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| Thomas Nast's illustration for this original wood engraving is entitled, "He Wants a Change Too" It deals with the 1876 Hamburg Riots also known as the Hamburg Massacre that took place in South Carolina, a town mostly occupied by freedmen (African-American Rights, Self-Defence, White Racism). This historical Thomas Nast engraving depicts an African-American man armed with a rifle. In the background there is a view of a schoolhouse that has been demolished and the corpses of African-American men, women and children scattered throughout. To the left, there is a wall plastereded with broadsides containing offensive, and racist literature concerning these crimes. They appear to be written by 'Extremist Groups', such as the Ku Klux Klan, the White League, the White Liners, and others. This engraving is printed on nineteenth century wove paper and with full margins as published for Harper‘s Weekly (Journal of Civilization), by Harper & Brothers, New York on October 28, 1876. It contains the artists name within the left side of the image. The Fine Arts Museum of San Francisco contains an impression of He Wants a Change Too in its collection. This is a fine, original example of the important art created by the 19th century American artist, Thomas Nast. |
| Title: | He Wants a Change Too (Hamburg Riots, the Hamburg Massacre, Negroes, African-American Rights, Self-Defence, White Racism) |
| Designer: | Nast, Thomas (Landau, Bavaria, 1840 - Ecuador, 1902) |
| Date: | October 21, 1882 |
| Medium: | Original Wood Engraving |
| Publisher: | Harper & Brothers, New York |
| Publication: | Harper's Weekly, New York |
| Note: | Thomas Nast: Born in Landau, Bavaria, Germany in 1840, Thomas Nast immigrated with his family to America in 1846 at the age of six and settled in New York City. Thomas Nast began work as a full time illustrator at the age of fifteen for Frank Leslie's Illustrated Newspaper. Three years later, Nast contributed his first illustration to Harper's Weekly (1859). That same year, Thomas Nast was hired by the New York Illustrated News and sent to England. During that time, he worked as a war artist following the progress of the Italian war with Giuseppe Garibaldi's army and provided illustrations for the New York Illustrated News and the London Illustrated News. In 1861, Nast returned to New York and in 1862, he began his legendary association with Harper’s, just in time for the outbreak of the American Civil War! The first artist to unreservedly defend the rights of Slaves, Nast launched a series of satirical attacks in his art against the decadent South and its inhumane culture. His political propaganda was so successful in inspiring Union patriotism by humiliating and denigrating the Confederate cause that it prompted none other than President Lincoln to term Nast, “Our best recruiting sergeant.” Throughout his career, Thomas Nast continued his fight for civil rights and the suppression of exploitation, intimidation & violence against African americans, Native Americans, Chinese Americans and immigrants from other countries. He was also a major force in the campaign against political corruption and coercion. In all probability, no man’s art has had a greater social and political impact than that of Thomas Nast. His symbols are with us to this day. He invented the Republican elephant and the Democratic donkey and even our modern day celebration of Christmas and the rotund figure of Santa Claus is due to his art. Thus, through his important art, Thomas Nast influenced the political and social consciousness of 19th century America. He made his last engraving for Harper’s Weekly in 1886. Ending a glorious twenty-five year association. His life came to a close while serving as the American Consul-General in Ecuador. He Wants a Change Too deals with the (Hamburg Riots, the Hamburg Massacre, Negroes, African-American Rights, Self-Defence, White Racism). This is a fine original example of Nast's political satire. |
| He Wants a Change Too (Hamburg Riots, the Hamburg Massacre, Negroes, African-American Rights, Self-Defence, White Racism): This historical Thomas Nast engraving deals with 'African-American Rights, Self-Defence and White Racism'. The 1876 Hamburg race riots also known as the 'Hamburg Massacre', erupted on July 9, 1876 in the town of Hamburg, South Carolina, a town mostly occupied by freedmen. The original dispute was initiated by two white men who became furious when they had difficulty driving their horse drawn-carriage past an all black military formation of the South Carolina National Guard on a public road. Certain records included in the "Papers of Ulysses S. Grand: January 1 to October 1, 1876", suggest that the militiamen were celebrating the 4th of July. A formal complaint to the local court was filed which let to an order by Mathew C. Butler (1836-1919), to have the militia guards disbanded and surrender their weapons. General Butler was the attorney who appeared as council for the men who filed the complaint. He served as a Confederate officer during the American Civil War. It was not long before an all white armed mob went after the black militiamen. The confrontation ended leaving many severely wounded and the execution and murder of six black men, five of which were unarmed. The casualties on the side of the mob left one white man dead. This was not the first nor the last violent act of this nature that took place after the American Civil War. The murders were regarded by many whites as virtuous and the mob members did not face criminal charges. | |
| The race riots were also used as a political ploy to frighten white American voters of the racial dangers of a Republican government. After the South was defeated, political resistance, racism and violence did not cease and the protection of African Americans was required there. The era of 'Reconstruction' was originally established to help the South deal with the effects of the Civil War and to protect the rights of African Americans. Congress passed the 'Force Acts' which permitted the use of force by the U.S. Army to ensure their safety and to confirm the Republican presence in the South. During the 23rd American presidential election of 1876, one of the worst political scandals took place. There was a controversy over the electoral returns received from Florida, South Carolina and Louisiana. A series of compromises were made and although the Democratic candidate, Samuel J. Tilden originally held the lead, the Republican candidate, Rutherford B. Hayes became the 19th president of the United States. One of the compromises included the removal of the the federal troops from the South, which effectively ended the 'Reconstruction' and benefited white supremacy organizations that backed the Democratic Party such as the 'White League' (sometimes linked to the Ku-Klux Klan), and the' Red Shirts' (another frightening paramilitary group acting as the military arm of the Democratic Party in North Carolina and Mississippi). The end of the era of 'Reconstruction', meant the government had failed African Americans and for the next century many would endure intimidation, discrimination, violence and their legal rights as citizens of the United States. | |
| This image depicts an African-American man armed with a rifle. In the background there is a view of a schoolhouse that has been demolished and the corpses of African-American men, women and children scattered throughout. To the left, there is a wall plastereded with broadsides containing offensive, and racist literature concerning these crimes. They appear to be written by 'Extremist Groups', such as the Ku Klux Klan, the White League, the White Liners and others. 19th century periodicals were not spared, Nast has posted articles that were presumably written by editors of the Baltimore Gazette, the Petersburg Index, the Canton Mail and the Raleigh Sentinel. Thomas Nast quotes men in political power and others who cowardly hid behind anonymity, Wade Hampton, Judge Alphonso Taft, Attorney General, and others. Wade Hampton III (1818--1902), was a Confederate cavalry leader who served in the American Civil War and became a Democratic politician from South Carolina. Alphonso Taft (1810-1891), became Attorney General and was for a brief period, Secretary of War. He believed that African Americans should have the right to vote without intimidation or violence and supported President Grant's use of the military to stop the violence against African Americans. Alphonso Taft was the father of the 27th President of the United States of America, William Howard Taft. Thomas Nast created at least on other illustration concerning the Hamburg massacre for Harper's Weekly. It depicted the personification of 'Justice' (as a woman), demanding the execution of the criminals responsible for the murders, equal rights and protection for all. She points to the scales of justice that contain six dead african American men (left) and one white American man in the other. (right). *The Papers of Ulysses S. Grant: January 1- October 31, 1776, Volume 27, Southern Illinois University Press, 2005, contains important information concerning the murders and the events that followed the riots. A letter written from John D. Bagwell, Plainfield, N. J. to USG read; "The unprovoked Massacre of unoffending citizens of Hamburg S. C. on the 9th inst, deserves the condemnation of all good citizens and should evoke the strong arm of the law and just punishment for the perpetrators." | |
Thomas Nast's attack against the decadent South and its inhumane culture was an attempt to defend the rights of Slaves. Therefore, this original 19th century engraving serves as a reminder of the horrors that can take place when mutual respect is not present, and when the rights of the individual are not protected by law. The appalling reality is that these sins have found their way into our own century. The offensive, and racist text printed on the broadsides that are posted on the wall of this engraving is re-printed below.
The Fine Arts Museum of San Francisco contains an impression of this engraving in its collection. Accession Number: 1963.30.2011. |
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| Harper & Brothers: A leading American publishing and printing firm based in New York, 'Harper & Brothers' was originally founded by James Harper (1795-1869) and his brother, John Harper (1797-1875), when they opened their first printing firm as 'J. & J.' in 1817. Later, their two younger brothers, Joseph Wesley Harper (1801-1870), and Fletcher Harper (1806-1877), joined the firm. During the following years, their printing firm flourished. In 1833, 'J. & J.' was renamed as 'Harper & Brothers', and under that name, their firm entered into the publishing business. Harper & Brothers was among the first printing and publishing firms to adopt case binding and to use stereotype and electrotype printing plates and steam - powered printing. It has been noted that by the mid 19th century, 'Harper & Brothers' had become one of the largest printing and publishing firms in the world. | |
| Harper & Brothers Periodicals, Journals & Magazines: During the second half of the nineteenth century, periodicals, journals and magazines such as Harper's Weekly, New York, 'Frank Leslie's Illustrated Newspaper', 'Every Saturday', 'The Aldine', Puck in the United State and 'The Illustrated London News', 'The Illustrated London Almanack', and 'The Graphic', in England, created pictorial journalism on a grand scale. They covered, literature, arts, sciences, sports, social and political events, fashion, and fiction. Wood engraving (invented around 1780) at last made it possible for publishers to print images and words on the same page without the extravagant costs of producing etchings or engravings from metal plates. From about 1850 engraving upon wood became the dominant means of distributing information along with pictorial imagery, and continued in this role until around 1900, when the practical application of photography took control. In addition to being one of the most prestigious printing and publishing firms for books and printed matter commissioned by both national and international firms, 'Harper & Brothers' decided to enter the 'Big Race' for journalistic supremacy. They began to issue their own illustrated periodicals, starting with the launch of their first magazine, originally known as 'Harper's New Monthly Magazine', later known as 'Harper's Magazine'. It was first issued in (1850) and continued to do so into the twenty first century. 'Harper's Magazine' is now published by HarperCollins Publishers LLC. It was originally established as a literary and educational monthly magazine dealing with politics, culture, arts and finance. As their circulation increased it was followed by 'Harper's Weekly (A Journal of Civilization)' (1857-1916), an illustrated and interesting higher toned, better illustrated paper featuring political issues, domestic and foreign news, literary fiction and other stories. He Wants a Change Too is an original wood engraving designed by the famous American Satirical artist Thomas Nast in 1882 for 'Harper's Weekly'. In 1867, Harper & Brothers launched their first issue of 'Harper's Bazar', a magazine that is still active today, and is now published by the Hearst Corporation. 'Harper's Bazar', started out as a weekly periodical (magazine), mostly for feminine interests and culture. It was devoted to various departments of literature, fashion and domestic arts and as noted in their 1886 issue "A Repository of Fashion, Pleasures, and instruction". 'Harper & Brothers' offered a subscription to all three publications for only 10.00 dollars a year or any two for 7.00 dollars, and special offers for group subscriptions. They also sold 'Popular Editions' at a higher price and' Household Editions' at a lower price. In 1878, the Franklin Square Library was formed and was renamed 'Harper's Franklin Square Library' in 1881, remaining active until 1893. 'Harper & Brothers' was among of the first to publish a selection of books to help confront and regulate the piracy of their material by rogue printers and publishers. Those books were published under the Harper Franklin Square Library imprint at a loss and were available through subscriptions offered to businesses (Booksellers). In 1879 they began the weekly publication of 'Harper's Young People', an illustrated magazine aimed at America's boys and girls of all ages. The publication contained both instructional and entertaining topics which included a variety of well written stories, poetry, serials, games, and other areas of interest written and illustrated by noted authors and artists. In 1895, 'Harper's Young People' was renamed as 'Harper's Round Table', another well written and illustrated weekly magazine for America's youth, but this one was aimed at an older generation of kids (teenaged boys), priced at five cents a copy or two dollars a year. The last issue of 'Harper's Round Table' was published in 1899. | |
| Harper & Brothers Illustrators: The firm of Harper & Brothers, New York hired some of the finest engravers, illustrators and journalists of the period. Throughout its life, skilled artists maintained a very high level of craftsmanship in their illustrative art, thus, for well over one hundred years, these original engravings have attracted serious collectors who recognize both the historic and artistic value of these images. In fact, one of the first avid collectors of these engravings was Vincent Van Gogh, who, for several years, entertained thoughts of working as an illustrative artist for the publications. American illustrators who contributed works to 'Harper & Brothers' included such distinguished painters and watercolor artists as, Frederick Stuart Church (1842-1924), who began his career as an illustrator for Harper's designing graceful fantasy scenes, many dealing with women, children and animals. Walter Sheila (1838-1909), and Stephen G. McCutcheon, (c. 1846 - 1884) illustrated articles and fiction to such magazines as as Harper's, Scribner's, St. Nicholas and The Century. William Ludwell Sheppard, 'W. L. Sheppard' (1833-1912), is recorded to have illustrated the Southern side of the American Civil War, contributing many of those designs to Harper's and Picturesque America. Winslow Homer (1836-1910), contributed his first of many designs to Harper's Weekly of New York in 1857. Homer's role as a pictorial journalist during the American Civil War is of significant historical importance. The artist, Frederick Dielman (1847-1935), contributed such works as the Celebration of the Abolition of Slavery in the District of Columbia by the Colored People in Washington, Harper's Weekly (1866), and Mirandy Encourages Phil's Talent, Harper's Bazaar (1886). Americas's political cartoonist, Thomas Nast (1840-1902), began his legendary association with Harper's in 1857, just in time for the outbreak of the American Civil War. Nast's famous illustration of Merry Old Santa Claus (1881), which appeared in Harper's Weekly is responsible for our modern day image of Santa. He Wants a Change Too (1876 Hamburg Riots) and The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done are two striking examples of the illustrations dealing with 'African-American Rights, Self-Defence and White Racism' created by Thomas Nast for Harper's Weekly, New York, (Journal of Civilization). During the last part of the nineteenth century and the first quarter of the 20th century another important group of young artists began to appear, such as, Arthur Burdett Frost (1851-1928), an American artist mostly known for his sporting subjects. Frost contributed many illustrations to Harper & Brothers periodicals, such as, An Archery Meeting, Harper's Weekly (1879), Woodcock Shooting, Harper's Weekly (1893), The Sparrow's Christmas Dinner Harper's Bazar (1886), etc. William James Aylward (1875-1956), began his career as an illustrator for both Harper's and Scribner's magazines, creating such as The Christmas-Tree Ship, Harper's Weekly, (1909), The Secret Sharer, Harper's Magazine (1910), Steamboating Through Dixie written and illustrated for Harper's Monthly (1915). And, Harry Everett Townsend (1879-1941) established a strong reputation as a leading illustrator and was regularly commissioned by such popular magazines as Harper's, The Century and McClure's. By 1962, the firm of 'Harper & Brothers' merged with Row, Peterson and Company' and was renamed as 'Harper & Row'. The firm of 'Harper & Row' continued to run under that name until 1990, when it was acquired by William Collins & Sons and renamed as 'HarperCollins'. Today, the firm of HarperCollins remains one of the largest publishing companies in the world. | |
| The following Thomas Nast engravings were published by Harper & Brothers for Harper's Weekly, New York from 1876 to 1882, a brief selection includes, All Quite on the Hudson. Mr. George B. McClellan in his Element Again - Running for Something, An Open Question Still - Uncle Sam, "You Don't Give Bread With-", Another Such Victory - and I am Undone. Pyrrhus, Ay, There's the Rub - You Can't Change the Nature of the Animal. You Dirty Boy, He Wants a Change Too, Into the Jaws of Death - Temple of Janus, Look Before You Leap, More 'Pacification' - 'The Carpet-Baggers' are Protected that's Comfort, The Day We Celebrate. (April First), Toast; We are not all Dead, The Elephant Walks Around - And the Still Hunt is Nearly Over, The First Step Toward National Bankruptcy, The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done, The Trapper-Trapped, and Willie, We have Missed You. | |
| Size: | 23 X16 (Sizes in inches are approximate, height preceding width of full paper size.) |
| Not Matted | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed on nineteenth century wove paper and with full margins as published on October 28, 1876 by Harper & Brothers, New York for their periodical, Harper‘s Weekly (Journal of Civilization). Bearing the double page fold-out crease, as usual, and with slight tear in upper margin, well away from the image, else a fine printing and in good condition throughout. He Wants a Change Too (Hamburg Riots, Hamburg Massacre) is a deservedly famous example of the important art of Thomas Nast. |
| Subject: | Thomas Nast, He Wants a Change Too, Satirical art, Harper's Weekly, American Caricature and Satire (1876 Hamburg Riots, the Hamburg Massacre, Negroes, African-American Rights, Self-Defence, White Racism, Slavery) |
| Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Wood Engraving Illustrated by the American artist, Thomas Nast Published for Harper‘s Weekly by Harper & Brothers, New York.
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| He Wants a Change Too (Hamburg Riots, the Hamburg Massacre, Negroes, African-American Rights, Self-Defence, White Racism) |
View Other Original Wood Engravings designed by the American artist, Thomas Nast
| Thomas Nast (Landau, Bavaria, 1840 - Ecuador, 1902) (Political Corruption, Coercion, Reforms, The Tammany Ringdom & African-American Rights) |
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| # | Image | Title | Medium | Date | Publisher | Subject |
01.- |
 |
All Quite on the Hudson. Mr. George B. McClellan in his Element Again - Running for Something (Political Campaigning) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | October 27, 1877 | Harper & Brothers, New York | American Caricature and Satire (Political Campaigning, George B. McClellan, Abraham Lincoln) |
| 02.- |  |
An Open Question Still - Uncle Sam, "You Don't Give Bread With--" (The 1877 Halifax Fisheries Commission Fishing Negotiations) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | December 22, 1877 | Harper & Brothers, New York | American Caricature and Satire (United States, Britain and Canada Fishing Negotiations) |
| 03.- |  |
Another Such Victory - and I am Undone. Pyrrhus (Political Reform, Rutherford B. Hayes) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | March 24, 1879 | Harper & Brothers, New York | American Caricature and Satire (Political Reforms, Fraud, Elephant, Republican Party, Filibusters) |
| 04.- |  |
Ay, There's the Rub - You Can't Change the Nature of the Animal. You Dirty Boy (Grover Cleveland's Governor of New York 1882 Campaign and his Fight Against Political Corruption) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | October 21, 1882 | Harper & Brothers, New York | American Caricature and Satire (Governor Grover Cleveland, Great Lakes, Lake Erie, Lake Ontario, Tammany, Copper Heads, Political Corruption, Tammany Rinc) |
| 05.- |  |
He Wants a Change Too (Hamburg Riots, the Hamburg Massacre) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | Oct. 28, 1876 | Harper & Brothers, New York | American Caricature and Satire (Hamburg Riots, the Hamburg Massacre, Negroes, African-American Rights, Self-Defence, White Racism) |
| 06.- |  |
Into the Jaws of Death - Temple of Janus (Russo-Turkish War) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | February 2, 1878 | Harper & Brothers, New York | Russo-Turkish War, Death, Skulls |
| 07.- |  |
Look Before You Leap (Tammany Ringdom & Boss Tweed) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | November 12, 1882 | Harper & Brothers, New York | American Caricature and Satire (Tammany Ringdom, Corruption and Coercion, Boss Tweed) |
| 08.- |  |
More 'Pacification' - 'The Carpet-Baggers' are Protected that's Comfort (1876 Presidential Election, Samuel Tilden and Rutherford Hayes & the Compromise of 1877) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | December 22, 1877 | Harper & Brothers, New York | American Caricature and Satire (Political Campaigning, Carpet-Baggers, Political Corruption, Senate, 1876 Presidential Election, Samuel Tilden and Rutherford Hayes, The Compromise of 1877, Electoral Corruption, end of the Reconstruction) |
| 09.- |  |
The Day We Celebrate. (April First), Toast; We are not all Dead (1876 Presidential Election, Samuel Tilden and Rutherford Hayes & the Compromise of 1877) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | April 7, 1877 | Harper & Brothers, New York | American Caricature and Satire (Political Campaigning, April Fools' Day, Donkey, Democratic Party, 1876 Presidential Election, Samuel Tilden and Rutherford Hayes, The Compromise of 1877, Political and Electoral Corruption) |
| 10.- |  |
The Elephant Walks Around - And the Still Hunt is Nearly Over (1876 Presidential Election, Samuel Tilden and Rutherford Hayes, the Compromise of 1877) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | October 28, 1876 | Harper & Brothers, New York | Political Campaigning, Corruption, Fraud, The Public Schools, The ABC of our Republic - The Republican Vote, Solid for the Union, 1876 Presidential Election, Samuel Tilden and Rutherford Hayes, The Compromise of 1877, Electoral Corruption |
| 11.- |  |
The First Step Toward National Bankruptcy (Mr. Matthews' Resolution - Bonds, Greenbacks) by Thomas Nast for Harper & Brothers, New York | Original Wood Engraving | February 16, 1878 | Harper & Brothers, New York | American Caricature and Satire (Uncle Sam, Mr. Stanley Matthews, Associate Justice of the United States Supreme Court 'Mr. Matthews Resolution', Currency, Silver Coinage, Greenbacks, Bonds) |
| 12.- |  |
The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done (Politics, African Americans, Southern Racism) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | Nov. 1, 1879 | Harper & Brothers, New York | American Caricature and Satire (General Mathew Calbraith Butler, Attorney, African Americans, Southern Racism, Hamburg Massacre) |
| 13.- |  |
The Trapper-Trapped (Judge Stanley Matthews - 1876 Presidential Election, the Compromise of 1877 & The Potter Committee Investigation) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving | June 29, 1878 | Harper & Brothers, New York | American Caricature and Satire (Machine Politics, Mr. Stanley Matthews, Associate Justice of the United States Supreme Court 'Mr. Matthews Resolution', Corruption, Investigations, Potter Committee Investigation) |
| 14.- |  |
Willie, We have Missed You (William M. Tweed, 'Boss Tweed' & the Tammany Ringdom in Prison) by Thomas Nast for Harper's Weekly, New York, A Journal of Civilization | Original Wood Engraving |
October 28, 1876 | Harper & Brothers, New York | American Caricature and Satire (William Tweed, Boss Tweed, New York, Tammany Ringdom, Corruption and Coercion) |
View Other Original Wood Engraving Published by Harper & Brothers, New York
| Winslow Homer (Boston, 1836 - Scarboro, Maine, 1910) | ||||||
| # | Image | Title & Artist | Medium | Date | Publisher | - |
| 01- |  |
A Bivouac Fire on The Potomac by Winslow Homer for Harper's Weekly, New York | Original Wood Engraving | December 21, 1861 | Harper & Brothers, New York | Sold |
| 02.- |  |
Husking The Corn in New England by Winslow Homer for Harper's Weekly, New York | Original Wood Engraving | November 13, 1858 | Harper & Brothers, New York | |
| 03.- |  |
The Bathe At Newport by Winslow Homer for Harper's Weekly, New York | Original Wood Engraving | September 04, 1858 | Harper & Brothers, New York | Sold |
| 04.- |  |
The Boston Common by Winslow Homer for Harper's Weekly, New York | Original Wood Engraving | September 04, 1858 | Harper & Brothers, New York | Sold |
View Other Original Works of Art by African/American Artists.
| African/American Artists | |||||||
| # | Image | Title & Artist | Artist Info | Medium | Date | Info | - |
| 01- |  |
Golden Gateway, San Francisco by Raymond Howell | Raymond Howell (Oakland, CA, 1931 - 2002) | Original Silkscreen (Serigraph) | c. 1975 | Signed in pencil by the artist and annotated '200' (edition size) by Raymond Howell . | Sold |
| 02.- |  |
Make It Short by John Dowell | John Edward Dowell Jr. 'John Dowell' (Born: March 25, 1941 - Philadelphia, PA) | Original Lithograph & Watercolor (Monotype) | 1973 | Signed, dated, titled and numbered, 'A.P. #10' by John Dowell in pencil. | |
| 03.- |  |
Music Makers by Hartwell Yeargans | Hartwell Yeargans (Kansas City, 1915 - New York, 2005) | Original Color Woodcut | 1971 | Signed, titled, dated and annotated, ‘Var(iation) II A/P I’ 'Artist Proof' by Hartwell Yeargans | |
| 04.- |  |
Tom Tom by Elmer Brown | Elmer William Brown, 'Elmer Brown' (Pittsburgh, 1909 - Cleveland, 1971) | Original Linocut (Linoleum Cut) | c. 1939 | Signed and titled on the original matt (under the image) by Elmer Brown in pencil. | Sold |
| 05.- |  |
Une mauvaise rencontre (A Bad Encounter) by Jules Lion designed by Jean-Auguste Bard | Jules Lion (Paris, 1809 or 1810 - New Orleans, Louisiana, 1866) | Original Lithograph | c. 1835 | Signed by Jules Lion in the stone to the lower right | |
| 06.- |  |
Untitled Composition by Stephanie Pogue | Stephanie Pogue (Shelby, North Carolina, Born, 1944) | Original Deep Etching in Colors | 1969 | Signed, dated and numbered, '105/200', by Stephanie Pogue in pencil. | Sold |
| 07.- |  |
You're Part of Art by Alvin Carl Hollingsworth | Alvin Carl Hollingsworth (New York, NY, 1928 - 2000) | Original Oil on Canvas Board | c. 1970 | Signed by Alvin Hollingsworth within the image to the lower left. | |
| 08.- |  |
View from the Balcony (Untitled Composition) by Lloyd Van Pitterson | Lloyd Van Pitterson (Jamaica, 1926 - Elizabeth, New Jersey, 1997) | Original Lithograph | c. 1975 - 1980 | Signed in pencil by Lloyd Van Pitterson to the lower left and numbered, 119/300. | |
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