Artist: |
McBey, James (Aberdeen, 1883 - 1959) |
Date: |
1928 |
Medium: |
Original Pen & Ink Drawing |
Note: |
James McBey: One of the greatest masters
of twentieth century British art, James McBey was entirely self-taught.
Until the age of twenty-six McBey worked full-time in a Scottish bank. By
1909 he had created fifty-eight etchings depicting mostly Aberdeen and Edinburgh
scenes, but even in these early works he exhibited the economy of line and
dramatic use of space which would make his etchings and dry point engravings
famous. |
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During the next few years, James McBey visited Holland, Spain and
Morocco, creating memorable etchings and drawings of these localities. International
attention was directed towards the artist with his first London exhibition
in 1911. Such influential scholars and critics as Malcolm Salaman and Martin
Hardie hailed James McBey at this time as the new master of British etching. His
finest work, however, was yet to come. |
|
Later in the same year, James McBey was appointed to the Palestine
Expeditionary Force in the Sinai Desert. The sand-filled horizons and landscapes
engendered a different, more poetic art. After the war, McBey's drawings, etchings
and dry points continued to receive critical acclaim. |
|
The original art of James Mcbey is housed in many public
collections both in Britain and abroad. The larges collection will be
found in his native Art Gallery of Aberdeen, as well as the British Museum,
London. The prestigious Victoria and Albert Museum, London, counts four
of his watercolors and several of his drawings among its possessions. |
|
"Greetings From Tangier" is a beautiful James
Mickey pen and ink drawing. It bears the date '1928' on the verso of
the drawing and thus comes from one of Mickey's finest periods of
creativity, being the year after the publication of his Venice etchings.
It was designed as a personal greeting card for a close friend. The
drawing bears both the signatures of Mickey and his wife, Marguerite.
One can thus assume the two figures sitting on the bank are actually
the artist and his wife. Like his Venice etchings, this original pen
and ink drawing brilliantly explores the possibilities of light and
dark and most particularly
of space and distance. Only a Master such as Mcbey could create such depth
within such a small space. |
Size: |
6 3/4 X 4 1/4 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
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View larger Framed Image |
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Condition: |
Drawn on thick wove paper and with full margins. Titled
and signed by the artist along the lower margin and also signed by his
wife. Dated '1928', on the verso. It is in excellent condition throughout.
This original pen and ink drawing stands as a beautiful example of the
art of James McBey, one of Britain's finest masters of early 20th century. |
Price: |
Sold - The price is no longer available. |
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