Title: |
Snatch Block |
Artist: |
Mackley, George (Tonbridge, Kent, 1900 - 1983) |
Date: |
1968 |
Medium: |
Original Wood Engraving |
Publisher: |
The Two-Horse Press, London |
Note: |
"Mackley is one of three engravers who have achieved
extreme fineness of line and texture and, as with Agnes Miller Parker in
particular and Blair Hughes-Stanton, the fineness of linear closeness often
confuses the human optical system. ... It is in the work of engravers like
Mackley that one can experience the shimmering, silvery greys that are
often found in modern Russian engraving. Mackley is possibly our finest
exponent of these greys and they are evenly distributed through his compositions." * |
|
George Mackley was educated at the Judd School, Tonbridge
and trained as an art teacher at Goldsmith's College, London, from 1918
to 1921. Much of his long career as a teacher was dedicated to devising
special art courses for talented children. |
|
As an artist, George Mackley devoted much of his early work to the
art of etching. Around 1930, however, a chance meeting with Noel Rooke
converted Mackley to wood engraving. Mackley took some basic instructions
from Rooke and carefully studied the works of other great contemporary
wood engravers such as, Agnes Miller Parker, Blair Hughes Stanton, Robert
Gibbings and Joan Hassall. "He became a superb craftsman, finding
the medium capable of a precision which suited the subjects he preferred
-- boats, bridges, architecture, plants." ** By the 1940's George
Mackley had emerged as one of England's greatest wood engravers and an
undisputed master of creating textures and a fineness of line. |
|
George Mackley was a full member of the Society of Wood Engravers
(1948) and of the Art Workers' Guild (1959). He was elected an Associate
of the Royal Society of Painter-Etchers and Engravers in 1950 and a Fellow
in 1961. Finally, in 1983, he was awarded the M.B.E. Major collections
of George Mackley's wood engraved art are found in England at the Ashmolean and
Fitzwilliam museums. |
|
In 1968 The Two-Horse Press published an important portfolio
entitled, Engraved in the Wood, A Collection of Wood Engravings by
George Mackley. To accompany the text of Rauri McLean and Armida Maria-Theresa
Colt, Mackley contributed sixty-eight of his wood engraving blocks which
were printed in editions of three hundred on individual sheets of laid
paper bearing the T H Saunders watermark and loosely inserted into the
portfolio. Each of these original wood engravings bears a number and the
title of the work under the image. Snatch Block was originally printed
by Mackley in a small edition of twenty signed impressions before the 1968
edition. |
Reference: |
* Albert Garrett, A History of Wood Engraving, Bloomsbury
Books, London, 1978, p. 223. |
|
** Alan Horne, The Dictionary of 20th Century British
Book Illustrators, Antique Collectors' Club, Woodbridge, Suffolk, 1994, p. 306. |
Edition: |
Limited edition of three hundred impressions |
Size: |
3 1/4 X 5 (Sizes in inches are approximate, height
preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
Buy Now |
Price: $195.00 US |
Condition: |
Printed upon smooth rag paper with the T H Saunders watermark
to the upper right and with full, deckled margins as printed and published
in 1968 in the limited edition of three hundred. Bearing the title and
publisher's number along the lower margin. A superbly printed impression
and in fine condition throughout. Snatch Block stands as a prime, original
example of the famous art of George Mackley, one of Britain's master wood
engravers. |
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