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| Edmond Morin's "Pays Quand Meme" (Home all the Same) is an original etching printed upon thin, laid paper with wide margins as published in Paris in 1875 by Alfred Cadart for "Publications A. Cadart - L'Eau-Forte en 1875". This impression is before the addition of the title & publisher's address. It is signed "E. Morin" by Morin in the plate to the lower right. As one would expect from a proof impression this original etching is finely printed with plate tone and full tonal values. "Pays Quand Meme" is a fine, original example of the great art created by the French artist, Edmond Morin. |
| Title: | Pays Quand Meme (Home all the Same) |
| Artist: | Morin, Edmond (au Havre, 1824 - Scaeux, 1882) |
| Date: | 1875 |
| Medium: | Original Etching |
| Publisher: | A. Cadart, Paris |
| Source: | L'Eau-Forte en 1875 |
| Edition: | Proof Impression, before the addition of the title & publisher's address. |
| Note: | Edmond Morin: An influential nineteenth century French etcher, lithographer, wood engraver and illustrator, Edmond Morin studied art in Paris in the studio of Gleyre. Shortly after completing his education Morin left Paris for London and remained in that city for eight years (1849-1857). During his London years the artist achieved a large reputation for both his illustrations and wood engravings in such major publications as The Illustrated London News and Pen and Pencil. Morin returned to Paris in 1857 and immediately began exhibiting his art at the Salon. |
| During the following years Edmond Morin frequently contributed art to such journals as Magasin pittoresque, l'Illustration, le Monde illustre and La Vie parisienne. He also illustrated such books as L'Hotel des Haricots (1864), Paris-guide (1867) and Monsieur, Madame et bebe (1878). | |
| Although a fine landscape and portrait artist, Edmond Morin became most famous for his scenes of everyday life. In this area his splendid ability to capture a moment in time has led some scholars to link his with his Impressionist contemporaries. Pays quand Meme ('Home all the Same') is a superb example of Morin's art. | |
| Pays Quand Meme: This original Edmond Morin etching entitled, "Pays Quand Meme" (Home all the Same) was printed and published by Cadart, France's foremost publisher of original etchings in 1875 for "Publications A. Cadart - L'Eau-Forte en 1875" - Quarante Eaux-Fortes Originales et Inedites Par Quarante des Artistes les plus Distingues - Texte par Ph. Burty, Paris, A. Cadart, Editeur-Imprimeur, 56 - Boulevard Haussmann 56, 1875 (plate # 33). Alfred Cadart's publication, "L'Eau-Forte en 1875"contained forty original etchings by distinguished French artists, such as, Maxime Lalanne, Francois Nicolas Augustin Feyen-Perrin, Theophile Narcisse Chauvel, Alphonse Legros, Giuseppe de Nittis, Adolphe Appian, Auguste Andre Lancon, Louis Monzies, A. Ballin, Felix Bracquemond, Charles Beauverie, Alberto Maso Gilli, A. P. Martial, Theodule Ribot, Alfred Brunet Debaines, Edouard Detaille, Alfred Taiee, Edmond Hedouin, Leonce Petit, Edmond Morin and others. "Pays Quand Meme" is an artist proof impression published before the addition of the title & publisher's address for "L'Eau-Forte en 1875". | |
| Before publishing his etchings Cadart generally printed a small number of proof impressions. These initial impressions were printed on large sheets of special papers (in this case a thin, laid china paper) before the addition of the title and publisher's address. This impression of Pays quand Meme ('Home all the Same') is thus one of the first to be struck from the plate. | |
| Alfred Cadart: In the mid nineteenth century Alfred Cadart (1828-1875), was France's foremost publisher of original etchings. He was most influential in re-establishing etching as a major artistic medium in France, England and America. In 1862, Alfred Cadart, along with Felix Chevalier founded the Societe des Aqua-Fortistes, an organization, responsible for producing some of the finest French art from this era until its demise in 1867. Many of the fine etchings published by Cadart, particularly the earlier prints, were printed by the master printer, Auguste Delatre, (Paris, 1822 - 1907). The artists who requested their services for their impressions reads like a 'who's who' of nineteenth century art. Corot, Chauvel, Brendel, Chaigneau, Constantin, Cottin, Whistler, Meryon, Haden, Jacquemart, Appian, Daubigny, Bracquemond, Rops, and other fine artists all pressed for their skills and advice. Both Cadart and Delatre were thus both responsible for creating some of the most memorable and finest etchings of the nineteenth century. Edmond Morin's original etching, "Pays Quand Meme" (Home all the Same) is a striking example of the etchings published by the Cadart firm during the 1870's decade. The scene depicts a young gendarmerie watching over two women seated at the park with their children. | |
| Through the years, Alfred Cadart's firm entered into various partnerships producing changes in the name of the firm, as well as a change of address during the publication of some of his art albums. Starting around 1859, Alfred Cadart's publications bear the "Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacres". In 1861, Alfred Cadart entered into partnership with Felix Chevalier, establishing their new publishing house as, 'A. Cadart & F. Chevalier", Rue Richelieu, 66, Paris'. His next partnership began around 1862 with Jules Luquet, thus creating the firm of 'A. Cadart & Luquet, Editeurs', Rue de Richelieu, 79, Paris". In 1867, Cadart formed another partnership, this time with Mr. Luce, launching la Maison de "Cadart et Luce, Editeurs-Fondateurs, 58, Rue Neuve des Mathurins, 58". Then in 1872 he began to publish under his own name, "A. Cadart, Editeur-Fondateur, 58, Rue Neuve des Mathurins, 58". In 1874, the address changed to '56, Boulevard Haussmann, 56, Paris". After Cadart's death in 1875, his widow, Celonie-Sofie Cadart continued publishing original graphic works of art under the name, "Vve A. Cadart", (Puis Veuve Cadart), at the same address "56, Boulevard Haussmann, 56, Paris, until the demise of the firm in 1882. A selection of Paris art journals that contained original etchings published by the A. Cadart firm are listed below. | |
| Some of the earliest issues published by Alfred Cadart containing original etchings include, "Specimen, Paris Qui S'en Va", and "Paris Qui S'en Va Paris et Qui Vient", (1859-1860), Publication Artistique, dessinee et Gravee par Leopold Flameng, publie par Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacre. Another is "Voyage en Bateau, Croquis a L'Eau Forte" par Daubigny (1862), publie par 'A. Cadart & F. Chevalier', printed by Auguste Delatre, this one contained a set of nineteen original etchings by Charles-Francois Daubigny. Cadart's 1862 portfolio, "Huit Gravures a l'eau-forte par Manet" (Eight etchings by Edouard Mane), is also of great note, and it actually contained nine original etchings (two were printed on a single sheet). | |
| From (1862-1867), Alfred Cadart, along with Felix Chevalier, founded the Societe des Aqua-Fortistes (Society of Etchers), an organization, responsible for producing some of the finest French art from this era. They began the publication of their first long running series of art albums, issued from September of 1862 to August of 1867 under the title of, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes". The first two issues bear the names & addresses of the firms, 'A. Cadart & F. Chevalier', and 'Cadart & Luquet'. The remaining issues (only) bear the 'Cadart & Luquet' full address. By the time of their demise in 1867, Cadart and the Societe des Aqua-Fortistes had published hundreds of original etchings for the series, 'Eaux-Fortes Modernes', three hundred etchings, sixty etchings per issue. Most were printed on single pages, however, some pages contained multiple etchings, increasing the number to over three hundred. | |
| During Cadart's partnership with Jules Luquet (1863 - 1867), the publishing house of Cadart & Luquet also published individual etchings, periodicals and various art albums or series containing original graphic works of art created by an individual artist, such is the case with the series of original etchings listed as, "Scenes Culinaires" which dealt with culinary scenes in Parisian restaurants etched by the French artist, Theodule-Augustin Ribot. These include, "La Carte", "L'Aide de Cuisine", "Le Recette du Cuisinier", "Les Eplucheurs", "Le Mets Brule, Salon de 1863", "Le Dejeuner des Cuisiniers", "Le Dejeuner du chat", and others. A few examples of art albums created by an individual artist include, A. P. Martial's two albums of Parisian views with original etchings entitled, "Vieux Paris" and "Ancien Paris". Both albums contained a collection of one hundred etchings in each portfolio with views of famous homes, city views, streets scenes, and important monuments in Paris. The art publication entitled, "La Legende de Malborough" contained twenty one etchings by Amedee de Boret illustrating the Malborough's war verses. There were many additional works published in this manner by the Cadart firm, created and etched by such distinguished artists as, Maxime Lalanne, Jules Jacquemart, de Longueville, A. Gueyroy, and others. | |
| In 1868, Alfred Cadart initiated the publication of another series of original etchings, entitled, "L'Illustration Nouvelle" par Une 'Societe de Peintres-Graveurs, a L'Eau-Forte' (Society of Painters - Etchers) published under the partnership of 'Cadart et Luce' from 1868 to 1871, but starting with the 1872 issue, Cadart published it under his own name, 'A. Cadart', until his death in 1875. After the death of Alfred Cadart, his widow, Celonie-Sofie Cadart continued to publish "L'Illustration Nouvelle" under the name, "Vve A. Cadart" (Puis Veuve Cadart). This continued until the last issue was published in 1881). In total, there were 584 etchings commissioned for "L'Illustration Nouvelle". Like the previous series, entitled, "Eaux-Fortes Modernes", most of the etchings were printed on single pages, however, some pages contained multiple etchings, increasing the number of the combined issues to over six hundred etchings created by master etchers of the 19th century. | |
| In 1874, while "L'Illustration Nouvelle" was still in publication, Cadart began another fine series of original etchings, the first issue was entitled, "Publications A. Cadart - L'Eau-Forte en 1874" (Publications A. Cadart - Etching in 1874), published by 'A. Cadart', 58, Rue Neuve des Mathurins, 58, Paris. The second issue, L'Eau-Forte en 1875" contained a change of address (56, Boulevard Haussmann, 56, Paris). After the death of Alfred Cadart in 1875, his widow, Celonie-Sofie Cadart also continued to publish this series, but she changed the title to "Publications Vve A. Cadart - L'Eau-Forte en 1876", Vve A. Cadart, Editeur - Imprimeur (same address, but with a change of date) until the last one entitled, "Publications Vve A. Cadart - L'Eau-Forte en 1881" was published in 1881. Every issue contained thirty original etchings with the exception of the second issue which contained forty etchings, however, some pages had more than one etching printed per page, bringing the total to over two hundred and fifty etchings published in the eight issues from 1874 to 1881. "Pays Quand Meme" is the thrity third plate from this set. It is a fine, original example of the etched art of Edmond Morin commissioned for "L'Eau-Forte en 1875". According to the British Museum of Art, the firm closed in 1882. It is believed that Celonie-Sofie Cadart could no longer afford the high cost of publishing and declared bankruptcy. After the closure of the Cadart publishing house, all of the inventory was auctioned off, ending an era of more than two decades of original creative printmaking, and the publishing of some of the finest etchings of the latter part of the nineteenth century by France's foremost publisher of original etchings, and one of the principal forces behind the French etching revival, Alfred Cadart. Like all of the previous series, albums, and individual etchings published by Cadart and his firms, "Eaux-Fortes Modernes" (1862-1867), "L'Illustration Nouvelle" (1868-1881), and "L'Eau-Forte en 1874 " to "L'Eau-Forte en 1881 " left behind one of the most outstanding collections of original etchings from the last half of the 19th century. | |
| Reference: | A. Cadart, Editeur-Imprimeur, Publications A. Cadart - L'Eau-Forte en 1875, 56, Boulevard Haussmann, 56, 1875 (plate # 33). |
| Raisonne: | Henri Beraldi, Les Graveurs de XIXe Siecle, Paris, 1885, Vol. X, p. 125. |
| Size: | 9 X 6 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
| Framed & Matted with 100% Archival Materials | |
| View larger Framed Image | |
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| Buy Now | Price: $485.00 US |
| Condition: | Printed upon thin, laid paper with wide margins as printed by Delatre and published in Paris by Alfred Cadart in 1875 for "Publications A. Cadart - L'Eau-Forte en 1875". Signed "E. Morin" by the artist in the plate to the lower right. As one would expect from a proof impression this original etching is finely printed with plate tone and full tonal values and is in excellent condition throughout. Pays quand Meme ('Home all the Same') represents a prime, original example of the great art of Edmond Morin. |
| Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Etching by the French artist, Edmond Morin.
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| Pays Quand Meme (Home all the Same) |
| Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art. | |
| Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories. | |
| Century: | |
| Fine 19th Century Artist Index | The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899. |
| Country: | |
| French Artist Index | The 'French artist' directory contains a listing of original works of art created by artists from France and or art with a French theme. The artworks date from the 17th century to the 20th century. |
| Subject: | |
| Children Portrayed in Art Index | The 'Children in Art' directory contains a selection of original works of art with depictions of children. Children at play and at work and their relationships to others (particularly their mothers) are major themes. |
| Women Portrayed in Art Index | The 'Women in Art' directory contains a selection of original works of art with depictions of women in an almost infinite variety of roles, such as women as an object of beauty & desire, at work and of course, motherhood are major themes, as well as many other representations of women have emerged in the fine arts throughout the centuries. |
View other original etchings published by Alfred Cadart's publishing house & his partners.
| "Alfred Cadart", "A. Cadart & F. Chevalier", 'A. Cadart & Luquet", "Cadart et Luce", "A. Cadart", & "Vve A. Cadart" | |||||||
| # | Last Name | Artist & Title | Artist Info | Source | Date | - | |
| 01.- | Abraham | Bords de l'Oudon (Banks of the Oudon) by Tancrede Abraham | Tancrede Abraham (Vitre, 1836 - 1895) | Eaux-Fortes Modernes (plate # 31) | 1863 | ||
| 02.- | Aufray | Moulin Hollandais sur le Canal du Roi-Guillaume (Dutch Windmill on the Canal Roi-Guillaume) by Alphonse Aufray | Alphonse Edouard de Roc'Bhian Aufray 'Alphonse Aufray' (Paris, 1833 - 1886) | Eaux-Fortes Modernes (plate # 194) | 1865 | Sold | |
| 03.- | Barillot | Un Verger au Printemps (An Orchard in Springtime) by Leon Barillot | Leon Barillot (Montigny-les-Metz, 1844 - Paris, 1929) | L'Eau-Forte en 1878 (plate #19) | 1878 | Sold | |
| 04.- | Beaujoint | Vue de Varennes en Argonne (View of Varennes in Argonne) by Alphonse Beaujoint | Alphonse Beaujoint (France, Active, 1850 - 1870) | Eaux-Fortes Modernes (plate # 192) | 1865 | ||
| 05.- | Berthelemy | Entree du Port de Courseulles a Maree Basse (Entrance to the Port of Courseulles at Low Tide) by Pierre Emile Berthelemy | Pierre Emile Berthelemy (Rouen, 1818 - Bernieres-Sur-Mer, 1890) | Eaux-Fortes Modernes (plate # 121) | 1864 | ||
| 06.- | Besnus | La Mare au Drac, Champagne (The Pond at Drac, Champagne) by Amedee Besnus | Amedee Besnus (Paris, 1831 - 1909) | Eaux-Fortes Modernes (plate # 149) | 1865 | Sold | |
| 07.- | Besnus | Une Famille de Philosophes (A Family of Philosophers) by Amedee Besnus | Amedee Besnus (Paris, 1831 - 1909) | Eaux-Fortes Modernes (plate 222) | 1866 | ||
| 08.- | Borromeo | Vue Prise aux iles Borromees, Lac Majeur (View of the Borromean Islands, Lake Maggiore) by Gilberto Borromeo | Gilberto Borromeo (Milan, Italy, 1815 - 1885) | Eaux-Fortes Modernes (plate # 200) | 1865 | ||
| 09.- | Brendel | Une Bergerie (A Sheepfold) by Albert Brendel | Albert-Henrick Brendel 'Albert Brendel' (Berlin, 1827 - Weimar, 1895) | Eaux-Fortes Modernes (plate # 7) | 1862 | ||
| 10.- | Chaigneau | Le Petit Troupeau (The Little Herd) by Jean Ferdinand Chaigneau | Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) | Eaux-Fortes Modernes (plate # 91) | 1864 | Sold | |
| 11.- | Chaigneau | Moutons en Plaine, Salon de 1863 (Sheep in the Plain) by Jean Ferdinand Chaigneau | Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) | Eaux-Fortes Modernes (plate # 49) | 1863 | Sold | |
| 12.- | Chauvel | A Fleury, Seine-et-Marne (In Fleury, Seine-et-Marne) by Theophile-Narcisse Chauvel | Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) | Eaux-Fortes Modernes (plate #147) | 1865 | Sold | |
| 13.- | Chauvel | Apres la Pluie, a Vaujours (After the Rain, at Vaujours) by Theophile-Narcisse Chauvel | Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) | L'Eau-Forte en 1876 (plate # 21) | 1876 | Sold | |
| 14.- | Constantin | Fantaisies (Fantasies) by Auguste Constantin | Auguste Aristide Fernand Constantin 'Auguste Constantin' (Paris, 1824 - 1895) | Eaux-Fortes Modernes (plate 21) | 1863 | ||
| 15.- | Cossmann | Apres la Bataille (After the Battle) by Herman-Maurice Cossmann | Herman-Maurice Cossmann 'Herman Cossmann' (Berlin, 1821 - Paris, 1890) | Eaux-Fortes Modernes (plate # 221) | 1866 | ||
| 16.- | Cottin | Basse-Cour (Farmyard) by Pierre Cottin | Pierre Cottin (La Chapelle-Saint-Denis, 1823 - Paris, 1886) | Eaux-Fortes Modernes (plate # 112) | 1864 | ||
| 17.- | Dansaert | La Rentree du Pierrot (The Return of Pierrot) by Leon Dansaert | Leon-Marie-Constant Dansaert 'Leon Dansaert' (Brussels, 1830 - 1909) | Eaux-Fortes Modernes (plate # 40) | 1863 | ||
| 18.- | de Boret | Chevaliers et Sorcieres (Horsemen and Witches) by Amedee de Boret | Amedee De Boret (Jussey, France, 1837 - Raincourt, 1916) | Eaux-Fortes Modernes (plate # 218) | 1866 | ||
| 19.- | Delatre | Le Matin (Morning) 'View of a Duck Pond' by Auguste Delatre | Auguste Delatre (Paris, 1822 - 1907) | Eaux-Fortes Modernes (plate # 167) | 1865 | Sold | |
| 20.- | Duseigneur | Dans la Rue, Lyon (In the Street, Lyon) by Georges Duseigneur | Louis-Didier-Georges Duseigneur 'Georges Duseigneur' (Lyon, 1841 - Paris, 1906) | Eaux-Fortes Modernes (plate # 170) | 1865 | ||
| 21.- | Edwards | Parc a Richmond, Angleterre (Park in Richmond, England) by Edwin Edwards | Edwin Edwards (Framlingham, 1823 - London, 1879) | Eaux-Fortes Modernes (plate #122) | 1864 | ||
| 22.- | Faruffini | Le Sacrifice Egyptien d'une Vierge au Nil, Salon de 1867 (Egyptian Sacrifice of a Virgin to the Nile) by Federico Faruffini | Federico Faruffini (Milan, Italy, 1831 - Perugia, Italy, 1869) | Eaux-Fortes Modernes (plate # 281) | 1867 | Sold | |
| 23.- | Gabriel | La Petite-Venise 'Provence' (Little Venice 'Province') by Justin Gabriel | Justin Gabriel (Brignolles, 1838 - ?) | Eaux-Fortes Modernes (plate # 126) | 1864 | Sold | |
| 24.- | Gassies | Le Forgeron (The Blacksmith) by Georges Gassies | Georges Gassies (Paris, 1829 - 1919) | Eaux-Fortes Modernes (plate # 10) | 1862 | Sold | |
| 25.- | Jacquemart | Souvenirs de Voyage (Souvenirs of a Journey) (Souvenirs of a Journey) by Jules Jacquemart | Jules-Ferdinand Jacquemart 'Jules Jacquemart' (Paris, 1837 - 1880) | Eaux-Fortes Modernes (plate # 8) | 1862 | Sold | |
| 26.- | Laguillermie | Jeune Bretonne Vannant du Ble Noir au Bord de la Mer, Salon de 1874 (Young Bretonne Winnowing Buckwheat at the Seaside) by Frederic-Auguste Laguillermie | Frederic-Auguste Laguillermie (Paris 1841 - 1934) | L'Eau-Forte en 1875 (plate # 16) | 1875 | ||
| 27.- | Lancon | Un Vieux Lion (An Old Lion) by Auguste Andre Lancon | Auguste Andre Lancon 'Auguste Lancon' (Saint-Claude (Jura) 1836 - Paris, 1887) | L'Eau-Forte en 1874 (plate # 14) | 1874 | ||
| 28.- | Laurens | Canards Sauvages (Wild Ducks) by Jules Laurens | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | Eaux-Fortes Modernes (plate # 13) | 1862 | ||
| 29.- | Laurens | Sous Les Murs de Teheran, Perse (Within the Walls of Teheran, Persia) by Jules Laurens | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | Eaux-Fortes Modernes (plate # 51) | 1863 | ||
| 30.- | Laurens | Truands de Campagne (Thieves in the Countryside) by Jules Laurens | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | Eaux-Fortes Modernes (plate # 187) | 1865 | ||
| 31.- | Leconte | Une Rue a Sienne, Italie (A Street in Sienna, Italy) by Louis Leconte de Roujou | Louis Leconte de Roujou 'Louis Leconte de Roujou' (Blois, c. 1820 - 1870) | Eaux-Fortes Modernes (plate # 23) | 1863 | ||
| 32.- | L'hermitte | Interieur de Moulin a Kersaint, Finistere (Interior of a Mill in Kersaint, Finistere) by Leon-Augustin Lhermitte | Leon-Augustin L'hermitte (Mont-Saint-Pere, 1844 - Paris, 1925) | L'Eau-Forte en 1875 (plate # 22) | 1875 | Sold |
| 33.- | Lombard | Le Borriquero, Espagne (The Donkey Keeper, Spain) by Louis Lombard | Louis Lombard (Paris, 1831 - ?) | Eaux-Fortes Modernes (plate # 35) | 1863 | Sold |
| 34.- | Mery | Abeilles (Bees) by Alfred Emile Mery | Alfred Emile Mery 'Alfred Mery' (Paris, 1824 - 1896) | Eaux-Fortes Modernes (plate # 216) | 1866 | |
| 35.- | Monzies | L' Opinion du Modele (The Opinion of the Model) by Louis Monzies | Louis Monzies (Montauban, 1849 - Le Mans) | L'Eau-Forte en 1878 (plate # 16) | 1878 | |
| 36.- | Morin | Pays Quand Meme (Home all the Same) by Edmond Morin | Edmond Morin (au Havre, 1824 - Scaeux, 1882) | L'Eau-Forte en 1875 (plate # 33) | 1875 | |
| 37.- | Noterman | Les Plaideurs (The Litigants) by Zacharias Noterman | Zacharias Noterman (Ghent, 1813 - Paris, 1874) | Eaux-Fortes Modernes (plate # 42) | 1863 | |
| 38.- | Prevost | Les Remords (Remorse) by Alexandre Prevost | Alexandre Celeste Gabriel Prevost 'Alexandre Prevost' (Paris, c. 1830 - 1900) | Eaux-Fortes Modernes (plate # 258) | 1866 | |
| 39.- | Queyroy | Menhirs de Meneck by Armand Queyroy | Armand Queyroy 'Mathurin Louis Armand Queyroy' (Vendome, 1830 - 1893) | Eaux-Fortes Modernes (plate # 17) | 1862 | |
| 40.- | Ribot | La Carte, Scene Culinaire #8 (The Menu, Culinary Scene #8) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Scenes Culinaires | c. 1863-1866 | |
| 41.- | Ribot | Le Dejeuner des Cuisiniers, Scene Culinaire #5 (The Cooks' Lunch, Culinary Scene # 5) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Scenes Culinaires | c. 1863-1866 | |
| 42.- | Ribot | Le Mets Brule, Salon de 1863 (The Burnt Meal) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Eaux-Fortes Modernes (plate # 58) | 1863 | |
| 43.- | Ribot | Le Recette du Cuisinier (The Cook's Recipe) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | L'Eau-Forte en 1878 (plate # 25) | 1877 | |
| 44.- | Ribot | Les Eplucheurs (The Peelers) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Eaux-Fortes Modernes (plate # 25) | 1863 | |
| 45.- | Ribot | M. A. Cadart, Fondateur de la Societe des Aqua-Fortistes (Alfred Cadart, Founder of the Society of Etchers) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Eaux-Fortes Modernes (plate # 99) | 1864 | Sold |
| 46.- | Roybet | En Retard Pour La Fete (Late for the Fair) by Ferdinand Roybet | Ferdinand Roybet (Uzes, 1840 - Paris, 1920) | Eaux-Fortes Modernes (plate # 148) | 1865 | Sold |
| 47.- | Roybet | Le Repos, 'Fanueses au Repos' (Rest, 'Haymakers Resting') by Ferdinand Roybet | Ferdinand Roybet (Uzes, 1840 - Paris, 1920) | Eaux-Fortes Modernes (plate # 214) | 1866 | Sold |
| 48.- | Rudaux | Il M'aime Un Peu, Beaucoup? (He Loves Me, Loves Me Not?) by Edmond Adolphe Rudaux | Edmond Adolphe Rudaux 'Edmond Rudaux' (Verdun, 1840 - Paris, 1914) | L'Eau-Forte en 1881 (plate # 4) | 1881 | Sold |
| 49.- | Sege | Moulins dans le Pas-de-Calais (Windmills in the Pas-de-Calais) by Alexandre Sege | Alexandre Sege (Paris, 1818 - Coubron (Seine-et-Oise), 1885) | Eaux-Fortes Modernes (plate #181) | 1865 | |
| 50.- | Smits | La Lettre (The Letter) by Eugene Smits | Eugene Joseph Henri Smits 'Eugene Smits' (Antwerp, 1826 - Brussels, 1912) | Eaux-Fortes Modernes (plate # 232) | 1866 | Sold |
| 51.- | Snell | Lillebonne en 1848 by George Snell | George Snell (United States, 1820 - 1893) | Eaux-Fortes Modernes (plate # 240) | 1866 | |
| 52.- | Taiee | Notre St. Ouen d'avant la guerre by Alfred Taiee | Alfred Taiee (Paris, 1820 - ?) | L'Illustration Nouvelle (plate # 205) | 1873 | |
| 53.- | Taiee | Rose Tremiere (Alcea Rosea, Hollyhock) by Alfred Taiee | Alfred Taiee (Paris, 1820 - ?) | Eaux-Fortes Modernes (plate # 249) | 1866 | |
| 54.- | Ulm | Brant Decouvrant le Phosphore (Brandt Discovering Phosphorus) by Emile Ulm | Emile Ulm (Rochefort, 1829 - Paris, 1892) | Eaux-Fortes Modernes (plate # 137) | 1864 | Sold |
| 55.- | Valentin | Un Ouvrier de Sevres (A Worker from Sevres) by Henry Augustin Valentin | Henry Augustin Valentin 'Henry Valentin' (Yvetot 'Seine-Inferieure', 1822 - c. 1883) | Eaux-Fortes Modernes (plate # 70) | 1863 | |
| 56.- | Vernier | Rue Saint-Nicolas, Blois by Emile Louis Vernier | Emile Louis Vernier 'Emile Vernier' (Lons-le-Saulnier, (Jura) 1829 - Paris, 1887) | Eaux-Fortes Modernes (plate # 32) | 1863 | |
| 57.- | Villevieille | En Picardie (In Picardy) by Leon Villevieille | Leon Villevieille (Paris, 1826 - 1863) | Eaux-Fortes Modernes (plate # 87) | 1864 | Sold |
| 58.- | Von Heyden | Juifs Polonais, paysans et mineurs se la Haute-Silesie a l'embarcadere d'une mine (Polish Jews, peasants and miners from Haute-Silesie at the mine pier) by August Von Heyden | August Jakob Theodor Von Heyden 'August Von Heyden' (Breslau, 1827 - Berlin, 1897) | Eaux-Fortes Modernes (plate # 33) | 1863 | Sold |
| 59.- | Weber | Souvenir de Normandie (Souvenir of Normandie) by Otto Weber | Otto Weber (Berlin, 1832 - London, 1888) | Eaux-Fortes Modernes (plate # 53) | 1863 | Sold |
| 60.- | Weber | Un Pardon Breton, pres le Faouet, Morbihan (A Breton Pilgrimage, near Le Faouet, Morbihan) by Otto Weber | Otto Weber (Berlin, 1832 - London, 1888) | Eaux-Fortes Modernes (plate # 84) | 1864 | |
| 61.- | Zaleski | Lecon de Lecture a Orenbourg (A Reading Lesson in Orenburg) by Bronislaw Zaleski | Bronislaw Zaleski (Raczkiewicze, Poland, 1819 - Menton, France, 1880) | Eaux-Fortes Modernes (plate # 207) | 1866 |
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