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Frederick Christian Lewis's original soft ground etching, Holy Family 'In His Majesty's Collection' (The Holy Family with the Infant St. John the Baptist), is based upon a drawing by the Renaissance artist, Raphael, also listed as (Raffaello Santi & Raffaello Sanzio di Urbino), housed in England's Royal Collection at Windsor. This impression is printed upon early 19th century wove paper with the watermark, "Edmeads & Pine, 1809" and with full margins as created by F. C. Lewis in 1809 for John Chamberlaine's set of original etchings and engravings published under the general title, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", and bears the text; "From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sct.", "In His Majesty's Collection", and the publication line, "Pub.d June 1. 1809, by J. Chamberlaine. Scotland Yard." in the lower margin, and is numbered, "Pl. XLIX" in the upper corner. In "Holy Family", Lewis relies almost completely upon the most complex medium of soft ground. His abilities to render painting and drawing techniques into the etched medium, in particular, set his art on a high plane. The scene depicts the Virgin seated with the Christ child leaning against her, and with St. Elizabeth leaning towards the infant St. John the Baptist. This is a fine, original example of the etched art created by the British artist, Frederick Christian Lewis, and the famous art of Raphael (Raffaello Santi). |
Title: | Holy Family 'In His Majesty's Collection' (The Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) |
Engraver: | Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) |
Designer: | Raphael 'Raffaello Santi' (Urbino, 1483 - Rome, 1520) |
Date: | 1809 |
Medium: | Original Soft Ground Etching |
Publisher: | John Chamberlaine, London |
Note: | Frederick Christian Lewis 'F. C. Lewis': An eminent early nineteenth century painter, etcher, aquatint and stipple engraver, Frederick Christian Lewis was a pupil of J. C. Stadler and studied at the Royal Academy Schools. He first gained notice in 1803 with his aquatints after Thomas Girtin's designs and published under the title of, "Twenty of the most Picturesque Views in Paris and its Environs". Then, from 1808 to 1823, he became one of the principal engravers for William Ottley's famous volumes on Renaissance art, "The Italian School of Design". Frederick Christian Lewis also contributed etchings for J.M.W. Turner's, "Liber Studiorum", well as creating commissioned engravings after the designs of Landseer and Flaxman. |
During his successful career, F. C. Lewis exhibited his art at the Royal Academy (1802-1853), the British Institution (1817-1853), the Society of British Artists (1824-1846) and at the Old Water-Colour Society. Frederick Christian Lewis was also appointed Engraver of Drawings to King George IV, King William IV and Queen Victoria. | |
F. C. Lewis was a tremendously skilled and versatile printmaker, as witnessed in this original work of art entitled, Holy Family 'In His Majesty's Collection', where he relies almost completely upon the most complex medium of soft ground. His abilities to render painting and drawing techniques into the etched medium, in particular, set his art on a high plane. His contributions (from approximately 1805 to 1812) to "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools" are particularly noteworthy. Aquatints (many printed in colors and sepia tones), stipple engravings, etchings and soft grounds bearing his name are all found within this set. | |
Raphael (Raffaello Santi or Raffaello Sanzio di Urbino): Although he lived only thirty-seven years Raphael stands at the summit of High Renaissance art. He entered the workshop of Perugino in Perugia some time before 1499 and remained there until 1504. He then worked for four years in Florence before moving permanently to Rome. There Raphael was commissioned by Pope Julius II to decorate the papal apartments. Such famous frescoes as the School of Athens were completed by 1511. In 1513, Leo X became Pope and appointed Raphael his Prefect of Antiquities. Raphael's duties now widened to include architecture, archaeology and tapestry design. Upon his early death in 1520, Raphael was buried with the highest honors in the Pantheon. Raphael is also listed as (Raffaello Santi & Raffaello Sanzio di Urbino). | |
Of Raphael's drawings Jakob Rosenberg writes, "A genius of Raphael's caliber and sensibility is really inimitable. There have never been united so impressively in one man's draughtsmanship grandeur and grace, clarity and beauty, the heroic and serene -- and a higher economy of line has never been attained." * | |
Holy Family 'In His Majesty's Collection' (The Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist): An original soft ground etching by Frederick Christian Lewis , Holy Family 'In His Majesty's Collection' is based upon a drawing created by the Renaissance artist, Raphael (Raffaello Santi), housed in England's Royal Collection at Windsor. It was created by F. C. Lewis in 1809 for John Chamberlaine's set of original etchings and engravings published under the general title, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", and bears the text; "From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sct.", "In His Majesty's Collection", and the publication line, "Pub.d June 1. 1809, by J. Chamberlaine. Scotland Yard." in the lower margin, and is numbered, "Pl. XLIX" in the upper corner. This scene depicts the Virgin seated with the Christ child leaning against her, and with St. Elizabeth leaning towards the infant St. John the Baptist. It is a striking example of the art of F. C. Lewis and the famous Renaissance artist Raphael. | |
John Chamberlaine (British, c. 1745 - 1812): In February, 1791, John Chamberlaine was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty's Collection, John Chamberlaine's greatest achievement was to publish engravings and etchings based upon these famous old master acquisitions. Between March, 1792 and February, 1800, John Chamberlaine published eighty-four stipple engravings based upon Holbein's portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, 'Historical Engraver to his Majesty'. | |
In 1796, John Chamberlaine initiated another important set of engravings based upon drawings in the Royal Collection, entitled, "Imitations of Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi and his followers. The following year, John Chamberlaine began his final set under the title of, "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael, Michelangelo, Claude Lorrain, Poussin, Canaletto and others. Such leading engravers as Francesco Bartolozzi, Luigi Schiavonetti,Peltro William Tomkins Frederick Christian Lewis, Robert George Lewis and others worked upon this project. | |
The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci" and the 1797 Engravings from the "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection", were both completed in 1812. At this point John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Taking eighteen years to complete, the entire series consisted of sixty-six plates, with the exception of a few sets which contained additional plates (not listed in the index), and bearing the publication date of 1795 or 1796. In order to simulate varying drawing methods, the artists used a wide ranging array of printmaking techniques such as stippling, soft ground etching and aquatinting, often employing either separately printed color plates or hand-coloring. As a result, some of the most complex and technically accomplished etchings and engravings of the late eighteenth and early nineteenth centuries are found within this scarce and monumental collection. This original soft ground etching hails from this set and is listed under the title, "Holy Family", plate XLIX (#49), designed by Raffaello Sanzio di Urbino and engraved by F. C. Lewis. | |
Size: | 13 5/8 X 10 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Buy Now | Price: $795.00 US |
Condition: | Printed upon early 19th century wove paper with the watermark, "Edmeads & Pine, 1809" and with full margins created by Frederick Christian Lewis in 1809 for John Chamberlaine's set of original etchings and engravings published under the general title, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", and bears the text; "From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sct.", "In His Majesty's Collection", and the publication line, "Pub.d June 1. 1809, by J. Chamberlaine. Scotland Yard." in the lower margin, and is numbered, "Pl. XLIX" in the upper corner. A beautifully printed impression with full, unfaded tonal values and in excellent condition throughout. Holy Family 'In His Majesty's Collection' (The Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) represents a prime, original example of the etched art of Frederick Christian Lewis. |
Subject: | Frederick Christian Lewis, F. C. Lewis, Raphael (Raffaello Santi or Raffaello Sanzio di Urbinoi, Holy Family 'In His Majesty's Collection', The Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist, original soft ground etching, High Renaissance art, Raphael's drawings, papal apartments, Britain's Royal Collection. |
Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Soft Ground Etching by Frederick Christian Lewis 'F. C. Lewis' designed by Raphael, 'Raffaello Santi'.
View other Original Works of art by Frederick Christian Lewis.
Frederick Christian Lewis 'F. C. Lewis' (London, 1779 - 1856) | ||||||||
# | Image | Title & Artists | Medium | Date | Engraver | Designer | Notes | - |
01.- | Augusta Fane, Countess of Lonsdale by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | ||
02.- | Arches (Architectural View of a Capriccio from the Forum of Augustus in Rome), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Giovanni Antonio Canal (Canaletto). | Original Aquatint and Etching | 1811 | F. C. Lewis | Giovanni Antonio Canal (Canaletto) | John Chamberlaine, London, inscribed, "Canaletti delt.", "F. C. Lewis fc.", "In His Majesty's Collection", and the publication line, "Published April 17 1811. by J. Chamberlaine Scotland Yard.", and numbered, "Pl. LXVI". | ||
03.- | Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Nocolas Poussin. | Original Aquatint Engraving | c. 1809 | F. C. Lewis | Nocolas Poussin | John Chamberlaine, London, inscribed, "From the Original Drawing by N. Poussin.", "Engraved by Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London", and numbered, "Pl. XLII". | ||
04.- | Grand Study of Trees (A Pastoral Scene with Dancing Figures), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). | Original Etching and Aquatint | 1807 | F. C. Lewis | Claude Lorrain | John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. Lewis", "In His Majesty's Collection". | ||
05.- | Leda and the Swan (Greek mythology: Zeus came to Leda in the form of a swan), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. | Original Etching | 1809 | F. C. Lewis | Raffaello Santi, 'Raphael' | John Chamberlaine, London, inscribed,"From the Original Drawing by Raphaello di Urbino.", "F. Lewis sc.", "In His Majesty's Collection", and the publication line, "Pub. Feby. 7. 1809, by I. Chamberlaine, Scotland Yard.", and numbered, "Pl. XLVI". | Sold | |
06.- | Pharaoh (Moses and the Israelites Pass Through the Red Sea), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee) | Original Etching & Aquatint with Hand Coloring | 1809 | F. C. Lewis | Claude Lorrain | John Chamberlaine, London, inscribed, "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engrav’d by F. C. Lewis", and the publication line, "Published Jany. 1809, by J Chamberlaine, London", and numbered, "XLVIII". | ||
07.- | Polyphemus (A One-Eyed Giant 'A Cyclops), by the brothers, George Robert Lewis (R. G. Lewis), and Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). | Original Etching and Aquatint | 1807 | F. C. Lewis G. Lewis |
Claude Lorrain | John Chamberlaine, London, inscribed, "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engd by F. C. & G. Lewis". | ||
08.- | Portrait of Henry Bloxam as Child by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | ||
09.- | Portrait of Miss Mary Bloxam as a Young Lady by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | ||
10.- | Portrait of Richard Roland Bloxam as a Child by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | ||
11.- | Sibyl (Sibyl, The Prophetess or The Goddess of Poetry), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. | Original Soft Ground Etching | 1809 | F. C. Lewis | Raffaello Santi, 'Raphael' | John Chamberlaine, London, inscribed, "From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sc.", "In His Majesty's Collection", and the publication line, "Pubd. Feby. 7. 1809 by I. Chamberlaine Scotland Yard."; with the watermark, "Edmeads & Pine, 1809", and numbered, "Pl. XLIII" | Sold | |
12.- | Study For Part of The Celebrated Fresco, The Heliodorus in The Vatican by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. | Original Soft Ground Etching | 1818 | F. C. Lewis | Raffaello Santi, 'Raphael' | William Young Ottley, London, Italian School of Design, bearing the full title, artist names, and publication line. | Sold | |
13.- | Temple of Apollo (Kotylion Mountain, Bassae, Greece), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). | Original Etching with Hand Coloring | 1809 | F. C. Lewis | Claude Lorrain | John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. Lewis", "In His Majesty's Collection". | Sold | |
14.- | The Calmady Children, Emily and Laura Calmady by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | Sold | |
15.- | The Finding of the True Cross by Frederick Christian Lewis (F. C. Lewis), based upon a design by Gregorio Pagani. | Original Etching & Aquatint | 1812 | F. C. Lewis | Gregorio Pagani | William Young Ottley, London, Italian School of Design, bearing the full title, artist names, and publication line. | Sold | |
16.- | Holy Family (The Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. | Original Soft Ground Etching | 1809 | F. C. Lewis | Raffaello Santi, 'Raphael' | John Chamberlaine, London, inscribed,"From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sct.", "In His Majesty's Collection", and the publication line, "Pub.d June 1. 1809, by J. Chamberlaine. Scotland Yard.", and numbered, "Pl. XLIX". | ||
17.- | The Landing of Aeneas (The hero of Virgil's Aeneid, Aeneas was the son of Anchises and Aphrodite), by the brothers, George Robert Lewis (R. G. Lewis), and Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). | Original Etching and Aquatint | 1807 | F. C. Lewis
G. Lewis |
Claude Lorrain | John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. & G. Lewis", "In His Majesty's Collection", and numbered, "PL. IV" | ||
18.- | The Sisters, Sir Thomas Lawrence's Nieces by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. | Original Stipple & Soft Ground Etching with Hand Colouring | 1837 | F. C. Lewis | Sir Thomas Lawrence | Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London | Sold | |
19.- | Treading the Wine Bags (Three Bacchantes standing in Profile), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Nicolas Poussin. | Original Aquatint | 1809 | F. C. Lewis | Nicolas Poussin | John Chamberlaine, London, inscribed, "From the Original Drawing by N. Poussin."Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London", and numbered, "Pl. XLVII". | ||
20.- | Virgin & Child & St. John by Frederick Christian Lewis (F. C. Lewis), based upon a design by Michelangelo 'Buonarroti, Michelangelo'. | Original Soft Ground Etching | 1811 | F. C. Lewis | Michelangelo 'Buonarroti, Michelangelo' | John Chamberlaine, London, inscribed, "Mich. I Angelo delt.", "F. C. Lewis Sculp.", "In His Majesty's Collection", and the publication line, "Published April. 17. 1811 by J. Chamberlaine Scotland Yard", and numbered, "Pl. LXIII". | Sold |
View other original engravings published by John Chamberlaine.
British Publisher: John Chamberlaine | ||||||
# | Image | Title & Artist | Engraver Info | Medium | Date | - |
01.- | Annibale Carracci's (Head of a Man) by Georg Sigmund Facius | Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814) | Original Soft Ground Etching & Stipple Engraving | 1807 | ||
02.- | Annibale Carracci's (Old Man's Head) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Soft Ground Etching in Sepia | 1796 | ||
03.- | Annibale Carracci's (King David) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Etching and Aquatint | 1807 | ||
04.- | Annibale Carracci's (Self-Portrait) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Soft Ground Etching | 1796 | ||
05.- | Annibale Carracci's (Young Man's Head) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Stipple Engraving in Sepia | 1807 | ||
06.- | Annibale Carracci's (Virgin and Child and St. Anne) by Luigi Schiavonetti | Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) | Original Color Aquatint Engraving & Etching | 1807 | ||
07.- | Annibale Carracci's (Virgin and Dead Christ) by Luigi Schiavonetti | Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) | Original Aquatint Engraving & Etching | 1807 | ||
08.- | Canaletto's 'Canaletti' (Arches) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Aquatint and Etching | 1811 | ||
09.- | Canaletto's 'Canaletti' (Ruins of a Temple and Arches) by George Hawkins | George Hawkins (London, active, 1800 -1825) | Original Aquatint and Etching | 1811 | ||
10.- | Canaletto's 'Canaletti' (Sea View with Buildings) by George Hawkins | George Hawkins (London, active, 1800 -1825) | Original Aquatint and Etching | 1811 | ||
11.- | Claude Lorrain's (Forest Scene) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Etching and Aquatint | 1807 | ||
12.- | Claude Lorrain's (Grand Study of Trees) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Etching and Aquatint | 1807 | ||
13.- | Claude Lorrain's (Landscape with a River View) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Etching and Aquatint | 1807 | ||
14.- | Claude Lorrain's 'Pharaoh' (Moses and the Israelites) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Etching & Aquatint with Hand Coloring | 1809 | ||
15.- | Claude Lorrain's 'Polyphemus' (A One-Eyed Giant 'A Cyclops by the brothers, George Robert Lewis and Frederick Christian Lewis | George Robert Lewis (London, 1782 - 1871) and Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) | Original Etching & Aquatint | 1807 | ||
16.- | Claude Lorrain's (Temple of Apollo) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Etching with Hand Coloring | 1809 | Sold | |
17.- | Claude Lorrain's (The Landing of Aeneas) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856), and George Robert Lewis, (London, 1782 - 1871) | Original Etching and Aquatint | 1807 | ||
18.- | Leonardo da Vinci's (A Lawyer) by Robert Shipster | Robert Shipster 'Robert Shepster' (British, 1775 - 1823) | Original Stipple Engraving | 1806 | Sold | |
19.- | Leonardo da Vinci's (An Allegorical Composition) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Stipple Engraving in Sepia | 1811 | Sold | |
20.- | Leonardo da Vinci's (Country Girl's Head) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Stipple Engraving in Sepia | 1806 | Sold | |
21.- | Leonardo da Vinci's ('Dante' Five Grotesque Heads) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1806 | Sold | |
22.- | Leonardo da Vinci's (Design for a Cannon Foundry by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1796 | Sold | |
23.- | Leonardo da Vinci's (Four Profiles) by Benedetto Pastorini | Benedetto Pastorini (Italy, c. 1746 - 1838) | Original Stipple Engraving | 1806 | ||
24.- | Leonardo da Vinci's (Large Head of a Man) | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Stipple Engraving | 1796 | Sold | |
25.- | Leonardo da Vinci's (Self Portrait of Leonardo) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Stipple Engraving in Sepia | 1795 | Sold | |
26.- | Leonardo da Vinci's (Study of an Old Woman) by Benedetto Pastorini | Benedetto Pastorini (Italy, c. 1746 - 1838) | Original Stipple Engraving | 1806 | ||
27.- | Leonardo da Vinci's (The Muscular System) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1796 | Sold | |
28.- | Leonardo da Vinci's (The Skeletal System) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1795 | Sold | |
29.- | Leonardo da Vinci's (Woman's Head) by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Stipple Engraving | 1803 | Sold | |
30.- | Ludovico Carracci's (Abraham Entertaining Three Angels) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1797 | ||
31.- | Ludovico Carracci's (Apotheosis of St. Francis by Peltro William Tomkins) | Peltro William Tomkins (London, 1760 - 1840) | Original Aquatint Engraving in Sepia | 1806 | Sold | |
32.- | Ludovico Carracci's (Jacob's Vision) by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Etching | 1797 | ||
33.- | Michelangelo's (Virgin and Child and St. John) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Soft Ground Etching | 1811 | Sold | |
34.- | Nicolas Poussin's (Bacchanalia, 'A Dance before a Herm of Pan, or Priapus') by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Aquatint Engraving | c. 1809 | ||
35.- | Nicolas Poussin's (Treading the Wine Bags) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Aquatint Engraving | 1809 | ||
36.- | Raphael's (Holy Family, the Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Soft Ground Etching | 1809 | ||
37.- | Raphael's (Leda and the Swan) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Etching | 1809 | Sold | |
38.- | Raphael's (Sibyl) by Frederick Christian Lewis | Frederick Christian Lewis (London, 1779 - 1856) | Original Soft Ground Etching | 1809 | Sold |
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