Title: |
Roller Disco: Cenotaph for a Public Figure |
Artist: |
Morris, Robert (Kansas City, Born, 1931 - Resides, New York City ) |
Date: |
1980 |
Medium: |
Original Silkscreen |
Publisher: |
Editions Schellmann & Kluser, Munich, Germany |
Printer: |
Styria Studios |
Note: |
Robert Morris: One of America's most
famous avant guarde artists of our times, Robert Morris first studied
as an engineer before turning to art and art criticism. In 1966 he graduated
with his masters degree in art from Hunter College, New York. During the
1960's, 1970's and 1980's, Robert Morris played a key role in the movements of
Minimalist sculpture and Process Art. Particularly in the mediums of sculpture
and silkscreen his art gained a leading international reputation. Using
such varied materials as aluminum, steel mesh, electroencephalogram readouts,
felt and even dirt, Robert Morris always challenged the viewer on themes ranging
from the theories of Marcel Duchamp, to the effects of a nuclear holocaust
and to the philosophy of Ludwig Wittgenstein. Whether in the fields of
printmaking or sculpture Robert Morris's art continually forces the viewer to
reassess his personal and social station in life and culture. |
|
During the years America's most prestigious
museums have hosted one man exhibitions of Robert Morris's art. These
include the Whitney Museum of American Art (1970), the Art Institute of
Chicago (1980) and the Corcoran Gallery of Art, Washington (1990). In
1994 the Guggenheim Museum, New York, launched a major retrospective on
the artist's work which later traveled to Paris and Hamburg. |
|
Robert Morris's first original prints were
published in 1967. The Museum of Modern Art, New York, includes many of
his published prints in its permanent collection. In 1980 the artist executed
two silkscreens for Editions Schellmann & Kluser in Munich, Germany --
A Final Tomb for Frank "Jelly" Nash and Roller Disco: Cenotaph
for a Public Figure. Both were printed in signed, limited editions
of 180 impressions. Both words and image provoke us. The words for Roller
Disco: Cenotaph for a Public Figure are written below: |
|
"The individual's favorite possessions - the
golf clubs, the shoes, the tie pin, the Ferrari, the bowling ball,
the art collection, etc. - are carefully sawed in halves. The edges
of the cuts are filed or otherwise cleaned to reveal the precise
cross-sections of the objects which are then embedded in a transparent
plastic matrix. The objects are arranged so that the cross-sections
face upward. The matrix forms a vast circular floor and a top layer
of smooth, indestructible, transparent plastic is poured as a finish
surface. A large building is erected over this floor, a building
help up with a maze of elaborate wooden trusses. No pole or column
interrupts the floor. The appropriate decor and sound system are
installed. A suitable name is found. A discrete advertising campaign
is initiated. Only the highest quality roller skates are allowed
on the floor."
|
Edition: |
Limited edition of one hundred and eighty impressions,
numbered 42/180. |
Size: |
18 X 24 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
UnMatted |
Buy Now |
Price: $585.00 US |
Note: |
Image is Not Presently Available, Please Contact Us |
Condition: |
Printed upon thick, hand-made, Arches paper
and with full, deckled margins as published in the limited edition of
180 impressions in Munich in 1980. Signed, dated and numbered, '1 / 180',
by the artist in pencil along the lower margin. Also bearing the blindstamp
of Styria Studios within the lower margin. Apart from marginal creasing
along the right margin (well away from the actual silkscreen) this is
a finely printed impression and in excellent condition throughout. Roller
Disco: Cenotaph for a Public Figure represents a most important example
of the famous contemporary art of Robert Morris. |
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