartwell Yeargans | |
| 04.- |  |
Tom Tom by Elmer Brown | Elmer William Brown, 'Elmer Brown' (Pittsburgh, 1909 - Cleveland, 1971) | Original Linocut (Linoleum Cut) | c. 1939 | Signed and titled on the original matt (under the image) by Elmer Brown in pencil. | Sold |
| 05.- |  |
Une mauvaise rencontre (A Bad Encounter) by Jules Lion designed by Jean-Auguste Bard | Jules Lion (Paris, 1809 or 1810 - New Orleans, Louisiana, 1866) | Original Lithograph | c. 1835 | Signed by Jules Lion in the stone to the lower right | |
| 06.- |  |
Untitled Composition by Stephanie Pogue | Stephanie Pogue (Shelby, North Carolina, Born, 1944) | Original Deep Etching in Colors | 1969 | Signed, dated and numbered, '105/200', by Stephanie Pogue in pencil. | Sold |
| 07.- |  |
You're Part of Art by Alvin Carl Hollingsworth | Alvin Carl Hollingsworth (New York, NY, 1928 - 2000) | Original Oil on Canvas Board | c. 1970 | Signed by Alvin Hollingsworth within the image to the lower left. | |
| 08.- |  |
View from the Balcony (Untitled Composition) by Lloyd Van Pitterson | Lloyd Van Pitterson (Jamaica, 1926 - Elizabeth, New Jersey, 1997) | Original Lithograph | c. 1975 - 1980 | Signed in pencil by Lloyd Van Pitterson to the lower left and numbered, 119/300. | |
| Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art. | |
| Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories. | |
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| Fine 19th Century Artist Index | The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899. |
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| American Artist Index | The 'American Artist' directory contains a listing of original works of art created by artists from the United States of America, and or art with an American theme. These artworks date from the 17th century to the 20th century. |
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| Professions Portrayed in Art Index | The 'Professions Portrayed in Art' directory contains a selection of original art with depictions of people in various professional occupations, such as the medical field with portrayals of doctors, dentists, nurses and quacks. The legal group contains depictions of judges, lawyers and the judicial system. The political profession includes politicians and statesmen who have represented us in government in the past or issues relating to politics. And the fourth category is businessmen. These works of art have been created by artists from around the world and date from the 16th century to the 20th century. |
| Satire & Social Commentary Index | This directory contains a selection of original works of art with a focus on social issues and satirical art as portrayed by artists throughout the world in history and today. The selected works vary drastically in style. Here, you will find an assortment of rather humorous, more often hilarious depictions of people and animals in typical and unusual circumstances. And on a more serious note, there is also a selection of works portraying social criticism, a number of them based upon man’s destructive actions carried out upon humanity itself. |
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