Thomas Moran

View other original works of art published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review".

"The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art" (Nov. 1879 to Oct. 1881)
#	Image	Title & Etcher	Artist Info	Medium	Date	-
01.-		A Village Street in France by Joseph Foxcroft Cole	Joseph Foxcroft Cole 'J. F. Cole' (Jay, Maine, 1837 - Winchester, Mass., 1892)	Original Etching	1879 (1st Ed: 1880)	Sold
02.-		A Young Republican by John Ames Mitchell	John Ames Mitchell 'John Mitchell' (New York, 1845 - Ridgefield, Connecticut, 1918)	Original Etching	1881	Sold
03.-		Coal Pockets at New Bedford, Massachusetts by Robert Swain Gifford	Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905)	Original Etching	1879	Sold
04.-		Devil's Way, Algiers by Stephen James Ferris 'Stephen Ferris'	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1879
05.-		Divination in Tea Leaves by Alfred Laurens Brennan	Alfred Laurens Brennan 'Alfred Brennan' (Louisville, Kentucky, 1853 - Brooklyn, New York, 1921)	Original Etching	1879
06.-		Durham, England by Samuel Colman	Samuel Colman (Portland, Maine, 1832 - New York City, 1920)	Original Etching	1880
07.-		Lady of Cairo Visiting by James David Smillie after Frederick Arthur Bridgman	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1881
08.-		Leukothea (Leucothea) Appears to Odysseus by Hans Meyer after Friedrich Johann Christian Ernst Preller	Hans Meyer (Berlin, 1846 - 1919)	Original Etching and Aquatint	1881
09.-		Mill Pond at Windsor Connecticutt by Albert Fitch Bellows	Albert Fitch Bellows 'Albert Bellows' (Milford, Massachusetts, 1829 - New York, 1883)	Original Etching	1879	Sold
10.-		Moonlight on the Androscoggin by John Henry Hill	John Henry Hill 'John Hill' (West Nyack, New York, 1839 - 1922)	Original Etching and Aquatint	1880	Sold
11.-		Mrs. Philip Nicklin by Stephen James Ferris 'Stephen Ferris' after Gilbert Stuart.	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1879
12.-		Near Mattakeesett by Edmund Henry Garrett	Edmund Henry Garrett 'Edmund Garrett' (Albany, New York, 1853 - Nedham, Massachusetts, 1929)	Original Etching	1881
13.-		Negro Huts at Wilmington, North Carolina by John Mackie Falconer	John Mackie Falconer 'John Falconer' (Edinburgh, Scotland, 1820 - Brooklyn, N.Y., 1903)	Original Etching	1880	Sold
14.-		November by Stephen Parrish	Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938)	Original Etching	1880	Sold
15.-		Old Boat House, Gloucester, Massachusetts by Charles Adams Platt	Charles Adams Platt 'Charles Platt' (New York City, 1861 - 1933)	Original Etching	1881	Sold
16.-		Old Cedars, Coast of Maine by James David Smillie	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1880	Sold
17.-		On New York Bay by Henry Farrer	Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903)	Original Etching	1879	Sold
18.-		On the Housatonic by Hendrik Dirk Kruseman Van Elten	Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904)	Original Etching	1881	Sold
19.-		On the Shepang River, Connecticut by Hendrik Dirk Kruseman Van Elten	Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904)	Original Etching	1880	Sold
20.-		Passaic Meadows (In The Newark Meadows) by Thomas Moran	Thomas Moran (Bolton, England, 1837 - Santa Barbara, Ca, 1926)	Original Etching	1880
21.-		Pond at Cernay-La-Ville by Eliza Pratt Greatorex	Eliza Pratt Greatorex 'Eliza Greatorex' (Manor Hamilton, Ireland, 1820 - Paris, 1897)	Original Etching	1880	Sold
22.-		Portrait of Mrs. J. Coleman Drayton by Stephen James Ferris 'Stephen Ferris' after Daniel Huntington	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1881
23.-		Portrait of Sir Gilbert Scott by Anna Lea Merritt after George Richmond	Anna Lea Merritt (Philadelphia, 1844 - Hampshire, England, 1930)	Original Etching and Aquatint	1880
24.-		Schwabelweiss by Otto Henry Bacher	Otto Henry Bacher 'Otto Bacher' (Cleveland, 1856 - Bronxville, Ny., 1909)	Original Etching	1879	Sold
25.-		Summer by Ignaz Marcel Gaugengigl	Ignaz Marcel Gaugengigl 'Ignaz Gaugengigl' (Passau, Bavaria, 1855 - Boston, 1932)	Original Etching	1880
26.-		Sunset, Gowanus Bay by Henry Farrer	Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903)	Original Etching	1880	Sold
27.-		The Mermaid by Frederick Stuart Church	Frederick Stuart Church 'F. S. Church' (Grand Rapids, Michigan, 1842 - New York, 1924)	Original Etching and Aquatint	1880	Sold
28.-		The Noonday Rest by Peter Moran	Peter Moran (Bolton, England, 1841 - Philadelphia, Pa, 1914)	Original Etching	1877 (1st Ed: 1880)
29.-		The Old Clothes Dealer, Cairo by Stephen James Ferris 'Stephen Ferris' after Jean-Leon Gerome	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1880
30.-		The Path by The Shore by Robert Swain Gifford	Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905)	Original Etching	1879	Sold
31.-		Up The Hill by James David Smillie	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1879	Sold

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Title:	Passaic Meadows (In The Newark Meadows)
Artist:	Moran, Thomas (Bolton, England, 1837 - Santa Barbara, CA, 1926)
Date:	1880
Medium:	Original Etching
Publisher:	Dana Estes and Charles E. Lauriat, Boston
Source:	The American Art Review
Note:	Thomas Moran: Now considered the greatest master of the American etching revival, Thomas Moran immigrated with his family to Maryland at the age of seven. He was apprenticed to the Philadelphia wood engraving firm of Scattergood and Telfer, working there from 1853 to 1855. During this time he taught himself to paint in both water colors and oils.
	In 1862 Thomas Moran went to England in the company of his brother, Edward Moran, a marine painter. There they studied the art of such masters as J. M. W. Turner and Claude Lorrain. Turner, in particular, had a long lasting effect on Moran's art. Thomas Moran settled permanently in New York in 1872 and spent his summers at his country home in East Hampton, Long Island.
	The art of Thomas Moran first received widespread attention as a result of his 1871 trip to the Yellowstone region with the U.S. Geological and Geographical Survey of the Territories. His spectacular art from this expedition was exhibited in Washington DC and directly influenced Congress to establish Yellowstone National Park. Thomas Moran made a further trip to the territory of Wyoming in 1879. One of Wyoming's greatest landmarks, Mount Moran, is named after him.
	Thomas Moran was elected an Academician of the National Academy of Design in 1884. He was also a member of the Pennsylvania Academy of Fine Arts, the Artists' Fund Society, the American Water Color Society, the New York Etching Club and the Society of American Etchers. His paintings and etchings are housed in most major American museums.
	Thomas Moran made his first original etching in 1856. He took up etching again in 1878 and during the following decade produced almost one hundred valuable works of art in this medium. Etched from nature, Passaic Meadows (In The Newark Meadows) was situated close to his summer house in Long Island.
	The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art: Inspired by the European etched art of James McNeill Whistler, Charles Meryon, Sir Francis Seymour Haden and others, a large number of American artists became seriously interested in the art of etching by 1875. A primary catalyst to the etching revival in America was the journal, American Art Review (1879-1881). Founded and edited by Sylvester Rosa Koehler it commissioned American artists for original etchings. Contributing etchers included such famous artists as Thomas Moran, Peter Moran, Otto Bacher, J. M. Falconer, Robert Swain Gifford, Henry Farrer, Samuel Colman, John Foxcroft Cole and James D. Smillie.
	Due mostly to its lavish production costs the journal lasted only slightly over two years. The finely printed etchings it produced, however, served as a cornerstone for the many great American etchings of the early twentieth century.
Size:	5 3/4 X 8 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $595.00 US
Condition:	Passaic Meadows (In The Newark Meadows) is printed upon fine hand made, laid paper and with full margins as published by Dana Estes and Charles E. Lauriat, Boston for The American Art Review in 1880. Signed with Moran's distinctive monogramme in the lower right corner of the plate. A splendidly printed, tonal impression and in excellent condition throughout. This original etching stands as a prime example of the nineteenth century American art of Thomas Moran.
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Thomas Moran (Bolton, England, 1837 - Santa Barbara, California, 1926)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		A Southerly Wind and a Cloudy Sky Proclaim it a Hunting Morning by Thomas Moran	Original Etching	c. 1882	Signed with Thomas Moran's distinctive monogramme in the lower right corner of the plate.
02.-		A Storm in the Mountains by Thomas Moran published for The Aldine, The Art Journal of America	Original Wood Engraving	1875	Signed with Thomas Moran's distinctive monogramme in the lower left corner within the image.
03.-		Lake George by Thomas Moran designed by John Frederick Kensett	Original Etching	1887	Signed with Thomas Moran's distinctive monogramme in the lower right corner of the plate.	Sold
04.-		Passaic Meadows (In The Newark Meadows) by Thomas Moran	Original Etching	1880	Signed with Thomas Moran's distinctive monogramme in the lower right corner of the plate.

Passaic Meadows (In The Newark Meadows)