Title: |
Angelica and Medoro |
Artist: |
Morghen, Raphael (Florence, 1758 - 1833) |
Designer: |
Matteini, Theodorus |
Date: |
1795 |
Medium: |
Original Engraving |
Note: |
Raphael Morghen: One of the greatest engravers of
the late eighteenth and early nineteenth centuries, Raphael Morghen first
received instruction from his father, Filippo Morghen (1730-1777), who
himself was an accomplished engraver of mythological subjects and portraits.
Filippo Morghen was quick to recognize the remarkable talents of his son
and sent him to Rome to complete his studies under Volpato. Raphael Morghen
published his first engraving at the tender age of twelve. By the age
of twenty he had established himself as one of the leading engravers of
Europe and received numerous commissions for his beautiful portraits and
mythological and religious images. |
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During his career, Raphael Morghen both lived and worked in Naples,
Rome and in Florence. In total he executed over two hundred and fifty-two
original engravings after the art of such masters as Raphael, Titian,
Bronzino, Correggio and Matteini. He was a member of Italy's most prestigious
academies and of the French Institute. Morghen was also appointed the
principle Professor of the Academy at Florence by the Grand Duke Ferdinand
III (1793). From this position he influenced an entire generation of early
nineteenth century engravers. |
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One of Raphael Morghen's greatest technical accomplishments was
his brilliant and painstaking use of intersected lines and cross hatchings
to build areas of tonal values. This is clearly in evidence in Angelica
and Medoro, one of his greatest masterpieces. The textural values
created within this powerful engraving are simply without equal. |
|
Angelica and Medoro: The story of Angelica and
Medoro constitutes one of the major themes in Ariosto's epic Renaissance
poem, Orlando Furioso. This famous poem deals with the struggles between
the Saracens and Christians at the time of Charlemagne. The Christian
champion, Orlando, brings Angelica, the Queen of Cathay, to Charlemagne's
court. Her intense beauty and rebellious spirit, however, creates dissension
among the knights and nobles. The Christian rulers (particularly Orlando)
are eventually outraged when they learn she has married the Saracen champion,
Medoro. War and misadventure follow. The scene depicted in this original
engraving is the lovers, Angelica and Medoro, pledging their matrimony
by carving their dedication on the tree. |
Size: |
19 3/4 X 15 1/2 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
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View larger Framed Image |
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Condition: |
Printed upon late eighteenth century laid paper and with
wide, full margins as published in Rome in 1795. Slight foxing and staining
exists in the outer margins, else a superb, early impression and in excellent
condition throughout. Angelica and Medoro represents a prime example
of the famous engraved art of Raphael Morghen. |
Price: |
Sold - The price is no longer available. |
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