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| An original etching and aquatint by George Robert Lewis and Frederick Christian Lewis, Polyphemus,'In His Majesty's Collection' is based upon a drawing by Claude Lorrain (Claude Gellee), housed in the Royal Collection, Windsor. It is printed upon early 19th century wove paper as engraved by the Lewis brothers, G. R. Lewis and F. C. Lewis in 1807 for John Chamberlaine's, Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools, and bears the text; "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engd by F. C. & G. Lewis". It is one of the largest plates from this set; so large, in fact, that the words -- "In His Majesty's Collection" -- had to be pasted into the lower margin to accommodate the uniform size of the paper for each of the engravings. A one-eyed giant (Cyclops), Polyphemus lived on the island of Sicily. He is best known as the monster who captured Ulysses and twelve of his men. After devouring six of the captives, Ulysses and the other survivors managed to blind the giant and escape. As well, Polyphemus was in love with the sea nymph, Galatea. She, in turn, was in love with a shepherd named Acis. In this original etching and aquatint we see these lovers depicted in the hilly, Sicilian landscape, Galatea and Acis sit on the rocks at the foot of the hill and embrace under the shade of a cloak, while Polyphemus plays his pipes above them. Claude Lorraine also depicts a view of Mount Aetna and a bay with ships in the distance. Claude Lorrain's Polyphemus is a fine, original example of the etched landscape art created by the British artists, George Robert Lewis and Frederick Christian Lewis. |
| Title: | Polyphemus, 'In His Majesty's Collection' (A One-Eyed Giant 'A Cyclops') |
| Engraver: | Lewis, George Robert (London, 1782 - 1871) |
| Engraver: | Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) |
| Designer: | Gellee, Claude 'Claude Lorrain' (Champagne (Lorrain), c. 1604 - Rome, 1682) |
| Date: | 1807 |
| Medium: | Original Etching and Aquatint |
| Publisher: | John Chamberlaine, London |
| Note: | George Robert Lewis 'G. R. Lewis': The younger brother of Frederick Christian Lewis, George Robert Lewis studied at the Royal Academy, under Henry Fuseli. He was equally known for his engravings and paintings and he exhibited annually at the Royal Academy from 1820 to 1859. G. R. Lewis first worked with his elder brother before making his mark as both an illustrator and publisher. His illustrated works include Muscles of the Human Frame (1820), Illustrations of Kilpeck Church (1842), Early Fonts of England (1843) and Description of Shobdon Church (1856). Also, George Robert Lewis was commissioned by John Chamberlaine to engrave several portrait and landscape scenes for the series of original engravings based upon the designs of other old masters, such as, Raphael, Michelangelo, Claude Lorrain, Poussin, Canaletto and others. Polyphemus, the story of a one-eyed giant 'A Cyclops' is a striking landscape scene created by both G. R. Lewis and F. C. Lewis, based upon a drawing created by Claude Lorrain. |
| Frederick Christian Lewis 'F. C. Lewis': An eminent early nineteenth century painter, etcher, aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler and studied at the Royal Academy Schools. He first gained notice in 1803 with his aquatints after Thomas Girtin’s designs and published under the title of, Twenty of the most Picturesque Views in Paris and its Environs. Then, from 1808 to 1823, he became one of the principal engravers for William Ottley’s famous volumes on Renaissance art, The Italian School of Design. Lewis also contributed etchings for J.M.W. Turner’s, Liber Studiorum , as well as creating commissioned engravings after the designs of Landseer and Flaxman. | |
| During his successful career, Frederick Christian Lewis exhibited his art at the Royal Academy (1802-1853), the British Institution (1817-1853), the Society of British Artists (1824-1846) and at the Old Water-Colour Society. He was also Engraver of Drawings to King George IV, King William IV and Queen Victoria. | |
| F. C. Lewis was a greatly skilled and versatile printmaker. His abilities to render painting and drawing techniques into the etched medium, in particular, set his art on a high plane. His contributions (from approximately 1805 to 1812) to Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools are particularly noteworthy. Aquatints, stipple engravings, etchings and soft grounds bearing his name are all found within this set. Polyphemus bears the names of both F. C. Lewis and G. R. Lewis. | |
| Claude Lorrain (Claude Gellee): Undoubtedly Claude Gellee, also listed as Claude Lorrain ranks as one of the greatest masters of landscape art. He moved to Rome at about the age of twelve and first trained as a pastry-cook in the household of the artist, Agostino Tassi. Claude Lorrain then became his studio assistant and completed his studies in Naples, under Gottfried Wals | |
| Claude’s early paintings and drawings reflect the dominant Mannerist style of mid seventeenth century Italian art. Beginning around 1640, however, he began to develop his now famous style were the pastoral serenity and the antique grandeur of the Roman countryside is paramount, such is the case with this Sicilian landscape scene entitled, Polyphemus. Nowhere was his influence more deeply felt than in England where such great artists as Wilson and J. M. W. Turner modeled much of their art upon his work. | |
| Polyphemus, 'In His Majesty's Collection' (A One-Eyed Giant 'A Cyclops'): An original etching and aquatint by George Robert Lewis and Frederick Christian Lewis, Polyphemus,'In His Majesty's Collection' is based upon a drawing by Claude Lorrain (Claude Gellee), housed in the Royal Collection, Windsor. It was commissioned by John Chamberlaine for the series entitled Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools, and bears the text; "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engd by F. C. & G. Lewis" as engraved by the Lewis brothers, G. R. Lewis and F. C. Lewis in 1807. It is one of the largest plates from this set; so large, in fact, that the words -- "In His Majesty's Collection" -- had to be pasted into the lower margin to accommodate the uniform size of the paper for each of the engravings. Claude Lorrain's Polyphemus is a fine, original example of the etched landscape art created by the British artists, George Robert Lewis and Frederick Christian Lewis. | |
| A one-eyed giant (Cyclops), Polyphemus lived on the island of Sicily. He is best known as the monster who captured Ulysses and twelve of his men. After devouring six of the captives, Ulysses and the other survivors managed to blind the giant and escape. As well, Polyphemus was in love with the sea nymph, Galatea. She, in turn, was in love with a shepherd named Acis. In this original etching and aquatint we see these lovers depicted in the hilly, Sicilian landscape, Galatea and Acis sit on the rocks at the foot of the hill and embrace under the shade of a cloak, while Polyphemus plays his pipes above them. Claude Lorraine also depicts a view of Mount Aetna and a bay with ships in the distance. The scene depicted here deals with the same subject as Richard Earlom's mezzotint engraving (No. 141), based upon an original drawing by Claude Lorraine created in 1796, in the collection of the Duke of Devonshire, and described as "A View of the Sea, with Rocks by the Side, with the Story of Acis and Galatea". However, the mezzotint is clearly different, and shows a wider and closer view of the sea which separates the hill where Polyphemus appears. It depicts a full view of the trees to the left (two intertwined trees and part of a third), all visible structures are too far to distinguish, and unlike this work, the mezzotint depicts cupid sleeping under the shade of a makeshift tent with the lovers. | |
| John Chamberlaine (British, c. 1745 - 1812): In February, 1791, John Chamberlaine was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty’s Collection, Chamberlaine’s greatest achievement was to publish engravings and etchings based upon these famous old master acquisitions. Between March, 1792 and February, 1800, John Chamberlaine published eighty-four stipple engravings based upon Holbein’s portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, ‘Historical Engraver to his Majesty’. | |
| In 1796, John Chamberlaine initiated another important set of engravings based upon drawings in the Royal Collection, entitled, Imitations of Original Designs by Leonardo da Vinci. The engravers for this series were Francesco Bartolozzi and his followers. The following year Chamberlaine began his final set under the title of, Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty’s Collection. In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael 'Raffaello Santi', Michelangelo di Lodovico Buonaroti, Claude Lorrain, Nicolas Poussin, Leonardo da Vinci, Giovanni Antonio Canal 'Canaletto' and other major artist. For this opus, John Chamberlaine commissioned such leading engravers as Francesco Bartolozzi (1727 - 1815), Luigi Schiavonetti (1765 - 1810), Frederick Christian Lewis (1779 - 1856), Peltro William Tomkins (1760 - 1840) and others to worked upon this project. | |
| The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci" and the 1797 Engravings from the "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty’s Collection", were both completed in 1812. At this point John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Taking eighteen years to complete, the entire series consisted of sixty-six plates, with the exception of a few sets which contained additional plates (not listed in the index), and bearing the publication date of 1795 or 1796. In order to simulate varying drawing methods, the artists used a wide ranging array of printmaking techniques such as stippling, soft ground etching and aquatinting, often employing either separately printed color plates or hand-coloring. As a result, some of the most complex and technically accomplished etchings and engravings of the late eighteenth and early nineteenth centuries are found within this scarce and monumental collection. | |
| Size: | 14 1/2 X 19 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
| Matted with 100% Archival Materials | |
| Buy Now | Price: $795.00 US |
| Condition: | Printed upon early 19th century wove paper as engraved by the Lewis brothers, G. R. Lewis and F. C. Lewis in 1807 for John Chamberlaine's, Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools, and bears the text; "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engd by F. C. & G. Lewis". It is one of the largest plates from this set; so large, in fact, that the words -- "In His Majesty's Collection" -- had to be pasted into the lower margin to accommodate the uniform size of the paper for each of the engravings. A beautifully printed impression with full tonal values in sepia and in excellent condition throughout. Claude Lorrain's Polyphemus, 'In His Majesty's Collection' (A One-Eyed Giant 'A Cyclops') represents a fine, original example of the etched art of Frederick Christian and George Robert Lewis. |
| Subject: | George Robert Lewis, G. R. Lewis, Frederick Christian Lewis, F. C. Lewis, Claude Lorrain (Claude Gellee), Polyphemus, 'In His Majesty's Collection' (A One-Eyed Giant 'Cyclops'), original aquatint and etching, Ulysses, Galatea, Acis, Sicilian landscape. |
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Original Etching and Aquatint by George Robert Lewis & Frederick Christian Lewis after Claude Gellee 'Claude Lorrain'
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| Polyphemus, 'In His Majesty's Collection' (A One-Eyed Giant 'A Cyclops'), from the set published by John Chamberlaine under the general title, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". |
View other Original Works of art by George Robert Lewis (G. R. Lewis).
| George Robert Lewis (London, 1782 - 1871) | |||||
| # | Image | Title & Artists | Medium | Date | Publisher |
| 01.- |  |
Polyphemus, 'In His Majesty's Collection' (A One-Eyed Giant 'A Cyclops') by George Robert Lewis (G. R. Lewis) based upon a design by Claude Lorrain (Claude Gellee). | Original Etching and Aquatint | c. 1810 | John Chamberlaine, London, inscribed; "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engd by F. C. & G. Lewis". |
| 02.- |  |
The Holy Family by George Robert Lewis (G. R. Lewis) based upon a design by Fra. Bartolommeo also known as 'Baccio della Porta and Bartolomeo'. | Original Soft Ground Etching | 1818 (1823 Edition) | Taylor and Hessey, 13, Waterloo Place, and 93, Fleet-Street, London, Inscribed below the image:"The Holy Family", "Fra. Bartolommeo.", Pub.d. May 1 1818. by W. Y. Ottley, Kensington" |
| 03- |  |
The Landing of Aeneas (The hero of Virgil's Aeneid, Aeneas was the son of Anchises and Aphrodite), by the brothers, George Robert Lewis (R. G. Lewis), and Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). | Original Etching and Aquatint | 1807 | John Chamberlaine, London, inscribed; "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. & G. Lewis", "In His Majesty's Collection", and numbered, "PL. IV" |
View other Original Works of art by Frederick Christian Lewis.
| Frederick Christian Lewis 'F. C. Lewis' (London, 1779 - 1856) | ||||||||
| # | Image | Title & Artists | Medium | Date | Engraver | Designer | Notes | - |
| 01.- |  |
Augusta Fane, Countess of Lonsdale by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | |
| 02.- |  |
Arches (Architectural View of a Capriccio from the Forum of Augustus in Rome), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Giovanni Antonio Canal (Canaletto). | Original Aquatint and Etching | 1811 | F. C. Lewis | Giovanni Antonio Canal (Canaletto) | John Chamberlaine, London, inscribed, "Canaletti delt.", "F. C. Lewis fc.", "In His Majesty's Collection", and the publication line, "Published April 17 1811. by J. Chamberlaine Scotland Yard.", and numbered, "Pl. LXVI". | |
| 03.- |  |
Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Nocolas Poussin. | Original Aquatint Engraving | c. 1809 | F. C. Lewis | Nocolas Poussin | John Chamberlaine, London, inscribed, "From the Original Drawing by N. Poussin.", "Engraved by Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London", and numbered, "Pl. XLII". | |
| 04.- |  |
Grand Study of Trees (A Pastoral Scene with Dancing Figures), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). | Original Etching and Aquatint | 1807 | F. C. Lewis | Claude Lorrain | John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. Lewis", "In His Majesty's Collection". | |
| 05.- |  |
Leda and the Swan (Greek mythology: Zeus came to Leda in the form of a swan), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. | Original Etching | 1809 | F. C. Lewis | Raffaello Santi, 'Raphael' | John Chamberlaine, London, inscribed,"From the Original Drawing by Raphaello di Urbino.", "F. Lewis sc.", "In His Majesty's Collection", and the publication line, "Pub. Feby. 7. 1809, by I. Chamberlaine, Scotland Yard.", and numbered, "Pl. XLVI". | Sold |
| 06.- |  |
Pharaoh (Moses and the Israelites Pass Through the Red Sea), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee) | Original Etching & Aquatint with Hand Coloring | 1809 | F. C. Lewis | Claude Lorrain | John Chamberlaine, London, inscribed, "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engrav’d by F. C. Lewis", and the publication line, "Published Jany. 1809, by J Chamberlaine, London", and numbered, "XLVIII". | |
| 07.- | |
Polyphemus (A One-Eyed Giant 'A Cyclops), by the brothers, George Robert Lewis (R. G. Lewis), and Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). | Original Etching and Aquatint | 1807 | F. C. Lewis G. Lewis |
Claude Lorrain | John Chamberlaine, London, inscribed, "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engd by F. C. & G. Lewis". | |
| 08.- |  |
Portrait of Henry Bloxam as Child by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | |
| 09.- |  |
Portrait of Miss Mary Bloxam as a Young Lady by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | |
| 10.- |  |
Portrait of Richard Roland Bloxam as a Child by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | |
| 11.- |  |
Sibyl (Sibyl, The Prophetess or The Goddess of Poetry), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. | Original Soft Ground Etching | 1809 | F. C. Lewis | Raffaello Santi, 'Raphael' | John Chamberlaine, London, inscribed, "From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sc.", "In His Majesty's Collection", and the publication line, "Pubd. Feby. 7. 1809 by I. Chamberlaine Scotland Yard."; with the watermark, "Edmeads & Pine, 1809", and numbered, "Pl. XLIII" | Sold |
| 12.- |  |
Study For Part of The Celebrated Fresco, The Heliodorus in The Vatican by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. | Original Soft Ground Etching | 1818 | F. C. Lewis | Raffaello Santi, 'Raphael' | William Young Ottley, London, Italian School of Design, bearing the full title, artist names, and publication line. | Sold |
| 13.- |  |
Temple of Apollo (Kotylion Mountain, Bassae, Greece), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). | Original Etching with Hand Coloring | 1809 | F. C. Lewis | Claude Lorrain | John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. Lewis", "In His Majesty's Collection". | Sold |
| 14.- | The Calmady Children, Emily and Laura Calmady by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | Sold | |
| 15.- |  |
The Finding of the True Cross by Frederick Christian Lewis (F. C. Lewis), based upon a design by Gregorio Pagani. | Original Etching & Aquatint | 1812 | F. C. Lewis | Gregorio Pagani | William Young Ottley, London, Italian School of Design, bearing the full title, artist names, and publication line. | Sold |
| 16.- |  |
Holy Family (The Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. | Original Soft Ground Etching | 1809 | F. C. Lewis | Raffaello Santi, 'Raphael' | John Chamberlaine, London, inscribed,"From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sct.", "In His Majesty's Collection", and the publication line, "Pub.d June 1. 1809, by J. Chamberlaine. Scotland Yard.", and numbered, "Pl. XLIX". | |
| 17.- | |
The Landing of Aeneas (The hero of Virgil's Aeneid, Aeneas was the son of Anchises and Aphrodite), by the brothers, George Robert Lewis (R. G. Lewis), and Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). | Original Etching and Aquatint | 1807 | F. C. Lewis
G. Lewis |
Claude Lorrain | John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. & G. Lewis", "In His Majesty's Collection", and numbered, "PL. IV" | |
| 18.- |  |
The Sisters, Sir Thomas Lawrence's Nieces by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | Sold |
| 19.- |  |
Treading the Wine Bags (Three Bacchantes standing in Profile), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Nicolas Poussin. | Original Aquatint | 1809 | F. C. Lewis | Nicolas Poussin | John Chamberlaine, London, inscribed, "From the Original Drawing by N. Poussin."Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London", and numbered, "Pl. XLVII". | |
| 20.- |  |
Virgin & Child & St. John by Frederick Christian Lewis (F. C. Lewis), based upon a design by Michelangelo 'Buonarroti, Michelangelo'. | Original Soft Ground Etching | 1811 | F. C. Lewis | Michelangelo 'Buonarroti, Michelangelo' | John Chamberlaine, London, inscribed, "Mich. I Angelo delt.", "F. C. Lewis Sculp.", "In His Majesty's Collection", and the publication line, "Published April. 17. 1811 by J. Chamberlaine Scotland Yard", and numbered, "Pl. LXIII". | Sold |
View other original engravings published by John Chamberlaine.
| British Publisher: John Chamberlaine | ||||||
| # | Image | Title & Artist | Engraver Info | Medium | Date | - |
| 01.- |  |
Annibale Carracci's (Head of a Man) by Georg Sigmund Facius | Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814) | Original Soft Ground Etching & Stipple Engraving | 1807 | |
| 02.- |  |
Annibale Carracci's (Old Man's Head) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Soft Ground Etching in Sepia | 1796 | |
| 03.- |  |
Annibale Carracci's (King David) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Etching and Aquatint | 1807 | |
| 04.- |  |
Annibale Carracci's (Self-Portrait) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Soft Ground Etching | 1796 | |
| 05.- |  |
Annibale Carracci's (Young Man's Head) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Stipple Engraving in Sepia | 1807 | |
| 06.- |  |
Annibale Carracci's (Virgin and Child and St. Anne) by Luigi Schiavonetti | Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) | Original Color Aquatint Engraving & Etching | 1807 | |
| 07.- |  |
Annibale Carracci's (Virgin and Dead Christ) by Luigi Schiavonetti | Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) | Original Aquatint Engraving & Etching | 1807 | |
| 08.- | |
Canaletto's 'Canaletti' (Arches) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Aquatint and Etching | 1811 | |
| 09.- |  |
Canaletto's 'Canaletti' (Ruins of a Temple and Arches) by George Hawkins | George Hawkins (London, active, 1800 -1825) | Original Aquatint and Etching | 1811 | |
| 10.- |  |
Canaletto's 'Canaletti' (Sea View with Buildings) by George Hawkins | George Hawkins (London, active, 1800 -1825) | Original Aquatint and Etching | 1811 | |
| 11.- |  |
Claude Lorrain's (Forest Scene) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Etching and Aquatint | 1807 | |
| 12.- | |
Claude Lorrain's (Grand Study of Trees) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Etching and Aquatint | 1807 | |
| 13.- |  |
Claude Lorrain's (Landscape with a River View) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Etching and Aquatint | 1807 | |
| 14.- | |
Claude Lorrain's 'Pharaoh' (Moses and the Israelites) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Etching & Aquatint with Hand Coloring | 1809 | |
| 15.- | |
Claude Lorrain's 'Polyphemus' (A One-Eyed Giant 'A Cyclops by the brothers, George Robert Lewis and Frederick Christian Lewis | George Robert Lewis (London, 1782 - 1871) and Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) | Original Etching & Aquatint | 1807 | |
| 16.- | |
Claude Lorrain's (Temple of Apollo) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Etching with Hand Coloring | 1809 | Sold |
| 17.- | |
Claude Lorrain's (The Landing of Aeneas) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856), and George Robert Lewis, (London, 1782 - 1871) | Original Etching and Aquatint | 1807 | |
| 18.- |  |
Leonardo da Vinci's (A Lawyer) by Robert Shipster | Robert Shipster 'Robert Shepster' (British, 1775 - 1823) | Original Stipple Engraving | 1806 | Sold |
| 19.- |  |
Leonardo da Vinci's (An Allegorical Composition) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Stipple Engraving in Sepia | 1811 | Sold |
| 20.- |  |
Leonardo da Vinci's (Country Girl's Head) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Stipple Engraving in Sepia | 1806 | Sold |
| 21.- |  |
Leonardo da Vinci's ('Dante' Five Grotesque Heads) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1806 | Sold |
| 22.- |  |
Leonardo da Vinci's (Design for a Cannon Foundry by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1796 | Sold |
| 23.- |  |
Leonardo da Vinci's (Four Profiles) by Benedetto Pastorini | Benedetto Pastorini (Italy, c. 1746 - 1838) | Original Stipple Engraving | 1806 | |
| 24.- |  |
Leonardo da Vinci's (Large Head of a Man) | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Stipple Engraving | 1796 | Sold |
| 25.- |  |
Leonardo da Vinci's (Self Portrait of Leonardo) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Stipple Engraving in Sepia | 1795 | Sold |
| 26.- |  |
Leonardo da Vinci's (Study of an Old Woman) by Benedetto Pastorini | Benedetto Pastorini (Italy, c. 1746 - 1838) | Original Stipple Engraving | 1806 | |
| 27.- |  |
Leonardo da Vinci's (The Muscular System) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1796 | Sold |
| 28.- |  |
Leonardo da Vinci's (The Skeletal System) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1795 | Sold |
| 29.- |  |
Leonardo da Vinci's (Woman's Head) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Stipple Engraving | 1803 | Sold |
| 30.- |  |
Ludovico Carracci's (Abraham Entertaining Three Angels) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1797 | |
| 31.- |  |
Ludovico Carracci's (Apotheosis of St. Francis by Peltro William Tomkins) | Peltro William Tomkins (London, 1760 - 1840) | Original Aquatint Engraving in Sepia | 1806 | Sold |
| 32.- |  |
Ludovico Carracci's (Jacob's Vision) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1797 | |
| 33.- | |
Michelangelo's (Virgin and Child and St. John) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Soft Ground Etching | 1811 | Sold |
| 34.- | |
Nicolas Poussin's (Bacchanalia, 'A Dance before a Herm of Pan, or Priapus') by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Aquatint Engraving | c. 1809 | |
| 35.- | |
Nicolas Poussin's (Treading the Wine Bags) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Aquatint Engraving | 1809 | |
| 36.- | |
Raphael's (Holy Family, the Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Soft Ground Etching | 1809 | |
| 37.- | |
Raphael's (Leda and the Swan) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Etching | 1809 | Sold |
| 38.- | |
Raphael's (Sibyl) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Soft Ground Etching | 1809 | Sold |
| Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art. | |
| Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories. | |
| Century: | |
| Old Master Artist Index | The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's. |
| Fine 19th Century Artist Index | The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899. |
| Country: | |
| British Artists Index | The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century. |
| French Artist Index | The 'French artist' directory contains a listing of original works of art created by artists from France and or art with a French theme. The artworks date from the 17th century to the 20th century. |
| Italian Artist Index | The 'Italian Art' directory contains a listing of original works of art created by artists from Italy and or art with an Italian theme. The artworks date from the 15th century to the 20th century. |
| Subject: | |
| Music & Dance Portrayed in Art Index | The 'Music & Dance Portrayed in Art' directory contains original works of art concentrating upon the theme of music and dance, a subject of great examination and interest for many artists. Their countless portraits or studies of composers, musicians, singers, dancers, and musical instruments are an important contribution to the arts. |
| Landscapes, Seascapes, City & Town Views Art Index | This directory contains a selection of original works of art with a focus on landscapes, seascapes, city views, town views and farm views from around the world. These artworks date from the 16th century to the 20th century. |
| Women Portrayed in Art Index | The 'Women in Art' directory contains a selection of original works of art with depictions of women in an almost infinite variety of roles, such as women as an object of beauty & desire, at work and of course, motherhood are major themes, as well as many other representations of women have emerged in the fine arts throughout the centuries. |
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